Honno: “Great Women, Great Writing, Great Stories.” Today Thorne Moore interviews me: https://bit.ly/2WWQ1jW #weekendReads #Honno

Thorny matters

Thorne turns the tables on me today!

Fellow Honno author Judith Barrow has been running interviews on her blog (https://judithbarrowblog.com/) with other authors published by Honno Welsh Women’s Press. (Read her interview with me)  I thought it was about time that the table was turned on her, so here is my interview in similar vein, with Judith Barrow.

Judith Barrow

So, Judith, you are the tireless champion of other authors. Let’s hear about you, for a change.
How did Yorkshire lass come to be a Pembrokeshire author?

We found Pembrokeshire by accident. After we were married, and before children, we always holidayed for a week in July in Cornwall. But after seven years of marriage and with three children under three and our only mode of transport being an ancient van, we decided it was too far with a young family. So we thought we would go to Wales; not too difficult a journey from Yorkshire, we believed.
I borrowed books on Wales from the library and, balancing our 8-month-old twins, one on each knee, I read as much as I could about the county of Pembrokeshire. With wonderful beaches it sounded just the place to take children for a holiday
.

We booked a caravan and, when the big day came, packed the van to the hilt with everything the children would need, remembering only at the last minute, to throw a few clothes in for ourselves.

It took us ten hours. In 1978 there was no easy route from the North of England to West Wales. We meandered through small lanes, stopping for emergencies like much needed drinks, picnics and lavatory stops. The closer we were to our destination the slower we went; in the heat of the day the engine in our old van struggled; we needed to top up the radiator every hour or so. For the last fifty miles we became stuck in traffic jams. We got lost numerous times.

All this and three ever-increasingly fractious children.

We arrived at the caravan site in the middle of the night so were relieved to find the key in the door. The owner, a farmer, had given up and gone home.

The following morning I woke early. Leaving David in charge of our exhausted and still sleeping family, I crept out. The air was warm; a breeze barely moved the leaves on the trees around the field. Although the caravan was one of four in the farmer’s field, we were the only people there.

I walked along a small path. Within minutes I was facing the sea, glittering in the sun; dark rocks jutted out of the water surrounded by foaming waves. The horizon was a silvery line far in the distance. Faint voices from two small fishing boats carried on the air. The cliffs curved round in a natural cove. It was so quiet, so peaceful.

I fell in love with Pembrokeshire.

Within months we’d thrown caution, and our past lives, to the wind and moved into a half-built house in what was a field. It took us years to finish it but it’s been a labour of love.

How could anyone not fall in love with Pembrokeshire? But your books are mostly set up north. How important is location in your books?

This image has an empty alt attribute; its file name is Bacup.jpg

For me it’s vitally important, because it sets the scene for where my characters live. |And I try to portray the locations as they would exist in a certain era. It takes a lot of research to make sure the details of both the place and the time are correct. Luckily I enjoy researching.

I always draw a map of the town or village so I can see the characters moving around, see what they see; experience what they experience. It’s the only way I can picture it.

Location was especially important for the trilogy. The first book, Pattern of Shadows, was inspired by my research into a disused cotton mill in Oldham, Lancashire and its history of being the first German POW camp in the country. Rather than the noise of the machinery, the  colours of the cotton and cloth, the smell of oil, grease and the new material, I envisaged only vehicles coming and going, the sounds would be of men with a different language and dialect, no riot of colour, no tang of oil, grease, cotton fibres; just the reek of ‘living’ smells.

And the camp retains its importance throughout the trilogy after the war and into the sixties. It falls into ruin at the same time as the cotton industry is declining and the mill town where it is situated also deteriorates.

But, in the sequel, Changing Patterns and the last of the trilogy, Living in the Shadows, the characters are also in a small Welsh village; a complete contrast to the industrial town. And this disparity between the two locations is where the many layers of the human condition can be explored in order for me to create rounded characters that, hopefully, come to life on the page.

I hope that makes sense?

Perfect sense. Your first books, the Howarth stories, are a family saga. What appeals to you about that genre?

I love writing about the intricacies of relationships within families; it fascinate me. We live in such diverse situations and, a lot of the time; tend to take it all for granted. Being a family member, with the casual acceptance of one another that the circumstance brings, can bring the best and the worst out in all of us. So there is a wealth of human emotions to work with. It’s fascinating to write about that potential.  And, of course, behind closed doors, anything can happen. So the family saga is a genre that can cross over into historical fiction and the crime, mystery and romantic genres.

Your latest, The Memory, is still family-based but quite different. What made you shift direction for that one? What inspired it?

This image has an empty alt attribute; its file name is MemoryLR.jpg

It is new territory for me but the book is still set around a family unit so, from that point of view, I don’t think I strayed too far with The Memory. In the Haworth trilogy and the prequel, A Hundred Tiny Threads, (set against the background of the first World War, the Suffragettes and the Irish War of Independence),  there is still an underlying theme of reactions to a situation. But the difference between those books and this one is that those characters, as well as reacting in a domestic setting, respond to a wider situation; their lives are affected by what is happening in the outside world.  In The Memory it is only Irene Hargreaves, the protagonist that the reader learns about; mainly from the claustrophobic atmosphere she is living in presently, but also through her memories.

It’s a more contemporary book than the others and also it’s written in a different style. The book runs on two timelines: Irene’s life from the age of eight, after her sister is born and her grandmother comes to live with the family because her mother refuses to accept her second daughter, Rose, a Downs Syndrome child. That’s written in past tense. The second timeline, over the last twenty-four hours is written in the present tense and shows Irene’s life as the carer of her mother, who has dementia.

I don’t know that it was inspired by any one thing. The Memory actually began as a short story I wrote a long time ago, which just grew and, which, in turn, started from a journal that I’d kept from when I was carer for one of my relatives who had dementia. I read many articles on coping with the disease at the time, but writing how I felt then helped tremendously. Writing like that always has; it’s something I did through many years from being a child.

Another memory was of was a childhood friend of mine; a Down’s syndrome child, though I didn’t realise then. We would sit on the front doorstep of their house and I would read or chat; well, I would talk and he would smile and laugh. I didn’t think that it was odd that he never spoke. Thinking about it, I never even wondered why he wasn’t in school either. Anyway, one Monday after school, I went along the lane to their house and the front door was closed. I didn’t understand; one day he was there and the next gone. No one explained that he’d died. I‘m not sure I even understood what that meant anyway. So, I did what I usually did; I wrote about it; how I felt losing a friend. So, from finding the short story in a drawer I was clearing out, my memories, and remembering the journals, came The Memory.

What matters to you, apart from your writing? 

Family and friends. At least the small family that David and I created. I suppose that sounds odd; perhaps even a little selfish to exclude any extended members of our families. But I’m being honest here. I wasn’t close to my parents for various reasons; reasons that partly underlined the decision to move so far away from Yorkshire. They weren’t bothered about their siblings, who we rarely saw, so I never really got to know any of them.  Don’t misunderstand me; when any of them needed us we willingly did what we could. But moving away from where most of them live meant we were unable to rely on instant support; there was no childminding, no unexpected welcome visits. It made us more self-sufficient. So by family I do mean David and the children. And their children; our grandchildren. Whatever happens; however much changes, whatever life chucks at us, they will always matter to me.

 And friends? Well, at my age (and I think this happens to most people as they get older), friends are fewer and become more important. And, at this stage, true friends tend to know you inside out; all the good bits and the not so good bits. And they still like you. I think that’s wonderful. And it works both ways!

How did you come to be a Honno author?

For many years, whilst writing books that stacked up in drawers, never to appear again, I was writing poetry, plays and short stories and entering creative writing competitions. I also used to look for notifications for submissions to anthologies. A friend told me about a call that had come from Honno. The remit was to write a story around the subjects of gardens and life. The title of the anthology, published in 2008, is Coming up Roses. My story is called Whose House is This? (I wrote a post about it here).

This image has an empty alt attribute; its file name is Coming-Up-Roses.jpg

Shortly after the anthology was published I attended a workshop run by Honno and, in conversation with the editor, Caroline Oakley, I said that I had recently completed a manuscript. I think I should mention here that this book was the first I’d ever been truly excited about; even reluctant to consign it to the drawer with the others. Caroline told me to send it to her, which I did.

But, previously I’d sent the book to an agent.  And this is where it all gets a bit messy, drawn out  and tedious; so all I will say is that the agent wanted me to work with a commercial editor to change the genre from family saga to chick lit ( not that there is anything wrong with chick lit, it’s just not what I write.) So, after much discussion, the agent and I parted company and it was a great relief when the book was accepted by Honno as a family saga. That book became the first of the Haworth trilogy, Pattern of Shadows.
The rest, as is often quoted, is history. I’ve been with Honno for over twelve years now and had five books published with them and another, The Heart Stone, to be released in 2021
.

What do you value most about Honno?

Honno  is my kind of publisher; small, independent, and led by strong women who know what kind of  books they want to publish and don’t accept anything but the best that an author can produce. So the editing is hard, but fair, and leads to many discussions – and a few compromises on both sides.
Because it is known to be a Welsh press it is sometimes assumed that all its authors will be Welsh as well. So, often, when I’ve appeared at events, people are surprised to hear my broad Northern English accent. The supposition is false; Honno’s aim as an inspiring, feminist, Welsh press is to provide opportunities for women writers. The only proviso is that they are either Welsh, are living in Wales or have a connection to the country – which actually covers a great many writers. I love their strapline -. “Great Women, Great Writing, Great Stories.” So it always gives me a thrill when the manuscript I’ve been toiling over for months (or years!) is accepted by them.

Judith’s website

Judith at Honno

Judith on Twitter

Judith on Facebook

Judith on Pinterest

Judith on Amazon

My Review of UK2 (Project Renova Book 3) by Terry Tyler #TuesdayBookBlog #Dystopian #PostApocolyptic

 

uk2

 

I gave UK2 5*

Book Description:

Two decades of social media had prepared them well for UK2.’

The pace steps up in this final instalment of the Project Renova trilogy, as the survivors’ way of life comes under threat.

Two years after the viral outbreak, representatives from UK Central arrive at Lindisfarne to tell the islanders about the shiny new city being created down south.  UK2 governor Verlander’s plan is simple: all independent communities are to be dissolved, their inhabitants to reside in approved colonies.  Alas, those who relocate soon suspect that the promises of a bright tomorrow are nothing but smoke and mirrors, as great opportunities turn into broken dreams, and dangerous journeys provide the only hope of freedom.

Meanwhile, far away in the southern hemisphere, a new terror is gathering momentum…

‘I walked through that grey afternoon, past fields that nobody had tended for nearly three years, past broken down, rusty old vehicles, buildings with smashed windows.  I was walking alone at the end of the world, but I was a happy man.  I was free, at last.’

Although this concludes the Project Renova trilogy, there will be more books in the series. A collection of five side stories is planned, and another novel, set far into the future.

My Review,

i have long enjoyed Terry Tylers’ work and I have read almost everything she has written. However, when I heard she had changed genres and written an end of the world novel I hesitated. Only once had I read a dystopian book  – and I hated it. What I forgot, at first, was that, not only does this author write a cracking good story, whatever the subject, she creates brilliantly  rounded characters that take  on a life of their own…and live, and grow and change as the  plots progress. I took a chance and was hooked. I read the first of the trilogy Tipping Point (you can read my review here). Following the lives of the characters through desperate times was both fascinating and felt unbelievably real. The second of the trilogy, Lindisfarne; my review here,  continues the story and, from my point of view, is equally riveting.

 I have also enjoyed  Patient Zero: short stories from the Project Renova series; a collection of nine short stories featuring minor characters from the series

And so to this last book, UK2, the conclusion of the the story (at least for the time being – as we see in the book description, Terry Tyler has other ideas). But, for now the stories of each of these characters I have grown to know and understand have sailed off into the distance.

There are so many well-rounded characters I honestly wouldn’t know where to start (and would probably ramble on for pages!). Some of the characters are told by a third person omniscient narrator, which allows the reader to sit back and observe. But many characters tell whole chapters from their own points of view. It’s interesting to hear the internal voices of Lottie, Vicky and Doyle, with their opinions on the world they are living in; all developing in the way good characters should in a novel. I was well impressed the way one character, Flora, changed. Oh, and I should mention the appearance of two characters I instantly loved, Seren and Hawk.

The dialogue is, as usual, good; some of the voices of  the characters with the intonations subtly changed as the characters go forward in their stories, some immediately recognisable.

The settings, whether of Lindisfarne, the devastated Britain of the past,  UK Central (ruled over by the plastic ‘Hollywood-style governor Verlander’) or islands far away, give a brilliant sense of place.

I have to be honest, it is a complex book with plots and subplots intertwined and a whole plethora of characters; so I can only recommend that readers start with the first book of the trilogy. And, to be fair, this is what the author recommends.

But, having the last word (well, this is my review!), whatever your preferred genre, give this series a go…you’ll be hooked.

Links to buy:

Amazon.co.uk: https://amzn.to/2IekT4X

Amazon.com: https://amzn.to/2EctvXz

About the Author:

6oAA8mXm_400x400

 

 

Terry Tyler is the author of seventeen books available from Amazon, the latest being ‘UK2’, the third book in her new post apocalyptic series. She is proud to be self-published, is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.

Terry is a Walking Dead addict, and loves history, winter, South Park and Netflix. She lives in the north east of England with her husband; she is still trying to learn Geordie.

Connect with Terry:

Twitter: https://twitter.com/TerryTyler4

Goodreads: http://bit.ly/2xLJRa6

A Hundred Tiny Threads: Wales Book of the Month January 2018 #Welshpublishers @WelshBooks @honno

I am so proud that  A Hundred Tiny Threads is The Welsh Books Council  BOOK OF THE MONTH in January 2018

The title,  A Hundred Tiny Threads,  is taken from a quote by Simone Signoret (the French actress of cinema and a writer in her later years. She died of cancer in 1985 at the age of 60. The full quote is, “Chains do not hold a marriage together. It is threads, hundreds of tiny threads, which sew people together through the years. “

A Hundred Tiny Threads  is the story of the parents of protagonist in the Howarth  trilogy, Mary Howarth. I thought I’d finished with the characters when the last book ended. But something niggled away at me until I realised that until their story was told; their lives explained, the narration was incomplete. The story takes place during a time of social and political upheaval, between the years 1911 and 1922. It’s set in Yorkshire, Lancashire and Ireland at the time of the Suffragettes, the  first World War and the Uprising in Ireland.

I knew the years I wanted to cover so one of the obvious difficulties was the timeline. I needed to make sure that those characters, already existing in the trilogy, fitted correctly into those decades. And the two main characters, Winifred Duffy and Bill Howarth, are already fully formed, rounded characters in the previous books so I wanted to show how the era they had grown up in; the environment, the events, the conditions, had shaped them, moulded them into the characters they’d become.

I actually wasn’t going to write a trilogy. The first of the three books is called Pattern of Shadows

I’ve often told the story about how I discovered that the first German POW camp in the UK was a disused cotton mill in Lancashire. And how, because of my memories; of the noise, the colours of the cloth, the smell of grease and cotton when my mother worked as a winder in such a mill, I wondered what it would be like for those prisoners.  I imagined their misery, loneliness and anger. And I wanted to write a story about that. But research in a local history library; finding sources of personal accounts of those times, from ex-prisoners, the locals and the guards of the camp, proved that it wasn’t quite as bad as I had imagined. There were times of hope, of love even. So then I knew I needed to write the novel around a family who lived in the town where the camp was situated. Who were involved in some way with the prisoners.

The trouble was that once the story was told there were threads that needed picking up for the sequel, Changing Patterns

And after that book was completed I realised that there would be repercussions from the actions of the characters in the first two stories that would affect the next generations. And so I wrote Living in the Shadows

 

 

It’s been hard to let go of some of the characters, especially the protagonist, Mary. But in a way I’m still staying in their world. When I’d sent A Hundred Tiny Threads to  Honno , my publishers, for the final time, I wrote and Indie published an anthology of eight short stories called Secrets.

These are the stories of some of the minor characters in the trilogy. At least three of these are crying out for their life stories to be told. I’ve already started on two of the characters: Hannah Booth, the sour mother- in- law of Mary’s sister, Ellen, who appears in Pattern of Shadows, and on Edith Jagger’s tale; the woman who becomes the gossipy and sharp-tongued next-door neighbour of the protagonist, Winifred, in the prequel and previously in the trilogy.

As is often the case, how we finish up in life is shaped by our past.  And both women have a dark secret.

Perhaps, all along, I knew I was not going to walk away from these characters. Perhaps they knew they wouldn’t let me.

Please click  The Welsh Books Council for A Hundred Tiny Threads: Wales Book of the Month for January 2018.

double a hundred one

Click here  for my trilogy and prequel available from Honno.

Gwasg Honno Press

All my books are available from:

Amazon.co.uk: http://amzn.to/2klIJzN

Amazon.com: http://amzn.to/2CdPuNv

My Series of Author & Poet Interviews #author #poet Narberth Book Fair#BookFair. Today with Wendy Steele

Titleband for Narberth Book Fair

Throughout this months I ’ll be posting interviews with the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty authors, so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults  workshops & talks and fun workshops for children, activities for the children  Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.  Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition:  competition . Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

Our author today is the multi-talented Wendy Steel

 

Wendy Steele

 

What do you love most about the writing process?

I love seeing my characters play out a story that’s been banging around in my head, watching it evolve and develop, often from a single idea. I enjoy editing and finishing less but the joy of completing a draft ready for first readers, makes up for that. Of course, feedback from readers is the greatest joy of all.

What book that you have read has most influenced your life?

I was forty years of age when I read Moon Magic by Dion Fortune. My childhood love of the moon and everything Egyptian and my personal discoveries about paganism, hedge witchery and the Kabbalah were brought together when I read that book. With new confidence, I wrote my first published novel, Destiny of Angels.

Who is your favourite author?

My favourite author is the late, much missed, Sir Terry Pratchett. I read Wyrd Sisters first before devouring every book he had written. I’m a visual reader and writer and Sir Terry conjures up images and scenes in the most beautiful and economical way. His use of language can make me laugh or cry. Magic.

DestinyWrath

 

 

What is your work schedule like when you’re writing?

An average week will include 16-18 hours of writing plus 7-12 hours of social media/marketing.

I love big chunks of time to write, to immerse myself in the story and characters. My best writing time is if my partner is working away and I don’t need to teach in the evening. I’m happy to write for 12-14 hours in one hit.

The reality is that I rarely get 4 hours at a time but I carry chapters of first draft with me, in case I have the opportunity to read and revise and make notes for the following chapters. Typing them up involves me in the story quickly, often leading to me writing on; I’ll do anything to maximise my writing time.

 

The Standing Stone - The GatheringThe Standing Stone - Silence Is BrokenThe Standing Stone - Home For Christmas

Could you tell us a bit about your most recent book and why it is a must-read?

The Naked Witch is my first novel in a new and exciting genre, Witchlit. Similar to Chicklit, the female protagonist is a modern woman, juggling work, an ex-husband, a difficult, demanding mother while also the responsible single parent of a teenage daughter. Readers love Lizzie Martin! She’s a woman of courage, beset by the worries and concerns we have but determined to stand up for what she believes in. Being a witch is part of who she is, rather than the label that defines her.

In three words, can you describe your latest book?

Compelling, thought-provoking and unique.

the naked witch KINDLE(1)

 

What was the inspiration behind The Naked Witch?

I wanted to write a book for everyone, especially women, whatever their usual choice of genre. Lizzie lives her life in a man’s world, as do we all and I wanted to write a story about a woman making her own rules, willing to defy convention and be successful in her own right.

How long did it take you to write The Naked Witch?

Having penned a few Witchlit short stories at the end of last year, the character of Lizzie Martin emerged and her story unfolded easily. The book took me three months to write and a further month to edit once I’d had feedback from first readers.

When did you write your first book and how old were you?

I wrote a few children’s books about Willoughby the Hedgehog in my twenties but I was thirty eight when I began my first novel, Hubble Bubble…and forty one when I finished it! I wrote in forty minute time slots while sitting in the car, waiting for my children to come out of school.

Do you hear from your readers much? What kinds of things do they say?

I’ve had useful and encouraging feedback from readers in reviews but I also get messages and meet fans at book fairs. I’m delighted to say they find my books inspiring, feeling they can identify with the characters…and more than one of them wants to be Lizzie Martin!

Do you have any hidden or uncommon talents?

I’m not sure if it’s a talent but I can recite the alphabet backwards. I taught myself at the age of about twelve…I have no idea why. I learned to read music, when I learned to play the piano, at the age of four, the same age as when I learned to read words.

What would you say is your interesting writing quirk?

When I lived in a town, I used to have writing trousers, a huge, baggy pair of black tracksuit bottoms which was my preferred attire to write in. Now I write in pjs.

I love beginning a new story with a fresh pad of A4 paper and my Waterman fountain pen.

What do you like to do when you’re not writing?

Apart from renovating my current residence and attempting to tame four acres of land, I dance. I learned belly dance from the age of forty, taught it for four years and, while exploring other dance genres, discovered ATS® Belly dance. I’ve been teaching this style as Tribal Unity Wales since March 2014. Belly dance is a fabulous, full body work out and classes are a great way to make friends and keep fit.

Smiles

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing

I can only recall one incident that was amusing to those watching while embarrassing for me at the time…five months pregnant with my daughter, I fell through a garden chair and got stuck…even I laughed as my friends attempted to extract me!

Give us a random fact about yourself.

Belly dance gave me confidence at a time when I was coping with a debilitating illness and struggling with self image. I wanted a tattoo but money was put to more practical use, bringing up three children so at the age of fifty, ten years later, I had my first tattoo, a delicate triskele that I adore. The eight pointed star of the warrior goddess Ishtar soon followed. Last year, I asked the fabulously talented Abi Hack to design a tribal band for my arm, incorporating a thirteen petalled lotus and a mandala that my daughter and I share, both of which adorn my right arm.

 Wendy’s Links:
Website
Facebook
Twitter
Linkedin
Amazon author page
Good Reads
The Phoenix and the Dragon

 

My Series of Author & Poet Interviews #author #poet Narberth Book Fair#BookFair. Today with Hugh Roberts

Titleband for Narberth Book Fair

Throughout this months I ’ll be posting interviews with the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty authors, so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults  workshops & talks and fun workshops for children, activities for the children  Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.  Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition:  competition . Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

Our author today is the lovely author, prolific blogger and all round good guy … Hugh Roberts.

Hugh Roberts

Let’s’ start, Hugh, by you telling us what you love most about the writing process?

Being able to go into worlds that do not exist and creating characters and worlds that I have the power over and which readers enjoy reading about. As a writer, you can do anything you want to the people in your worlds, so it’s probably the closest I’ll ever get to living life as an emperor.

What is the ultimate goal you hope to achieve with your writing?

I would love to write for a TV show such as Doctor Who, or even a well-known soap-opera. I admire the writers in the world of TV and movies and think it such a shame that many of them do not get the recognition they deserve. We need to ensure that these people walk along the red-carpet to loud cheers, as much as the actors do.

If you could write about anyone fiction/nonfiction who would you write about?

The Time Traveller in The Time Machine. I know there have been hundreds (if not thousands) of other time travelling stories since H.G. Wells wrote The Time Machine, but I would have loved to have asked Mr Wells if I could write a sequel to his book. I’m not a huge lover of sequels, but The Time Traveller in The Time Machine is one of my all-time favourite fictional characters.

Have you always wanted to be an author?

Yes, ever since I can remember. It has always been one of my two lifetime goals. Unfortunately, for many years, I allowed being dyslexic get in my way. I’m so grateful to have discovered the world of blogging, as it was the gateway for me to finally conquer the monster I called ‘Dyslexia’. 

 What genre do you consider your books? Have you considered writing in another genre?

As a writer of short stories, I’ve written in many genres. My favourites tend to be science fiction, horror, and suspense. However, I was recently challenged to write a rom-com, after saying it was a genre I would find difficult to write. It took me a while to write a story, but I’m pleased to say that I wrote one, although it’s yet to be read by anyone.

Could you tell us a bit about your most recent book and why it is a must-read?

So far, I’ve only published one book. It’s called Glimpses and is a collection of 28 short stories I’ve wrote over three years. If you enjoy shows as such The Twilight Zone, Tales Of The Unexpected, The Outer Limits, or Tales From The Dark Side, then Glimpses is a must read. All the stories are full of twists and turns that take the reader on an unexpected journey and an ending they probably never saw coming.

Glimpses by [Roberts, Hugh W.]

What was the inspiration behind Glimpses?

My love of The Twilight Zone and its creator, Rod Serling. When I first watched The Twilight Zone, I wanted to find out more about its creator. Serling is the master when it comes to writing stories with twists that nobody will have guessed, along with his thoughts about the situations people find themselves in, in each of the stories. He gave me the inspiration to write stories the way he did and to marvel in the delight when people say that they didn’t see that ending coming. It’s one of the biggest compliments a reader can pay me.

How long did it take you to write Glimpses?

I wrote the first story in April 2014. However, at the time, I had no intension of publishing it in a book. Then, as I wrote more and more short stories and published them on my blog, my readers started asking me to put them into a collection and publish them. Glimpses was published in December 2016.

Do your characters seem to hijack the story or do you feel like you have the reins of the story?

No, I always have the reins of a story. In fact, the ending will come to me first, and I then tend to work backwards to the beginning. I’ve never found myself in a situation where a character has hijacked the story…not yet, anyway.

Do you hear from your readers much? What kinds of things do they say?

Yes, as many of them follow my blog. One of the best things about blogging is the interaction between my readers and myself. If it wasn’t for my readers leaving comments on my blog, Glimpses would never have been published. I’m very lucky in that my blog seems to attract a lot of comments. I’ve had huge compliments paid to me, as well as great constructive criticism about what I publish. I also enjoy seeing my readers interact with each other on my blog. When I’ve asked people why they leave me comments on my blog, many say it’s because of the friendliness I show everyone who comments. I treat anyone who visits my blog as a guest and always ensure I respond to all the comments.

 Do you have any hidden or uncommon talents?

Not that I’m aware of, although I have been told that I have a talent of writing stories with an unexpected ending that many never guess is coming.

What would you say is your interesting writing quirk?

That most of my writing is done in the morning. I rarely write after lunchtime, although one story I wrote during the middle of the night did end up in Glimpses.

What do you like to do when you’re not writing?

Walking with my partner, John and our Cardigan Welsh Corgi, Toby. Watching television, cycling, and meeting up with friends and family for meals and drinks.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing.

I got knocked out by an electric potato peeler at the Ideal Home Exhibition in London. It wasn’t funny at the time, but I now laugh about it.

Give us a random fact about yourself.

I have a collection of 24 foot dated Harrods Christmas Teddy bears and over 50 Christmas themed mugs.

Hugh’s Links:

Blog
Twitter
Amazon

My Review of Shadows by Thorne Moore #psychological crime

thorne

I received an ARC of Shadows from the author in return for an honest review. I gave the novel 5* out of  5*

Book Description:

A compelling blend of mystery and family drama with a gothic twist, by the Top Ten bestselling author of A Time for Silence

Kate Lawrence can sense the shadow of violent death, past and present. 

In her struggle to cope with her unwelcome gift, she has frozen people out of her life. 

Her marriage is on the rocks, her career is in chaos and she urgently needs to get a grip. 

So she decides to start again, by joining her effervescent cousin Sylvia and partner Michael in their mission to restore and revitalise Llys y Garn, an old mansion in the wilds of North Pembrokeshire.

It is certainly a new start, as she takes on Sylvia’s grandiose schemes, but it brings Kate to a place that is thick with the shadows of past deaths. 

The house and grounds are full of mysteries that only she can sense, but she is determined to face them down – so determined that she fails to notice that ancient energies are not the only shadows threatening the seemingly idyllic world of Llys y Garn. 

The happy equilibrium is disrupted by the arrival of Sylvia’s sadistic and manipulative son, Christian – but just how dangerous is he? 

Then, once more, Kate senses that a violent death has occurred… 

Set in the majestic and magical Welsh countryside, Shadows is a haunting exploration of the dark side of people and landscape.

My Review:

I have long been a fan of Thorne Moore’s work and, for me, Shadows, yet again, proves what a brilliant tale teller she is.

The author’s ability to create an atmosphere is exceptional. In Shadows the descriptions of the rooms and spaces within  Llys y Garn provide an eerie, dark presence and a vaguely distant, though dangerous, affluence in its history. It’s a great  background for the novel. In contrast the narratives portraying the surrounding Welsh countryside underline the myths, the legends of the land, the beauty of the settings, to give a wonderful sense of place.

 The characters are excellent; believable and rounded they instil either empathy, dislike, or exasperation. I loved the protagonist, Kate, and found myself willing her to make the right choices; to stay safe. In contrast, the character of her ex-husband and even sometimes, the lovable cousin, Sylvia, frustrated me. And I despised the “sadistic and manipulative son, Christian” (even though I hadn’t read the book blurb at the time) – I suppose that’s a sign of as well portrayed, multi layered character. And there is one character who was a great disappointment for me… saying no more here

The book description gives a good outline of this steadily-paced plot; what it doesn’t say, obviously, is how the reader is drawn into the story from the onset and then, piece by piece, caught up in the twists and turns of the narrative.

This is  is a book I recommend, without hesitation.

 

Praise for Thorne Moore

‘Thorne Moore is a huge talent. Her writing is intensely unsettling and memorable.’ – Sally Spedding

Thorne Moore

Thorne Moore was born in Luton and graduated from Aberystwyth University and the Open University. She set up a restaurant with her sister but now spends her time writing and making miniature furniture for collectors. She lives in Pembrokeshire, which forms a background for much of her writing, as does Luton. She writes psychological mysteries, or “domestic noir,” including A Time For SilenceMotherlove and The Unravelling.

Links to Thorne:

 Website
Blog
Facebook
Twitter
Pinterest
Goodreads
Amazon

My Series of Author & Poet Interviews #authors Narberth Book Fair #bookfair Today with me: Judith Barrow

Titleband for Narberth Book Fair

Over the next few weeks I’ll be posting interviews with the authors who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty of us so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults and fun workshops for children, activities for the children and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.   

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed. Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

 So, all the formalities now set out, I’ll be chatting with everyone week by week.  I thought I should start by  introducing Thorne. But then realised I should answer a few of the questions I’ll be putting to the authors, myself.

 

judith, showboat2

 

Here goes: This is a bit weird but hey-ho.

Me: What do you love most about the writing process?

 Me: The ability to become lost in another world

Me: Are your characters based on real people or did they all come entirely from your imagination?

 Me: My characters are a mix of both real and imagined people. It’s the ability to transpose personalities, characteristics and the inevitable ‘oddities’ that we all have in one way or another that rounds out fascinating characters.

Me: If you could write about anyone fiction/nonfiction who would you write about?

Me: My sister. After a lifetime of knowing her, I’ve never been able to fathom out what makes her who she is. If I was going to write about her then I’d need to study her. It’s a forlorn hope; she’d not let me in.

Me: What do you think makes a good story?

 Me: A good story grips from the first sentence to the last.  There should be a great plot, good rounded characters, a believable sense of place for them to move around in and evocative phrasing. Not forgetting dialogue that really works for each character and is consistent. Not a lot to ask for, huh?

 Me: How many books have you written? Which is your favourite?

 Me: Eight, three of which will probably never be sent out into the world.

  

My favourite is Pattern of Shadows for a few reasons: it took me years of research to make sure I had all the facts about the first German POW camp in the UK (based in a disused cotton mill) and the truth about life in that time towards the ending of the WW2, it brought back the memories of my childhood when my mother worked as a winder in a cotton mill and I would go there to wait for her after school. It was in this book that my favourite protagonist was born, Mary Howarth; I’ve now lived alongside her for ten years. And last but not least, it was this book that Honno: http://www.honno.co.uk/ accepted. I’d had stories in their anthologies published and I was thrilled when they accepted Pattern of Shadows.

Me: What genre do you consider your books? Have you considered writing in another genre?

 Me: My books are family sagas. I love writing about the intricacies of relationships within families. I have to admit, (and  I suspect most authors are the same) I am a people watcher. I think that the casual acceptance of one another within families can bring the best and the worst out in all of us; it’s fascinating to write about that potential.

 I have written a children’s book for middle grade; it needs a lot of work before it sees the light of day

 Me: Could you tell us a bit about your most recent book and why it is a must-read?

  

 Me: A Hundred Tiny Threads is the prequel to the trilogy.Once I’d written ‘The End’ on Living in the Shadows, the family wouldn’t leave me alone. I realised I wanted/needed to write about their origins.

As with my other novels it’s been described as a gritty family saga. It’s set in Lancashire in the 1900s and Ireland at the time of the Black and Tans

The protagonist, Winifred, is the mother of Mary Howarth. She’s a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling.

Bill Howarth, is Mary’s father, a man with a troubled childhood that echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the girl he determines to make his wife. But does he?

It’s an emotive novel set in Lancashire and Ireland during a time of social and political upheaval. I’d like to think it’s a must read for anyone who loves both family sagas and historical fiction.

Me: Do your characters seem to hijack the story or do you feel like you have the reins of the story?

Me: I always start writing with a clear plan but sooner or later , usually when I’ve plotted exactly what will happen next it dawns on me that a particular character wouldn’t act in that way. It’s strange; they are my invention but they do seem to take on a life of their own. When that happens I nearly always take a couple of days to work out what I’m going to do… or rather what I think they would like to do

 Me: If you could spend time with a character from your book who would it be? And what would you do during that day?

 Me: It would be Mary Howarth, the protagonist of the trilogy. She takes a bit of a back step in the last book, Living in the Shadows, so I think I’d ask her what she wanted to do (there I go again; letting her take control). Like me she’s not a great fan of shopping so I’m hoping she’d opt for a long walk and talk across the moors of the Pennines. It would be a gloriously sunny day because, when you do get on the tops, it’s always breezy to say the least. I’d like her to tell me how she’s enjoyed her life in the trilogy. At lunchtime we’d find a good pub and stop for a ploughmen’s lunch and a cup of tea(she loves her tea1). In the afternoon we’d wander over to a cinema and watch the film Yanks with Richard Gere

 Yanks

Since Pattern of Shadows was published I’ve been back to my roots to an event called  YANKS ARE BACK IN SADDLEWORTH:    http://bit.ly/2sN1661. This film was made around the group of villages that are known as Saddleworth in 1979. Yanks Back in Saddleworth is great fun. Everyone dresses up in Forties clothes or various uniforms of the British, German, American services of that era and there are so many things going on over the weekend; A Vera Lynne singer, A Churchill lookalike, forties fashion stalls, military memorabilia stalls, a dance, a procession with all kinds of military vehicles, a fly-past of WW2 warplanes.

As Pattern of Shadows  is set during the forties I was invited along when it was first published and have been quite a few times since. I’m there again 6th/7th August this year.

 Oh, I’ve digressed – sorry Mary. After the film we’d have a slap up meal at one of the lovely restaurants around Saddleworth … and then, after such a long day it would be time to sleep for me. Mary would need to hurry to get back into the second of the trilogy,  Changing Patterns.

Me: When did you write your first book and how old were you?

Me:  I was eight. The book was called, The Death of the Teapot. My mother used to say all my childhood stories were gory (wonder what that shows?) The teapot fell off the table, broke its spout…and died.

 Do you have any hidden or uncommon talents?

Nope; I’m an open book as they say. (Whoever they are!!) Though I am a dab hand at making novelty cakes… does that count as a talent… hmmm?

What would you say is your interesting writing quirk?

Well, I don’t know is it’s interesting to anyone (it drives Husband mad!) I sometimes write all through the night.

What do you like to do when you’re not writing?

What I would really like to do would be to have a camper van and travel around the country. As it is, I read, walk along the lovely coastal paths around Pembrokeshire, sit and watch Husband gardening (and sometimes joining in with the boring jobs like weeding or mowing the lawns). Given chance I love clearing out clutter (opposed by said Husband – the hoarder). And I enjoy making up different creative writing exercises for my classes.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing

I once went to a book fair held in a primary school. The loos were those miniature types for the little people. I got locked in by a faulty lock and had to climb over the door. One of the buttons on my blouse got stuck around the top hinge and I landed feet first on the floor with my blouse around my neck and showing my rather raunchy new bra. Not amusing to me at the time but hilarious to the two author ‘friends’ who just happened to walk in at that moment

Give us a random fact about yourself.

I hated school. I was well into adulthood before I gained all my qualifications and was brave enough to start sending out my work.

 Well, that was fun… I think!

Book Links:

Amazon.co.uk: http://amzn.to/2klIJzN

Amazon.com: http://amzn.to/2s8hGiB

Honno: http://www.honno.co.uk/

 My links:

Website: https://judithbarrowblog.com/about-me/

 Twitter: https://twitter.com/barrow_judith

Facebook: https://www.facebook.com/judith.barrow.3

LinkedIn: https://www.linkedin.com/in/judith-anne-barrow-02812b11/

Pinterest: https://in.pinterest.com/judithbarrow/

 

 

“Judith Barrow has surpassed herself in writing this great family saga… There is such a wealth of fantastic characters to fall in love with and ones to hate!” (Brook Cottage Books)

 

Front of Secrets

Ashford, home of the Howarth family,is a gritty northern mill town, a community of no-nonsense Lancashire folk, who speak their minds and are quick to judge. But how many of them are hiding secrets that wouldn’t stand up to the scrutiny of others?
Judith Barrow’s Howarth Family trilogy, Pattern of Shadows, Changing Patterns and Living in the Shadows, along with the prequel, A Hundred Tiny Threads, published by Honno Press, is peopled with just such characters. Here are some of their secret stories – the girl who had to relinquish her baby, the boy who went to war too young, the wife who couldn’t take any more…

 

 

 

My Review of Queen of Trial and Sorrow by Susan Appleyard #RBRT #FridayReads

Queen of Trial and Sorrow by [Appleyard, Susan]

 

I was given this book by the author as  a member of Rosie Amber’s Review Team #RBRT in exchange for a fair review.

 I gave Queen of Trial and Sorrow  4* out of 5*

 Book Description:

A B.R.A.G. Medallion winner, this is the story of Elizabeth Woodville, the wife of King Edward IV and the mother of the Princes in the Tower. As an impoverished widow, she was wooed and won by the handsome young king and believed her dreams had come true. But she was soon swept up in the War of the Roses, enduring hardship and danger as her husband struggled to keep his throne. When he died Elizabeth was unable to protect her family against the ruthless ambitions of the man he trusted above all others. It was the king’s brothers, the unstable Duke of Clarence and the loyal Duke of Gloucester, who would prove to be Elizabeth’s most dangerous enemies.

My Review:

 I really liked this novel. I like the author’s style of writing; told in first person point of view from Edward IV’s wife, Elizabeth, it is almost as though she is holding a one-way conversation with the reader. Although I found it a compact and exacting read that took a lot of concentration (I am a very slow reader) I enjoyed this interpretation of  Elizabeth Woodville’s life in Queen of Trial and Sorrow.  Every emotion resonates through each chapter and throughout all the years that we are following her; the happiness, the sadness, the fears and apprehensions. The main plot of her time, before, during  and after the Court years is threaded through with subplots of intrigues and politics.

There is no doubt whatsoever that an enormous amount of research has preceded the writing of this book; it’s a fascinating account of the era.

 The characters are multi-layered and some were ever-changing as time went by depending on the intrigues and striving for personal gains.  Both those characters who are portrayed as good and those shown as wickedly self serving are plausible; their actions believable – if at times inconceivably cruel or dangerous.

 The dialogue was written as I imagined was spoken at the time; the syntax and the language rang true to that period for me. And it was easy to follow which character was speaking even without the dialogue tags.

 The descriptions of the settings; the buildings and the places the characters moved around in, the clothes, the ceremonies were all very evocative. The only  problem  I had was that sometimes I felt these descriptions were a little laboured and ‘heavy’. I would have preferred a lighter touch; I thought these sections slowed the story down

However, this is a very small objection and I’m sure anyone who loves to read historical  novels will love Queen of Trial and Sorrow . I have no hesitation at all in recommended this book by Susan Appleyard

Buying links:

Amazon.co.uk: http://amzn.to/2qGE6EB

Amazon.com: http://amzn.to/2pGiV77

 

 

 

My Series of #FamilySaga Authors. Today with AnneMarie Brear #MondayBlogs

Over the next few months I’ll be chatting with authors who, like me, write Family Sagas, (#familysaga) a genre that can cover many countries, years  and cultures.I am thrilled that so many excellent writers have agreed to meet here with me. I’m sure you’ll find them as fascinating as I do. All I can say is watch this space. Your TBR list of books will be toppling over!!

 

anne marie brear

 

Welcome AnneMarie, lovely to have you here today.

 Good to be here, Judith

Could you start by telling us what literary pilgrimages have you gone on or would like to go on, please?

This summer I would like to go to Haworth and visit the Bronte museum.

What is the first book that made you cry?

When I was a child living in Australia, I read a book about a man and his dog walking the roads in the outback looking for work. I remember at one stage they get knocked over and the man gets taken to hospital and the dog is left to roam the roads looking for him. The man recovered and went looking for his dog. One night the man is sitting by a camp fire and thinking his dog is gone, when suddenly the dog sees the campfire and knows it is his master. I cried buckets! I wish I could find that book again.

Does writing energise or exhaust you?

Writing energises me – promoting exhausts me!

Grace's-Courage-final

Did you ever consider writing under a pseudonym?

AnneMarie Brear is my pseudonym. It’s my maiden name.

Do you try more to be original or to deliver to readers what they want?

I write the stories that are in my head to tell. They might not be the ‘in demand’ genre, or the hottest new thing on the market, but they are stories I wanted to tell. Stories that I’m proud of and hope readers enjoy.

What other authors are you friends with, and how do they help you become a better writer?

I am friends with a great number of authors (bestsellers and new writers), due to being a member of various organisations such as Romantic Novelist Association and Romance Writers of Australia. I find mixing with other authors help me know the publishing industry better, and my critique group have for years helped me refine my stories into sellable books.

Do you want each book to stand on its own, or are you trying to build a body of work with connections between each book?

Each book of mine stands on its own. However, Kitty McKenzie has a sequel, Kitty McKenzie’s Land, and I’m currently writing a third book connected to it about Kitty’s grandchildren.

If you could tell your younger writing self anything, what would it be?

To be patient. I signed with a few very small publishers at the beginning and it was a waste of my time. Those publisher didn’t last long. But I did learn a lot. I learned how to work with an editor and how the publishing process works.

 

WDH (1)

 

How did publishing your first book change your process of writing?

The publishing of my first book taught me to not write such long stories. I didn’t need to write over 100k words and to do so was a little indulgent.

What’s your favourite under-appreciated novel?

It’s probably Nicola’s Virtue. It’s a great story. It’s set in Australia in the 1860s and about a governess who left Britain and travelled to Australia to seek work, but on arriving found it very difficult to find work as governess. I based that story on real letters sent by governesses sent back to Britain. Miss Maria Rye, the founder of the Female Middle Class Emigration Society started the scheme to send women out to British colonies to work.

Nicola's-Virtue-final (1)

How many unpublished and half-finished books do you have?

Only the current book I’m writing now. Thankfully, all my older books are published and available for sale, and my new books are in the process of being released.

What does literary success look like to you?

Being able to write for a living. I’ve not achieved that yet but I it’s my dream.

What kind of research do you do, and how long do you spend researching before beginning a book?

I have researched my eras (Victorian and Edwardian/WWI) for years. So each book is easier for me to write. However, I do more research as I write each novel, because each novel is different and requires different specific knowledge. My sagas tend to have working class and high middle class involved, so I need to research how country houses are run, as well as, a coal mine or farm. I need to create villages and make them real for the era my book is set. My recent books have been set in WWI, so I have done a lot of research about the war and the years of 1914-1918. I love research, so it is no hardship for me to get involved in it.

How do you select the names of your characters?

I like traditional names. I use genealogy a lot. Finding census records is now a lot easier, and I have also researched my family tree so I can see the names of those times. It’s very helpful.

Do you read your book reviews? How do you deal with bad or good ones?

Yes, I do read all reviews. The bad ones, which so far are few, thankfully, hurt me, but I can’t let it get me down. The good ones make me smile and feel happy that others have enjoyed my stories too.

What was your hardest scene to write?

A death scene. Actually all death scenes are hard. But one in particular in Kitty McKenzie’s Land was sad to write.

 

McKenzie (1) (1)

What one thing would you give up to become a better writer?

My day job!

What is your favourite childhood book?

Enid Blyton – The Faraway Tree and The Wishing Chair. But also The Silver Brumby by Elyne Mitchell.

Does your family support your career as a writer?

Yes, my husband supports me very much, as do the rest of my family and friends.

How long on average does it take you to write a book?

I work full time in a day job, so my writing must fit around that and my family. It can take from 8-12 months to write a historical novel.

Links to AnneMarie:

http://www.annemariebrear.com

http://annemariebrear.blogspot.com

https://www.facebook.com/annemariebrear/

Twitter @annemariebrear

My Review of Moments of Consequence – Short Stories by Thorne Moore #TuesdayBookBlog

 

moments-of-consequences

The Blurb:

A collection of short stories by the author of A Time For Silence, Motherlove and The Unravelling.
The collection includes comedies, tragedies and histories. What is the true value of an old tea pot? (The Accountant). What happened on an uneventful day in Gloucestershire (It Was Late June). Has anyone stopped to look at a monument in the middle of Haverfordwest? (Dances On The Head Of A Pin). What lies behind the torn wallpaper of an old cottage? (Footprints).
The collection also includes three tales that add a little extra colour to the novels of Thorne Moore.

 

My Review:

 Okay, where to start? True to form I think I’ll work backwards; the short stories linked to Thorne Moore’s novels.

It’s no secret  that I am a great fan of this author’s work.  (I think I’ve been telling everyone that The Unravelling is one of the best books I’ve read this year. My Review on Amazon:http://amzn.to/2h4HJTC ) The short story that adds background to the book in this collection, Green Fingers, Black Back, is an internal monologue written in the present tense. Through the meandering thoughts of John, the protagonist, the characters spring from the page and reminded me instantly of the plot..

The short story that accompanieMotherlove (My review for Motherlove is on my blog here: http://bit.ly/2hB7AkZ  ) is entitled Hush Hush, a poignant tale of the street artist,.Jimmy Crowe, who lives in his own world with a family background that, as the author has written it, could sometimes almost rings true in parts… however far fetched.

A Time To Cast Away is the title of the short story (which made me cry) that adds another layer to A Time For Silence ( My review for this book on Amazon here:  http://amzn.to/2hB3HwE )

Part 2 of the book is a introduction, a few reviews and a summary of each of Thorne Moore’s novels. And then a brief introduction to Thorne Moore. I always find it interesting to learn about the authors.

And so to the eight short stories…

All are exceptional but  I think my favourites were The Accountant (giving away no spoilers, this sent a satisfactory shiver up my spine), Reason, Truth and God Knows What, which shouldn’t be read in the night (perhaps I’m just in ther mood for all things ghostly at the moment!). But there again I loved Footprints which reminded me of the background for  A Time For Silence. Footprints is written in an unusual format and is nostalgic story of people and ‘home’

 

The Food of Love is a sensuous take on food and its consequences.

 The Only Thing To Fear; a psychological chiller that had me holding my breath.

It Was Late June is a comedic story of a village. This one made me laugh out loud. 

 Piggy in the Middle is a different take on the Bennett family in Pride and Prejudice from Mary’s ironic point of view. Great fun.

 Dances On The Head Of A Pin. Hmm… set both in the present and the past this is a clever, casual approach to perceived religious transgressions and religious ignorance.

 Buying links:

 Amazon.co.uk: http://amzn.to/2hPbG7e

 Amazon.com: http://amzn.to/2h5JKND

 

My Review of Glimpses by Hugh Roberts #BookReview

Glimpses by [Roberts, Hugh W.]

 

The Blurb:

After publishing some of his short stories on his blog, Hugh W. Roberts, who suffers from dyslexia, received numerous requests to publish his short stories in a book.

Here, at last, are 28 short stories that will take your mind on a rollercoaster of a ride into worlds that conceal unexpected twists and turns.

‘Glimpses’ allows the reader a peek into the lives of everyday people who are about to have life lead them on an unpredicted path. From a mysterious deadly iPad app, to a hole in the fence that is not all it seems, to a strange lipstick that appears to have a life of its own, you will encounter terror, laughter, sadness, shock and many other emotions on journeys which promise a thrilling and gripping climax.

If you are a lover of shows such as ‘The Twilight Zone’ and ‘Tales Of The Unexpected’, then you’re in for a real treat with this first collection of short stories from Hugh.

Dare you take a glimpse into the lives of these unsuspecting characters?

“If you’re looking for a thoroughly entertaining read, Glimpses is the book for you. Each story has been cleverly crafted; through Hugh’s wonderful imagination, he has the ability to whisk you away to many different worlds, past, present and future. Every story makes a compelling read and just when you think you know what’s going to happen next, Hugh masterfully reveals a brilliant twist. With bite-size and longer stories, Glimpses is a must-read. I loved it.” – Esther Newton, Writer, and Author.

My Review:

 I was intrigued by the Table  of Contents in Glimpses; each of the twenty-eight stories is given a genre and a short explanation. It’s an eclectic mix and it enables the reader to pick and choose which they want to read first. I like this idea and, as with any reader I had my favourites; the four part murder mystery which begins with The Bridegroom and ends with Mother of the Bridegroom, the chilling The Easter Bunny, the two entertaining Marcia Dumplin stories, the poignant Last Train to Aldwych and I Believe in Father Christmas.

I’m not a fan of the Horror genre but, as I’ve said, I coped, just, with The Easter Bunny. Not so Needles, which I skipped through, cringing. Not at the author’s style but at the contents. A reader who enjoys horror stories will like this one.

It’s not often I read short stories but I enjoyed being able to dip into these.And I loved the way they led first one way and then another; real ‘twist in the tail’ stories. I look forward to Hugh W Roberts’ second collection in 2017

 I loved the cover, by the way; innovative and colourful, it’s eye-catching (pun intended!)

The Tenby Book Fair is moving and Being Renamed…The Narberth Book Fair. Ta dah!!

narberth-logo-100

Welcome to the first post of the Narberth Book Fair.

Just to let you know that we have decided we have outgrown the Church House in Tenby.  Having searched around for a suitable place we have found the perfect venue. So the Tenby Book Fair will no longer be held in Tenby. In fact it will no longer be the Tenby Book Fair but the Narberth Book Fair. We are quite excited  to be having a new challenge and I’m sure we will be bigger and better… just in a different hall. In a different town.

From now on the Book Fair will be held at the Queens Hall there. Check out their website    https://www.thequeenshall.org.uk/. As you can see it’s a vibrant and busy venue in a bustling little town full of interesting shops, antique places, cafes and restaurants. And there is a large nearby car park. But, sorry… no beach.

The date will be Saturday, the 23rd September. 10.00am to 4.oopm.

I’ve been to a few craft fairs at the Queens Hall with my books and always there is plenty of footfall.

A little information on Narberth; the former capital of Pembrokeshire boasts one of the best high-streets in the county. It’s a gorgeous little market town in the east of Pembrokeshire. Multi coloured Edwardian and Georgian buildings line the high street which has developed quite a reputation as a shopper’s heaven. many of the cafes, pubs and restaurants are award winners..

Transport:  Narberth has a railway station about a mile outside of town. And there are quite a few taxi firms based around and in Narberth. And, I’m sure, one or two of the authors who would be willing to pop there to meet stranded fellow authors 

Accommodation: Check out this website: http://bit.ly/2grbFXY. But I’m sure there are more dotted around

The History of Narberth:

narberthcastle_banner_1024

The town has grown around the walls of its stone castle, but the name is older than the castle. Narberth is derived from ‘Arberth’, the pre-Norman name for the district (or commote). This Celtic heritage is also represented in the myth and legend of the Mabinogion – ancient Welsh folk tales that were written down in the 14th century, originating from an earlier tradition of oral storytelling. Two branches of the Mabinogi in particular are centred on ‘Arberth’, which was reputedly the court of Pwyll, Prince of Dfydd.

So.. we have already had many of our usual authors wanting to take part in our inaugural book fair in Narberth. But we’re always thrilled to welcome new authors. Those interested in taking part please contact me: judithbarrow77@gmail.com 

narberth-logo-100

Tenby Arts Festival 2016: Day One: Saturday 24th

 Events

Events to be held at the 2016 Tenby Book Fair, 24th September

Revised
Some talks, readings, Q&A sessions will be held in an adjoining room at the fair. Numbers will be limited, so it is advisable to reserve a place in advance. There is no charge.
  1. 11:00    Cambria Publishing Co-operative will be giving a talk and taking questions about the services and assistance they offer to independent authors.
  2. 11:30    Poet Kathy Miles will be giving a reading of some of her work.
  3. 12:00    Firefly Press will be talking about publishing children’s books and what they look for in submissions.
  4. 12:30    Prizes for the short story competitions will be presented in the main hall – no booking necessary.
  5. 1:30      Colin Parsons, children’s writer, talks about his popular work
  6. 2:00      Honno Welsh Women’s Press will be talking about their work, publishing contemporary novelists, anthologies and classics, and discussing what they look for in submissions.
  7. 2:30      Matt Johnson, thriller writer and ex-policeman, talks about his work and experiences.
  8. 2:55      Main hall (no booking required): raffle prizes.

 

 

Tenby Arts Festival 2016: Day Four Tuesday 27th September.

Tenby Arts Festival 2016: Day Three: Monday 26th September.