Over the next few weeks I’ll be posting interviews with the authors who will be taking part in our Book Fair: http://www.narberthbookfair.co.uk/.
There are forty of us so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults and fun workshops for children, activities for the children and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.
And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.
And, as usual, there will also be the writing competition: this year is a poetry competition: Submit a poem, in any form, of 20 lines or less, on the subject of : –
Books and Reading.
Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.
Although, five years ago, I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2 and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ .
So, all the formalities now set out, I’ll be chatting with everyone week by week. Our next author is Thorne Moore. Thorne is also a Honno author and hard working fellow organiser of the Book Fair.
Welcome, Thorne, let’s start by you telling us why you write, please.
Because I’ve never been able to stop myself. I was a chronic daydreamer as a child, and daydreams are the first step towards writing. I invented worlds and peopled them, and then I disappeared into them. Then I learned to read and started disappearing into books. The obvious next stage was to combine the two and disappear into my own books.
What is the ultimate goal you hope to achieve with your writing?
To say something significant, to make people stop and think. For immortality. Which doesn’t mean I write for fame or fortune, though both would be nice. I am my thoughts and, in writing a book, those thoughts get recorded in a form that will survive me, even if it’s only in a few mangled pages at the back of a second-hand bookshop in Mongolia.
Are your characters based on real people or did they all come entirely from your imagination?
Both? I invent my characters, or they invent themselves – sometimes I know the sort of person I need for a book but I have to wait for that character to acquire a life of its own before they really work. I never base characters on actual specific people. But then we all learn about human nature by seeing people, the way they talk and walk and dress and think and agonise and emote. That knowledge has to feed into the makeup of our fictional characters, or they wouldn’t come across as real.
What do you think makes a good story?
Convincing characters, pace that doesn’t send you to sleep, a plot that flows organically, without being too contrived, natural dialogue, language suited to the story, without superfluity and an underlying theme that leaves the reader thinking, if only for a second or two.
What genre do you consider your books? Have you considered writing in another genre?
I write about ordinary people in crisis, dealing with trauma and its aftermath, sometimes through generations. That trauma is often a crime, so I suppose they count as crime novels, and my protagonist is always a woman (write what you know), so they could count as women’s literature, and they sometimes delve into the past, so they could be classified as historical novels, or sagas. Can I settle for Domestic Noir? It could encompass anything really.
Could you tell us a bit about your most recent book and why it is a must-read?
My third novel, published by Honno Press, is The Unravelling. It’s about a woman, Karen, who is a little bit troubled – actually very troubled, with some serious mental issues. A chance and seemingly meaningless event – an apple rolling into a drain – sparks off a memory of a girl she knew at school, Serena Whinn, the angel of the playground, whom she had worshipped at the age of ten. Karen becomes obsessed with finding Serena and the circle of friends who had surrounded her. As she searches, hidden memories of awful events back in 1966 come to life, and as the story of what really happened in 1966 begins to unravel, Karen unravels with it, until, finally, the truth emerges and sets her free.
It’s a story about the secret world of playground politics that adults don’t see, and the damage and cruelty that can result when boundaries are pushed too far and things get out of hand. I imagine everyone will recognise something from their schooldays, even if they don’t remember the sixties.
Does your book have a lesson? Moral?
Not a moral, exactly, but I do delve into questions of evil and its source. And the long-term effects of guilt. I always deal with guilt. It has to be one of the most fascinating aspects of human identity – the ability to feel guilt.
What is your favourite part of the book?
Difficult to say, but I did enjoy some of the scenes where I was drawing on my memories of my own childhood. My characters are all fictional, but Marsh Green, in the book, bears a very close resemblance to the estate where I lived and went to school.
What was the inspiration behind The Unravelling.
It was simply remembering the place where I grew up and where, with a child’s imagination, all sorts of monsters and nightmares could exist, alongside all the fairytales and games. I used to walk home down a wooded lane, crossing a stream on a great iron pipe, running past the witch’s cottage… All sorts of things might have happened. And then in real life, far away, all sorts of things really do happen, and you wonder how it could possibly have come to that.
Do your characters seem to hijack the story or do you feel like you have the reins of the story?
I have the reins, but the horses have minds of their own and often refuse to respond. It’s quite encouraging when I tell them to do or say something, and they turn round and say ‘Yes, but I wouldn’t, would I. Think again, please.’ Then you know you’ve made them real.
Do you have any hidden or uncommon talents?
Far too many to mention. I do make hand-carved miniature furniture.
What would you say is your interesting writing quirk?
A disinclination to get up and dressed, before starting to write in the morning. I write in bed.
What do you like to do when you’re not writing?
Gardening. Walking. Reading. Watching the broody swallow nesting in my porch.
What is the most amusing thing that has ever happened to you? Not particularly to do with your writing
Needing to relieve myself, in thick mist, while climbing the upper reaches of the Watkin track on Snowdon. I was modestly crouching, pants down, behind a rock, when the mists suddenly parted and I found myself looking straight across to the Miner’s Track, and a band of boy scouts.
Give us a random fact about yourself.
At the age of 10 I won a bronze medal for old time ballroom dancer. Don’t know how – or why.
Links to Thorne and her books: