Honno: “Great Women, Great Writing, Great Stories.” Today with Wendy White #FridayReads #Honno

My greatest support has come from the group of authors published by Honno. We have a Facebook group where we can chat and ask for help, information and generally boost moral when it’s needed. And we’ve met up in real life on many occasions. About three years ago I shared interviews with some of them. Since then there have been other women writers who have become Honno authors. So this is the first of a new set of interviews and today I am with the lovely Wendy White, author of both adult and children’s’ book

Please tell us a little about yourself.

I was born in Llanelli on the south west coast of Wales and still live in Carmarthenshire now. My favourite bands at ten years old were The Osmonds and Bay City Rollers, so from that you might be able to deduce my age (I like to think my musical taste has improved a lot since then). Sara Gethin is the name I chose for myself when my first novel, ‘Not Thomas’, was published, and I’m often asked why I opted for a pen name. It was for a very practical reason ‒ alongside writing for adults, I write children’s books using my everyday name of Wendy White. While my writing for children is light and humorous, ‘Not Thomas’ is a dark story of child neglect, and so having separate names helps to differentiate between the two types of book. Plus, having a nom de plume finally satisfies my childhood ambition!

When did you start writing?

I started writing late. I was ambling along, being a teacher, mother and child-minder, until some major events shocked me into taking the path I’d longed for since I was a child. In 2001, after 9/11, I decided to sign up for a ‘writing for children’ course, figuring the one thing I’d die wishing I had done would be to have written a book. I sent out a story to a publisher a couple of years later. The editor said they liked my style and if I made some changes they’d consider publishing it. Instead of being encouraged by that reply, I put the story aside and forgot about it. Then, a few years later, my lovely sister passed away very suddenly, and through the fog of grief I could very clearly hear her urging me to push for my dreams as life is short. The following year I reworked the story and sent it again to the publisher who, thankfully, this time accepted it. That became ‘Welsh Cakes and Custard’, the first of my children’s books, and was published in 2013.  

What genre do you write in and why?

Ah, genre is such a difficult thing, especially when books don’t fit neatly into one category. What I can say is that I tend to write for or about children, so ‘Not Thomas’, is about a neglected five-year-old called Tomos who narrates his own story. I guess if someone enjoys reading Cathy Glass books, which are about real-life children in difficult situations, then they might find ‘Not Thomas’ interesting too. But my novel is fiction and not autobiographical. It sometimes gets compared to ‘Room’ by Emma Donoghue, as it has a very young narrator. I suppose I write about children because I enjoy seeing the world from their point of view, and I strongly suspect I’ve never properly grown up.

How important is location in your novels?

Not Thomas’ was set in my home area of Carmarthenshire ‒ using places where I grew up or worked ‒ and I could visualise the streets and parks I was writing about. The novel I’m working on at the moment is set in Connemara, Ireland, somewhere I’ve holidayed many times. Having personal experience of the locations my novels are set in has been extremely important to me. I’m not the most descriptive writer, yet being able to imagine Tomos turning a certain corner as he runs away from bullies, or imagining Claire and Emmet charging over a particular hill in their escape from school has certainly helped to get those scenes onto paper. My novel set in Ireland features industrial schools, and my chosen setting reflects the fact that one of the most notorious of these institutions was in Connemara, so setting is very important for me in that way too.   

Who is your favourite (non Honno) author?

I have a real love of Irish writers, probably because Ireland has been my favourite place to visit for the last twenty or so years. My son went to university in Dublin, stayed after he graduated and has lived there for almost ten years now, so my visits have become even more frequent. Among my best-loved Irish writers are Emma Donoghue, Roddy Doyle, Sebastian Barry, John Boyne and newcomer, Sally Rooney. As for non-Irish writers, I’m a huge fan of Ian Rankin’s Rebus series, of Alice Munro’s short stories and Donna Tartt’s (very long) novels.  

Where do you write?

In winter, at the kitchen table, near the radiator, kettle and biscuit tin. Once the weather improves, I move my laptop out to the little shed I have in the garden. Its window once had a distant view of Carmarthen Bay, but now it mostly looks out onto some new houses. (I do appreciate that the town was short of housing, but if only they could have built them slightly to the right!)

Who is your favourite character in your books?

That would have to be five-year-old Tomos from ‘Not Thomas’. I always joke he’s the third child in our family, along with my daughter and son. It took me over 13 years to write that novel, so my own children were growing up and all the while Tomos stayed five. He’s an amalgamation of the neglected children I knew when I worked as a primary school teacher in a very deprived area. I hope, through him, I’ve given those children a voice and portrayed what it’s like to be so young and not properly cared for. It’s a terrifying situation for a child to be in.

What was your favourite bit of research?

I’ve spent years researching the latest novel I’m working on about children brought up in an industrial school in 1960s Ireland. Reading first-hand accounts really brings home the cruelty of life in those places. The book I return to again and again is an account by Peter Tyrrell of his time as a boy in Letterfrack Industrial School. ‘Founded on Fear’ was created after his death from letters he wrote and the details are harrowing, so it’s hard to say that it’s my ‘favourite’ bit of research, but the book is certainly compelling. Peter campaigned as an adult to put a stop to the abuse that went on in these institutions but sadly, at that time, his accounts weren’t believed by the people who could make a difference. In despair, he ended his life by setting fire to himself on Hampstead Heath in 1967. His body would never have been identified had a corner of a postcard with a Dublin address on it not been salvaged from his jacket. The postcard was to a TD (the Irish equivalent of an MP) who was supporting him with his campaign. Peter Tyrrell’s whole story is very sad, and he’s never far from my thoughts as I write about Claire and Emmet, the children in my work in progress.    

  What do you like most about being published by Honno, an indie press

When I was writing ‘Not Thomas’ I knew exactly where I wanted to send it when I’d finished, and that was to Honno. I’d long admired their work and I loved the fact that they’re a female-only press and have a committee of women who decide what to publish. Added to that was my huge respect for Caroline Oakley, a Honno editor who had worked closely in a previous role for a number of years with (the aforementioned) Ian Rankin. I was absolutely delighted when I heard from Caroline that Honno were going to publish ‘Not Thomas’ and my whole experience of being part of the Honno family has been fantastic. All the staff and other authors are extremely supportive and go out of their way to make everyone welcome. I’m constantly recommending Honno to my female friends who are writers. It may be a small indie press but it commands huge respect and publishes wonderful books.

Thanks for being with us today, Wendy..

Thank you so much for your questions, Judith ‒ happy writing!

Links to Wendy’s page on Honno:

https://www.honno.co.uk/authors/g/sara-gethin/

Sara Gethin Social Media Links:

Website & Blog: saragethin.com

Facebook: @SaraGethinWriter

Twitter: @SGethinWriter

Instagram: www.instagram.com/saragethinwriter

Honno: “Great Women, Great Writing, Great Stories.” Today with Carol Lovekin #TuesdayBookBlog

My greatest support has come from the group of authors published by Honno. We have a Facebook group where we can chat and ask for help, information and generally boost moral when it’s needed. And we’ve met up in real life on many occasions. About three years ago I shared interviews with some of them. Since then there have been other women writers who have become Honno authors. So this is the first of a new set of interviews and today I am with my friend, Carol Lovekin

Please tell us a little about yourself.

My mother was from Northern Ireland, my dad was Anglo-Irish. They met during the war when Ma was a nurse and Dad was in the army. I was born and brought up in Warwickshire. I’ve lived in Wales since the late seventies and in Lampeter for the last fourteen years, in a small first floor flat. In summer it overlooks rolling hills and bird-laced drifting skies. Come winter the mist encroaches, the sky grows wilder and the birds are in their elemen
t.

When did you start writing?


My parents disagreed about the importance of education for girls. Having been denied an education herself, my mother wanted better for me. Dad had other ideas and in spite of his socialist leanings, patriarchy won out. In the 50s, the husband’s word was still law. I left school with no qualifications and went on to educate myself. (I’m still home-schooling.) One thing I did do, from childhood, was write. Decades later, my mother told me how much she regretted not fighting my corner. I don’t blame her – she did her best for me in other ways. Always made sure I had an endless supply of books to read and encouraged my scribbling. She would have been proud of my publishing achievements.

It took a long time though. I never settled into a disciplined writing state of mind and spent too many years in a state of arrested development. Life intruded, the way it does for many women. Finding myself older, wiser, retired and settled, I chose to make time and take my writing seriously, with a view to being published. Three books later, I hope my dad would have been proud too.

What genre do you write in and why?

Now, there’s a question. And a tricky one to answer. I write outside mainstream notions of genre and I’m still not sure where my books fit. When I began writing my first published book, Ghostbird, I vaguely imagined I was writing literary fiction. Largely because there was – and remains – no obvious slot for my stories. (Joanne Harris called Ghostbird “quirky” and I’ll take that.)

The truth is, were it not for the publishing world’s preoccupation with categories and shelf appeal, I wouldn’t give the genre of my books a second thought. On the edges of Gothic mystery with a nod to ghosts and magical realism?

Although they do contain these elements, conversely, my stories are rooted in reality: they’re intimate, small in scale and grounded in the commonplace dramas that exist within apparently ordinary families. I write about women with witchy heritages and a penchant for chatting to birds; eccentric mothers, absent fathers, lonely teenage girls, old houses and village life.



And I’m a collector of old stories – fairytales and legends. In particular, the patriarchal ones (which is most of them, frankly) denying women a voice. The motif of the ghost – particularly as the ‘presence’ of a previously silenced voice – has been the main factor in the trajectory my writing has taken. Each of my books feature encounters with ghosts of one kind or another. The crux for me is though, I find fiction a perfect vehicle for retelling women’s stories – old and new – in a modern setting. I leave my reader to decide on the genre.

How important is location in your novels?

Hugely. My books are almost exclusively set in Wales. The vivid, mysterious landscape of my adopted home is the backdrop to each of them. Verity and Meredith in my second book, Snow Sisters, do go off to London for a while but essentially, my settings are Welsh villages, its old houses and magical gardens. The hinterland too – the wild moorland with its endless skies.


Who is your favourite (non Honno) author?

Impossible to answer!If I’m reading a fantastic book, in the moment, that author is my favourite. I’m a lifelong admirer of Virginia Woolf. My favourite Irish author is the sublime Edna O’Brien. Daphne du Maurier is superb. Jane Eyre and To Kill a Mockingbird are my favourite books, except when they aren’t, because I’m reading something brilliant and how do I choose?

Where do you write?

In the first instance, when a new idea begins to come into focus, I write a lot by hand. Non-linear, random notes, often in bed first thing in the morning. My preference is for spiral-bound, A5 artist sketchpads and a pencil. These scribbles eventually translate to the main event, and once I’m in the World of Word, I’m in my study on the PC. I know how fortunate “a room of my own” makes me.


Who is your favourite character in your books?

Cadi Hopkins in Ghostbird. Possibly because she was my first. When I met her, coming out of a dream – in itself remarkable as I rarely recall them – I knew her. Her name, what she looked like, where she lived and that she had a dead baby sister; that this baby was somehow connected to the Welsh legend of Blodeuwedd, the woman made from flowers who was ‘punished’ by being turned into an owl.

I’m fond of Allegra in Snow Sisters, too. She’s a deeply misunderstood character who acts out her pain in appalling, attention seeking behaviour, because she has been betrayed by the men in her life and feels unloved.

My favourite ghost is Olwen, in Wild Spinning Girls. If I’m ever a ghost, I want to be Olwen.


What was your favourite bit of research?

My stories don’t require a great deal of research per se. I’m very familiar with Welsh villages, old houses and so forth. I do like to check details however and if I’m writing about specifics – the bureau in Wild Spinning Girls for instance – I enjoy looking for something that best fits my initial vision. For my fourth book, I’m currently researching tasseography – the art of reading tea leaves!


What do you like most about being published by Honno, an indie press rather than one of the big publishing houses?

The intimacy. The sense of being part of a family. Honno’s reputation as an independent press publishing writing exclusively by women appealed to my feminist heart from the start. And it felt like the right fit for my debut, with its connection to The Mabinogion and the legend of Blodeuwedd.


A small press may not have the financial resources available to bigger, mainstream houses; they do tend to have a broad vision. They’re less bureaucratic, more collaborative and if they believe in a project enough, will invest time, expertise and energy in it. This has certainly proved to be the case for me with Honno.


Honno translates as ‘that one (feminine) who is elsewhere’ which is beautiful. And we are: Honno authors are elsewhere, here and everywhere

About the author:

Carol says, ‘I am a writer, feminist & flâneuse based in west Wales. I write contemporary fiction exploring family relationships & secrets, the whole threaded with myth, fairytale, ghosts, Welsh Gothic mystery & slivers of magic.

My third & most recent novel, WILD SPINNING GIRLS, is now available! Published on 20th February 2020 by HONNO, the Welsh Women’s Press. It has been selected as Books Council of Wales BOOK OF THE MONTH for March.’

Links to find Carol:

Twitter: twitter.com/carollovekin

Website: carollovekinauthor.com/

Instagramwww.instagram.com/carollovekin/?hl=en

Honno: : https://www.honno.co.uk/authors/l/carol-lovekin/

Honno: “Great Women, Great Writing, Great Stories.” Today with Thorne Moore #TuesdayBookBlog

 My greatest support has come from the group of authors published by Honno. We have a Facebook group where we can chat and ask for help, information and generally boost moral when it’s needed. And we’ve met up in real life on many occasions. About three years ago I shared interviews with some of them. Since then there have been other women writers who have become Honno authors. So this is the first of a new set of interviews and today I am with my friend, Thorne Moore.

Hi Thorne, glad you are with us today.

It’s good to be here, Judith.

Let’s start by you telling us a little about yourself, please.

I was born in Luton, but my mother came from Cardiff and I went to Aberystwyth University, so it was a bit like reclaiming my Welsh heritage when I moved to Wales in 1983 to run a restaurant with my sister. I live now in north Pembrokeshire, in an old farm cottage on the site of a mediaeval mansion, overlooking forests and valleys and very nearly in sight of the sea. I am just retiring from 40 years of making miniature furniture for collectors, and I write, garden, write, cook, write, walk… oh, and write.

When did you start writing?

I was certainly writing seriously when I was at school, because I remember sitting on a radiator during a wet break (prefect’s privilege), telling a friend I was writing a book – and I was enormously relieved that she didn’t laugh. In a way, I began very young, though not by putting the words down on paper. I was a daydreamer. Every Sunday we went for a drive around Bedfordshire and I would sit in the back, daydreaming long elaborate stories. I was always slightly irritated if my brother or sister wanted to talk to me. By the time I was at university, I knew that writing was the only thing I wanted to do.

What genre do you write in and why?

I began with fantasy, moved into Science Fiction and now drift between contemporary domestic noir and historical mysteries. But really there isn’t much difference in my mind between the genres. All my books of any genre have two underlying themes. How do people react, psychologically, when they are confronted by a traumatic situation that shakes them out of their comfort zones? And what are the consequences of an event? Not just the immediate consequence but consequences in the far future. Someone once said history is just one damned thing after another. In reality, it’s one damned thing leading to another, a never-ending stream. Situations are never just resolved and put to bed. They leave footprints out to the horizon.

How important is location in your novels?

Extremely important. In fact, when my books are set in a particular house, like the cottage of Cwmderwen in A Time For Silence and The Covenant, or Llysygarn, the mansion in Shadows and Long Shadows, they are almost the main character in the books. But the general location is also very important. It gives me an excuse to breathe in and breathe out the spirit of a place. Some of my books are set in north Pembrokeshire, where I live, which is a very isolated and enclosed area, utterly rural, all wooded valleys and high open hills – and, of course, the sea – and I couldn’t imagine those books being set anywhere else.

In contrast, others of my books (Motherlove and The Unravelling) have an urban setting, the fictional town of Lyford which is based very closely on my birth town of Luton. Even though it’s a wide web of Victorian terraces and suburban semis, I find myself automatically focussing the most emotional moments on the green places, which are always imbued with a certain mystery of their own, whether it’s Portland Park (closely modelled on Wardown Park in Luton) or an old farm lane, still clinging on in the midst of post-war expansion.

In The Unravelling, I do take my character Karen on a tour of England and Wales in search of old friends, finishing up on the Chilterns, in an area based on Ashridge, where I spent many childhood Sundays. I live in an area of igneous bluestone, forested with oak and ash, but I still nurse a longing for chalk downs and beechwoods

Who is your favourite (non Honno) author?

Jane Austen. It’s her scalpel wit, her elegantly precise language, and her powers of observation of personalities, reactions, impulses and inhibitions, along with economic realities, all played out on settings so minimal they could be chessboards. Her novels are not romances, they are studies of how people reach decisions while navigating between personal desires and public pressures.

Where do you write?

Physically, in my bedroom, with the laptop on my lap in bed, or at my desk. Mentally, while walking up and down my lane after dinner (the joys of having a farm lane to walk along, at this physical distancing time).

Who is your favourite character in your books?

Now you know that’s like asking a mother who is her favourite child. How can I possibly say?  I am inside all of them, feeling with them, even when they’re annoying or slightly insane, or even wicked. Which one would I actually like to spend time with? Possibly Angharad in Long Shadows. Or, if I were cast up on a desert island with one of them, it would have to be Leah, in my new novel, The Covenant, (to be published in August), because she might be rather waspish, but she’d be extremely competent and sort things out.

What was your favourite bit of research?

I am disgraceful in that I usually do very little research because I’m mostly concerned with what’s going on in people’s heads. When writing anything historical, I mostly rely on my past historical studies (school, university and general reading). Occasionally, when I have to be specific about things, I force myself. My latest book, The Covenant, required a fair bit of research to match my story (set between 1883 and 1922) with events in the wide world, or the narrow world of Pembrokeshire. My third novel, The Unravelling, shifts between the present day, 2000 and the mid 1960s. The 1960s, seen through the eyes of a child, didn’t require much research at all: I just dredged up my own childhood memories of home-made frocks and pink custard. But the millennium needed real research. It seems such a short while ago but the world has changed utterly. That part of the book involves searching for long-lost friends. How would it have been done back in a time when we didn’t have broadband or Facebook and mobile phones were still a novelty.

My favourite research was for A Time For Silence because, although it was published in 2012, early versions of it were written quite a few years before, when the internet was an erratic thing of limited use, so I had to get out there on my hind legs and look for information, so, searching for information about Pembrokeshire in the 1930s and 40s, I spent many happy hours pouring over old newspapers in the National Library of Wales – something I make my character Sarah do although, in reality, she could probably have done all her research on-line.   

What do you like most about being published by Honno, an indie press rather than one of the big publishing houses.

It’s a small press, which means it’s personal. Maybe famous sportsmen or ex-cabinet ministers can be lauded (promoted) to the skies by big publishers, but most of their less famous authors tend to be lost in a very impersonal ocean, with very little one-to-one attention. They are names on a spreadsheet. With Honno, you know the team and they know you. You feel far more valued, even if the big bucks aren’t there.

And there’s the fact that Honno is a Women’s Press, run by women, publishing women (as well as being Welsh, of course). It’s not an anti-man thing, but I grew up in the era of the rising tide of women’s lib, when women didn’t just sit around arguing their case but took really positive actions to prove themselves, such as setting up publishing companies like Virago. Unlike others, Honno is still going strong and flying the flag.

I’ve heard a whisper that there will be a new book coming out soon? Would like to give us a hint about that?

Well, Its the Prequel to Time for Silence and Honno have given me a publication date of August 18th

Ah, yes, I found this tantalising description of it.

The Owens are tied to this Pembrokeshire land – no-one will part them from it dead or alive.

Leah is tied to home and hearth by debts of love and duty – duty to her father, turned religious zealot after the tragic death of his eldest son, Tom; love for her wastrel younger brother Frank’s two motherless children. One of them will escape, the other will be doomed to follow in their grandfather’s footsteps.

At the close of the 19th century, Cwmderwen’s twenty-four acres, one rood and eight perches are hard won, the holding run down over the years by debt and poor harvest. But they are all the Owens have and their rent is always paid on time. With Tom’s death a crack is opened up and into this chink in the fabric of the family step Jacob John and his wayward son Eli, always on the lookout for an opportunity.

Saving her family, good and bad, saving Cwmderwen, will change Leah forever and steal her dreams, perhaps even her life.”

The Covenant is the shocking prequel to the bestselling A Time For Silence:

Honno page for ordering: https://www.honno.co.uk/authors/m/thorne-moore/

email: thornemoore@btinternet.com

Blog: http://thornemoore.blogspot.co.uk

website: www.thornemoore.co.uk

FB Author page: https://www.facebook.com/thornemoorenovelist

Twitter: https://twitter.com/ThorneMoore

Amazon author page: http://amzn.to/1Ruu9m1

Something of Ourselves #Authors #ThrowbackThursday #Memories #Honno

I think most, if not all, authors have something of themselves in their books: in the writing, in the voice of the text. We can’t help it; the words emerge from who and what we are, where we  come from and where we are in our lives.

There’s always something of me in my books. I don’t just mean in the writing, my voice, all authors write in our own voices, we can’t help it But, often, in my work, I write scenes that reflect situations I have lived through and what I have seen. By “reflect”, I mean they may not be the ‘real’ situations, but they always colour the lives of my characters and what happens to them. My own  emotions are threaded through in how they react, how they feel. I always say to my students, if they can’t relate to the way their characters feel, neither will their reader. That’s something I really believe.

I’m not sure when the stories I wrote turned into family sagas. Or even if that’s what they always were. I’ve often said that as a child I wrote to escape, and that’s the truth. It was a means of blocking out the arguments, the violence, the humiliations. And the feelings that I was never good enough: not pretty enough, not clever enough, not useful enough. Not enough.

So my stories were always of a girl who triumphed; who was always helping others; always saving whatever it (or whoever) needed saving. This sometimes tipped over into real life and resulted in varying degrees of  unforeseen consequences: I found stray dogs and took them home, and then had to return them to their owners, if asked where a place was, I gave directions (regardless of whether I actually knew or not), believing I could possibly be right. And I once spent a whole two pounds on biscuits for my grandmother who’d actually sent me to buy brisket ( a joint of meat). She was an Impatient woman, slightly deaf, and hated repeating herself – so I didn’t ask her to explain what she meant – and guessed. She was slightly cross and my mother had to pay back the money – though she made sure the biscuits came home with us.

Our home life was isolated. Not in the physical sense, we lived on a large new estate of houses, but in an emotional way. No one came to the house unless they were friends of my father. Friends that came and went with startling rapidity. It would usually be a man that he’d become friendly with at his work or at one of the many and varied activities he joined and left. The man would then bring his wife with him. At first it was as if the couple were never away and then, just as suddenly, they were gone; something had been said or done that Dad hadn’t liked and we never saw them again.

It was the same with any of our relatives– until they didn’t bother coming around anymore.

My friends were not allowed inside the house and, because both parents were out at work all day, it was expected that I stayed home so they would know where I was. I rebelled against this at the age of eleven when I was given a dog for my birthday. She and I roamed for hours around the countryside then. But I always made sure I was home before my father came back from work.

I’ve been with Honno for over ten years now and had five books published with them. Because it is known to be a Welsh press it is sometimes assumed that all its authors will be Welsh as well. So that, often, when I’ve appeared at events, people are surprised to hear my broad Northern English accent. The supposition is false; Honno’s aim as an inspiring, feminist, Welsh press, is to provide opportunities for women writers. The only proviso is that they are either Welsh, are living in Wales or have a connection to the country – which actually covers a great many writers.I love their strapline -. “Great Women, Great Writing, Great Stories.So it always gives me a thrill when the manuscript I’ve been toiling over for months (or years!) is accepted by them.

https://www.honno.co.uk/authors/b/judith-barrow/

My latest book is The Memory, published 19th March 2020: https://bit.ly/3b2xRSn

I wait by the bed. I move into her line of vision and it’s as though we’re watching one another, my mother and me; two women – trapped.’

Today has been a long time coming. Irene sits at her mother’s side waiting for the right moment, for the point at which she will know she is doing the right thing by Rose. Rose was Irene’s little sister, an unwanted embarrassment to their mother Lilian but a treasure to Irene. Rose died thirty years ago, when she was eight, and nobody has talked about the circumstances of her death since. But Irene knows what she saw. Over the course of 24 hours their moving and tragic story is revealed – a story of love and duty, betrayal and loss – as Irene rediscovers the past and finds hope for the future.

The following is something I wrote a while back. It was the Prologue of one of the books that’s stayed hidden in the drawer...

Prologue

I hear the heavy footsteps on the stairs. I imagine him, hand grasping the banister as he hauls himself up, two steps at a time, his face red, angry.The scream is rolling around in my head. I wait for the sharp crack of the floorboard on the landing outside our bedroom door – just before the door is thumped open.  He speaks, his voice harsh

  ‘You… and you … downstairs.’

   We  hurry, but our feet get tangled in the sheets. Don’t look at him – that makes him angry.

‘ And take that look of your face or I’ll knock it off’

    My legs wobble. I clutch hold of my sister’s hand as we scramble down the stairs into the living room where Mum sits on the edge of the settee. She doesn’t move, doesn’t look at us. We know not to say anything.

    Mostly we don’t know what has caused the rows. Then Dad says it’s us and, sometimes, we can remember things that have made him cross, so we know he’s right and we’re sorry.   

     Sorry that Mum gets hurt because of us.

    He paces the room, slamming a clenched hand into the palm of the other and hitting the wall with his fist.

     Once he made a hole in the kitchen door.

    We sit either side of Mum, not touching, not speaking, not together. If we seem to be together; three parts of a whole, it makes him angrier. If we are separate, quiet, still, he stops shouting and we get back to bed sooner.

The scream is rolling around in my head…

***

Links:

To buy the books: https://www.honno.co.uk/authors/b/judith-barrow/

https://www.judithbarrow-author.co.uk/

https://judithbarrow.blogspot.com

https://www.facebook.com/judith.barrow.3

My Review of Legacy (Project Renova Book 4) by Terry Tyler #TuesdayBookBlog

Legacy (Project Renova Book 4) by [Tyler, Terry]

I gave Legacy 5* out of 5*

Book Description:

‘Out of all the death and destruction has come the freedom to be who we really are.’

A hundred years after the world was devastated by the bat fever virus, the UK is a country of agricultural communities where motherhood is seen as the ideal state for a woman, new beliefs have taken over from old religions, and the city of Blackthorn casts a threatening shadow over the north of England. Legacy travels backwards in time to link up with the characters from Tipping Point, Lindisfarne and UK2.

Seventeen-year-old Bree feels stifled by the restrictions of her village community, but finds a kindred spirit in Silas, a lone traveller searching for his roots. She, too, is looking for answers: the truth behind the mysterious death, forty years earlier, of her grandmother. 

In 2050, Phoenix Northam’s one wish is to follow in the footsteps of his father, a great leader respected by all who knew him…or so his mother tells him.

In 2029, on a Danish island, Lottie is homesick for Lindisfarne; two years earlier, Alex Verlander and the kingpins of the Renova group believe they have escaped the second outbreak of bat fever just in time…

Book 4 of the Project Renova series rebuilds a broken country with no central government or law, where life is dangerous and people can simply disappear…but the post-Fall world is also one of possibility, of freedom and hope for the future

My Review:

I need to say right from the start that a dystopian novel is one genre I have never read. And never intended to….”

That’s how I started my review of the first of the Project Renova Series: Tipping Point

And, being quite a wimp, if the author had been anyone else but one of my favourite writers I doubt I would ever would have.

However, for many years now I’ve enjoyed Terry Tyler’s books and so, with some trepidation, I read Tipping Point and was hooked. I waited with impatience for the second: Lindifarne… and then the third:UK21.

Brilliant stories!

So when I realised there was a fourth book: Legacy I had no hesitation in buying it. And I have to say this is one of the best books I have read for a long time; an exceptional read. 

As in all Terry Tyler’s novels the stories are character-led with convincing story-lines and evocative settings. And they are all written from various characters’ points of view, a method I love.

There is a skill in making a believable world from the appalling destruction of the world we live in now; that skill shines out in the whole of this series. But it is this final book, set in various time frames, that truly reveals how it could be possible to totally reinvent a new world. And it shows, both in the settings and in the characters, the good and the bad in human behaviour.

The book is populated with a great number of characters, all diverse, all rounded. There is not one character that I was ambivalent about; I either loved them ( it was wonderful to see Lottie again; even more feisty) or I hated them (I really did understand the fear that the character, Falcon North and some of his underlings could instil in others).  

As always in this author’s books, the dialogue, both internal and spoken is distinctive to each character.

Strong themes are threaded throughout, of power, love – both familial and romantic (with a bit of lust thrown in for good measure), hatred, alternative beliefs, nature and, obviously, survival. 

And just to say, I love all the covers of this series; They all tell a story in themselves

I am a slow reader and it’s been quite a while since I read the first three books, so it was a great help that the author has put a synopsis of each story before Legacy begins. And these are a good reminder, both of the plot and the characters. But, to me, these give only a flavour and, even though Legacy is my favourite and, for me, the strongest of the four, each book has its own unique strengths and so I would recommend readers to start with Tipping Point.

About the author:


Terry Tyler

Terry Tyler is the author of eighteen books available from Amazon, the latest being ‘Legacy’, the final book in her post apocalyptic series. She is currently at work on a new dystopian series, set the UK, approximately twelve years in the future. Proud to be independently published, Terry is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.

Terry is a Walking Dead addict, and has a great interest in history (particularly 14th-17th century), and sociological/cultural/anthropological stuff, generally. She loves South Park, Netflix, autumn and winter, and going for long walks in quiet places where there are lots of trees. She lives in the north east of England with her husband.

Links to buy:

Amazon.co.uk: https://amzn.to/2PcvCVP 

Amazon.com:  https://amzn.to/2JGFVLI

My Review of The Naked Witch by Wendy Steele #TuesdayBookBlog

I gave The Naked Witch 4* out of 5*

My Review:

I enjoyed Wendy Steele’s The Naked Witch. It is an undemanding read with an easy to follow but convincing plot-line which runs smoothly throughout the story. This is a cross genre book, a mixture of romance and mystery threaded through with magic and witchcraft. I was particularly fascinated by these latter themes and often stopped to re-read these sections; to ponder on them and the way the protagonist was epitomised by them. On the one hand Lizzie Martin is a woman who is trying to grapple with all that life throws at her: initially unexplained difficulties within her work life, complicated struggles with her ex-husband, anxieties for an ex, but still beloved, mother-in-law, worries for a teenage daughters growing maturity. All juxtaposed with an intriguing sub plot, the truth about her father’s death. The strength of this character lies with her beliefs in the goddess that guides her and in her ability to take and centre energy in herself from the earth.

And, just as Lizzie is rounded and multi-layered so are the supporting characters. I had empathy and liking for some and instant dislike for others; a true sign of strong characterisation for me.

The descriptions of the settings: Spain, Lizzie’s home, workplace, her Sanctuary give a good sense of place.

The dialogue is believable. It  is clear who is speaking and, mostly, carries the story along. I say mostly because, occasionally, and only occasionally, I felt. It slowed things down by slight repetition. In much the same way that some of the descriptions of food did in parts. I did find myself, every now and again, skipping over the sections where meals were reported. And, in a couple of places the narrative moved a little too quickly from one scene to another.

But these are small grumbles. I loved the lovely conversational style of the author’s writing, the humour that lightens the tone, the interesting insight to white witchcraft and enchanting mystical happenings. Most of all I loved the story.

I recommend The Naked Witch; it’s a good read.

Book Description:

Lizzie Martin’s new boss has asked her to ‘bare all’ and become more corporate.

For Lizzie, swapping paisley for pin stripe is like asking a parrot to wear pea hen.

She has to choose between her job and her integrity, cope with an unexpected stay in hospital, monitor her fourteen year old daughter’s latest crush, continue seeking the truth about her father’s death and juggle two new men in her life.

There is hope though.

At the bottom of the garden is a little wooden shed that Lizzie calls Sanctuary. Within its warm and welcoming walls, Lizzie surrounds herself with magic.

About the Author:

Wendy Steele

In 1972, Wendy Steele came home from the Tutankhamun exhibition and wrote about her experience, beginning a writing journey which she still travels. Since working in the City BC (Before Children), she has trained in alternative therapies, belly dance and writing. Wendy combines these three disciplines to give balance to her life.

Her first novel ‘Destiny of Angels’ was published in 2012, closely followed by two short story anthologies and a non-fiction book ‘Wendy Woo’s Year – A Pocketful of Smiles’, an inspirational guide, offering ideas, meditations and recipes to make every precious day, a happy one.

Moving to Wales, the fulfilment of a 15 year dream, inspired her to write the Standing Stone book series, set in Wales in the countryside she loves.

Writing workshops in Wales widened her writing perspective and the resulting short stories have been published online and in anthologies.

Wendy writes fantasy, with a dollop of magic, exploring the ‘what if…?’ the starting point for all her stories. She lives with her partner and cats, restoring her farmhouse and immersing herself in the natural world on her doorstep.

 

My Review of What’s Left Unsaid by Deborah Stone #TuesdayBookBlog #RBRT



What's Left Unsaid

I was given a copy of What’s Left Unsaid by the author as a member of Rosie Amber’s Review Team #RBRT, in return for an honest review.

I gave this book 5*

Book Description:

Sasha is just about managing to hold her life together. She is raising her teenage son Zac, coping with an absent husband and caring for her ageing, temperamental and alcoholic mother, as well as holding down her own job. But when Zac begins to suspect that he has a secret sibling, Sasha realises that she must relive the events of a devastating night which she has done her best to forget for the past nineteen years.

Sasha’s mother, Annie, is old and finds it difficult to distinguish between past and present and between truth and lies. As Annie sinks deeper back into her past, she revisits the key events in her life which have shaped her emotionally. Through it all, she remains convinced that her dead husband Joe is watching and waiting for her. But there’s one thing she never told him, and as painful as it is for her to admit the truth, Annie is determined to go to Joe with a guilt-free conscience.

As the plot unfurls, traumas are revealed and lies uncovered, revealing long-buried secrets which are at the root of Annie and Sasha’s fractious relationship.

My Review:

There are some books that grab you from the first page, even the first paragraph. What’s Left Unsaid did just that for me:

“If Annie had just been honest with me, we might have avoided much of the ugliness which followed… but she wasn’t and we didn’t…”

How could I resist? I didn’t! It helped when I realised the story is told in one of my favourite formats; it’s written from different points of view under the name of three characters: the protagonist, Sasha, her mother Annie and her late father, Joe. I especially liked Joe’s objective viewpoint that balanced out the subjective viewpoints of the other two characters as they describe the complex and difficult relationship between them. Even so, the question hovering throughout the text is what is truth and what is lies. It’s a cleverly written narrative and I loved the writing style of Deborah Stone; she moves from character to character, slipping easily into their voices, alternately moving the reader to understand each with empathy, yet being able to see the flaws in them as well.

The plot is tense and tightly woven, moving at different paces to reveal the secrets held for years held by this family. There are many themes: family secrets and deceptions, emotional power struggles between characters, dementia, miscommunications, understandings and forgiveness. All delicately intertwined throughout the text.

I always think that, when we reach a certain age we are formed by the things that we have done, what has happened to us, how we have been treated and how we have treated others. In What’s Left Unsaid the flashbacks to Annie’s earlier life reveal her vanity, her prejudices of others and her jealousy of her own daughter. As a reader I was torn between disliking much of what she was and yet having compassion for what she has become; a woman in the throes of dementia. The flashbacks of Joe’s earlier life show his Jewish family’s struggles to move from a totalitarian Russia at the end of the nineteenth century to the North of England where they face fascism and suffer poverty that they fight to escape, much as they have escaped from an oppressive regime.

The characters are many layered. The protagonist, Sasha is living in a loveless marriage and cannot understand either her husband, Jeremy, who has a secret of his own or her son, Zac, typically a monosyllabic, hormonal teenager. She has no closeness with her mother yet is forced to be deeply involved in her life. The author cleverly and subtly reveals the tensions hidden in Sasha, much as she does in all the major characters.  Her internal dialogue initially shows her timidity, her nervousness, in the way she approaches her family. Yet there is also exasperation and even anger. And this comes out more and more as the story progresses.

Joe’s words, spoken from beyond the grave, are wise and, as I said earlier, objective. I felt they gave a distanced reflective view on human nature as a whole. Yet, through the dialogue and thoughts of the other characters, his personality in life is exposed to have had had the same flaws and weaknesses as their own.

Even without the story being allocated to each character the reader is left in no doubt who is speaking; each have their own distinctive voice.

The narrative describing the settings give a good sense of place and provide an interesting background to the story.

What’s Left Unsaid is a complex and poignant read. Thought provoking and absorbing it left me reflecting on the complexities of marriage and families. I would recommend this to readers who enjoy well-written family sagas

 

 

My Review of Connectedness (Identity Detective Book 2) by Sandra Danby #RBRT #TuesdayBookBlog

Connectedness (Identity Detective Book 2) by [Danby, Sandra]

I was given this novel by the author as a member of Rosie Amber’s Review Team #RBRT in return for an honest review.

I gave Connectedness 4* out of 5*

Book Description:

TO THE OUTSIDE WORLD, ARTIST JUSTINE TREE HAS IT ALL… BUT SHE ALSO HAS A SECRET THAT THREATENS TO DESTROY EVERYTHING

Justine’s art sells around the world, but does anyone truly know her? When her mother dies, she returns to her childhood home in Yorkshire where she decides to confront her past. She asks journalist Rose Haldane to find the baby she gave away when she was an art student, but only when Rose starts to ask difficult questions does Justine truly understand what she must face.

Is Justine strong enough to admit the secrets and lies of her past? To speak aloud the deeds she has hidden for 27 years, the real inspiration for her work that sells for millions of pounds. Could the truth trash her artistic reputation? Does Justine care more about her daughter, or her art? And what will she do if her daughter hates her?

This tale of art, adoption, romance and loss moves between now and the Eighties, from London’s art world to the bleak isolated cliffs of East Yorkshire and the hot orange blossom streets of Málaga, Spain.

My Review:

I enjoyed reading Connectedness. Although it is the second novel in the ‘Identity Detective’ series that features Rose Haldane, journalist and identity detective, who reunites the people lost through adoption, it can be read as a standalone novel. In Connectedness the story revolves around the protagonist, successful artist, Justine King, who discovers her life is, and has been, a web of lies and secrets. She is vulnerable and haunted by incidents that happened in her younger days as a student. The suspenseful plot is revealed through a clever blend of her past and present and has a steadily growing pace after an intriguing prologue.

There are numerous layers to this book, details that are cleverly drip-fed throughout to reveal many themes: of sadness and distress, memories, anger, grief, familial love, discovery, loss and regret.

The characters are well rounded and portrayed to evoke sympathy and understanding in the reader. Both the internal and spoken dialogue add to their credibility.

It is obvious the author has researched the art world that is the basis of the story. Research that adds to the character of the protagonist who uses her emotions, her fears, her pain, both consciously and unwittingly, when producing her work. There is a wonderful sense of art being part of both the human condition and the environment around us,

The descriptions of the settings of contemporary Filey in Yorkshire, Malaga in Spain in the eighties and London are evocative through the use of all the five senses and give a wonderful sense of place. At times I felt I was travelling alongside the protagonist in her journey of discovery.

And the denouement is poignant and satisfying.

Just the one reservation, and I’m sorry to say this, but I don’t like the title. If I hadn’t been intrigued by the book description and if I hadn’t loved the cover on first sight, I wouldn’t have chosen Connectedness. It doesn’t mean anything to me. Suffice it to say I’m glad I did choose this book.

This is the first book I’ve read by Sandra Danby It won’t be the last. The idea of the story itself is intriguing and she has a sensitive yet powerful writing style that I have no hesitation in recommending to readers who enjoy contemporary and women’s’ fiction.

About the author:

An image posted by the author.

Sandra Danby is a proud Yorkshire woman, tennis nut and tea drinker. She believes a walk on the beach will cure most ills. Unlike Rose Haldane, the identity detective in her two novels, ‘Ignoring Gravity’ and ‘Connectedness’, Sandra is not adopted.

 

 

 

My Review of Finding Max by Darren Jorgensen #RBRT #Crime #TuesdayBookBlog

Finding Max by [Jorgensen, Darren]

I was given Finding Max by the author as a member of Rosie Amber’s Review Team #RBRT in return for an honest review.

I gave this book 4* out of 5*

Book Description:

Five-year-old Max is abducted from a playground on a hot summer day while his brother, Gary, has his back turned. Seventeen years later, Max returns to Gary’s life in a serendipitous twist with a disturbing tale to tell. As they learn to love and trust each other, they must outwit and outrun the nefarious Quinn, who seeks to re-abduct Max for his own evil purposes. Killing Gary and his new girlfriend, Jean, to get them out of his way is just part of his plan. Will they escape? And when all is said and done, will Max and Gary ever truly be freed from the shackles of guilt and pain from the past? Amid the gritty, harsh landscape of New York City, Finding Max explores those areas of society we seldom like to look at—homelessness, hunger and sexual abuse—with profound delicacy, brutal honesty and compassion. This thrilling novel will keep you reading long into the night

My Review:

Finding Max is an intriguing and powerful novel; a cross genre of psychological thriller and mystery. It’s a dark plot that is threaded through with themes of violence, abandonment and sexual abuse but these are juxtaposed and balanced by themes of courage, loyalty and love. I liked the writing style of this author and it’s obvious there has been a great deal of research into the deep-seated trauma of childhood mistreatment and cruelty. Darren Jorgensen treads a fine line but it’s done with sensitivity and skill. The reader is taken into the inner lives of the two main characters, two brothers, Guy and Max and their past and present lives.

On the whole all the characters throughout are well-rounded and believable. Both Guy and Max are multi layered. They are portrayed, individually, as damaged by their history but in different ways, Max, by his abduction as a child, and Guy, by his belief that he failed his brother by his neglect and inability to stop the abduction. But, as in all good writing, both are also depicted to grow and change as the story progresses. This transformation is helped by the introduction of Jean, Guy’s new girlfriend. I wasn’t sure, at first, by this character but eventually realised her purpose to the plot; she is an emotional go-between – having a strong impact on both brothers in the short time span

The antagonist, Quinn, is interesting; a psychopathic murderer who is shown to have a disturbing, unnatural love for Max. He stalks him, desperate to reclaim him and dangerously bitter by his belief that Guy and Jean have taken Max away from him. It’s a strong, well written portrayal of an adversary.

I deliberated over some of the dialogue; I’m not convinced by it, especially that of Max. The inner dialogue, on the whole, is excellent, revealing the horror, the terror, the power of the mind and it gives understanding to some of Max’s irrational behaviour and need to hide, to run away. But the spoken dialogue he is given doesn’t always ring true; there is a sophistication there that feels wrong for this naive character. And, without the dialogue tags, it is occasionally difficult to discern who is speaking, Guy, portrayed as an educated and socially competent man, or Max.

The description of the settings: Guy’s office, the shelter where he is based as a social worker, and his apartment; the way homelessness on the streets is shown, give a brilliant sense of place. I could see the world the characters move around in.

Besides my thoughts on the dialogue, I had only a few reservations. Firstly, I felt that the pace of the plot was slowed down, in places, by the unnecessarily introduction of issues not particularly relevant to the story, Secondly, I was never quite sure about the coincidence of Max walking into the drop-in centre where Gary is based. But, for the sake of the plot, I accepted it as possible.

I think it also should be said that there are explicit details of child sexual abuse some readers may find upsetting.

Although Finding Max is a standalone novel it is open- ended and could lead to a sequel.

On the whole this is a powerful and absorbing read. One I would recommend in particular to readers who enjoy a dark physiological crime genre

 

 

My Review of Someone Close to Home by Alex Craigie #TuesdayBookBlog #RBRT

Someone Close To Home by [Craigie, Alex]

I gave Someone Close to Home 5*

My Review:

It’s been quite a while since I read a book in one go but I couldn’t put this one down. Someone Close to Home sent me through a whole range of emotions; delight, sadness, anger, joy, frustration. And this is a debut novel! The writing style of Alex Craigie  is sophisticated, emotive and empathetic.

The start of the story grabbed me straightaway: the image of the protagonist, Megan, watching “each minuscule judder of the hand (of the clock)”, her immobility and her thoughts on her childhood, especially of her selfish and destructive mother who Megan loathed – still loathes, is compulsive reading. There is one sentence that foreshadows all that happens as the story continues: ‘This is all down to my mother… she’s been dead for over thirty years now and still she’s poisoning my life.”

This is a story of two halves: the time that Megan is in the badly-run care home, which lasts around six months and is told in present tense, mainly through the internal dialogue of the protagonist, and the whole of her childhood and younger life.told in past tense as flashbacks. The latter leads the reader inexorably to the point where Megan is lying helpless after suffering a stroke. She is at the mercy of mostly inattentive carers, poorly paid and resentful. Their actions, the way they carry out their tasks on Megan is described simply by her; they are tasks done to her, sometimes carefully, sometimes without heed. And then there is the carer, Annie… I’ll say no more.

The description of  of the protagonist’s days evoke the dreariness. The word, “waiting” is repeated so many times that I, as the reader, also waited with Megan, knowing, with some dread, that something awful will happen.

The main characters: Gideon (childhood friend and later the man she loves. Claire, her true friend in later life, Jordan,  Megan’s husband, egotistical actor and a cruel man, Theo and Camilla, her greedy and selfish children), are many layered and well portrayed; their dialogue identifies them immediately. And, although there are many flat characters,, in the guise of the carers and the owner of the care home, the author also gives them distinguishable voices. 

The descriptions of the settings give a good sense of place. The room Megan is lying in is told in meticulous but confined detail. We see the limited view she has, and only that. (it did give me a sense of claustrophobia, I must admit.). There is “the sturdy chest of drawers topped with shapes that will become a television and some framed photographs”as “the heavy grey light” “pushes into the room” after a long sleepless night”. We hear “the rattle of trolleys” that she knows is “laden with clean and soiled bedding”, the “insistent buzzing” of room bells, the “moans, shouts and cussing from room nearby punctuated by the chivying of staff”. We feel her pain through the roughness of the care, the threat of bed sores. And the details of the places in her childhood, the  houses she lived in, countries she visited as a professional pianist, are full of evocative imagery.

It’s a plot that moves at an even pace but, ultimately, it’s also one that took me by surprise. Even closely following the actions of the characters in the story still didn’t prepare me for the ending.

Someone Close to Home by Alex Craigie is a book I thoroughly recommend to any reader.

Book Description:

Talented pianist Megan Youngblood has it all – fame, fortune and Gideon.

But Gideon isn’t good enough for Megan’s ambitious, manipulative mother, whose meddling has devastating repercussions for Megan and for those close to her.

Now, trapped inside her own body, she is unable to communicate her needs or fears as she faces institutional neglect in an inadequate care home.

And she faces Annie. Sadistic Annie who has reason to hate her. Damaged Annie who shouldn’t work with vulnerable people.

Just how far will Annie go?

Author details:

Born in Sunderland, in the north of England, Alex has wended her way south via Eccles, Bramhall, Histon, Cambridge, Leicester and Market Harborough before finally coming to rest thirty years ago in a peaceful village  in Wales. She lives in an old, draughty house with stone walls 2’ thick that make any DIY a real challenge and she knows she’s really lucky to have all her children and grandchildren living close by. It’s often chaotic and noisy but these are her most treasured moments and she savours them – even if she’s reduced to an immovable heap after they’ve gone.  When not writing, reading or simply enjoying the rural life, she’s in the garden waging a war of attrition against the brambles that she encourages in the hedges for birds to nest in, vicious nettles that support a variety of butterflies, and bindweed that looks lovely but doesn’t share nicely with the other plants.

Amazon.co.uk: https://amzn.to/2JDruLL

Amazon.com: https://amzn.to/2KezulB

 

Books in my Handbag Blog Detective Indie Author Investigates #FridayReads #Editing #Publishing The Crime and Coffee Festival

Detective Indie Author Investigates

The Crime and Coffee Festival beckoned me to Cardiff Library to solve the mystery of writing and publishing. The workshop: Cut, Slash and Perfect promised to reveal more about the writing and traditional publishing journey.  As I passed the crime scene tape surrounding the bookshelves, I did wonder if any authors had been lost during the cutting, slashing and perfecting process. I went undercover to find out more about traditional publishing. Would I need an agent, and would I need a sharper pair of scissors?

The panel discussion with: Thorne Moore, Caroline Oakely and Judith Barrow. Has Judith spotted Jessie?

Authors, Judith Barrow and Thorne Moore, chatted with the editor, Caroline Oakley, of Honno Pressabout publishing. The entertaining chat provided food for thought for all authors who wish to publish their work.  As I listened, I captured some of the main points and discovered what makes editors cut and authors cry. The panel put me at ease, and I was able to remove my disguise as an indie author.

Introducing Caroline Oakley who is the editor at Honno Press

Caroline has worked in general trade publishing for over thirty years and has edited a number of award winning and bestselling authors. Caroline works for, Honno Press, an independent Welsh Women’s publisher in Wales.

Clues from the Editor

Caroline gave a balanced overview of publishing

Big publishers only work through agents.

A good editor is key to success for all authors

Agents often have useful contacts within the publishing world and deal with the contracts.  Care must be taken when selecting an agent because, as in all businesses, there are inefficient, self –styled experts, with little experience, out there. Google and search for those authors who write in your genre to find out the names of the agents who deal with your kind of book before submitting. You can approach independent and smaller publishers with or without an agent. Find out what this kind of publisher wants before approaching them.  Research their website; look at the work of the signed authors.  Take your time to select the appropriate one for your genre; consider how much advance that publisher pays, the amount of royalties for sold books you will get, your rights (such as audio and foreign rights for your work) and the terms and conditions of your contract. You must read the small print!

Don’t get disheartened with rejection letters sent to publishers.  Hope your manuscript reaches the publisher at the right time (by this I mean that it’s not a miserable Monday morning for them, or they’ve not had a quarrel with a partner or their family – or they’ve not had a week of wading through a pile of “not very good” manuscripts before they get to yours)– it is subjective.

Indie publishing has its challenges, but it gives you more control and you get all the profit.  The Indie author deals with every element of the process; from the writing to choosing the cover, the blurb formatting, publication and marketing. Traditionally published authors also are expected to promote and market. Indie publishing is time- consuming but as I said before, they do have complete control over their work.

The venue – Cardiff Library

Whichever publishing route you choose, you must get yourself an editor! Although time-consuming (and sometimes devastating!) you must go through the cut, slash perfect process.  A good editor will identify gaps, things that possibly don’t work in your writing, mistakes such as change of dates of characters’ birthdays or colour of eyes in different parts of the book, errors in time scale etc.. But will not tell you what to do, only point out those mistakes and suggest changes to make your work stronger.

It is advisable that every author, whether self-published or traditionally published, has a website, blog and social media accounts.

Introducing Judith Barrow:

Judith Barrow has published four books with Honno Press.  She writes historical family saga fiction. She has also self-published books and a collection of short stories of the minor characters in her trilogy.

What did Judith say about her publishing journey?

Judith Barrow and Thorne Moore are published by Honno Press

I love working with Honno Press.  The staff are friendly and accessible. As a writer you learn what you can and cannot get away with.  I have built up trust with the editor who I know has had a long and professional career in all genres. And, although  Honno Pressalso organises the front cover for the books, they have allowed me input to the final decision .

Working with Honno Press provides me with quality, professional editing.  I cry every time, I get the editor’s comments, but I know, in my heart, it makes the work better.  An editor will read your book line by line and give an overview. A good editor will ask the right questions but will not give you the answers. When you edit your work, you must keep your own voice.

I do not send my very first draft to an editor and probably have about ten revisions.  I ask my friend, who is an author, to give me an honest opinion on anything I have doubts about.  I am also a member of a writing group and we email sections of our books for discussion.  But do, avoid too much input from too many sources into your work as it can confuse you – have a small trusted network of writers.  Believe in yourself! The cut, slash and perfect stages involves a first general edit, as many more detailed edits then necessary to get the writing to its best, a line by line edit to weed out any noticeable mistakes and then a proof read by the publisher’s proof reader. Finally, it comes back to me for a last read to make sure all is correct. I do like this final stage; it does make me feel as though I have control over the end product to some degree.

Introducing Thorne Moore

Thorne had published three books with Honno Fiction and writes domestic noir and psychological fiction.  Thorne has self-published and works with two publishers.

What did Thorne say about publishing?

She has self-published short stories in order to market a published book.  The different publishers are relevant to the books promoted. Regardless of how the books are published, the author must have a good editor.

A writer needs an editor to stand on the mountain and look down on your work.  During the writing process the author becomes too absorbed to be objective.  Through the feedback from the editor, you learn to write.  The editor will locate your common mistakes then you will avoid these in subsequent drafts.

You do need a small critical group of friends who will give you constructive criticism.

Don’t worry about the reviews. Jane Austin has plenty of one star and two star reviews on Amazon.

Don’t give up!  I was rejected by Honno at first. In an interview with Thorne, she told me about the trials and tribulations of her publishing journey. This story of Thorne’s publishing journey will be published very soon.

A good editor is key to success for all authors: traditionally published and self-published need a good editor.  A good editor will identify gaps in your work and ask the right questions.  My editor forced me to ask lots of questions about my book and rework sections.  I learnt a great deal about my writing through this process. As a self-published author I have involved a professional editor, beta readers and other authors.  One must be careful of making new mistakes in a new edit – it is expensive to pay for all the various stages of the edit.  I understand the security of working with an independent publisher who provides an editor. The indie author has greater control of the book but must complete all stages of the process including the book cover and the marketing. In the end, all clues pointed towards the importance of a professional editor during the publishing process.  No matter how many times the author sharpens the scissors to cut, they still need an editor and dosh to pay for quality.   Clearly, this wasn’t an open and shut case and more investigation needed to be completed.

Clue of the Day

Narbeth Book Fair – see Judith, Thorne and Jessie!

Caroline suggested the market for the unreliable narrator in all genres will change. Like fashion in clothes, fashion in books also changes.  No one knows what will be the next ‘in thing’ for novels.

Judith Barrow, Caroline Oakley, Thorne Moore will all be at the Narberth Book Festival on 22nd September.

You can book individual session with Caroline Oakley of Honno Press for £35.  For more information visit the Narberth Book Fair website. Children’s writers can book sessions with Firefly Press.

 

Yorkshire Lasses in Wales: When Jessie Met Judith Barrow

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire

Judith waited for me in a department store while I waited for her in Cardiff Library.  Would the meeting take place? Neither of us had thought to share our phone numbers prior to the meeting.  

Judith emerged from the lift, in Cardiff Library, wearing a silk purple top that was co-ordinated with her fabulous lilac hair.  I warmed to her instantly! Her beaming smile lit up her face and I knew she’d make me laugh.  She travelled from Pembrokeshire to take part in a panel on agents, traditional and Indie publishing and agents at the Crime Cymru event, and her huge canvas bag bulged with goodies for the day ahead.  I was lucky to grab some time with her.

We almost didn’t meet at Cardiff Library

Judith: At last, I thought you’d got lost in your handbag. I waited in the department store and realised I had no contact details. After I finished my mint tea, I asked three strange women if they were Jessie.  They thought I was mad.

Judith’s Yorkshire accent and mischievous blue eyes instantly made me giggle. Great to meet someone who spoke the same lingo.

Jessie:  I’m so sorry but I thought you’ be able to read my mind. Couldn’t you hear me calling you in my dulcet tones across the streets of Cardiff?  Don’t ask me why I didn’t send you my mobile number and confirm the meeting.  I also approached a couple of potential Judiths but the real Judith is much better. So pleased, I found a representative of Honno Press and she had your number.

We laughed and grabbed some coffee from a coffee station in Cardiff Library.  The staff set up a couple of chairs for us to conduct the chat.  Having spilt the coffee all over my hand, we settled down to chat about Judith. 

Jessie:  Judith, tell me what a Yorkshire lass is doing in Pembrokeshire.

Judith:  We went on holiday to Pembrokeshire, loved it and never returned to Saddleworth.  We bought a half-built house and renovated it.

Jessie:  Do you miss Yorkshire?

Judith Barrow – Secrets

Judith:  Pembrokeshire was a great place for our kids to grow up.  I miss Yorkshire stone, craggy landscape and the meandering moors. I love our house, in Pembrokeshire, but I always expected I’d live in a stone cottage in my old age.  As you can hear, even after forty years in Wales my accent hasn’t changed – I’m still a Yorkshire lass.  People say they can hear my voice in their heads when they read my books.  Lucky them!

Jessie:  Obviously, people love your voice as you have written eight books.  How did the writing start?

Judith:  Well, I hope they do. As for the writing, I’d written since I was a child but never done anything much about it. Then I went to night school with my daughter. I finished A Level English and went on to gain a degree through the Open University. Whilst studying for the degree, I had breast cancer, and this made me see life differently.  I decided to follow my dream to become a writer.  Initially, I had an agent but she wanted me to write as an author of Mills and Boon so I parted company with her.

A place that inspired the setting of Judith’s novels

Jessie: That’s ridiculous; your books are not of that genre.  The books are historical fiction with engaging stories of the Howarth family. The books have complex plots and characters.

Judith:  I write people driven, gritty dramas and wasn’t prepared to adapt my writing.  Eventually, I got a contract with Honno Press – an independent publisher in Wales- and found their approach personal and supportive.  My first book ‘Pattern of Shadows’

Jessie:  What’s Pattern of Shadows about?

Judith:  It’s the story of a nursing sister, Mary Howarth, and her family, during World War Two and is set around a POW camp located in a disused cotton mill in a Lancashire town.  When I was a child my mother was a winder in a cotton mill and I would go there to wait for her to finish work; I remember the smell of the grease and cotton, the sound of the loud machinery and the colours of the threads and bales of material.  Pattern of Shadows was meant to be a standalone book, but the characters wanted me to carry on with their lives. Eventually, it developed into a family saga trilogy. My recent book, the prequel, is A Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth. They wanted me to explain their, how they had become what they are in the trilogy. I was happy to; I think, as we get older, we are made by our life experiences.

Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth

Jessie:  I’m reading One Hundred Tiny Threads. I’m about a third of the way through.  It’s a great read.  The opening is engrossing with Winifred waking up to another day in the shop. The characters are so real, and I love getting inside their heads.  I’m shouting at them all the time. The way you thread the characters’ attitudes towards women is brilliant.  I’m fascinated by the Suffragettes in Leeds.  For some reason, I always imagined the movement to be concentrated in London.

Judith:  Researching the Suffragettes opened up my eyes.  I wanted to tell their story through the voices of the characters and show how women, in the society at that time, were ready for the change. Stories draw people into to the political background of the era, and life was certainly a challenge then.  People say my books are dark.  Have you got to the gory bits?

Jessie:  Well, there has been a murder.

Judith:  No, I’m thinking of scene after that – you wait.  Bill’s a bastard but it’s his background.  I don’t know why Winifred married him.

Jessie:  Oh no, what was Winifred thinking of?  I’m furious with her, as I haven’t read the terrible news yet.  I’m intrigued as to why she didn’t marry the love of her life and scared for her.

Judith: oh ‘eck, hope I haven’t I haven’t spoiled it for you, Jessie.  But, you must understand Bill had a terrible life as a child with his father.  And then he was a soldier in the horrendous First World Wars. He was also one of the Black and Tans when he returned from the Front. He’s a bastard but didn’t have it easy.  As I said, our lives shape us.

Jessie:  I agree and people interest me too.

Judith:  Yes, well your novel, You Can’t Go It Alone, is also character driven and could become a family saga.  I can see it now.  I want to know more about Luke and Rosa and their parents.

Jessie:  I plan to do that, and you have inspired me to complete historical research.  I would have to look carefully into the eras the generations were born into.   Thanks for your advice.

Judith:  No problem, I teach creative writing in Pembrokeshire, so I just can’t help myself (some would say it’s interfering!!).  Writing is like looking at the world through the eyes of a child and I love it. I watch folk walk past my window, at home.  It’s hilarious how people walk. I can’t stop people watching and passing it on through my books.  I never stop watching and am always so busy.

Narbeth book fair – a great book fair for readers and worth a visit

Jessie:  I notice you also organise Narberth Book Fair.

Judith:  Yes, I organise it with a friend, author, Thorne Moore.  It started in Tenby, but we had to move because we outgrew the venue with so many writers wanting to take part. I think it’s so important to attend these events; to get out there and meet the readers.

Jessie:  What advice would you give to fledgling writers?

Judith:  Get a professional editor and be prepared for a slog.  The first draft of the book is the best bit. I always cry when I get my editor’s comments.

Jessie: Tell me, what have you got in your handbag today?

Judith handed me a copy of Pattern of Shadows and a book entitled Secrets; an anthology of short stories of the minor characters in the trilogy. She proceeded to let me in on the secret life of her handbag.  She had some very colourful reading glasses, pens, more pens, bookmarks, a spare blouse, her mobile and an agenda. 

Judith:  As you can see I do love a bit of colour. I try to be organised and I absolutely love writing.  I want you to place these books in your handbag and let the Howarth family keep you company. You’ll love some of the family and dislike some of the other – but that’s life!

Judith is fabulous fun, and I had a blast meeting with her.  Meeting face to face is so much better than communicating on line.  I delighted in her humour, straight-talking and infectious sense of fun.  Judith is a natural storyteller, and this translates in her animated dialogue.  She told me she is ‘living each day’.  She thrives on her writing and engagement with authors.  Her generosity was evident in her willingness to share the benefit of her experience.

 I should add that I will be one of the authors at this year’s Narberth Fair: http://www.narberthbookfair.co.uk/
https://www.facebook.com/narberthbookfair/

About Judith:

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire, has lived in Pembrokeshire, Wales, for forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.

She is also a Creative Writing tutor for Pembrokeshire County Council.

Contact Judith at:
Email: Judithbarrow77@gmail.com
Twitter: @judithbarrow77 
Facebook: https://www.facebook.com/judith.barrow.3

Amazon link to her books:

Secrets
A Hundred Tiny Threads

Secrets

Winifred is a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling. Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer. The girl he determines to make his wife. Meeting Honora’s intelligent and silver-tongued medical student brother turns Winifred’s heart upside down and she finds herself suddenly pregnant. Bill Howarth reappears on the scene offering her a way out.

 

Please see all my interviews at My Guests and my website and blog at JessieCahalin.com.

My Review of You Can’t Go It Alone (Sunflower Book 1)by Jessie Cahalin #TuesdayBookBlog #relationships

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Book Description:
 

Love, music and secrets are woven together in this poignant, heart-warming narrative.

Set in a Welsh village, the story explores the contrast in attitudes and opportunities between different generations of women. As the characters confront their secrets and fears, they discover truths about themselves and their relationships.
The reader is invited to laugh and cry, with the characters, and find joy in the simple things in life. Listen to the music and enjoy the food, as you peek inside the world of the inhabitants of Delfryn.

Let Sophie show you that no one can go it alone. Who knows, you may find some friends with big hearts…

My Review:

I really liked You Can’t Go It Alone, there are so many familiar ‘human life’ threads running throughout the relationships of the characters And there are a lot of up and down real life moments throughout, some poignant, some sad, some joyous, some humorous, some unexpected. All thought provoking. There is one sentence that foreshadows the troubles and upsets that will affect them;”The sun was trying to make an appearance but the clouds were dancing in the sky as if they intended to win the dual.”
 
The characters are well drawn and multi layered. From the protagonist, Sophie who, with her husband, Jack, has recently moved to the village in the hope of a new life (in more ways than one), to the owners of the cafe, Rosa, the ever optimist, and Matteo, a quick tempered, jealous husband and their daughter, the talented Olivia.  And then there is the delightful young Daisy.
 
The dialogue is exceptional; the personalities of the characters were instantly revealed to me, as the reader, through both the internal and the spoken speech.
  
It’s the Olive Tree Café  is where most of the action occurs and there is a strong sense of the cafe’s ambience. Indeed, all of the settings have a good sense of place and it’s almost as if the Delfryn itself is personified as a character in the story, with the interweaving, individual lives it holds at its centre.
Initially the story appears to be a lighthearted look at life in a Welsh village but it is soon revealed that, as the book description says, this really is an exploration of “the contrast in attitudes and opportunities between different generations of women”.
Jessie Cahalin has a lovely light touch with her poetic prose; there are numerous sections which immediately evoke wonderful images and emotions and many sentences that made me stop to reread them just for the sheer beauty of the language.
I recommend Jessie Cahalin’s debut novel; You Can’t Go It Alone is an interesting and thoughtful story
Links:
About the author:
 
 

Jessie is a bookish blogger, word warrior and intrepid virtual explorer. She loves to entertain with stories, and is never seen without: her camera, phone, notebook and handbag. Fellow authors have deemed her ‘creative and quirky’ and she wears these words like a blogging badge of honour.

Having overcome her fear of self-publishing, she is now living the dream of introducing the characters who have been hassling her for decades. Her debut novel, ‘You Can’t Go It Alone’, is a heart-warming tale about the challenges women still face in society. The novel has light-hearted moments and presents hope. As C. S. Lewis said, ‘We read to know we are not alone.’
Connecting with authors via her Books in my Handbag Blog is a blast. She showcases authors’ books in the popular Handbag Gallery and has fun meeting authors in her virtual world. Communicating with her authors, still gives Jessie a creative buzz.

Jessie Cahalin hails from Yorkshire, but as a book blogger, she has realised that her country of origin is probably The World. She loves to travel the world and collects cultural gems like a magpie. She searches for happy endings, where possible, and needs great coffee, food and music to give her inspiration.

Visit Jessie’s website at http://www.JessieCahalin.com.
Connect with her at:
Facebook https://www.facebook.com/people/Jessie-Cahalin/100016975596193?fref=nf
Twitter @BooksInHandbag
Contact her at: jessiecahalin@aol.co.uk

My Review of The Usurper King by Zeb Haradon #RBRT # TuesdayBook Blog

 

The Usurper King by [Haradon, Zeb]

I was given this book by the author as a member of Rosie Amber’s Review Team #RBRT in return for an honest review.

 I gave The Usurper King 4* out of 5*

Book Description:

The Usurper King takes place in an alternate universe where the serial killer Ted Bundy was never apprehended and is now running for president in 2016.

Jim, a sufferer of a hybrid computer-biological virus that causes premature aging, tries to pay for his treatments by winning money on the game show ‘Guts!’, which has contestants competitively predict the future by reading animal entrails.

As Jim begins to find omens in the entrails of Bundy’s victory, and details of Bundy’s murderous past are uncovered, Jim and another contestant take it upon themselves to stop his ascent to power before it’s too late

 My Review:

For once I’m stuck on how to review a book. Not only because I’m not sure how to describe the genre; The Usurper King crosses both fantasy, humour and political thriller; all mixed up together with some humour that more than borders on satire. The author has a quirky writing style that I admired and there are some brilliant observations on the human condition. Yet parts of the story did make me cringe and skip small sections; those parts were the descriptions on extispicy: (the practice of predicting the future or reading omens by reading the entrails and liver of animals. And yes, it did exist; I looked it up. And yes, I do know I’m a wimp.

But here I’m reviewing the book itself so I’ll break it down. As I said Zeb Haradon can write, it’s a fascinating, slightly convoluted plot told in the protagonists’s first person point of view,  Jim Galesh; a forty year old, divorced alcoholic who has contracted a disease called TAP: Technologically Acquired Progeria, that is ageing him  quicker than normal. This character jumps off the page, he is so rounded and believable, in what is otherwise a fantastical scenario. And, generally, the other characters are multi layered as well.

 The dialogue is good and more than fills out the protagonist’s character.There is a good sense of place throughout. And I found the ending clever and a total surprise,

A couple of problems that occurred in places: the pacing of the plot was slightly erratic, and there are punctuation and syntax errors throughout.

 But, to end on a positive note and to emphasise comments I made earlier; Zeb Haradon is an author to watch out for. I recommend The Usurper King for its originality, its sardonic observations of life and a great writing style

Links to buy:

Amazon.co.uk: https://amzn.to/2Iys7FM

Amazon.com: https://amzn.to/2KHBTlB

 

My Review of Long Shadows: Tales of Llys y Garn by Thorne Moore #TuesdayBookBlog #Histfiction

long shadows

 

I gave Long Shadows: Tales of Llys y Garn 5*

Book Description:

Llys y Garn is a rambling Victorian-Gothic mansion with vestiges of older glories.

It lies in the isolated parish of Rhyd y Groes in North Pembrokeshire. It is the house of the parish, even in its decline, deeply conscious of its importance, its pedigree and its permanence. It stubbornly remains though the lives of former inhabitants have long since passed away. Only the rooks are left to bear witness to the often desperate march of history.

Throne Moore’s Long Shadows: Tales of Llys y Garn comprises a trio of historical novellas that let us into secrets known only to these melancholy birds.

The Good Servant is the story of Nelly Skeel, loveless housekeeper at Llys y Garn at the end of the 19th century, whose only focus of affection is her master’s despised nephew. But for Cyril Lawson she will do anything, whatever the cost.

The Witch tells of Elizabeth Powell, born as Charles II is restored to the English throne, in a world of changing political allegiances, where religious bigotry and superstition linger on. Her love is not for her family, her duty, her God or her future husband, but for the house where she was born. For that she would sell her soul.

The Dragon Slayer tells of Angharad ferch Owain in the early decades of the 14th century. Angharad is an expendable asset in her father’s machinations to recover old rights and narrow claims, but she dreams of bigger things and a world without the roaring of men. A world that might spare her from the seemingly inevitable fate of all women.

In these three tales the rooks of Llys y Garn have watched centuries of human tribulation – but just how much has really changed? If you enjoyed the kaleidoscopic sweep of David Mitchell’s Cloud Atlas you will appreciate Long Shadows.

My Review:

I have long been an admirer of Thorne Moore’s work and have not been disappointed with these three novellas in  Long Shadows: Tales of Llys y Garn

The first, The Good Servant is told from the point of view of the housekeeper, Nelly Skeel; the protagonist, living at the end of the nineteenth century.  Well rounded and well portrayed in her actions, there is a vulnerability about this character; as the reader I found myself both can empathising and sympathising  with her and yet being exasperated. Yet should I? She is of her time and  of a certain status in her world.

And, so, on to The Witch. This story, set in the seventeenth century,  takes the reader through the early years of Elizabeth Powell to her adult life. Told mainly from the protagonist’s point of view with the occasional insight to one or two of the  other characters from a third person narrator, the emphasis is on the restrictions of the religion at that time. and the class struggles; land versus money. I liked Elizabeth, which is something I cannot say about Anthony, her brother. Always there is hope that all will be well but there is an all encompassing darkness to her story…

The Dragon Slayer is the story of Angharad ferch Owain, living during the fourteenth  century. Also told from the protagonist’s point of view we read of her fear of her father, of her future. This protagonist I liked the most. The ending is satisfying. I don’t know why I was surprised, but I was. As with the first two novellas, this tale is dark with themes of the women being mere chattels to be bargained with, used for the progression in society of their families.

I enjoyed the way the women were portrayed as having a strength and internal rebellion. But yet there was always the conflicts of status and money, of land and possessions, of greed and thwarted love. Of patriarchy.

In all three novellas, both the internal and spoken dialogue the author has the tone and subtle dialect that I imagine Rhyd y Groes in North Pembrokeshire to have been in those eras.

And, in all, the descriptions of the buildings, of Llys y Garn and of the ever-changing Welsh countryside are evocative and easily imagined.

Just a comment about the style of the book:  

The intriguing Prelude, giving the history of the “rambling Victorian-Gothic mansion” that is Llys y Garn,  is fascinating.  And I loved the short explanations of the after-years of novella. And  then we have the Interludes; told in a conversational tone these are filled both with historical details and those pertinent to the story,. Finally, the Epilogue, giving the continuing, ever-evolving history of Llys y Garn through the following centuries. 

It is apparent that the author has researched thoroughly for each of these stories; the themes of Welsh legends, myths, superstitions  and tales are woven throughout the history of the decades.  

Watch out for the ravens

This is a collection of novellas I can thoroughly recommend to any reader, especially those who enjoys historical literature.

Links to buy:

Amazon.co.uk: https://amzn.to/2rDFQj7

Amazon.com: https://amzn.to/2Iap5Hr

About the author:

Thorne Moore

Thorne was born in Luton and graduated from Aberystwyth University (history) and from the Open University (Law). She set up a restaurant with her sister but now spends her time writing and making miniature furniture for collectors. She lives in Pembrokeshire, which forms a background for much of her writing, as does Luton. She writes psychological mysteries, or “domestic noir,” and her first novel, A Time For Silence, was published by Honno in 2012. Motherlove and The Unravelling followed, also published by Honno. She has also brought out a book of short stories, Moments of Consequence. Her last novel, Shadows, was published by Endeavour in 2017. She’s a member of the Crime Writers Association.

Praise for Thorne Moore and her novels:

“Thorne Moore is a huge talent. Her writing is intensely unsettling and memorable” – SALLY SPEDDING, AUTHOR

“Totally had me hooked from page one… Highly recommended if you love a good psychological thriller” – BROOK COTTAGE BOOKS

“I devoured this book. Beautifully written, frighteningly real” – CHILL WITH A BOOK

“A compelling blend of mystery and family drama with a gothic twist… The author’s ability to create an atmosphere is exceptional” – JUDITH BARROW, AUTHOR

“Beautifully told, this really did have me captivated” – CLEOPATRA LOVES BOOKS

“Moore has created a figure who reaches out across the decades and grabs our sympathy… Her character transforms the novel” – BOOKERTALK