I was given Finding Max by the author as a member of Rosie Amber’s Review Team #RBRT in return for an honest review.
I gave this book 4* out of 5*
Five-year-old Max is abducted from a playground on a hot summer day while his brother, Gary, has his back turned. Seventeen years later, Max returns to Gary’s life in a serendipitous twist with a disturbing tale to tell. As they learn to love and trust each other, they must outwit and outrun the nefarious Quinn, who seeks to re-abduct Max for his own evil purposes. Killing Gary and his new girlfriend, Jean, to get them out of his way is just part of his plan. Will they escape? And when all is said and done, will Max and Gary ever truly be freed from the shackles of guilt and pain from the past? Amid the gritty, harsh landscape of New York City, Finding Max explores those areas of society we seldom like to look at—homelessness, hunger and sexual abuse—with profound delicacy, brutal honesty and compassion. This thrilling novel will keep you reading long into the night
Finding Max is an intriguing and powerful novel; a cross genre of psychological thriller and mystery. It’s a dark plot that is threaded through with themes of violence, abandonment and sexual abuse but these are juxtaposed and balanced by themes of courage, loyalty and love. I liked the writing style of this author and it’s obvious there has been a great deal of research into the deep-seated trauma of childhood mistreatment and cruelty. Darren Jorgensen treads a fine line but it’s done with sensitivity and skill. The reader is taken into the inner lives of the two main characters, two brothers, Guy and Max and their past and present lives.
On the whole all the characters throughout are well-rounded and believable. Both Guy and Max are multi layered. They are portrayed, individually, as damaged by their history but in different ways, Max, by his abduction as a child, and Guy, by his belief that he failed his brother by his neglect and inability to stop the abduction. But, as in all good writing, both are also depicted to grow and change as the story progresses. This transformation is helped by the introduction of Jean, Guy’s new girlfriend. I wasn’t sure, at first, by this character but eventually realised her purpose to the plot; she is an emotional go-between – having a strong impact on both brothers in the short time span
The antagonist, Quinn, is interesting; a psychopathic murderer who is shown to have a disturbing, unnatural love for Max. He stalks him, desperate to reclaim him and dangerously bitter by his belief that Guy and Jean have taken Max away from him. It’s a strong, well written portrayal of an adversary.
I deliberated over some of the dialogue; I’m not convinced by it, especially that of Max. The inner dialogue, on the whole, is excellent, revealing the horror, the terror, the power of the mind and it gives understanding to some of Max’s irrational behaviour and need to hide, to run away. But the spoken dialogue he is given doesn’t always ring true; there is a sophistication there that feels wrong for this naive character. And, without the dialogue tags, it is occasionally difficult to discern who is speaking, Guy, portrayed as an educated and socially competent man, or Max.
The description of the settings: Guy’s office, the shelter where he is based as a social worker, and his apartment; the way homelessness on the streets is shown, give a brilliant sense of place. I could see the world the characters move around in.
Besides my thoughts on the dialogue, I had only a few reservations. Firstly, I felt that the pace of the plot was slowed down, in places, by the unnecessarily introduction of issues not particularly relevant to the story, Secondly, I was never quite sure about the coincidence of Max walking into the drop-in centre where Gary is based. But, for the sake of the plot, I accepted it as possible.
I think it also should be said that there are explicit details of child sexual abuse some readers may find upsetting.
Although Finding Max is a standalone novel it is open- ended and could lead to a sequel.
On the whole this is a powerful and absorbing read. One I would recommend in particular to readers who enjoy a dark physiological crime genre
The Crime and Coffee Festival beckoned me to Cardiff Library to solve the mystery of writing and publishing. The workshop: Cut, Slash and Perfect promised to reveal more about the writing and traditional publishing journey. As I passed the crime scene tape surrounding the bookshelves, I did wonder if any authors had been lost during the cutting, slashing and perfecting process. I went undercover to find out more about traditional publishing. Would I need an agent, and would I need a sharper pair of scissors?
Authors, Judith Barrow and Thorne Moore, chatted with the editor, Caroline Oakley, of Honno Pressabout publishing. The entertaining chat provided food for thought for all authors who wish to publish their work. As I listened, I captured some of the main points and discovered what makes editors cut and authors cry. The panel put me at ease, and I was able to remove my disguise as an indie author.
Introducing Caroline Oakley who is the editor at Honno Press
Caroline has worked in general trade publishing for over thirty years and has edited a number of award winning and bestselling authors. Caroline works for, Honno Press, an independent Welsh Women’s publisher in Wales.
Clues from the Editor
Caroline gave a balanced overview of publishing
Big publishers only work through agents.
Agents often have useful contacts within the publishing world and deal with the contracts. Care must be taken when selecting an agent because, as in all businesses, there are inefficient, self –styled experts, with little experience, out there. Google and search for those authors who write in your genre to find out the names of the agents who deal with your kind of book before submitting. You can approach independent and smaller publishers with or without an agent. Find out what this kind of publisher wants before approaching them. Research their website; look at the work of the signed authors. Take your time to select the appropriate one for your genre; consider how much advance that publisher pays, the amount of royalties for sold books you will get, your rights (such as audio and foreign rights for your work) and the terms and conditions of your contract. You must read the small print!
Don’t get disheartened with rejection letters sent to publishers. Hope your manuscript reaches the publisher at the right time (by this I mean that it’s not a miserable Monday morning for them, or they’ve not had a quarrel with a partner or their family – or they’ve not had a week of wading through a pile of “not very good” manuscripts before they get to yours)– it is subjective.
Indie publishing has its challenges, but it gives you more control and you get all the profit. The Indie author deals with every element of the process; from the writing to choosing the cover, the blurb formatting, publication and marketing. Traditionally published authors also are expected to promote and market. Indie publishing is time- consuming but as I said before, they do have complete control over their work.
Whichever publishing route you choose, you must get yourself an editor! Although time-consuming (and sometimes devastating!) you must go through the cut, slash perfect process. A good editor will identify gaps, things that possibly don’t work in your writing, mistakes such as change of dates of characters’ birthdays or colour of eyes in different parts of the book, errors in time scale etc.. But will not tell you what to do, only point out those mistakes and suggest changes to make your work stronger.
It is advisable that every author, whether self-published or traditionally published, has a website, blog and social media accounts.
Judith Barrow has published four books with Honno Press. She writes historical family saga fiction. She has also self-published books and a collection of short stories of the minor characters in her trilogy.
What did Judith say about her publishing journey?
I love working with Honno Press. The staff are friendly and accessible. As a writer you learn what you can and cannot get away with. I have built up trust with the editor who I know has had a long and professional career in all genres. And, although Honno Pressalso organises the front cover for the books, they have allowed me input to the final decision .
Working with Honno Press provides me with quality, professional editing. I cry every time, I get the editor’s comments, but I know, in my heart, it makes the work better. An editor will read your book line by line and give an overview. A good editor will ask the right questions but will not give you the answers. When you edit your work, you must keep your own voice.
I do not send my very first draft to an editor and probably have about ten revisions. I ask my friend, who is an author, to give me an honest opinion on anything I have doubts about. I am also a member of a writing group and we email sections of our books for discussion. But do, avoid too much input from too many sources into your work as it can confuse you – have a small trusted network of writers. Believe in yourself! The cut, slash and perfect stages involves a first general edit, as many more detailed edits then necessary to get the writing to its best, a line by line edit to weed out any noticeable mistakes and then a proof read by the publisher’s proof reader. Finally, it comes back to me for a last read to make sure all is correct. I do like this final stage; it does make me feel as though I have control over the end product to some degree.
Thorne had published three books with Honno Fiction and writes domestic noir and psychological fiction. Thorne has self-published and works with two publishers.
What did Thorne say about publishing?
She has self-published short stories in order to market a published book. The different publishers are relevant to the books promoted. Regardless of how the books are published, the author must have a good editor.
A writer needs an editor to stand on the mountain and look down on your work. During the writing process the author becomes too absorbed to be objective. Through the feedback from the editor, you learn to write. The editor will locate your common mistakes then you will avoid these in subsequent drafts.
You do need a small critical group of friends who will give you constructive criticism.
Don’t worry about the reviews. Jane Austin has plenty of one star and two star reviews on Amazon.
Don’t give up! I was rejected by Honno at first. In an interview with Thorne, she told me about the trials and tribulations of her publishing journey. This story of Thorne’s publishing journey will be published very soon.
A good editor is key to success for all authors: traditionally published and self-published need a good editor. A good editor will identify gaps in your work and ask the right questions. My editor forced me to ask lots of questions about my book and rework sections. I learnt a great deal about my writing through this process. As a self-published author I have involved a professional editor, beta readers and other authors. One must be careful of making new mistakes in a new edit – it is expensive to pay for all the various stages of the edit. I understand the security of working with an independent publisher who provides an editor. The indie author has greater control of the book but must complete all stages of the process including the book cover and the marketing. In the end, all clues pointed towards the importance of a professional editor during the publishing process. No matter how many times the author sharpens the scissors to cut, they still need an editor and dosh to pay for quality. Clearly, this wasn’t an open and shut case and more investigation needed to be completed.
Clue of the Day
Caroline suggested the market for the unreliable narrator in all genres will change. Like fashion in clothes, fashion in books also changes. No one knows what will be the next ‘in thing’ for novels.
Judith waited for me in a department store while I waited for her in Cardiff Library. Would the meeting take place? Neither of us had thought to share our phone numbers prior to the meeting.
Judith emerged from the lift, in Cardiff Library, wearing a silk purple top that was co-ordinated with her fabulous lilac hair. I warmed to her instantly! Her beaming smile lit up her face and I knew she’d make me laugh. She travelled from Pembrokeshire to take part in a panel on agents, traditional and Indie publishing and agents at the Crime Cymru event, and her huge canvas bag bulged with goodies for the day ahead. I was lucky to grab some time with her.
Judith: At last, I thought you’d got lost in your handbag. I waited in the department store and realised I had no contact details. After I finished my mint tea, I asked three strange women if they were Jessie. They thought I was mad.
Judith’s Yorkshire accent and mischievous blue eyes instantly made me giggle. Great to meet someone who spoke the same lingo.
Jessie: I’m so sorry but I thought you’ be able to read my mind. Couldn’t you hear me calling you in my dulcet tones across the streets of Cardiff? Don’t ask me why I didn’t send you my mobile number and confirm the meeting. I also approached a couple of potential Judiths but the real Judith is much better. So pleased, I found a representative of Honno Press and she had your number.
We laughed and grabbed some coffee from a coffee station in Cardiff Library. The staff set up a couple of chairs for us to conduct the chat. Having spilt the coffee all over my hand, we settled down to chat about Judith.
Jessie: Judith, tell me what a Yorkshire lass is doing in Pembrokeshire.
Judith: We went on holiday to Pembrokeshire, loved it and never returned to Saddleworth. We bought a half-built house and renovated it.
Jessie: Do you miss Yorkshire?
Judith: Pembrokeshire was a great place for our kids to grow up. I miss Yorkshire stone, craggy landscape and the meandering moors. I love our house, in Pembrokeshire, but I always expected I’d live in a stone cottage in my old age. As you can hear, even after forty years in Wales my accent hasn’t changed – I’m still a Yorkshire lass. People say they can hear my voice in their heads when they read my books. Lucky them!
Jessie: Obviously, people love your voice as you have written eight books. How did the writing start?
Judith: Well, I hope they do. As for the writing, I’d written since I was a child but never done anything much about it. Then I went to night school with my daughter. I finished A Level English and went on to gain a degree through the Open University. Whilst studying for the degree, I had breast cancer, and this made me see life differently. I decided to follow my dream to become a writer. Initially, I had an agent but she wanted me to write as an author of Mills and Boon so I parted company with her.
Jessie: That’s ridiculous; your books are not of that genre. The books are historical fiction with engaging stories of the Howarth family. The books have complex plots and characters.
Judith: I write people driven, gritty dramas and wasn’t prepared to adapt my writing. Eventually, I got a contract with Honno Press – an independent publisher in Wales- and found their approach personal and supportive. My first book ‘Pattern of Shadows’
Jessie: What’s Pattern of Shadows about?
Judith: It’s the story of a nursing sister, Mary Howarth, and her family, during World War Two and is set around a POW camp located in a disused cotton mill in a Lancashire town. When I was a child my mother was a winder in a cotton mill and I would go there to wait for her to finish work; I remember the smell of the grease and cotton, the sound of the loud machinery and the colours of the threads and bales of material. Pattern of Shadows was meant to be a standalone book, but the characters wanted me to carry on with their lives. Eventually, it developed into a family saga trilogy. My recent book, the prequel, is A Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth. They wanted me to explain their, how they had become what they are in the trilogy. I was happy to; I think, as we get older, we are made by our life experiences.
Jessie: I’m reading One Hundred Tiny Threads. I’m about a third of the way through. It’s a great read. The opening is engrossing with Winifred waking up to another day in the shop. The characters are so real, and I love getting inside their heads. I’m shouting at them all the time. The way you thread the characters’ attitudes towards women is brilliant. I’m fascinated by the Suffragettes in Leeds. For some reason, I always imagined the movement to be concentrated in London.
Judith: Researching the Suffragettes opened up my eyes. I wanted to tell their story through the voices of the characters and show how women, in the society at that time, were ready for the change. Stories draw people into to the political background of the era, and life was certainly a challenge then. People say my books are dark. Have you got to the gory bits?
Jessie: Well, there has been a murder.
Judith: No, I’m thinking of scene after that – you wait. Bill’s a bastard but it’s his background. I don’t know why Winifred married him.
Jessie: Oh no, what was Winifred thinking of? I’m furious with her, as I haven’t read the terrible news yet. I’m intrigued as to why she didn’t marry the love of her life and scared for her.
Judith: oh ‘eck, hope I haven’t I haven’t spoiled it for you, Jessie. But, you must understand Bill had a terrible life as a child with his father. And then he was a soldier in the horrendous First World Wars. He was also one of the Black and Tans when he returned from the Front. He’s a bastard but didn’t have it easy. As I said, our lives shape us.
Jessie: I agree and people interest me too.
Judith: Yes, well your novel, You Can’t Go It Alone, is also character driven and could become a family saga. I can see it now. I want to know more about Luke and Rosa and their parents.
Jessie: I plan to do that, and you have inspired me to complete historical research. I would have to look carefully into the eras the generations were born into. Thanks for your advice.
Judith: No problem, I teach creative writing in Pembrokeshire, so I just can’t help myself (some would say it’s interfering!!). Writing is like looking at the world through the eyes of a child and I love it. I watch folk walk past my window, at home. It’s hilarious how people walk. I can’t stop people watching and passing it on through my books. I never stop watching and am always so busy.
Jessie: I notice you also organise Narberth Book Fair.
Judith: Yes, I organise it with a friend, author, Thorne Moore. It started in Tenby, but we had to move because we outgrew the venue with so many writers wanting to take part. I think it’s so important to attend these events; to get out there and meet the readers.
Jessie: What advice would you give to fledgling writers?
Judith: Get a professional editor and be prepared for a slog. The first draft of the book is the best bit. I always cry when I get my editor’s comments.
Jessie: Tell me, what have you got in your handbag today?
Judith handed me a copy of Pattern of Shadows and a book entitled Secrets; an anthology of short stories of the minor characters in the trilogy. She proceeded to let me in on the secret life of her handbag. She had some very colourful reading glasses, pens, more pens, bookmarks, a spare blouse, her mobile and an agenda.
Judith: As you can see I do love a bit of colour. I try to be organised and I absolutely love writing. I want you to place these books in your handbag and let the Howarth family keep you company. You’ll love some of the family and dislike some of the other – but that’s life!
Judith is fabulous fun, and I had a blast meeting with her. Meeting face to face is so much better than communicating on line. I delighted in her humour, straight-talking and infectious sense of fun. Judith is a natural storyteller, and this translates in her animated dialogue. She told me she is ‘living each day’. She thrives on her writing and engagement with authors. Her generosity was evident in her willingness to share the benefit of her experience.
Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire, has lived in Pembrokeshire, Wales, for forty years.
She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.
She is also a Creative Writing tutor for Pembrokeshire County Council.
Winifred is a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling. Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer. The girl he determines to make his wife. Meeting Honora’s intelligent and silver-tongued medical student brother turns Winifred’s heart upside down and she finds herself suddenly pregnant. Bill Howarth reappears on the scene offering her a way out.
Llys y Garn is a rambling Victorian-Gothic mansion with vestiges of older glories.
It lies in the isolated parish of Rhyd y Groes in North Pembrokeshire. It is the house of the parish, even in its decline, deeply conscious of its importance, its pedigree and its permanence. It stubbornly remains though the lives of former inhabitants have long since passed away. Only the rooks are left to bear witness to the often desperate march of history.
Throne Moore’s Long Shadows: Tales of Llys y Garn comprises a trio of historical novellas that let us into secrets known only to these melancholy birds.
The Good Servant is the story of Nelly Skeel, loveless housekeeper at Llys y Garn at the end of the 19th century, whose only focus of affection is her master’s despised nephew. But for Cyril Lawson she will do anything, whatever the cost.
The Witch tells of Elizabeth Powell, born as Charles II is restored to the English throne, in a world of changing political allegiances, where religious bigotry and superstition linger on. Her love is not for her family, her duty, her God or her future husband, but for the house where she was born. For that she would sell her soul.
The Dragon Slayer tells of Angharad ferch Owain in the early decades of the 14th century. Angharad is an expendable asset in her father’s machinations to recover old rights and narrow claims, but she dreams of bigger things and a world without the roaring of men. A world that might spare her from the seemingly inevitable fate of all women.
In these three tales the rooks of Llys y Garn have watched centuries of human tribulation – but just how much has really changed? If you enjoyed the kaleidoscopic sweep of David Mitchell’s Cloud Atlas you will appreciate Long Shadows.
I have long been an admirer of Thorne Moore’s work and have not been disappointed with these three novellas in Long Shadows: Tales of Llys y Garn
Thefirst, The Good Servant is told from the point of view of the housekeeper, Nelly Skeel; the protagonist, living at the end of the nineteenth century. Well rounded and well portrayed in her actions, there is a vulnerability about this character; as the reader I found myself both can empathising and sympathising with her and yet being exasperated. Yet should I? She is of her time and of a certain status in her world.
And, so, on to The Witch. This story, set in the seventeenth century, takes the reader through the early years of Elizabeth Powell to her adult life. Told mainly from the protagonist’s point of view with the occasional insight to one or two of the other characters from a third person narrator, the emphasis is on the restrictions of the religion at that time. and the class struggles; land versus money. I liked Elizabeth, which is something I cannot say about Anthony, her brother. Always there is hope that all will be well but there is an all encompassing darkness to her story…
The Dragon Slayer is the story of Angharad ferch Owain, living during the fourteenth century. Also told from the protagonist’s point of view we read of her fear of her father, of her future. This protagonist I liked the most. The ending is satisfying. I don’t know why I was surprised, but I was. As with the first two novellas, this tale is dark with themes of the women being mere chattels to be bargained with, used for the progression in society of their families.
I enjoyed the way the women were portrayed as having a strength and internal rebellion. But yet there was always the conflicts of status and money, of land and possessions, of greed and thwarted love. Of patriarchy.
In all three novellas, both the internal and spoken dialogue the author has the tone and subtle dialect that I imagine Rhyd y Groes in North Pembrokeshire to have been in those eras.
And, in all, the descriptions of the buildings, of Llys y Garn and of the ever-changing Welsh countryside are evocative and easily imagined.
Just a comment about the style of the book:
The intriguing Prelude, giving the history of the “rambling Victorian-Gothic mansion” that is Llys y Garn, is fascinating. And I loved the short explanations of the after-years of novella. And then we have the Interludes; told in a conversational tone these are filled both with historical details and those pertinent to the story,. Finally, the Epilogue, giving the continuing, ever-evolving history of Llys y Garn through the following centuries.
It is apparent that the author has researched thoroughly for each of these stories; the themes of Welsh legends, myths, superstitions and tales are woven throughout the history of the decades.
Watch out for the ravens
This is a collection of novellas I can thoroughly recommend to any reader, especially those who enjoys historical literature.
Thorne was born in Luton and graduated from Aberystwyth University (history) and from the Open University (Law). She set up a restaurant with her sister but now spends her time writing and making miniature furniture for collectors. She lives in Pembrokeshire, which forms a background for much of her writing, as does Luton. She writes psychological mysteries, or “domestic noir,” and her first novel, A Time For Silence, was published by Honno in 2012. Motherlove and The Unravelling followed, also published by Honno. She has also brought out a book of short stories, Moments of Consequence. Her last novel, Shadows, was published by Endeavour in 2017. She’s a member of the Crime Writers Association.
Praise for Thorne Moore and her novels:
“Thorne Moore is a huge talent. Her writing is intensely unsettling and memorable” – SALLY SPEDDING, AUTHOR
“Totally had me hooked from page one… Highly recommended if you love a good psychological thriller” – BROOK COTTAGE BOOKS
“I devoured this book. Beautifully written, frighteningly real” – CHILL WITH A BOOK
“A compelling blend of mystery and family drama with a gothic twist… The author’s ability to create an atmosphere is exceptional” – JUDITH BARROW, AUTHOR
“Beautifully told, this really did have me captivated” – CLEOPATRA LOVES BOOKS
“Moore has created a figure who reaches out across the decades and grabs our sympathy… Her character transforms the novel” – BOOKERTALK
I gave The List: Volume 1 (A Jonah Greene Thriller) 5*
D.S. Jonah Greene’s police career is at a dead end. Following three months of stress-related sick leave, he is sidelined from his C.I.D. team and transferred to the Coroner’s Office. His first body is that of a homeless man who froze to death.
What should be a straightforward case takes an unexpected turn when Greene is handed a list, containing seven names, in the dead man’s handwriting. Greene investigates the names and discovers a tale of greed and murder which stretches back to the mid-1990s.
His career, his marriage, and his life may be threatened, but he will not give up until he has found the truth and brought the guilty to justice.
I’m getting hooked on crime thrillers and The List is no exception. The author presents a complex and, for me, a baffling plot that kept me guessing right up the end. Wonderful!! The reader learns very early on that the protagonist, Jonah Greene, has many problems, both with his career and in his marriage, And the character is so rounded, so multi- layered that it’s impossible not to empathise with him.
Unlike some of the other characters! Well written, equally rounded, but with motives and actions that there is little to empathise with. Still fascinating though.
The action moves from the story’s present to the past, with sections interspersed and told from the four antagonist’s viewpoint, and the rest from Jonah Greene’ s point of view.
Both the internal and spoken dialogue is first-rate; there is no doubt who is speaking at any time, even without dialogue tags.
And the settings, both domestic and those of the crimes, described well, using all the senses so evocatively it is easy to imagine being right in the scene, which isn’t always comfortable. Just the reaction a crime thriller should have, in my opinion.
I have thought long and hard about the star rating with The List;=Normally, if there are errors with punctuation, words incorrect or missing, grammar, I tend to mark lower. And all these are present in this book; it really does need another proofread. But I enjoyed the story so much I decided to ignore these and just give a heads-up to the author for reference, So hence the five stars.
This us a book I can thoroughly recommend to all readers who enjoy a good crime thriller
Graham H Miller has been writing since his teenage years when he had a scenario printed in a role playing magazine. Since then he’s written articles, guest posts and a book on pagan subjects. His brain is always at work, with more ideas than time. He is a house-husband proudly perpetuating the stereotype by writing books while his three boys are at school. He has two blogs that are erratically updated – one about life as father to three special boys and the other covering his thoughts on writing and the publishing process. His interests include prehistory, classic cars, anything Viking and learning Welsh. Fascinated by everything, he lives in South Wales and is older than he thinks he is!
Two decades of social media had prepared them well for UK2.’
The pace steps up in this final instalment of the Project Renova trilogy, as the survivors’ way of life comes under threat.
Two years after the viral outbreak, representatives from UK Central arrive at Lindisfarne to tell the islanders about the shiny new city being created down south. UK2 governor Verlander’s plan is simple: all independent communities are to be dissolved, their inhabitants to reside in approved colonies. Alas, those who relocate soon suspect that the promises of a bright tomorrow are nothing but smoke and mirrors, as great opportunities turn into broken dreams, and dangerous journeys provide the only hope of freedom.
Meanwhile, far away in the southern hemisphere, a new terror is gathering momentum…
‘I walked through that grey afternoon, past fields that nobody had tended for nearly three years, past broken down, rusty old vehicles, buildings with smashed windows. I was walking alone at the end of the world, but I was a happy man. I was free, at last.’
Although this concludes the Project Renova trilogy, there will be more books in the series. A collection of five side stories is planned, and another novel, set far into the future.
i have long enjoyed Terry Tylers’ work and I have read almost everything she has written. However, when I heard she had changed genres and written an end of the world novel I hesitated. Only once had I read a dystopian book – and I hated it. What I forgot, at first, was that, not only does this author write a cracking good story, whatever the subject, she creates brilliantly rounded characters that take on a life of their own…and live, and grow and change as the plots progress. I took a chance and was hooked. I read the first of the trilogy Tipping Point (you can read my review here). Following the lives of the characters through desperate times was both fascinating and felt unbelievably real. The second of the trilogy, Lindisfarne; my review here, continues the story and, from my point of view, is equally riveting.
And so to this last book, UK2, the conclusion of the the story (at least for the time being – as we see in the book description, Terry Tyler has other ideas). But, for now the stories of each of these characters I have grown to know and understand have sailed off into the distance.
There are so many well-rounded characters I honestly wouldn’t know where to start (and would probably ramble on for pages!). Some of the characters are told by a third person omniscient narrator, which allows the reader to sit back and observe. But many characters tell whole chapters from their own points of view. It’s interesting to hear the internal voices of Lottie, Vicky and Doyle, with their opinions on the world they are living in; all developing in the way good characters should in a novel. I was well impressed the way one character, Flora, changed. Oh, and I should mention the appearance of two characters I instantly loved, Seren and Hawk.
The dialogue is, as usual, good; some of the voices of the characters with the intonations subtly changed as the characters go forward in their stories, some immediately recognisable.
The settings, whether of Lindisfarne, the devastated Britain of the past, UK Central (ruled over by the plastic ‘Hollywood-style governor Verlander’) or islands far away, give a brilliant sense of place.
I have to be honest, it is a complex book with plots and subplots intertwined and a whole plethora of characters; so I can only recommend that readers start with the first book of the trilogy. And, to be fair, this is what the author recommends.
But, having the last word (well, this is my review!), whatever your preferred genre, give this series a go…you’ll be hooked.
Terry Tyler is the author of seventeen books available from Amazon, the latest being ‘UK2’, the third book in her new post apocalyptic series. She is proud to be self-published, is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.
Terry is a Walking Dead addict, and loves history, winter, South Park and Netflix. She lives in the north east of England with her husband; she is still trying to learn Geordie.
I received this book as a member of Rosie Amber’s Review Team#RBRT in return for an honest review
I gave That Summer at the Seahorse Hotel 4*out of 5*
Mia Flanagan has never been told who her father is and aged ten, stopped asking. Haunted by this, she remains a dutiful daughter who would never do anything to bring scandal or shame on her beautiful and famously single mother. So when Archie Fitzgerald, one of Hollywood’s favourite actors, decides to leave Mia his Irish estate she asks herself – is he her father after all? That Summer at the Seahorse Hotel is a tale of passion, jealousy and betrayal – and the ghost of a secret love that binds this colourful cast yet still threatens, after all these years, to tear each of them apart.
I did enjoy That Summer at the Seahorse Hotel, I really did. Whether it was the actual story, the way the narrative flows, the many differing characters, the sense of place that is so evocative throughout by the descriptions… I’m not sure. The reason I’m hesitant to say why I enjoyed this book is that the narrative actually goes into all the characters’ heads; we hear all their points of view, even the minor characters, sometimes only for a sentence or two. It’s odd, this usually irritates me. But the way this story is written it fits somehow
It’s a well worn plot in many ways; girl let down by boyfriend, handsome stranger on the sidelines; love finds a way, despite so many obstacles. But there are numerous other threads woven throughout that add depth and intrigue (including one very large and intriguing mystery – see the hint in the book description; I’m not the one who will give away spoilers! )
There are some great rounded characters; quirky, poignant, funny, slightly wicked antagonists, and a great child character. Mostly I liked the way the protagonist grew in strength as the story progressed.
And each character is unmistakable in their dialogue; no dialogue tags needed a lot of the time, which, I think keeps the narrative moving well, especially at important section of the plot
There are wonderful descriptions of the scenery and the settings, although sometimes these (mostly of the sea and sky) were a little too drawn out and repetitive and took me out of the story
This was a different read for me. I usually enjoy novels where I can follow and empathise with one, maybe two, characters but, as I said before, this time it works (mostly).
There is one point where I would have liked to have more of a build up, more detail, more atmosphere. It’s a scene where one character threatens Mia. Already portrayed as obnoxious,yet not threatening, here he is menacing. Yet I felt that it didn’t quite work and the protagonist wasn’t shown to be really afraid. We are told she is but I didn’t really get any sense of real fear and the scene is quickly glossed over. Though it is actually a pivotal romantic point in the plot.
But, all in all this bookworked for me and I have no hesitation in recommending That Summer at the Seahorse Hotel to readers who enjoy contemporary women’s fiction with a hint or two of mystery.
Adrienne Vaughan has been making up stories since she could speak; primarily to entertain her sister Reta, who from a very early age never allowed a plot or character to be repeated – tough gig!
As soon as she could pick up a pen, she started writing them down. No surprise she wanted to be a journalist; ideally the editor of a glossy music and fashion magazine, so she could meet and marry a rock star – some of that came true! And in common with so many, she still holds the burning ambition to be a ‘Bond Girl