Interviewing One of my Favourite Authors; Terry Tyler and Introducing her Latest Novel, Tipping Point: #SundayBlogShare

Kings And QueensThe House Of YorkLast ChildThe Devil You Know11 aa aa aa Lind

https://www.amazon.co.uk/Terry-Tyler/e/B00693EGKM

 

Hi Terry, good to see you here today. Please tell us first,what is the ultimate goal you hope to achieve with your writing?

To write something so amazingly good I can’t believe I’ve written it.  I doubt that will ever happen, though; even if it did, I’d probably still spend half my time thinking it was rubbish.  Maybe there never is an ultimate goal with anything creative, as there is always more, a different direction in which to progress.  You never get to a point when you think, ‘right, I’ve done it, I’ve got there, so I’ll stop’.

Are your characters based on real people or did they all come entirely from your imagination?

People often ask writers, ‘is your main character supposed to be Joe/Bob/Steve?’  But he rarely is; writers make stuff up.  That’s what we do.  Experience fuels the imagination, that’s all; I’d say my characters are 80% my invention, 20% taken from real life.

What is your work schedule like when you’re writing?

I write on every day that it’s possible to do so.  Aside from family commitments, anything else has to fit round it.  I give myself deadlines for completing each draft, just because I work better that way.  When the book’s gone to my proofreader, I catch up on stuff I need to do (guest blog posts, emails, etc), and kid myself I’m going to do some jobs around the house.  However, I’ve always got the next book waiting in the wings (ie, my head!) and so the process begins again, and the bedroom remains unpainted.

What do you think makes a good story?

An opening chapter with threads that make you eager to know what’s going to happen.  Characters that jump off the page and into your thoughts; if you don’t care what happens to them, you have no impetus to keep reading.  A feasible plot, with unexpected developments that don’t seem as if they’re just there for the sake of making ‘plot twists that will blow your socks off’ claims on Amazon.  Resolution for each aspect of the story (unless part of a series).  An ending that stays with you after you’ve read it.

How many books have you written? Which is your favourite?

Twenty-five (I think).  Fourteen of them are published, with another finished and in the preparation process (Lindisfarne, which may be out by the time this post appears!).  I can’t name one favourite, but I have special affection for the most recent, Tipping Point and sequel Lindisfarne, because they’re part of a series, which I think about all the time!  My other favourites are The House of York and Last Child, family sagas inspired by events during Tudor and Plantagenet times.

Could you tell us a bit about your most recent book and why it is a must-read?

I would never describe my own book as a ‘must-read’; that’s for the reader to say, not me!  The Project Renova series, of which Tipping Point is the first book, is about a global pandemic, and also, initially, about how public opinion is manipulated by the media.

I’ve wanted to write about life after the collapse of 21st century civilisation for ages, because I’m a bit obsessed with all things post apocalyptic, but I wanted to ‘keep it real’, as much as possible.  Vicky is an ordinary woman living in a small town, with a teenage daughter, Lottie.  As Vicky says: ‘How to manage without flushing loos is never mentioned in TV shows or films about life after global disasters.  I suppose viewers don’t want to see their favourite hunky road warrior sidling off into the woods with a roll of Andrex.’

Does your book have a lesson? Moral?

  1. Nothing you say on the internet is private. 3.  When the going gets tough, people’s true selves come to the fore.  No moral lessons, though.  I don’t think.

Do your characters seem to hijack the story or do you feel like you have the reins of the story?

It’s your imagination, your fingers on the keys.  Sometimes a character will turn out differently from how you intended, mostly because unexpected ideas about how to develop the character appear while you’re writing, but it’s still you in the driving seat.  I don’t go in for all this ‘I wanted to make Sebastian a modest shopkeeper, but he just wasn’t having it!’ stuff.

When did you write your first book and how old were you?

I first wrote a novel in 1993, when I was thirty-four.  I might get it out and have a cringe-athon some time.

Do you have any hidden or uncommon talents?

If I have, I can’t think what they are.  Or maybe I’m just not telling you.  Smiley face with wink.

What would you say is your interesting writing quirk?

I haven’t got one.  I’m not that interesting.  I just sit down at my desk and get on with it.

What do you like to do when you’re not writing?

Oh dear, this is where I’m supposed to reveal all my fascinating and unusual hobbies, isn’t it?  Thing is, I mostly just write, and when I’m not, I do the same relaxation/leisure time stuff as most people.   You know, watch stuff, read, go for walks, clean the house.  Okay, I’m lying about the last one.  I read a lot and review books on my book blog, and for Rosie Amber’s Book Review Blog.

Give us a random fact about yourself.

I’ve recently become a vegan.  It’s difficult, but at least it stops me raiding the biscuit tin.  I can see myself eating vegetable stir fry with Quorn for dinner every night; I’m not very interested in cooking.

Terry Tyler is the author of fourteen books on Amazon, the latest being ‘Tipping Point’, the first book in her new post apocalyptic series.  She is proud to be self-published, is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.

Her next book, ‘Lindisfarne’, the sequel to ‘Tipping Point’, should be available in September 2017.  She lives in the north east of England with her husband, and is still trying to learn Geordie

terry

Books coming out in 2017:

Tipping Point, released on August 7th.  Post apocalyptic/government conspiracy/family drama.

Lindisfarne, to be realised in September 2017.  Sequel to Tipping Point.  Also Romantic Suspense

Patient Zero, hopefully ready to publish in December 2017.  Outtake short stories   related to Tipping Point, Lindisfarne and Book 3 of the series, yet to be written.

Thought I might add my own review Of Tipping Point here:Tipping Point

Links:

Brook Cottage Books Presents The House With Old Furniture  by Helen Lewis

                   The House With Old Furniture Tour Banner (1)                    

The house with old furniture

Genre: Contemporary Fiction

Release Date: 20 July 2017

Publisher: Honno Press

 The ghosts of a century’s worth of secrets and betrayals are coming home to Pengarrow…

 Evie has lost her eldest son, Jesse, to gang violence. Leaving the house he grew up in is pulling apart the few strings left holding her heart together. Only the desire to be there for her younger boy, Finn, impels Evie to West Wales and the ancient house her husband is sure will heal their wounds.

Days later, Andrew is gone – rushing back to his ‘important’ job in government, abandoning his grieving wife and son. Finn finds solace in the horse his father buys by way of apology. As does his evasive and fearful new friend, Nye, the one who reminds him and Evie of Jesse… Evie loses herself in a dusty 19th century journal and glasses of homemade wine left by the mysterious housekeeper.

As Evie’s grasp on reality slides, Andrew’s parents ride to the rescue. It is clear that this is a house they know. They seem to think they own it, and begin making changes nobody wants, least of all Alys and her son, Nye, the terrified youth who looks so like Jesse.

My Review:

This book hooked me from the start: ” I don’t want to leave. I’m being ripped from the rock I cling to…” Right away i was in the protagonist’s heart and mind. The story of Evie Wolfe, her grief, her bewilderment, her sense of loss is threaded through the whole of The House With Old Furniture. Helen Lewis has a talent for writing phrases that evoke instant images, moods and sensations.This is rich,flowing prose.

Told alternately from the points of view of Evie and her young son, Finn, the contrast in tone is stark, yet the empathy, between the two is palpable.  The author relates many of the same scenes throughout the novel from their different perspectives, with their different voices, allowing each scene to come alive and enabling the reader to ‘see’ the confusion in each character’s mind. Yet also to begin to see the machinations of the other characters surrounding them.

All the characters are multi-layered and convincing in the roles they play, whether they live in the ‘real’ world or are more ephemeral. As a reader I found myself alternately empathetic, saddened, perturbed, intrigued, angry. The House With Old Furniture is not a book that lets the reader go so easily; I discovered it is quite easy to dust, to make a meal one -handed, to iron, with only occasional glances to see what I was doing. And to read.

The spoken dialogue defines each character to their part in the plot, yet it is so subtly written that it is easy, initially, to miss the manipulations that are woven throughout. Only through the internal dialogue of Finn and the gradual slipping of reality with Evie did the unease grow in me.

My review wouldn’t be complete without a word or two about the setting of the novel. The descriptive narrative brings alive the surrounding countryside of Wales; the isolation, the beauty, sometimes the danger, to give a great sense of place. I also love the title; The House With Old Furniture encompasses the descriptions of both Pengarrow and the cottage where Evie finds Nye and Alys.  Ah, Alys, an elusive character that I will leave other readers to discover for themselves, just as Evie ‘discovers’ her.

This is a story where a sense of disbelief has to be, and is, easily suspended. And it’s expertly brought about by Helen Lewis’ writing.

Love the cover by the way…and the wonderful inscriptions and patterns on the pages that divide the chapters.

As you can probably guess,I wholeheartedly recommend.The House With Old Furniture.

BUY LINKS

 http://www.honno.co.uk/dangos.php?ISBN=9781909983663

https://www.amazon.co.uk/House-Old-Furniture-Helen-Lewis/dp/1909983667/

https://www.amazon.com/House-Old-Furniture-Helen-Lewis/dp/1909983667

 ABOUT HELEN LEWIS

Version 2

Helen was born in 1967 in the New Forest. She spent her childhood dreaming of becoming a ballerina and doodling in the margin. She graduated from Southampton Faculty of Art and Design (so long ago now, that the place doesn’t even exist!) and worked as a professional Doodler of Margins (Graphic Designer) for twenty years. In 2006 She moved to Pembrokeshire with her family and lives in the middle of nowhere where she reads, writes, and runs.

Facebook: https://www.facebook.com/helenlewisauthor

Twitter:  @hedlew

Blog: http://www.helen-lewis.co.uk/blog

Website: www.helen-lewis.co.uk

 The House With Old Furniture Tour Banner (1)

GIVEAWAY

3 ebooks (open internationally)

3 paperbacks (Uk only)

http://www.rafflecopter.com/rafl/display/4be03017242/

My Review of The House With Old Furniture by Helen Lewis #FridayReads

The House With Old Furniture by [Lewis, Helen]

 

I gave The House With Old Furniture a well deserved 5*out of 5*

 Book Blurb:

The ghosts of a century’s worth of secrets and betrayals are coming home to Pengarrow…

Evie has lost her eldest son, Jesse, to gang violence. Leaving the house he grew up in is pulling apart the few strings left holding her heart together. Only the desire to be there for her younger boy, Finn, impels Evie to West Wales and the ancient house her husband is sure will heal their wounds.

Days later, Andrew is gone – rushing back to his ‘important’ job in government, abandoning his grieving wife and son. Finn finds solace in the horse his father buys by way of apology. As does his evasive and fearful new friend, Nye, the one who reminds him and Evie of Jesse… Evie loses herself in a dusty 19th century journal and glasses of home-made wine left by the mysterious housekeeper.

As Evie’s grasp on reality slides, Andrew’s parents ride to the rescue. It is clear that this is a house they know. They seem to think they own it, and begin making changes nobody wants, least of all Alys and her son, Nye, the terrified youth who looks so like Jesse.

My Review:

This book hooked me from the start: ” I don’t want to leave. I’m being ripped from the rock I cling to…” Right away i was in the protagonist’s heart and mind. The story of Evie Wolfe, her grief, her bewilderment, her sense of loss is threaded through the whole of The House With Old Furniture. Helen Lewis has a talent for writing phrases that evoke instant images, moods and sensations.This is rich,flowing prose.

Told alternately from the points of view of Evie and her young son, Finn, the contrast in tone is stark, yet the empathy, between the two is palpable.  The author relates many of the same scenes throughout the novel from their different perspectives, with their different voices, allowing each scene to come alive and enabling the reader to ‘see’ the confusion in each character’s mind. Yet also to begin to see the machinations of the other characters surrounding them.

All the characters are multi-layered and convincing in the roles they play, whether they live in the ‘real’ world or are more ephemeral. As a reader I found myself alternately empathetic, saddened, perturbed, intrigued, angry. The House With Old Furniture is not a book that lets the reader go so easily; I discovered it is quite easy to dust, to make a meal one -handed, to iron, with only occasional glances to see what I was doing. And to read.

The spoken dialogue defines each character to their part in the plot, yet it is so subtly written that it is easy, initially, to miss the manipulations that are woven throughout. Only through the internal dialogue of Finn and the gradual slipping of reality with Evie did the unease grow in me.

My review wouldn’t be complete without a word or two about the setting of the novel. The descriptive narrative brings alive the surrounding countryside of Wales; the isolation, the beauty, sometimes the danger, to give a great sense of place. I also love the title; The House With Old Furniture encompasses the descriptions of both Pengarrow and the cottage where Evie finds Nye and Alys.  Ah, Alys, an elusive character that I will leave other readers to discover for themselves, just as Evie ‘discovers’ her.

This is a story where a sense of disbelief has to be, and is, easily suspended. And it’s expertly brought about by Helen Lewis’ writing.

Love the cover by the way…and the wonderful inscriptions and patterns on the pages that divide the chapters.

As you can probably guess,I wholeheartedly recommend.The House With Old Furniture.

Links to buy:

http://www.honno.co.uk/

Amazon.co.uk: http://amzn.to/2vLv9f1

Amazon.com: http://amzn.to/2vl4Q21

 

 

new honno_logo

 

My Last Saturday Round-Up Of the Brilliant Authors #authors & Poets #poets at the Narberth Book Fair #BookFair

Titleband for Narberth Book Fair

Gathering the last of those authors and poets who joined in with the interviews to  help to show what a treat is in store at our book fair. Do please drop in to our website:   Narberth Book Fair, cleverly put together by the brilliant Thorne Moore.

There are forty authors, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults: workshops & talks and fun workshops for children, activities for the children; Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire. Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

There is still time to  enter the poetry competition: competition Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter and, hopefully, will be with us at the fair), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

The line up so far:

Judith Barrow

Thorne Moore

Juliet Greenwood

Graham Watkins

Rebecca Bryn

Helen Williams

Sally Spedding

Katy Whateva

Sara Gethin

Cheryl Rees-Price

Jackie Biggs

Judith Arnopp

Colin R Parsons

Kate Murray

Hugh Roberts

Carol Lovekin

Catherine Marshall

Tracey Warr

Steve Thorpe

Wendy Steele

I must say I’ve enjoyed interviewing all the poets and authors and I hope you’ve enjoyed reading them. There will still be plenty of news about the book fair over the next few weeks. In the meantime, do think about entering the competition and don’t forget to put your name down for any of the workshops; numbers are limited.
Titleband for Narberth Book Fair

Brook Cottage Books Presents Not Thomas by Sara Gethin.

Not Thomas Tour Banner

 

sara brook cottage

ABOUT SARA GETHIN

Sara Gethin is the pen name of Wendy White. She grew up in Llanelli and studied theology and philosophy at Lampeter, the most bijoux of universities. Her working life has revolved around children – she’s been a childminder, an assistant in a children’s library and a primary school teacher. She also writes children’s books as Wendy White, and her first, ‘Welsh Cakes and Custard’, won the Tir nan-Og Award in 2014. Her own children are grown up now, and while home is still west Wales, she and her husband spend much of their free time across the water in Ireland. ‘Not Thomas’ is her first novel for adults.

Facebook: https://www.facebook.com/SaraGethinWriter/

Twitter: https://twitter.com/sgethinwriter

Blog: www.saragethin.com

Website: www.saragethin.com

Not tomas brook Cottage

Genre: Fiction

Publisher: Honno Press

Tomos lives with his mother. He longs to return to another place, the place he thinks of as home, and the people who lived there, but he’s not allowed to see them again. He is five years old and at school, which he loves. Miss teaches him about all sorts of things, and she listens to him. Sometimes he’s hungry and Miss gives him her extra sandwiches. She gives him a warm coat from Lost Property, too. There are things Tomos cannot talk about – except to Cwtchy – and then, just before Easter, the things come to a head. There are bad men outside who want to come in, and Mammy has said not to answer the door. From behind the big chair, Tomos waits, trying to make himself small and quiet. He doesn’t think it’s Santa Claus this time.

 When the men break in, Tomos’s world is turned on its head and nothing will be the same again.

EXCERPT

The lady’s here. The lady with the big bag. She’s knocking on the front door. She’s knocking and knocking. And knocking and knocking. I’m not opening the door. I’m not letting her in. I’m behind the black chair. I’m very quiet. I’m very very quiet. I’m waiting for her to go away.

I’ve been waiting a long time.

‘Thomas, Thomas.’ She’s saying it through the letter box.

‘Thomas, Thomas.’

I’m not listening to her. I’m not listening at all. She’s been knocking on the door for a long long time. I’m peeping round the black chair. I’m peeping with one of my eyes. She’s

not by the front door now. She’s by the long window. I can see her shoes. They’re very dirty. If Dat saw those shoes he’d say, ‘There’s a job for my polishing brush’.

She’s stopped knocking. She’s stopped saying ‘Thomas’. She’s very quiet. The lady can’t see me. I’m behind the big black chair. And I’ve pulled my feet in tight.

‘Thomas?’ she says. ‘Thomas?’ I’m not answering. ‘I know you’re in there. Just come to the window, sweetheart. So I can see you properly.’

I’m staying still. I’m not going to the window. I’m waiting for her to go back to her car. It’s a green car. With a big dent in it. If I hide for a long time she’ll go. She’ll get back in her car and drive away. She’s knocking. And knocking again.

She’s saying ‘Thomas.’ And knocking and knocking again.

‘Thomas.’ 

That is not my name.

 My Review: 

 Every now and then I read a book that sets all my senses tingling with the brilliance of it.

And this is why I wanted to write my review in a different way than normal.

 I don’t just mean that the characters are so multi-layered and rounded that I can empathise with them. Or that the descriptions give a wonderful sense of place that make the settings easy to envisage.  Or that the plot makes a story that is innovative and original.

I mean a book that holds all these… and more. And this novel does just that

 Not Thomas is narrated through the point of view of the protagonist, Tomas. He’s five years old. And, because of this, the narration and his dialogue are simplistic and poignant; the words jump off the page as those of a five year old child. And it works so well.  

We see his world; his home, his school, the people around him, through his eyes. We learn of his perception of himself, the capabilities of his body; often described in almost a third person, personification kind of way; “my ear is listening “, ” my teeth are hurting my tongue”

 Sara Gethin has an usual talent for seeing through the eyes of a child and I love her style of writing.

 Without giving any spoilers to this superb novel I will say that, despite the simplicity of a lot of the narrative, this is a dark, compelling story with a gripping plot. I could see this as a television drama.

 I thoroughly recommend Not Thomas. I’m not ashamed to say there were moments when I cried reading this story, sometimes in  a sad way but sometimes, as Tomas would say, when “my mouth was laughing”.

BUY LINKS

http://www.honno.co.uk/dangos.php?ISBN=9781909983625

https://www.amazon.co.uk/Not-Thomas-Sara-Gethin/dp/1909983624/

https://wordery.com/not-thomas-sara-gethin-9781909983625

 GIVEAWAY

3 e-copies (International) & 3 paperbacks (UK only)

http://www.rafflecopter.com/rafl/display/4be03017240/

 

new honno_logoNot Thomas Tour Banner

 

My Review of A Mind To Kill  by John Nicholl

A Mind To Kill: A dark psychological thriller packed with suspense by [Nicholl, John]

Book Description:

When Rebecca’s childhood abuser escapes justice, it sets her on a path to revenge, revenge on any man who preys on the innocent.

Twenty-three-year-old Rebecca poses as a child online and sets her trap, luring one sexual predator after another to their deaths. 

When a severed head and other body parts are found washed up on a windswept estuary beach, the police begin their investigation.

If you’re looking for a page-turning book you won’t be able to put down, discover John Nicholl’s stunning new thriller today. 

My Review:

I received an ARC of A Mind To Kill  from the author in return for an honest review. 

This is a deeply disturbing book that deals with child abuse, murder and gruesome scenes. I’ve read and reviewed books by John Nicholl before: Bully Boy Blue  and Portraits of the Dead. Both dark, gripping stories where the author shows his knowledge of police matters and certain kinds of crimes.  For me A Mind To Kill is his most grim yet. It is obvious from the book blurb that it will be macabre in parts; readers are warned. There are graphic scenes that some may want to skim through. But it has to be borne in mind that these have a reason to be there; for revenge against one of the most horrific and vile crimes; child abuse.

That said I will review as usual.

 In the author’s previous books there has always been one character, the protagonist that I have felt some empathy for, some understanding of their actions and their mindset.  I was disappointed that I didn’t have this choice in  A Mind To Kill . Although I grasped the anger and passion for revenge that drives Rebecca, and recognised what happened to her in childhood has coloured her whole outlook on life, for me it is too one dimensional. I would have liked much more background of her previous life inserted somewhere; if only glimpses of her childhood after the abuse, her teenage years. Something that brought her to this point in her life which explains her relationship with her mother especially. I would have liked to have a flashback or two to see where the justice system failed this family and the emotions that the ordinary police must have felt. (I do like flashbacks!)

And, having met Inspector Gravell (Grav) in a previous book, I was disappointed in the change in him. I know, having lost his fellow partner, Detective Sergeant Clive Rankin, he would be a more embittered and cynical character but he is portrayed  as a completely unpleasant man in this book. His previous bluff yet compassionate side is well hidden.

Mostly the dialogue is realistic and plausible and differentiates the characters but every now and then, especially in the conversations between Rebecca and her mother I found it difficult to realise who was speaking. And, in other parts of the book, there is what I call ‘head hopping’ between characters. The spoken and internal dialogue between  characters jumps from the point of view of one of the characters, usually one of the two main characters to the mind of someone else, sometimes even a minor, flat character who adds little to the main plot or only appears once in a short side plot. 

Beyond an internal setting of one room, graphically and frighteningly described, there are few external settings, But these are well written and give a strong sense of place.

A Mind To Kill  is an extremely dark psychological thriller; the strong emotions, the vengeance, the hatred, the evil radiates throughout the story . The boundaries of right and wrong blend and become difficult to  identify with. It’s a book that is both contentious and provocative. I would recommend it for readers who understand that there is true evil in the underworld of vile child abuse… and have a strong stomach.

Links;

Amazon.co.uk: http://amzn.to/2v1hALh

Amazon.com: http://amzn.to/2tLDB16

My Fifth Saturday Round-Up Of All the Brilliant Authors #authors & Poets #poets at the Narberth Book Fair #BookFair

Titleband for Narberth Book FairGathering even more of us all together this week to show what a treat is in store at our book fair. Do please drop in to our website:   Narberth Book Fair, cleverly put together by the brilliant Thorne Moore.

Will be posting interviews with the authors and poets who will be taking part in our Book Fair for some weeks to come.

There are forty authors, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults: workshops & talks and fun workshops for children, activities for the children; Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire. Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition: competition Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter and, hopefully, will be with us at the fair), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

The line up so far:

Judith Barrow

Thorne Moore

Juliet Greenwood

Graham Watkins

Rebecca Bryn

Helen Williams

Sally Spedding

Katy Whateva

Sara Gethin

Cheryl Rees-Price

Jackie Biggs

Judith Arnopp

Colin R Parsons

Kate Murray

Hugh Roberts

Carol Lovekin

Catherine Marshall

Tracey Warr

Steve Thorpe

Wendy Steele