Welcome, Jackie, please tell us a little about yourself
Raised in smoky, post-war Walthamstow, mostly in brick terraces, prefabs and flats, I have always loved escaping to fresh air and trees and, as soon as I could, moved to Essex. Now, in retirement, my husband, Peter, and I can watch ducklings and moorhens on Buckhurst Hill’s village pond, from our front windows, I couldn’t be happier. To cap it all we have the freedom of Epping Forest just a few hundred yards down the road. Perfect.
In spring and summer I spend half my time working an allotment with a friend; in autumn and winter and on rainy days, I cosy up indoors to do my writing. In between times, I paint, I run a Creative Writing group and Bookclub for the local U3A, and attend other art-based groups, a Scrabble Group and indulge in hilarious Parlour games with my friends. Before lockdown, I helped out at a Memory Cafe for people with Dementia. I consider myself blessed in my son and daughter, my daughter-in-law and in my four grandchildren who spice up our lives and keep us on our toes.
When did you start writing?
I have always loved make-believe. As a child I spent too much time daydreaming or immersed in a book for my own good, or so they told me. I loved play-acting, adored cinema and theatre and knew I would write stories eventually. But teaching put paid to that idea. It was only when I could see an end in sight, in the early 1990s, that I actually swapped my pottery kiln for a word processor and began writing short stories. Honno took one for an anthology they were compiling, and the rest – you’ve guessed it – is history.
What genre do you write in and why?
I’d written five novels before I decided, as an experiment, to have a go at crime, mainly because I thought I would reach a wider audience. I didn’t read crime myself, only seen police procedurals on TV which I found ‘samey’ and, for the most part, predictable. What did attract me, though, was historical research: the Victorian era and early policing. How did they solve crimes before fingerprinting and DNA? If I could combine all that with art, I’d be happy. So I invented a police artist named Archie Price, born in Wales but painting and working in Walthamstow, a town I know very well.
How important is location in your novels?
I have set many of my books in old Walthamstow, as I grew up there. I knew my way around the streets, the market, the shops, schools,the park, the railway station. I knew the Palace theatre watched pantomime and music hall there. I even danced the Highland Fling on its stage when our ballet class put on a show. I knew the journey to and from London, by train and bus, and all the stops along the way. I knew the walk down to the river, the marshes, the pubs and bridges. Loving a place, it’s easy to set a story there, imagine your protagonists walking around, inhabiting the place, having adventures.The place, and the time, of course, have such an influence on who they are and the way they think, react.
Jackie’s painting of the Buckhurst Hill village pond outside her front window.
In all my books I need to have been to the places I write about, so that I can look around, recognise, touch, taste the air, get the atmosphere, put myself there and, through me, my characters.
Who is your favourite (non Honno) author?
Before she wrote Handmaid’s Tale I would have said Margaret Atwood. Now, I have to return to my first love, Thomas Hardy. My daughter is named Tamsin after his heroine in Return of the Native. My favourite live author Is Maggie Farrell. No one can break your heart as she can
Where do you write?
Anywhere in the house where I can find a quiet spot. Now that I have discovered I can write in Word on my iPad in bed and have it appear on my laptop downstairs, the world is my oyster.
Who is your favourite character in your books?
Archie Price – my ideal man – flawed but well meaning and kind. Julia Margaret Cameron made a photograph of an enigmatic and mysterious man she called Iago. Those are his looks. He is not Shakespeare’s Iago, however. He does not have a disloyal bone in his body. He is rather like my husband, in fact.
What was your favourite bit of research?
Any forensic Art – how an artist can build up the likeness of a villain from a witness’s description. How a face can be made for a skull, as in pmy latest novel Shades of Deception.But I also love researching the suffragettes for my current work in progress.
What do you like most about being published by Honno, an indie press rather than one of the big publishing houses?
My association with Honno began with their anthology, Luminous and Forlorn, which included my short story, Lovey Dovey Cats Eyes. I like that they are real people, who treat their authors as real people, rather than as a means to an end. They respect your wishes, offer sound advice and editing and pull out all the stops to provide a really good quality product you can be proud of.
Links to Jackie: