The Rat in the Python #MondayBlogs #Fifties #Memoirs #Humour

Many of you will have enjoyed Trish’s writing here before. She is one of my many talented students that I’m privileged to tutor each week. Hope you equally relish this dip into the past. For some of you it’s a small history lesson, for others, a memory. I am not saying which group I belong to!!

The following words belong to Trish…

If you haven’t heard of a liberty bodice, believe that half-a-crown is something to do with impoverished royalty and never had the experience of slapping a television to stop the grainy black and white picture from rolling, then this book is probably not for you.

It is intended for us Baby Boomers who, in the stability following the Second World War, formed a statistical bulge in the population python. It is a personal snapshot of a time that is as mystifying to my children as the Jurassic Era -and just as unrecognisable.

My intention is to nudge some long-forgotten memories to the surface, test your own recollections and provide statistics to put it all in context.

Are you sitting comfortably? Then I’ll begin…

The Rat in the Python

Chapter One The House

It would be fair to say that most houses in this country pre-date our generation and so this topic should present few surprises.

However the external appearance is deceptive. We’ve all seen old postcards of towns and can instantly recognise many of the buildings. But what of the insides?

They were different.

In my day none of my friends had fitted carpets and central heating was unheard of. We did have carpets, and the ones I remember were hideously patterned, but they were square or rectangular, circular or oval and housewives in a hurry could lift a corner and sweep the dust and dirt under them.

Heating
We had a coal fire downstairs and my mother would plait and weave strips of newspaper, lay them like a nest in the grate and build a carefully-constructed pyramid of coal in the centre in and around more of these strips. Then she’d light the paper. If it looked as though it was going to sulk and go out she’d produce a sheet of galvanised zinc like a flat shield that she’d hold over the front of the open fire to ‘draw’ it up and once it was going properly we’d feed it with great hunks of coal the size of bread loaves that you could later split open with the poker.

My father would hold the paper he was reading in front of a flagging fire to quickly perk it up. This wasn’t always successful. A dark patch would appear in the middle of the newsprint before the hastily dropped paper burst into flames. Occasionally we’d use a toasting fork to dangle bits of bread in front of the fire but conditions had to be just right. Too soon after the addition of fresh coal and you had a brittle piece of bread with smoked edges; wait until it was too hot and the bread itself would flame and char. There was also a knack to balancing the bread on the fork so that as large a flat surface as possible presented itself to the heat. I lacked this knack. The bread would tear around the prongs and slide down towards the handle or I’d have it so delicately balanced that it would fall off into the gritty ashes or the blaze itself

Paraffin heaters were also popular; ugly great brutes that reeked and smoked but put out an impressive bit of heat. When I first heard ‘Smoke Gets in Your Eyes’ I thought of these heaters and even now I can see the blue ring of flames that had to be set at just the right height to balance heat against pollution. And if you’ve lived in a house with a paraffin heater you won’t need me to remind you of that all-pervasive, oily smell.

The non-smelly heating involved electric bar fires. Virtually everyone I knew had at least one of these in the home. They ranged from those of impressive size which stood proudly in the fireplace as a soulless coal substitute, to small, portable ones. These consisted of one or two tightly-wound bars of wire in front of a shiny concave area designed to reflect heat back into the room. You’d flick a switch at the side to turn on one or both bars and then you’d wait to see if either began to glow red. Eventually they’d click and creak and produce a vicious belt of radiant heat from bright-orange elements which were ‘protected’ by a few widely-spaced strips of thin steel. From a Health & Safety perspective these were a nightmare by anyone’s standards. On the other hand, as few families of our acquaintance used fireguards for their coal fires – or their paraffin heaters, for that matter – I suppose it points to a time when Darwinism ruled; parents warned offspring of the dangers and, if they didn’t want to end up as a Cautionary Tale, children kept fingers and other bits at a safe distance.

In the winter, when houses which had never heard of double glazing shivered and quivered, sash windows rattled and draughts moaned through closed doors, the family snuggled up in front of the heat source. Those old advertisements of parents and children in a compact group do reflect the times, but the togetherness was often down to a primitive need to be warm rather than a desire to spend time with each other. Anywhere further than six feet from a fire was as foolhardy as a penguin trying to go it alone in the Antarctic Those of us who got as close to the heat as was possible, without actually spontaneously combusting, suffered from chilblains. I don’t know if anyone in this country still gets chilblains but for me it was an expected accompaniment to the cold weather. My feet were affected more than my hands and I can remember stamping them hard on the ground on my way to school in an attempt to calm the dreadful itch of them.

It goes without saying that when the downstairs was cold, the upstairs was colder. In a time before electric blankets and duvets all we had to protect us was a sheet, blankets and a hot water bottle. Some expensive hotels still use sheets and blankets in preference to duvets but they have the benefit of centrally heated rooms that make them an affectation rather than a necessity. It didn’t seem to matter how many blankets were heaped on the bed, the only bit that felt warm was the bit right next to you that had leached the heat from your own body. Hot water bottles were very welcome but imperfect. Unimaginative relatives knitted weird, lank, garter-stitched covers for them but I never used mine because they absorbed some of the heat intended for me. This meant that at first the bottle was too hot to touch and I’d put my foot against it for as long as I dared before snatching it off at the last moment (exacerbating the chilblain situation). For the briefest of times the temperature was perfect, and it was a real comfort. On waking you quickly learned not to move beyond your imprint in the bed. Everywhere else was inhospitably cold and you could watch your breath curl around the room whilst you mustered the courage to get up. The hot water bottle, by now endothermic, was resolutely avoided until the last moment when both feet would dart down, snatch it up the bed and leave it on top for re-filling that night.

Sometimes, presumably after vivid dreams, I’d wake in the night to find myself either entangled in a nightmare of Witney blankets or shivering because one end was still attached at the foot of the bed but the rest were in a heap on the floor. In the latter case, it was impossible to simply pull them up and go back to sleep; they had to be individually replaced in the right order or they’d be sliding off before you could start counting sheep again.
I was a student when I used a duvet (or continental quilt as they were billed then) for the first time. It was synthetic and the filling quickly moulded itself into clumps that refused to even themselves out again. Nevertheless, from that moment on I knew there was no going back to sheets and blankets.

And there’s nothing more irritating than blankets with rucks in them, unless it’s blankets that don’t line up at the bottom of the bed, or blankets that don’t reach your chin. Or blankets.

Heating also leads me to the issue of plugs and sockets.

My grandmother had a friend who would make sure before she went to bed that every socket had a plug in it. She explained it was to stop the electricity escaping into the house. In her day, as in mine, those sockets were round and the plugs that went into them were round-pin plugs. They were usually brown bakelite and the flex that went into them was covered in a woven material that frequently frayed into long wispy bits at the ends. It’s weird but I don’t remember the changeover from round prongs to square. Did I sleep through it? Did it happen so slowly that it crept up in tiny steps until the old was gone and the new already commonplace?

I suspect that when houses were first wired for electricity they were done in a half-hearted way because no one could think of many uses for the stuff and so one socket per room was considered more than ample. Then people decided on table and standard lamps to cast a warm glow on father reading his paper or mother darning the socks, wirelesses that needed wires, gramophones, electric fires, irons. The only way to deal with such a constraint was to buy adapters and stick one into another until there were sufficient sockets to satisfy demand. The weight of the massed plugs vying for space was frequently enough to drag the adapters away from the wall and someone would have to push them back in to restore power. As I write this, one of the public information films of the time has surfaced in my head and it shows such a cluster of adapters smoking in protest before bursting into flames. It wasn’t just my family, then…

The kitchen
The kitchen seems to be at the forefront of change. In the 50s there were rich pickings to be had for anyone with an innovation that was labour-saving or which made the heart of the home look more modern. Into the 21st century, the wheel has turned in the opposite direction and the more modern look involves a return to butler sinks and free-standing shabby chic furniture in place of the streamlining of the fitted kitchen but, like a return to blankets, there is space for these when other things allow them to be decorative features over the practical.

When I was a child, like most of my friends it was assumed that my mother would stay at home and be a housewife whilst my father would go out and work to keep her there. Women were given housekeeping money and were expected to make it stretch to cover all our needs. A housewife wore an apron to protect her clothes that were comparatively expensive in a time before cheap, supermarket-produced goods. To make ends meet she would frequently cook the same things on the same day of the week so Monday’s meal would be something that made use of the leftovers from Sunday’s roast. She would cook the meals on a white, enamelled stove and ours had bluish-black chips showing where pans had knocked against the enamel. There would also be whorls of grey scratches around the rings where spills had been scrubbed clean.

The food was kept in cupboards or, if you had the space, in a pantry. Vegetable racks held greens with yellowing outer leaves and a limited selection of root vegetables that were prepared in the sink. The first kitchen sink I remember was a white, enamelled one with a green stain under the cold water tap. Taps – which invariably had knobbly cross-shaped tops – seemed to drip with a frequency uncommon today.

Milk was kept in a small fridge (and ours was the envy of our neighbours because it had a freezer compartment that was big enough for some ice cubes or a block of waxy ice cream). I knew someone who still put her milk and cheese in a milk-safe. This was a terracotta container that was placed over the items and doused in water. In hot weather the evaporating water kept the contents cool and at a time when milk arrived daily that was usually enough.

Without the benefit of freezers, a lot of our food came in cans and, before we bought our first rotary, or butterfly, can-opener, the lids had to be removed using a metal lever that was used to punch triangular holes around the top until you could bend the jagged edge back and get at the contents. The rotary opener was a vast improvement on this but there always came a time when it would slip its way round without cutting. You’d have to try clipping it onto the can at a rakish angle and grip really, really tightly, praying that it would get far enough round for success. Inevitably there would be a couple of patches that the opener had grooved but not cut and these were now more difficult to reach. We weren’t the first family, I’m sure, that would resort to sliding spoon handles into the gap, trying to prise the lid back.

There were very few kitchen gadgets in our house when I was a child. We did have a rotary whisk which I found mesmerisingly exciting. Chips were cooked in a saucepan with a wire basket to hold, remove and drain them. You’d put a slab of lard into the pan, heat it up until it was smoking, put the prepared chips into the wire basket and lower it, hissing and spitting like a trapped cat, into the fat. It is no surprise that chip pan fires also feature prominently in my memories of public information warnings.

The cupboards were filled with china, and there was always one cupboard that had the best china in it to be used when visitors came. Cups always had saucers, and mugs were unheard of in the home. If I fast forward to the beginning of the sixties I enter a different world of colour and melamine. We thought melamine was cool and trendy and it spun and clattered without breaking when dropped onto the equally colourful Marley tiles arranged checkerboard-style on the floor. We threw out our melamine when earthenware became popular…

As a child it wasn’t uncommon to have three cooked meals a day. Breakfast might be scrambled eggs on toast or a fry-up, lunch would generally consist of something meaty with vegetables plus a pudding and the evening meal would be a more substantial version of lunch. All of these meals were cooked from scratch which generated a good deal of washing up. As a consequence, mothers around the country would be continually reaching for their Marigolds and balancing the washed items on the wire rack on the draining board to be dried with a tea-towel that had a stripe down each side.

My Review of What’s Left Unsaid by Deborah Stone #TuesdayBookBlog #RBRT



What's Left Unsaid

I was given a copy of What’s Left Unsaid by the author as a member of Rosie Amber’s Review Team #RBRT, in return for an honest review.

I gave this book 5*

Book Description:

Sasha is just about managing to hold her life together. She is raising her teenage son Zac, coping with an absent husband and caring for her ageing, temperamental and alcoholic mother, as well as holding down her own job. But when Zac begins to suspect that he has a secret sibling, Sasha realises that she must relive the events of a devastating night which she has done her best to forget for the past nineteen years.

Sasha’s mother, Annie, is old and finds it difficult to distinguish between past and present and between truth and lies. As Annie sinks deeper back into her past, she revisits the key events in her life which have shaped her emotionally. Through it all, she remains convinced that her dead husband Joe is watching and waiting for her. But there’s one thing she never told him, and as painful as it is for her to admit the truth, Annie is determined to go to Joe with a guilt-free conscience.

As the plot unfurls, traumas are revealed and lies uncovered, revealing long-buried secrets which are at the root of Annie and Sasha’s fractious relationship.

My Review:

There are some books that grab you from the first page, even the first paragraph. What’s Left Unsaid did just that for me:

“If Annie had just been honest with me, we might have avoided much of the ugliness which followed… but she wasn’t and we didn’t…”

How could I resist? I didn’t! It helped when I realised the story is told in one of my favourite formats; it’s written from different points of view under the name of three characters: the protagonist, Sasha, her mother Annie and her late father, Joe. I especially liked Joe’s objective viewpoint that balanced out the subjective viewpoints of the other two characters as they describe the complex and difficult relationship between them. Even so, the question hovering throughout the text is what is truth and what is lies. It’s a cleverly written narrative and I loved the writing style of Deborah Stone; she moves from character to character, slipping easily into their voices, alternately moving the reader to understand each with empathy, yet being able to see the flaws in them as well.

The plot is tense and tightly woven, moving at different paces to reveal the secrets held for years held by this family. There are many themes: family secrets and deceptions, emotional power struggles between characters, dementia, miscommunications, understandings and forgiveness. All delicately intertwined throughout the text.

I always think that, when we reach a certain age we are formed by the things that we have done, what has happened to us, how we have been treated and how we have treated others. In What’s Left Unsaid the flashbacks to Annie’s earlier life reveal her vanity, her prejudices of others and her jealousy of her own daughter. As a reader I was torn between disliking much of what she was and yet having compassion for what she has become; a woman in the throes of dementia. The flashbacks of Joe’s earlier life show his Jewish family’s struggles to move from a totalitarian Russia at the end of the nineteenth century to the North of England where they face fascism and suffer poverty that they fight to escape, much as they have escaped from an oppressive regime.

The characters are many layered. The protagonist, Sasha is living in a loveless marriage and cannot understand either her husband, Jeremy, who has a secret of his own or her son, Zac, typically a monosyllabic, hormonal teenager. She has no closeness with her mother yet is forced to be deeply involved in her life. The author cleverly and subtly reveals the tensions hidden in Sasha, much as she does in all the major characters.  Her internal dialogue initially shows her timidity, her nervousness, in the way she approaches her family. Yet there is also exasperation and even anger. And this comes out more and more as the story progresses.

Joe’s words, spoken from beyond the grave, are wise and, as I said earlier, objective. I felt they gave a distanced reflective view on human nature as a whole. Yet, through the dialogue and thoughts of the other characters, his personality in life is exposed to have had had the same flaws and weaknesses as their own.

Even without the story being allocated to each character the reader is left in no doubt who is speaking; each have their own distinctive voice.

The narrative describing the settings give a good sense of place and provide an interesting background to the story.

What’s Left Unsaid is a complex and poignant read. Thought provoking and absorbing it left me reflecting on the complexities of marriage and families. I would recommend this to readers who enjoy well-written family sagas

 

 

Books in my Handbag Blog Detective Indie Author Investigates #FridayReads #Editing #Publishing The Crime and Coffee Festival

Detective Indie Author Investigates

The Crime and Coffee Festival beckoned me to Cardiff Library to solve the mystery of writing and publishing. The workshop: Cut, Slash and Perfect promised to reveal more about the writing and traditional publishing journey.  As I passed the crime scene tape surrounding the bookshelves, I did wonder if any authors had been lost during the cutting, slashing and perfecting process. I went undercover to find out more about traditional publishing. Would I need an agent, and would I need a sharper pair of scissors?

The panel discussion with: Thorne Moore, Caroline Oakely and Judith Barrow. Has Judith spotted Jessie?

Authors, Judith Barrow and Thorne Moore, chatted with the editor, Caroline Oakley, of Honno Pressabout publishing. The entertaining chat provided food for thought for all authors who wish to publish their work.  As I listened, I captured some of the main points and discovered what makes editors cut and authors cry. The panel put me at ease, and I was able to remove my disguise as an indie author.

Introducing Caroline Oakley who is the editor at Honno Press

Caroline has worked in general trade publishing for over thirty years and has edited a number of award winning and bestselling authors. Caroline works for, Honno Press, an independent Welsh Women’s publisher in Wales.

Clues from the Editor

Caroline gave a balanced overview of publishing

Big publishers only work through agents.

A good editor is key to success for all authors

Agents often have useful contacts within the publishing world and deal with the contracts.  Care must be taken when selecting an agent because, as in all businesses, there are inefficient, self –styled experts, with little experience, out there. Google and search for those authors who write in your genre to find out the names of the agents who deal with your kind of book before submitting. You can approach independent and smaller publishers with or without an agent. Find out what this kind of publisher wants before approaching them.  Research their website; look at the work of the signed authors.  Take your time to select the appropriate one for your genre; consider how much advance that publisher pays, the amount of royalties for sold books you will get, your rights (such as audio and foreign rights for your work) and the terms and conditions of your contract. You must read the small print!

Don’t get disheartened with rejection letters sent to publishers.  Hope your manuscript reaches the publisher at the right time (by this I mean that it’s not a miserable Monday morning for them, or they’ve not had a quarrel with a partner or their family – or they’ve not had a week of wading through a pile of “not very good” manuscripts before they get to yours)– it is subjective.

Indie publishing has its challenges, but it gives you more control and you get all the profit.  The Indie author deals with every element of the process; from the writing to choosing the cover, the blurb formatting, publication and marketing. Traditionally published authors also are expected to promote and market. Indie publishing is time- consuming but as I said before, they do have complete control over their work.

The venue – Cardiff Library

Whichever publishing route you choose, you must get yourself an editor! Although time-consuming (and sometimes devastating!) you must go through the cut, slash perfect process.  A good editor will identify gaps, things that possibly don’t work in your writing, mistakes such as change of dates of characters’ birthdays or colour of eyes in different parts of the book, errors in time scale etc.. But will not tell you what to do, only point out those mistakes and suggest changes to make your work stronger.

It is advisable that every author, whether self-published or traditionally published, has a website, blog and social media accounts.

Introducing Judith Barrow:

Judith Barrow has published four books with Honno Press.  She writes historical family saga fiction. She has also self-published books and a collection of short stories of the minor characters in her trilogy.

What did Judith say about her publishing journey?

Judith Barrow and Thorne Moore are published by Honno Press

I love working with Honno Press.  The staff are friendly and accessible. As a writer you learn what you can and cannot get away with.  I have built up trust with the editor who I know has had a long and professional career in all genres. And, although  Honno Pressalso organises the front cover for the books, they have allowed me input to the final decision .

Working with Honno Press provides me with quality, professional editing.  I cry every time, I get the editor’s comments, but I know, in my heart, it makes the work better.  An editor will read your book line by line and give an overview. A good editor will ask the right questions but will not give you the answers. When you edit your work, you must keep your own voice.

I do not send my very first draft to an editor and probably have about ten revisions.  I ask my friend, who is an author, to give me an honest opinion on anything I have doubts about.  I am also a member of a writing group and we email sections of our books for discussion.  But do, avoid too much input from too many sources into your work as it can confuse you – have a small trusted network of writers.  Believe in yourself! The cut, slash and perfect stages involves a first general edit, as many more detailed edits then necessary to get the writing to its best, a line by line edit to weed out any noticeable mistakes and then a proof read by the publisher’s proof reader. Finally, it comes back to me for a last read to make sure all is correct. I do like this final stage; it does make me feel as though I have control over the end product to some degree.

Introducing Thorne Moore

Thorne had published three books with Honno Fiction and writes domestic noir and psychological fiction.  Thorne has self-published and works with two publishers.

What did Thorne say about publishing?

She has self-published short stories in order to market a published book.  The different publishers are relevant to the books promoted. Regardless of how the books are published, the author must have a good editor.

A writer needs an editor to stand on the mountain and look down on your work.  During the writing process the author becomes too absorbed to be objective.  Through the feedback from the editor, you learn to write.  The editor will locate your common mistakes then you will avoid these in subsequent drafts.

You do need a small critical group of friends who will give you constructive criticism.

Don’t worry about the reviews. Jane Austin has plenty of one star and two star reviews on Amazon.

Don’t give up!  I was rejected by Honno at first. In an interview with Thorne, she told me about the trials and tribulations of her publishing journey. This story of Thorne’s publishing journey will be published very soon.

A good editor is key to success for all authors: traditionally published and self-published need a good editor.  A good editor will identify gaps in your work and ask the right questions.  My editor forced me to ask lots of questions about my book and rework sections.  I learnt a great deal about my writing through this process. As a self-published author I have involved a professional editor, beta readers and other authors.  One must be careful of making new mistakes in a new edit – it is expensive to pay for all the various stages of the edit.  I understand the security of working with an independent publisher who provides an editor. The indie author has greater control of the book but must complete all stages of the process including the book cover and the marketing. In the end, all clues pointed towards the importance of a professional editor during the publishing process.  No matter how many times the author sharpens the scissors to cut, they still need an editor and dosh to pay for quality.   Clearly, this wasn’t an open and shut case and more investigation needed to be completed.

Clue of the Day

Narbeth Book Fair – see Judith, Thorne and Jessie!

Caroline suggested the market for the unreliable narrator in all genres will change. Like fashion in clothes, fashion in books also changes.  No one knows what will be the next ‘in thing’ for novels.

Judith Barrow, Caroline Oakley, Thorne Moore will all be at the Narberth Book Festival on 22nd September.

You can book individual session with Caroline Oakley of Honno Press for £35.  For more information visit the Narberth Book Fair website. Children’s writers can book sessions with Firefly Press.

 

Yorkshire Lasses in Wales: When Jessie Met Judith Barrow

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire

Judith waited for me in a department store while I waited for her in Cardiff Library.  Would the meeting take place? Neither of us had thought to share our phone numbers prior to the meeting.  

Judith emerged from the lift, in Cardiff Library, wearing a silk purple top that was co-ordinated with her fabulous lilac hair.  I warmed to her instantly! Her beaming smile lit up her face and I knew she’d make me laugh.  She travelled from Pembrokeshire to take part in a panel on agents, traditional and Indie publishing and agents at the Crime Cymru event, and her huge canvas bag bulged with goodies for the day ahead.  I was lucky to grab some time with her.

We almost didn’t meet at Cardiff Library

Judith: At last, I thought you’d got lost in your handbag. I waited in the department store and realised I had no contact details. After I finished my mint tea, I asked three strange women if they were Jessie.  They thought I was mad.

Judith’s Yorkshire accent and mischievous blue eyes instantly made me giggle. Great to meet someone who spoke the same lingo.

Jessie:  I’m so sorry but I thought you’ be able to read my mind. Couldn’t you hear me calling you in my dulcet tones across the streets of Cardiff?  Don’t ask me why I didn’t send you my mobile number and confirm the meeting.  I also approached a couple of potential Judiths but the real Judith is much better. So pleased, I found a representative of Honno Press and she had your number.

We laughed and grabbed some coffee from a coffee station in Cardiff Library.  The staff set up a couple of chairs for us to conduct the chat.  Having spilt the coffee all over my hand, we settled down to chat about Judith. 

Jessie:  Judith, tell me what a Yorkshire lass is doing in Pembrokeshire.

Judith:  We went on holiday to Pembrokeshire, loved it and never returned to Saddleworth.  We bought a half-built house and renovated it.

Jessie:  Do you miss Yorkshire?

Judith Barrow – Secrets

Judith:  Pembrokeshire was a great place for our kids to grow up.  I miss Yorkshire stone, craggy landscape and the meandering moors. I love our house, in Pembrokeshire, but I always expected I’d live in a stone cottage in my old age.  As you can hear, even after forty years in Wales my accent hasn’t changed – I’m still a Yorkshire lass.  People say they can hear my voice in their heads when they read my books.  Lucky them!

Jessie:  Obviously, people love your voice as you have written eight books.  How did the writing start?

Judith:  Well, I hope they do. As for the writing, I’d written since I was a child but never done anything much about it. Then I went to night school with my daughter. I finished A Level English and went on to gain a degree through the Open University. Whilst studying for the degree, I had breast cancer, and this made me see life differently.  I decided to follow my dream to become a writer.  Initially, I had an agent but she wanted me to write as an author of Mills and Boon so I parted company with her.

A place that inspired the setting of Judith’s novels

Jessie: That’s ridiculous; your books are not of that genre.  The books are historical fiction with engaging stories of the Howarth family. The books have complex plots and characters.

Judith:  I write people driven, gritty dramas and wasn’t prepared to adapt my writing.  Eventually, I got a contract with Honno Press – an independent publisher in Wales- and found their approach personal and supportive.  My first book ‘Pattern of Shadows’

Jessie:  What’s Pattern of Shadows about?

Judith:  It’s the story of a nursing sister, Mary Howarth, and her family, during World War Two and is set around a POW camp located in a disused cotton mill in a Lancashire town.  When I was a child my mother was a winder in a cotton mill and I would go there to wait for her to finish work; I remember the smell of the grease and cotton, the sound of the loud machinery and the colours of the threads and bales of material.  Pattern of Shadows was meant to be a standalone book, but the characters wanted me to carry on with their lives. Eventually, it developed into a family saga trilogy. My recent book, the prequel, is A Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth. They wanted me to explain their, how they had become what they are in the trilogy. I was happy to; I think, as we get older, we are made by our life experiences.

Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth

Jessie:  I’m reading One Hundred Tiny Threads. I’m about a third of the way through.  It’s a great read.  The opening is engrossing with Winifred waking up to another day in the shop. The characters are so real, and I love getting inside their heads.  I’m shouting at them all the time. The way you thread the characters’ attitudes towards women is brilliant.  I’m fascinated by the Suffragettes in Leeds.  For some reason, I always imagined the movement to be concentrated in London.

Judith:  Researching the Suffragettes opened up my eyes.  I wanted to tell their story through the voices of the characters and show how women, in the society at that time, were ready for the change. Stories draw people into to the political background of the era, and life was certainly a challenge then.  People say my books are dark.  Have you got to the gory bits?

Jessie:  Well, there has been a murder.

Judith:  No, I’m thinking of scene after that – you wait.  Bill’s a bastard but it’s his background.  I don’t know why Winifred married him.

Jessie:  Oh no, what was Winifred thinking of?  I’m furious with her, as I haven’t read the terrible news yet.  I’m intrigued as to why she didn’t marry the love of her life and scared for her.

Judith: oh ‘eck, hope I haven’t I haven’t spoiled it for you, Jessie.  But, you must understand Bill had a terrible life as a child with his father.  And then he was a soldier in the horrendous First World Wars. He was also one of the Black and Tans when he returned from the Front. He’s a bastard but didn’t have it easy.  As I said, our lives shape us.

Jessie:  I agree and people interest me too.

Judith:  Yes, well your novel, You Can’t Go It Alone, is also character driven and could become a family saga.  I can see it now.  I want to know more about Luke and Rosa and their parents.

Jessie:  I plan to do that, and you have inspired me to complete historical research.  I would have to look carefully into the eras the generations were born into.   Thanks for your advice.

Judith:  No problem, I teach creative writing in Pembrokeshire, so I just can’t help myself (some would say it’s interfering!!).  Writing is like looking at the world through the eyes of a child and I love it. I watch folk walk past my window, at home.  It’s hilarious how people walk. I can’t stop people watching and passing it on through my books.  I never stop watching and am always so busy.

Narbeth book fair – a great book fair for readers and worth a visit

Jessie:  I notice you also organise Narberth Book Fair.

Judith:  Yes, I organise it with a friend, author, Thorne Moore.  It started in Tenby, but we had to move because we outgrew the venue with so many writers wanting to take part. I think it’s so important to attend these events; to get out there and meet the readers.

Jessie:  What advice would you give to fledgling writers?

Judith:  Get a professional editor and be prepared for a slog.  The first draft of the book is the best bit. I always cry when I get my editor’s comments.

Jessie: Tell me, what have you got in your handbag today?

Judith handed me a copy of Pattern of Shadows and a book entitled Secrets; an anthology of short stories of the minor characters in the trilogy. She proceeded to let me in on the secret life of her handbag.  She had some very colourful reading glasses, pens, more pens, bookmarks, a spare blouse, her mobile and an agenda. 

Judith:  As you can see I do love a bit of colour. I try to be organised and I absolutely love writing.  I want you to place these books in your handbag and let the Howarth family keep you company. You’ll love some of the family and dislike some of the other – but that’s life!

Judith is fabulous fun, and I had a blast meeting with her.  Meeting face to face is so much better than communicating on line.  I delighted in her humour, straight-talking and infectious sense of fun.  Judith is a natural storyteller, and this translates in her animated dialogue.  She told me she is ‘living each day’.  She thrives on her writing and engagement with authors.  Her generosity was evident in her willingness to share the benefit of her experience.

 I should add that I will be one of the authors at this year’s Narberth Fair: http://www.narberthbookfair.co.uk/
https://www.facebook.com/narberthbookfair/

About Judith:

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire, has lived in Pembrokeshire, Wales, for forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.

She is also a Creative Writing tutor for Pembrokeshire County Council.

Contact Judith at:
Email: Judithbarrow77@gmail.com
Twitter: @judithbarrow77 
Facebook: https://www.facebook.com/judith.barrow.3

Amazon link to her books:

Secrets
A Hundred Tiny Threads

Secrets

Winifred is a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling. Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer. The girl he determines to make his wife. Meeting Honora’s intelligent and silver-tongued medical student brother turns Winifred’s heart upside down and she finds herself suddenly pregnant. Bill Howarth reappears on the scene offering her a way out.

 

Please see all my interviews at My Guests and my website and blog at JessieCahalin.com.

My Review of UK2 (Project Renova Book 3) by Terry Tyler #TuesdayBookBlog #Dystopian #PostApocolyptic

 

uk2

 

I gave UK2 5*

Book Description:

Two decades of social media had prepared them well for UK2.’

The pace steps up in this final instalment of the Project Renova trilogy, as the survivors’ way of life comes under threat.

Two years after the viral outbreak, representatives from UK Central arrive at Lindisfarne to tell the islanders about the shiny new city being created down south.  UK2 governor Verlander’s plan is simple: all independent communities are to be dissolved, their inhabitants to reside in approved colonies.  Alas, those who relocate soon suspect that the promises of a bright tomorrow are nothing but smoke and mirrors, as great opportunities turn into broken dreams, and dangerous journeys provide the only hope of freedom.

Meanwhile, far away in the southern hemisphere, a new terror is gathering momentum…

‘I walked through that grey afternoon, past fields that nobody had tended for nearly three years, past broken down, rusty old vehicles, buildings with smashed windows.  I was walking alone at the end of the world, but I was a happy man.  I was free, at last.’

Although this concludes the Project Renova trilogy, there will be more books in the series. A collection of five side stories is planned, and another novel, set far into the future.

My Review,

i have long enjoyed Terry Tylers’ work and I have read almost everything she has written. However, when I heard she had changed genres and written an end of the world novel I hesitated. Only once had I read a dystopian book  – and I hated it. What I forgot, at first, was that, not only does this author write a cracking good story, whatever the subject, she creates brilliantly  rounded characters that take  on a life of their own…and live, and grow and change as the  plots progress. I took a chance and was hooked. I read the first of the trilogy Tipping Point (you can read my review here). Following the lives of the characters through desperate times was both fascinating and felt unbelievably real. The second of the trilogy, Lindisfarne; my review here,  continues the story and, from my point of view, is equally riveting.

 I have also enjoyed  Patient Zero: short stories from the Project Renova series; a collection of nine short stories featuring minor characters from the series

And so to this last book, UK2, the conclusion of the the story (at least for the time being – as we see in the book description, Terry Tyler has other ideas). But, for now the stories of each of these characters I have grown to know and understand have sailed off into the distance.

There are so many well-rounded characters I honestly wouldn’t know where to start (and would probably ramble on for pages!). Some of the characters are told by a third person omniscient narrator, which allows the reader to sit back and observe. But many characters tell whole chapters from their own points of view. It’s interesting to hear the internal voices of Lottie, Vicky and Doyle, with their opinions on the world they are living in; all developing in the way good characters should in a novel. I was well impressed the way one character, Flora, changed. Oh, and I should mention the appearance of two characters I instantly loved, Seren and Hawk.

The dialogue is, as usual, good; some of the voices of  the characters with the intonations subtly changed as the characters go forward in their stories, some immediately recognisable.

The settings, whether of Lindisfarne, the devastated Britain of the past,  UK Central (ruled over by the plastic ‘Hollywood-style governor Verlander’) or islands far away, give a brilliant sense of place.

I have to be honest, it is a complex book with plots and subplots intertwined and a whole plethora of characters; so I can only recommend that readers start with the first book of the trilogy. And, to be fair, this is what the author recommends.

But, having the last word (well, this is my review!), whatever your preferred genre, give this series a go…you’ll be hooked.

Links to buy:

Amazon.co.uk: https://amzn.to/2IekT4X

Amazon.com: https://amzn.to/2EctvXz

About the Author:

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Terry Tyler is the author of seventeen books available from Amazon, the latest being ‘UK2’, the third book in her new post apocalyptic series. She is proud to be self-published, is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.

Terry is a Walking Dead addict, and loves history, winter, South Park and Netflix. She lives in the north east of England with her husband; she is still trying to learn Geordie.

Connect with Terry:

Twitter: https://twitter.com/TerryTyler4

Goodreads: http://bit.ly/2xLJRa6

My Review of Fred’s Funeral by Sandy Day #RBRT #TuesdayBookBlog

fredsfuneral

I received this book as a member of Rosie Amber’s Book Review Team (#RBRT) in return for an honest review.

 I gave Fred’s Funeral by Sandy Day 5* out of 5*

Book Description:

Fred Sadler has just died of old age. It’s 1986, seventy years after he marched off to WWI, and the ghost of Fred Sadler hovers near the ceiling of the nursing home. To Fred’s dismay, the arrangement of his funeral falls to his prudish sister-in-law, Viola. As she dominates the remembrance of Fred, he agonizes over his inability to set the record straight.

Was old Uncle Fred really suffering from shell shock? Why was he locked up most of his life in the Whitby Hospital for the Insane? Could his family not have done more for him?

Fred’s memories of his life as a child, his family’s hotel, the War, and the mental hospital, clash with Viola’s version of events as the family gathers on a rainy October night to pay their respects.

My Review:

 I think the book description, with all the open questions, reveals all that is needed to say about the story to draw any reader in.

I loved this novella. Although inspired by letters written by the author’s Great Uncle Fred, and written from a third person point of view, it’s Sandy Day’s light touch in her writing style that brings out the poignancy of what is essentially a ghost story.

I actually found it strangely frustrating that Fred Sadler is unable to make his relatives understand that it was his experiences in the First World War that permanently damaged him and led to his erratic lifestyle afterwards .

And it reminded me that ultimately we are all seen by others from their own perspectives. Bearing in mind that this is essentially a true story, (and not knowing if Viola’s viewpoint of him has, in truth, been gleaned from those letters of his) this disturbed and upset me for Fred.

 Which, I suppose, shows how strong is the portrayal of the protagonist – ghost or not.

 The juxtaposition of memories and present day actions, recollections and interpretations of Fred’s life through the contents of his battered old suitcase ,as the family study and comment over them, saddened me.

 This is a reflective and insightful story that will stay with me for quite a while.

 And, my goodness, the cover!  The young soldier, veiled by the handwriting, standing upright and proud in his uniform, as yet unaware of what faced him. Powerful image.

 And what I would give to be able to read those letters.

I realise this is quite a short review for me but I hope it’s enough to show how strongly I recommend Fred’s Funeral to any readers. A novella not to be missed.

Links:

Amazon.co.uk: http://amzn.to/2sHbv6Z

Amazon.com: http://amzn.to/2FhHjlP

 

About the Author

sandy day

 

Sandy Day is the author of Fred’s Funeral and Chatterbox, Poems. She graduated from Glendon College, York University, with a degree in English Literature sometime in the last century. Sandy spends her summers in Jackson’s Point, Ontario on the shore of Lake Simcoe. She winters nearby in Sutton by the Black River. Sandy is a trained facilitator for the Toronto Writers Collective’s creative writing workshops. She is a developmental editor and book coach.

Find Sandy on Twitter@sandeetweets

 

 

More Than a Simple Two-Shot Americano #shortstory #coffeetime #coffeeconvos

As some of you may know, as well as holding private creative writing workshops, I also tutor creative writing for the local council. Tutoring adults can be  rewarding (discovering wonderful writers), chaotic (my lesson plans are rarely followed – someone will inevitably take things off at a tangent) hilarious (the undiscovered comedian/ the completely unaware comedian) and thought-provoking (especially with memoir writing) Every now and then I like to share some of their work.

Here is a piece written by one of my students, Lei. He has an exceptional style of writing that is always individualistic, always has great depth.I hope you enjoy his work.

 

More than a simple two-shot americano

 How so.

 Cafe society, she says. Busy lunchtime. All tables surrounded. Custer’s last stand. Wagons, ho. People sitting angular wooden chairs. Hubub of humanity talking. So loud can hardly hear laconic Scotsman sits across from me. Something explanatory about photography and jazz. He deaf in one ear. Head twists to one side as I speak in response. Hears me but can’t.

 Cafe society, yes.

 She retired now. Bad back, you see. Watch walking. Lifts one leg, knee at right angle. Places foot down. Other repeats action of first. Ambulates carefully. Arms not move, at sides all times. Resigned. To pain. From work. Voluntary redundancy or something. Says can’t take it any more. DWP. Targets. People just numbers now. National insurance. Emphasise throughput. Taylorism. Quantity. Quality no time for. People units of movement. Everybody nice about it, she said. My leaving, I mean. Sorrow felt for those behind, sinking in statistical swamp. Interviews in windowless rooms Inexpensive polypropylene carpets stinking of anxiety and discarded skin. Consultation with job coaches to be taped, she says. So getting out now, she says. Hates sound of self on tape anyway haha. (Who doesn’t?) As if that real reason. Yes. Memorex. Purposes of staff training, not surveillance. Right. Nothing to see here, please move along. Job not under threat. Just squeezing the stone, more blood out of. (Ajahn Chah asked his followers, See that rock over there? Yes, they say. Is it heavy? he asks. Yes, they say. Not if you don’t lift it, he says.)

 Business transient. Life transient. Contemporary. Foolish. Irishman pink shirt outside jeans complaining. Englishman greeted him shop next door. Irishman angry that Anglophile mocks accent. “Top o’ the mornin’ to yer!” Irishman jigs exaggeratedly as describes moment. Surprisingly agile on trainered feet. Heels flick sideways; arms bend at waist. Head nods. Own caricature how English parody inhabitants over Irish Sea. Says, ‘So told him, “Aw, jus’ feck off!”’. We laugh. Know won’t count next time Irishman needs pop next door when runs out milk again. What a thing for a coffee shop.

 Once, said, in Boston, US. Seated in coffee bar, Tom Waits playing. Thought to self how heaven playing Tom Waits in own coffee shop. Now has. Now living the dream. Yes.

 But I know drinks white wine and maudlin increases. Accompaniment of Tom Waits, drinking songs. ‘Hasn’t drunk for twenty years,’ says. Wasn’t talking about him, almost said. Referring you. Imagine white wine. Sweet. Sharp. How after several glasses cease tasting it. Smoothness of chilled glass. Hold between index finger and thumb. Pinky outstretched. After while stop caring how look. And his eyes glaze, like a dying bird. Sees inward to own soul. Sings along Tom Waits. Duet of sorts, done remotely. Not even on same continent. Stops. Goes quiet, not like him at all.

 Then. ‘Hasn’t drunk alkhol twenty years,’ slurs. ‘Here, have sm’wine’. Holds empty bottle up to me. Looks at carafe. ‘Shit!’, says. ‘Empty!’ Like only noticed now. ‘I’m going,’ I say. ‘’Where you going?’ Rhetorical, so don’t reply. Leave two others, drinking buddies. One young with dreadlocks, smoking spliff. Other older man, squat, white beard and trilby hat. Irishman gets up. ‘No smoking ‘n here!’ declares, no direction. Followed by, ‘Wait here! More wine maestro!’ and ‘Next door, Jeeves!’ As if carbon-guzzling motor chauffered outside waiting. ‘Nxzht dzhr!’ Vowels go missing, snatched by inebriated brain. ‘Nglshz bshztrd,” says. ‘Top o’ th’ mornin’, my arse!’

 Staggers to feet. Yanks open glass door in wooden frame which warps in season. Glass shivers in situ, surprised. ‘Bldy dzhr!’ exclaims. ‘Fxsh tht!’ Follow out of shop. Watch weave next door, pushing on wall with left hand for support. Opposite direction, I, homeward. As walk away hear shouting. ‘Nglszh bshztrd!’ Perhaps refused to serve. It’s an offence, Your Honour. 2003 Licensing Act. Fine up to £1000. Or licence lose. More than my job’s worth, don’t hear proprietor say.

 Don’t know. Don’t know. Not there.

 

 

 

 

 

My Sweet Friend by H.A. Leuschel #TuesdayBookBlog #RBRT

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I received this book from the author as a member of Rosie Amber’s Review Team ~RBRT, in return for an honest review.

I gave My Sweet Friend 4* out of 5*

Book Description

A stand-alone novella from the author of Manipulated Lives
A perfect friend … or a perfect impostor?
Alexa is an energetic and charismatic professional and the new member of a Parisian PR company where she quickly befriends her colleagues Rosie and Jack. She brings a much-needed breath of fresh air into the office and ambitiously throws herself into her new job and friendships.
But is Alexa all she claims to be?
As her life intertwines with Rosie and Jack’s, they must all decide what separates truth from fiction. Will the stories that unfold unite or divide them? Can first impressions ever be trusted?
In this original novella, H.A. Leuschel evokes the powerful hold of appearances and what a person is prepared to do to keep up the facade. If you like thought-provoking and compelling reads with intriguing characters, My Sweet Friend is for you.

My Review:

I first came across  H.A. Leuschel when I read and enjoyed her collection of short stories, Manipulated Lives ( my review here, http://bit.ly/2BxfSVz.)

In this novella the author  has, once again, concentrated on the theme of manipulation; from the manoeuvrings for power in business to the exploitation that can be committed in personal relationships. This is an emotional exploration of the human psyche on various levels. It is also a brilliant story.

Told from the first person point of view of the two main characters, Rosie and Alexa, each have their own chapters, which move from present to flashbacks.  The plot takes us from absolute loyalty and hope in Rosie’s understanding of her relationship with Alexa, to the first seeds of doubt and distrust, (emphasised by the exchanges of dialogue with Jack; would be boyfriend and initially also taken in by Alexa). With Alexa the portrayal of  the ultimate confidence that she is in control of her life and is blinkered to any faults of her own, is gradually undermined by glimpses of vulnerability. Each character is so multi layered and believable that I found myself at various points throughout the narrative both empathising but being exasperated with Rosie and disliking yet understanding Alexa. Ultimately, though, I had compassion for both.

These are strongly- written characters; Leuschel has an innate sense of the way anyone can manipulate others through the facade of friendship and loyalty; even subliminally. Both the internal  and the spoken dialogue are used to give rise to unease and doubt in the reader’s mind as to who is actually the victim in this relationship.  Even the descriptions that give a good sense of place are used to show brilliant interpretation of the emotional weakness of each character.

I would have loved the intricacies of the relationships within the story to have moved more slowly, shift in the strengths and weaknesses between the characters. I felt this novella could easily have been made into a novel. But then, perhaps, it wouldn’t have worked; it is a very intensely controlled friendship so would have always burned out quickly.

There is only one tiny thing I really disliked in this story – and I will admit it sounds trivial and silly but it is a personal aversion; I did not like the word “sniggered” (Alexa sniggered a few times – it drove me mad!) the verb just did not fit in with the image I had of this character. Sorry H.A. Leuschel.

Putting such an inconsequential point to one side  I would certainly recommend My Sweet Friend to any reader; it’s a thought-provoking physiological and gripping read.

Amazon.co.uk: http://amzn.to/2BpPp9K

Amazon.com: http://amzn.to/2k7Mw6a

 

About the Author:

H.A. Leuschel

 

Helene Andrea Leuschel grew up in Belgium where she gained a Licentiate in Journalism & Communication, which led to a career in radio and television in Brussels, London and Edinburgh. She now lives with her husband and two children in Portugal and recently acquired a Master of Philosophy with the OU, deepening her passion for the study of the mind. When she is not writing, Helene works as a freelance journalist and teaches Yoga.

My Reviews of What’s in a Name? #ShortStories and What’s in a Name? Volume 2: Stories of Life and Romance by Sally Cronin. #TuesdayBookBlog

What's in a Name? by [Cronin, Sally]

Book Description:

There are names that have been passed down through thousands of years which have powerful and deep-rooted meaning to their bearers. Other names have been adopted from other languages, cultures and from the big screen. They all have one thing in common. They are with us from birth until the grave and they are how we are known to everyone that we meet.

There are classical names such as Adam, David and Sarah that will grace millions of babies in the future. There are also names that parents have invented or borrowed from places or events in their lives which may last just one lifetime or may become the classic names of tomorrow. 

Whatever the name there is always a story behind it. In What’s in a Name? – Volume One, twenty men and women face danger, love, loss, romance, fear, revenge and rebirth as they move through their lives.

Anne changes her name because of associations with her childhood, Brian carries the mark of ancient man, Jane discovers that her life is about to take a very different direction, and what is Isobel’s secret?

My Review:

In What’s in a Name? – Volume One, Sally Cronin’ brings together characters in her short stories, framed and shaped by their names in one way or another. Her gift to evoke a scene, a sense of place, runs parallel with her knack of homing in on the minutiae, to bring to life situations and relationships. And, as always with all this author’s work her innate empathy for the human condition shines through while at the same time she writes to entertain the reader. Each tale, whether coming to a foregone conclusion or having a unexpected twist at the end is such a satisfying read.

Highly recommended 

I loved this first volume so was thrilled when Sally gifted me the second: What’s in a Name? Volume 2: Stories of Life and Romance, in return for an honest review…

 

What's in a Name?  Volume 2: Stories of Life and Romance by [Cronin, Sally]

 

Book Description: 

Our legacy is not always about money or fame, but rather in the way that people remember our name after we have gone. In these sixteen short stories we discover the reasons why special men and women will stay in the hearts and minds of those who have met them. Romance, revenge and sacrifice all play their part in the lives of these characters.

Kenneth watches the love of his life dance on New Year’s Eve while Lily plants very special flowers every spring for her father. Martha helps out a work colleague as Norman steps back out into the world to make a difference. Owen brings light into a house and Patrick risks his life in the skies over Britain and holds back from telling a beautiful redhead that he loves her.

Meet Queenie and Rosemary who have both lost their husbands and must face a very different future. One that will take courage and the use of new technology.

Sonia is an entitled princess whose father has reached the end of his tether and Theresa has to deal with a bully in the checkout. Usher is an arrogant narcissist with a docile wife and is used to getting his own way and Vanessa worries about the future of her relationship with her teenage son. 

Walter is a loner and is happy with just his dog for company, Xenia is the long awaited first baby of a young couple. Yves is a dashing romeo who has the tables turned on him unexpectedly and Zoe… Well she can see into the future.

In one way or another all these characters will be remembered by those whose lives they have touched.

My Review:

And I can honestly say I enjoyed this set of stories even more than the first volume. In this the reader finds stories continuing the alphabet of names, male and female; here there is joy and despair,  true love and duplicity,  romance and companionship.

 What’s in a Name? Volume 2: Stories of Life and Romance shows, yet again, what a consummate storyteller Sally Cronin is. This author carries the reader into the world of fiction; ever willing to be swept along by the words; by the willing suspension of disbelief.

 As always, I won’t give away any of the stories; they are there waiting to be discovered.

All I can say is that I wholeheartedly recommend this collection of innovative short stories.

I’m more than happy to give both these volumes 5*

Buying Links:

 Amazon.co.uk: What’s in a name:  http://amzn.to/2wu4ve9

 What’s in a Name? Volume 2: Stories of Life and Romance: http://amzn.to/2ij2NXJ

Amazon.com: What’s in a name:    http://amzn.to/2weFR1h

What’s in a Name? Volume 2: Stories of Life and Romance: http://amzn.to/2fWXMTP

About the author

sally cronin

 Sally says:

After working in a number of industries for over 25 years, I decided that I wanted to pursue a completely different career, one that I had always been fascinated with. I began studying Nutrition and the human body twenty years ago and I opened my first diet advisory centre in Ireland in 1998. Over the last 18 years I have practiced in Ireland and the UK as well as written columns, articles and radio programmes on health and nutrition. 

I have always been a reader and that fuelled my imagination as a child. The ability to write is a gift that millions still do not have and it makes my stories and novels even more precious to me. I hope you will enjoy them too.

 Links to sally’s books:https://smorgasbordinvitation.wordpress.com/my-books/

My Review of Tipping Point by Terry Tyler #FridayReads

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I was given an ARC of Tipping Point by the author in return for an honest review.

 I gave this book 5* out of 5*

Book Description:

‘I didn’t know danger was floating behind us on the breeze as we walked along the beach, seeping in through the windows of our picture postcard life.’

The year is 2024. A new social networking site bursts onto the scene. Private Life promises total privacy, with freebies and financial incentives for all. Across the world, a record number of users sign up.

A deadly virus is discovered in a little known African province, and it’s spreading—fast. The UK announces a countrywide vaccination programme. Members of underground group Unicorn believe the disease to be man-made, and that the people are being fed lies driven by a vast conspiracy.

Vicky Keating’s boyfriend, Dex, is working for Unicorn over two hundred miles away when the first UK outbreak is detected in her home town of Shipden, on the Norfolk coast. The town is placed under military controlled quarantine and, despite official assurances that there is no need for panic, within days the virus is unstoppable.

In London, Travis begins to question the nature of the top secret data analysis project he is working on, while in Newcastle there are scores to be settled…

This is the first book in the Project Renova series; the second, Lindisfarne, is due to be published in September 2017, with the final instalment in the middle of 2018. A collection of outtake short stories, Patient Zero, is in progress, and should be available around December 2017. 

My Review:

I need to say right from the start that a dystopian novel is one genre I have never read. And never intended to.

But then I heard that one of my favourite authors, Terry Tyler, had written such a book and couldn’t resist asking for a copy.  I was relying on the fact that, whatever kind of book she produces, this author always has believable characters, great narration, can build a great sense of place and writes dialogue any reader can believe in.

 I wasn’t disappointed. True, it’s a tough subject (I really am a wimp about ‘end of the world as we know it’ stories. but Tipping Point is a truly good read. It’s obvious the author has researched the reasons, the politics, the societal differences and  effects of a complete breakdown  of a country. The gradual disintegration of Shipden and the UK as a whole is utterly  convincing.

But it’s not only the plot that is well thought out. As usual Terry Tyler has produced well rounded, multi-layered characters. There are the ones to admire, to fear, to despise and to empathise with. The reactions of  the protagonist, Vicky, to what is happening is credible, her actions plausible. I liked her; I liked her reasoning, her relationship with her daughter, Lottie, her courage (although she believes herself to be weak). Most of all I like that she grows in strength of character through all the turmoil she faces (and especially that she begins to believe in herself and not to just take the word of her errant boyfriend, Dex) And , in contrast, I would like to mention someone else, Billy Stokes; a flat character but one that chilled me with his singular perspective, and is a prime example of the kind of  person that those behind Private Life, a new social networking site, aim their propaganda towards. There is one small scene where, with his actions he takes centre stage and foreshadows a devastating sceario. It’s scary!!

And. as always the dialogue, both internal and spoken, portrays the personalities of every character in the book…and, believe me, there are some weird and extreme characters. But there again, I should think such a situation would bring out the most base, and basic, traits in anyone.

The graphic descriptions of settings the details of the deserted towns and countryside feel incredibly authentic; much as I would imagine them to be. It’s easy to envisage the people moving around these places.

 I was actually disappointed when I reached the end of Tipping Point; having believed that there would be some reassurance that all would be well for the characters (but probably that’s just me wanting a happy ending! Yes, the world has been destroyed but let’s just make another, less corrupt, more pleasant; one for everyone left…who, of course, will only be the ‘nice’ characters.). But there’s no such reassurance; things seem to be working out but then comes the great spanner in the works (I’ll leave you to find out what… because, of course, unlike me, you won’t be expecting a perfectly ‘sorted out’ denouement, will you? When I reached the end there were still so many unanswered questions; so much unresolved. 

 Terry Tyler has indeed produced a disturbing story. But it’s brilliantly written and it’s threaded through with hope and optimism; belief in the strengths of the human race. Nevertheless, I doubt I will ever be a true fan of dystopian novels… except the next one of the Project Renova series. As the author tells us, Lindisfarne, is  to be published in September 2017. I know I’ll be ordering that… and the final one.

 After that, unless Terry Tyler decides to stick to this genre, I ‘ll leave dystopian novels to other readers. But this one I can certainly recommend.

To be published 7th August – so not long to wait.

 

My Last Saturday Round-Up Of the Brilliant Authors #authors & Poets #poets at the Narberth Book Fair #BookFair

Titleband for Narberth Book Fair

Gathering the last of those authors and poets who joined in with the interviews to  help to show what a treat is in store at our book fair. Do please drop in to our website:   Narberth Book Fair, cleverly put together by the brilliant Thorne Moore.

There are forty authors, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults: workshops & talks and fun workshops for children, activities for the children; Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire. Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

There is still time to  enter the poetry competition: competition Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter and, hopefully, will be with us at the fair), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

The line up so far:

Judith Barrow

Thorne Moore

Juliet Greenwood

Graham Watkins

Rebecca Bryn

Helen Williams

Sally Spedding

Katy Whateva

Sara Gethin

Cheryl Rees-Price

Jackie Biggs

Judith Arnopp

Colin R Parsons

Kate Murray

Hugh Roberts

Carol Lovekin

Catherine Marshall

Tracey Warr

Steve Thorpe

Wendy Steele

I must say I’ve enjoyed interviewing all the poets and authors and I hope you’ve enjoyed reading them. There will still be plenty of news about the book fair over the next few weeks. In the meantime, do think about entering the competition and don’t forget to put your name down for any of the workshops; numbers are limited.
Titleband for Narberth Book Fair

My Series of Author & Poet Interviews #author #poet Narberth Book Fair#BookFair. Today with Wendy Steele

Titleband for Narberth Book Fair

Throughout this months I ’ll be posting interviews with the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty authors, so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults  workshops & talks and fun workshops for children, activities for the children  Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.  Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition:  competition . Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

Our author today is the multi-talented Wendy Steel

 

Wendy Steele

 

What do you love most about the writing process?

I love seeing my characters play out a story that’s been banging around in my head, watching it evolve and develop, often from a single idea. I enjoy editing and finishing less but the joy of completing a draft ready for first readers, makes up for that. Of course, feedback from readers is the greatest joy of all.

What book that you have read has most influenced your life?

I was forty years of age when I read Moon Magic by Dion Fortune. My childhood love of the moon and everything Egyptian and my personal discoveries about paganism, hedge witchery and the Kabbalah were brought together when I read that book. With new confidence, I wrote my first published novel, Destiny of Angels.

Who is your favourite author?

My favourite author is the late, much missed, Sir Terry Pratchett. I read Wyrd Sisters first before devouring every book he had written. I’m a visual reader and writer and Sir Terry conjures up images and scenes in the most beautiful and economical way. His use of language can make me laugh or cry. Magic.

DestinyWrath

 

 

What is your work schedule like when you’re writing?

An average week will include 16-18 hours of writing plus 7-12 hours of social media/marketing.

I love big chunks of time to write, to immerse myself in the story and characters. My best writing time is if my partner is working away and I don’t need to teach in the evening. I’m happy to write for 12-14 hours in one hit.

The reality is that I rarely get 4 hours at a time but I carry chapters of first draft with me, in case I have the opportunity to read and revise and make notes for the following chapters. Typing them up involves me in the story quickly, often leading to me writing on; I’ll do anything to maximise my writing time.

 

The Standing Stone - The GatheringThe Standing Stone - Silence Is BrokenThe Standing Stone - Home For Christmas

Could you tell us a bit about your most recent book and why it is a must-read?

The Naked Witch is my first novel in a new and exciting genre, Witchlit. Similar to Chicklit, the female protagonist is a modern woman, juggling work, an ex-husband, a difficult, demanding mother while also the responsible single parent of a teenage daughter. Readers love Lizzie Martin! She’s a woman of courage, beset by the worries and concerns we have but determined to stand up for what she believes in. Being a witch is part of who she is, rather than the label that defines her.

In three words, can you describe your latest book?

Compelling, thought-provoking and unique.

the naked witch KINDLE(1)

 

What was the inspiration behind The Naked Witch?

I wanted to write a book for everyone, especially women, whatever their usual choice of genre. Lizzie lives her life in a man’s world, as do we all and I wanted to write a story about a woman making her own rules, willing to defy convention and be successful in her own right.

How long did it take you to write The Naked Witch?

Having penned a few Witchlit short stories at the end of last year, the character of Lizzie Martin emerged and her story unfolded easily. The book took me three months to write and a further month to edit once I’d had feedback from first readers.

When did you write your first book and how old were you?

I wrote a few children’s books about Willoughby the Hedgehog in my twenties but I was thirty eight when I began my first novel, Hubble Bubble…and forty one when I finished it! I wrote in forty minute time slots while sitting in the car, waiting for my children to come out of school.

Do you hear from your readers much? What kinds of things do they say?

I’ve had useful and encouraging feedback from readers in reviews but I also get messages and meet fans at book fairs. I’m delighted to say they find my books inspiring, feeling they can identify with the characters…and more than one of them wants to be Lizzie Martin!

Do you have any hidden or uncommon talents?

I’m not sure if it’s a talent but I can recite the alphabet backwards. I taught myself at the age of about twelve…I have no idea why. I learned to read music, when I learned to play the piano, at the age of four, the same age as when I learned to read words.

What would you say is your interesting writing quirk?

When I lived in a town, I used to have writing trousers, a huge, baggy pair of black tracksuit bottoms which was my preferred attire to write in. Now I write in pjs.

I love beginning a new story with a fresh pad of A4 paper and my Waterman fountain pen.

What do you like to do when you’re not writing?

Apart from renovating my current residence and attempting to tame four acres of land, I dance. I learned belly dance from the age of forty, taught it for four years and, while exploring other dance genres, discovered ATS® Belly dance. I’ve been teaching this style as Tribal Unity Wales since March 2014. Belly dance is a fabulous, full body work out and classes are a great way to make friends and keep fit.

Smiles

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing

I can only recall one incident that was amusing to those watching while embarrassing for me at the time…five months pregnant with my daughter, I fell through a garden chair and got stuck…even I laughed as my friends attempted to extract me!

Give us a random fact about yourself.

Belly dance gave me confidence at a time when I was coping with a debilitating illness and struggling with self image. I wanted a tattoo but money was put to more practical use, bringing up three children so at the age of fifty, ten years later, I had my first tattoo, a delicate triskele that I adore. The eight pointed star of the warrior goddess Ishtar soon followed. Last year, I asked the fabulously talented Abi Hack to design a tribal band for my arm, incorporating a thirteen petalled lotus and a mandala that my daughter and I share, both of which adorn my right arm.

 Wendy’s Links:
Website
Facebook
Twitter
Linkedin
Amazon author page
Good Reads
The Phoenix and the Dragon

 

My Series of Author & Poet Interviews #author #poet Narberth Book Fair#BookFair. Today with Tracey Warr

Throughout this months I ’ll be posting interviews with the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.There are forty authors, so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults  workshops & talks and fun workshops for children, activities for the children  Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.  Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition:  competition . Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ 

Today I’m really pleased to be chatting with Tracey Warr

 

Tracey Warr. Photo by Tiffany Black cropped

 

Tell us first, please, Tracey, what you love most about the writing process?

Getting to the point with a novel where I have a complete first draft and I can print it out and go, ‘Wow, that is quite a chunk and I made it all up!’

Who is your favourite author?

Penelope Fitzgerald. And George Eliot and Jane Austen and loads of others!

Are your characters based on real people or did they all come entirely from your imagination?

My lead characters are real people who I research but since I am writing about the early medieval period, there are often few facts about them to go on so they still come significantly from my imagination. And then many of my other characters around them, such as servants, nuns, and female troubadours, come entirely from imagination.

What is your work schedule like when you’re writing?

I am a workaholic so I work all day, everyday, but I have to start writing first thing in the morning. If my morning is disturbed I can’t get any writing done that day, but I can read, research, organise my notes instead.

How many books have you written? Which is your favourite?

Almodis: The Peaceweaver

Four historical novels, all set in the early medieval period and one future fiction novella set in the 23rd century on another planet. Hard to say which is my favourite, but if I must, I guess I can say the first, Almodis the Peaceweaver. She was an extraordinary woman, active in the rule of Toulouse and Barcelona in the 11th century, and I’m still obsessed with her. I’m writing a biography about her and her two sisters now.

Could you tell us a bit about your most recent book and why it is a must-read?

Conquest: Daughter of the Last King

My latest books, Conquest I: Daughter of the Last King and Conquest II: The Drowned Court, are the first two books in my trilogy on the Welsh princess, Nest ferch Rhys, and the Normans. Nest had an extremely colourful life and lived through tumultuous times. She is one of the most famous medieval Welsh women but we don’t know a great deal about her for certain. I took the bare bones of her story in the medieval texts and asked myself questions about why things happened, how they happened, what she thought and felt about the events of her life.

Does your book have a lesson? Moral?

Not a lesson or a moral, but it is about human motivations and purposes. What drives us?

What was the inspiration behind Conquest I: Daughter of the Last King?

Weekly train commutes I made between Pembrokeshire and my teaching job in Oxford, crossing the glorious triple river estuary at Carmarthen Bay and looking at the Norman castle of Llansteffan on the headland. I started imagining my characters moving in that landscape. Then I stayed in Llansteffan and walked along the headlands myself. My initial inspiration often comes from landscapes.

Do your characters seem to hijack the story or do you feel like you have the reins of the story?

There is always a point when the characters ‘start to fly by themselves’, when they seem to start making their own decisions based on who they are, their motivations, and their interactions with the other characters.

Do you hear from your readers much? What kinds of things do they say?

Increasingly I do, yes, and I really like that. They tell me to hurry up with the next book and they tell me what they felt about some of my characters. It’s fascinating to hear how my stories are playing out in someone else’s head. Recently a reader in Australia told me she and her husband travelled round France with an itinerary based on my second novel, The Viking Hostage. Amazing!

The Viking Hostage

Do you have any hidden or uncommon talents?

I am a fanatical swimmer. If I see water, I long to get in it. I used to be a fast backstroke swimmer. Now I take a more leisurely pace and especially enjoy swimming in rivers. I have a waterproof Kindle.

What would you say is your interesting writing quirk?

I have a muse: my best friend, who lives near Narberth. I’ve known him all my life and he is a great support for everything I do.

What do you like to do when you’re not writing?

Read, hang out with family and friends, swim and walk.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing?

Most of those stories involve sex, alcohol, poets, and artists so I’m keeping them to myself. Umm, I travelled for ten days on Greyhound buses in Arizona and New Mexico to meet an artist for an interview in a remote location. We were both in the same tiny one-street town, but managed to miss each other nonetheless. Hmm, when I was a student, someone I had a big crush on asked me out and I was so excited I didn’t listen properly to when this date was going to take place. So I sat waiting, all dressed up, the weekend before, as well as the actual, following weekend, when he turned up.

Give us a random fact about yourself.

I was May Queen at my primary school and sat on a floral throne with a floral crown and sceptre, and presided over the maypole dancing.

My social media links:

https://traceywarrwriting.com/

https://www.facebook.com/traceywarrhistoricalwriting/

https://twitter.com/TraceyWarr1

The Question asks; “Are You a ProActive and Optimistic Senior” Hmmm… #MondayBlogs

oapschat

Well, I thought about this… a lot! Yes, I think, mostly, I’m optimistic. And sometimes, I’m even proactive. It was the ‘senior ‘ that I needed to think long and hard about. What constitutes a’senior’ You see, for years I’ve always thought some people were quite senior; at least to me. Until I realised I’d caught up with them. I was fifty-nine for quite some time. Then I moved up to sixty-two.  I’ve been sixty-two for a bit as well.

 So I thought I would investigate this group. And, oh, had I underestimated my peers. The members of  www.OAPSchat.co.uk are, as founder of the site Janice Rosser says: “… looking at the website from far and wide.” Ever courteous  she welcomes visitors to  the site  from countries as far away and diverse as Australia, New Zealand, South Africa, USA, Canada, India, Venezuela, Irish Republic, Spain, France, China, Japan, Greece, Mexico, The Bahamas, Indonesia and Switzerland and cheerfully says, ” a BIG hello from the UK to you all and thank you for visiting. I hope you are enjoying the huge and varied content that is here.”

 I bet they are, as well. This is a place where the over 55s can share  news from all over the UK: local and holiday news (there’s a lovely piece written by Juliet Greenwood:  on visiting:  Portmeirion  in North Wales ), and I was recently chuffed to see a piece of my own from last year again on, Ciovo, Croatia . There are topical issues ( Top 5 UK Airports To Fly From), financial and health advice. On a personal level members can promote their talents, chat and share their interests and hobbies, giving encouragement to others to join in with their hobbies.  I was particularly interested in Chris Lovell’s piece about launching  her small boat, the Blue Nun, from Neyland in Pembrokeshire  as that’s local news for me, as well as learning about a hobby. And then there’s Tracy Burton talking about how it’s Never Too Old To Backpack! ; quite a consoling thought as I struggle along the narrow rugged Pembrokeshire  coastal path sometimes!

Portmeirion1smallCroatia JB

Portmerion                                                                     Ciovo

As you can see I’ve picked out the items that are of particular interest to me  but there are similar and constantly changing  items from all over the UK and abroad that will be of interest to many. The OAPSchat  net is spread far and wide. 

Members also give an insight to their lifestyles, share memoirs and occasions. I loved the story  written by Georgia Hill, In Remembrance – and a Mystery

Most importantly for me, when I first came across OAPSchat were the books I saw to buy there. And there is often a wealth of talent to be found. For instance, in the present issue,  Jane Lovering is being interviewed with her book: Can’t Buy Me Love  Margaret James discusses her new book; Girl in Red Velvet and Sheryl Brown, one of my favourite authors,is talking about her latest book, Learning to Love

Then there is the scope for authors to promote their own work! When I first explored the site; after I’d looked at all the different topics, read articles, noted places I’d liked to visit (one day) I saw Advertise with OAPSchat … yes I do know I’m a bit slow sometimes!! I realised that all the books on the left hand side bar of the site were advertisements/promotions of books placed by the authors. Would Janice take mine? Of course! Rates are so reasonable. More importantly the readers are there; ready and waiting; people who have so many interests must have so many preferences for genres. Some one might like mine. And they did! I had great sales.

So, for me, OAPSchat  has given me so much: new friends, new interests, new ideas, new readers. Do I mind being a ‘senior’?  Well no… as long as I’m also mostly “optimistic”. And sometimes, even “proactive”. I can cope with being sixty-two… for a few more years!

For more information on OAPSchat  check out About Us

janice

Of course I couldn’t finish without giving Janice a little space (well, she is the founder) The floor is yours, Janice.

Thanks Judith.

OAPSchat was born in April 2013 as a Facebook page. It was in November 2013 that I decided I had enough material and confidence to launch the website.

Since that day, I have been writing articles on all kinds of topics, ranging from hobbies, holidays, food and drink, memories, families, finance and much much more. I now have over one hundred and thirty seven wonderful contributors to date and articles on all different subjects are posted on a daily basis. Over 1400 articles can be read now! Members can comment via disqus, FB and Twitter.

Raffles are held monthly, sometimes more often. A newsletter goes out once a month with my plans for the coming weeks. I am an Independent Happy List Winner 2014 for founding the website.

janice cheers

   Janice celebrating at the ceremomies

Loneliness is a big scourge on our society worldwide and the website helps combat this awful isolation by coming together and sharing our thoughts and ideas. OAPSchat is well and truly born now and I hope it will continue to thrive. With your support, I’m confident it will!

OAPSchat FaceBook Link: http://bit.ly/2vnZYGh

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