Over the next few weeks I’ll be posting interviews with the authors and poets who will be taking part in our Book Fair: http://www.narberthbookfair.co.uk/.
There are forty of us so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults and fun workshops for children, activities for the children and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.
And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.
And, as usual, there will also be the writing competition: this year is a poetry competition: Submit a poem, in any form, of 20 lines or less, on the subject of : –
Books and Reading.
Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.
Although, five years ago, I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2 and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ .
I’ll be chatting with one ot two of them each week. Today it’s the turn of the author, Rebecca Bryn, to chat to us.
Please tell us, Rebecca, what do you love most about the writing process?
Creating an alternative, believable reality and populating it with the people I could never hope, and sometimes never want, to be.
What is the ultimate goal you hope to achieve with your writing?
Imparting some small piece of knowledge, self-awareness, or understanding, and challenging my readers’ preconceptions, as my tales have challenged mine and informed me of who I am.
Are your characters based on real people or did they all come entirely from your imagination?
A bit of both. Walt in Touching the Wire, though a fictitious character, was based on my maternal grandfather because I needed a person I loved deeply in order to be able to contemplate writing such a harrowing story. Jem in For Their Country’s Good was a real person; he was my great-great-great uncle and there is a lot of fact in that story. Most of my other characters are out of my own damaged and devious psyche…
What do you think makes a good story?
Characters that live, flawed and imperfect, who make wrong choices and drive the story in unexpected directions. A believable plot. Settings in which you can immerse yourself and forget reality for a while.
How many books have you written? Which is your favourite?
Six. I love them all, but then I’m biased; I fall in love with the characters. I think I’m most proud of For Their Country’s Good. I wrote it for my family: it’s part of their history too.
What genre do you consider your books? Have you considered writing in another genre?
Loosely thrillers. I’ve written contemporary, historical and dystopian, all with a romantic thread, but I like to think they’re thrillers with a twist.
Could you tell us a bit about your most recent book and why it is a must-read?
My latest is On Common Ground, Book Three of For Their Country’s Good, so, really, to get the full impact you need to read Books One and Two first. The story takes us back to Victorian England and immerses us in the poverty and inequalities of that time. The lack of rights for women, even over their own bodies – rape in marriage was legal until relatively recently – the brutality of the transportation system where young men and women were transported, with little hope of ever earning the fare to return home, for crimes such as ‘stealing two lengths of ribbon’ or ‘being fraudulently in possession of a shovel’ (Yes these are real crimes) in order to build an empire in Australia on convict labour: the strength of love to withstand everything life throws at it. Love, social inequality, and injustice are subjects dear to my heart. You have to read this series!
Does your book have a lesson? Moral?
Never give up?
Do your characters seem to hijack the story or do you feel like you have the reins of the story?
Do they ever! Reins? What are they? I have a beginning point and an idea of how and where the story will end. Between the first page and the last looms this chasm of blank white paper. I put my trust in my characters and follow where they lead. They land themselves in some awful situations and expect me to write them out of them.
Do you hear from your readers much? What kinds of things do they say?
I have had some hundred or more fabulous reviews, and one or two not so fabulous ones. A letter I received from an elderly Hungarian lady, whose parents died in the Holocaust, made my entire writing career worthwhile. She thanked me for writing Touching the Wire, saying that after seventy years she could finally contemplate the process of forgiveness. I wept when I read her letter, as I wept when I wrote the novel. I’m filling up just thinking about her.
Do you have any hidden or uncommon talents?
I am a woman of hidden talents, most of them well-hidden, but I can turn my hand to most things. I paint in watercolours, mainly seascapes. I’ve tiled floors, mixed concrete, and dug ponds, and the same rough hands have embroidered pictures and made intricate patchworks. I just love to create.
What would you say is your interesting writing quirk?
I have a habit of constructing sentences backwards. And I have dyslexic fingers when typing. I have learnt not to call my characters Hnery or Hnerietta, for example.
What do you like to do when you’re not writing?
Painting, walking, reading, gardening – anything except housework.
What is the most amusing thing that has ever happened to you? Not particularly to do with your writing.
Should I admit to this? I was once rather non-PC with a black gentleman who came to carry out an inspection when I ran a village Post Office. Post Office inspectors are like policeman: not known for their chattiness or sense of humour. I’d tried to be friendly, but he was having none of it and even refused my coffee. While he was pouring through my books with an eagle and disapproving eye, I had a phone call from my future husband whose dog was due to whelp. She was a black Labrador, and the father of the pups was a tortoiseshell Collie, so we were hoping for pretty puppies. The news was that Katie had begun giving birth and was still in labour. The part of the phone call the inspector heard went as follows.
Me ‘Oh, good, I’m a granny.’
The inspector broke a frugal congratulatory smile.
Me ‘How many has she had?’
He rose one eyebrow a quarter of an inch at this.
Me ‘What colour are they?’
The expression on his face was absolutely priceless.
Sorry, but I couldn’t help myself…
Another incident that was embarrassing at the time but funny in retrospect is retold in ‘Ooh Air Margrit’ Download it free at http://www.independentauthornetwork.com/rebecca-bryn.html Find the link immediately beneath my author biography.
Give us a random fact about yourself.
I love Marmite.
Links to Rebecca:
Love the post office inspector story 😀 I bet his face was a picture!
Icracked up on that, Cathy. Thanks for dropping by.:)
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Reblogged this on Don Massenzio's Blog and commented:
Rebecca Bryn is the featured poet today on Judith Barrow’s Blog.
Thanks for all your support, Don
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Reblogged this on Indie Lifer and commented:
Great interview with Rebecca Bryn.
Many thanks; much appreciated
Enjoyable interview – not least the Labrador pups story 🙂
Thanks for ropping by, Mary. The author interviews for the Narberth Book Fair will be coming through fast now
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