Murder, Mayhem and Families #womenwriters #Reviews #shortstories #poetry

For a while, I was only been able to read in short bursts; a temporary situation, but I missed being able to immerse myself into a novel. I did use audio books, but I missed the actual action of reading, and I found just listening frustrating, trying to find the actual place in the book that I wanted to emphasise; it’s far easier to skip through pages, either physically or on a Kindle screen. So, when I found these two reads I was delighted.

Cast a Long Shadow: Welsh Women Writing Crime

Book Description:

All original collection of the best of Welsh women’s crime short fiction from new and established voices…

A striking collection of the widest range of crime short stories from contemporary urban thriller to historical rural mystery and the speculative and uncanny.

Includes stories from Tiffany Murray – winner of the Bollinger Everyman Wodehouse Prize and an inaugural Hay Festival International Fellow; Eluned Gramich – winner of New Welsh Writing Award and shortlisted for Wales Book of the Year; Alison Layland – whose first thriller was a LoveReading Debut of the Month and Kittie Belltree – poet and Disability Arts Cymru Creative Word Award 2020 Winner. Plus a host of previously unpublished talent ripe for discovering.

My Review:

It’s quite a while since I read an anthology, but I enjoy the crime genre, and this particular collection is special for me because, (and I’m declaring an interest here ) – it’s a Honno published book, and I’m a Honno published author. Nevertheless, I’ve  also been a reviewer of many books for some years and I always write honest reviews. The title of Casting a Long Shadow is taken from one of the stories and, reflects the broad ‘shadows’ of crime: from straightforward (or not!) detective stories, murders, missing people, abuse, drug involvement, secrets and even slants on mythology and fairy tales. All themes written in a variety of imaginative and innovative  ways by Welsh women writers. I look forward to reading more from each and every one of them. As the editors with the final decision when choosing these stories , Katherine Stansfield and Caroline Oakley should be rightly proud. Definitely recommended.

To buy:


In contrast I dipped my toes into poetry. As with short stories it’s been a while since I immersed myself into poems, and when I closed the last page I wondered why I’d left it so long. By its very format, poetry, where every word must count towards the emotion, can evokes strong reaction in the reader. And this collection certainly does that.

Sherry and Sparkly: Paperback

Book Description:

Maureen and Patricia grew up hundreds of miles from each other in different countries of the UK but share common experiences of childhood in the fifties and sixties when ice laced the inside of bedroom windows and corporal punishment was common in schools. They survived to become brides, mothers, career women and technophobes. Sometimes joyous, sometimes painful, these poems are a conversation about love, hope and identity.

Sherry & Sparkly is a Poetry Conversation between two fantastic poets – one you really want to listen in to.

My Review:

What I really enjoyed about this collection is the accessibility of each short poem, and that, as is stated at the beginning of the book, it’s “a conversation in poetry between two poets. Each poem included is a reaction to what has come before”.

For me, as an older reader many of the poems evoked memories, of childhood… “… in a house where you relied on hot-water bottles to survive the night in rooms where windows frosted inside” (No-Brainer), and of past events…”Black and white televisions…Neil Armstrong bunny-hop on the moon…a home phone at the spin of a dial…” (Millennium), and of resistance to change…”No need to resort to that new computer, the size of four washing machines, rumbling in the corner…” ( Modernity).

Wonderful stories told through poetry – I loved it. And thoroughly recommend Sherry & Sparkly

Written by Maureen Cullen and Patricia M Osborne this collection was sold and bought by me to promote a charity they both support.

To buy:

Announcing the first Showboat tv #Online #LitFest # Saturday #Authors #Interviews #Q&As #Public #FreeEvent


On Saturday 16th January 2021, Showboat tv will be holding their first Online LitFest with Authors, Writer and Poets throughout Wales.

This link gives all the information:

The event is FREE and will be held between 10.30am to approximately 5.00pm.

The following is a taster of the event...

This is where I will be interviewing all the following participants:



10.30am – Angela Johnson:

10.50 – Greg Howes:

11,10 – Alex Craigie:

11.30 – Colin R Parson: who also writes as Jake Ridge:

11,50. – Jan Baynham: & Jill Barry: (Discussing the Romantic Novelists association and their books)

12.30 – Will Macmillan Jones:

12.50 – Judith Barrow: interviewed by Thorne Moore:


1.30 Cheryl Rees Price:

1.50 Thorne Moore:

2.10 – Wendy White: who also writes as /Sara Gethin:

2.30 Angela Fish:

2.50 – Alex Martin:

3.10 – Kate Murray:

3.30 – Helen May Williams:

 3.50 – Nicola Dean:

A great collection of writers covering many different genres – both Traditionally and Indie Published. Representatives of Romantic, Historical, Crime, Domestic Noir, Family Saga, Sci-Fi,, Children’s, Fantasy, Contemporary and Psychological Fiction. And Poetry.

After their interviews the writers will be in Room Three for Meet the Author. Your chance to interact with them all. So make a note of those you would like to chat with and Zoom in!

And here you may find the stray writer/ author/poet wandering around – your chance to chat with them about all the interviews, books and readings that have taken place and been discussed over the day.

Room One: The Video Presentations

Although this and many of the video presentations are free to watch on Showboat tv, there are opportunities to see much more: See these here:

Showboat tv is an Internationally watched station and is also available on Roku:


My Series of Author and Poet Interviews. #poetry Narberth Book Fair. #BookFairs. Today with Poet Jackie Biggs  

Titleband for Narberth Book Fair

Over the last few weeks and through July I’ll be posting interviews with the authors who will be taking part in our Book Fair:

There are forty of us so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults and fun workshops for children, activities for the children and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.   

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition: Submit a poem, in any form, of 20 lines or less, on the subject of : –


Having outgrown our previous venue we have been lucky to hire the Queens Hall: who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin:  and Thorne Moore: Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: . 

Today I’m pleased to be talking to the poet Jackie Biggs.


Jackie Biggs


Tell us, please, Jackie, why do you write?

It’s as much part of my life as eating, something you have to do.

What do you love most about the writing process? 

The excitement of working with An idea and creating something new – what is created is not always what we expect.

Have you thought about joining with another author to write a book?

I love the idea of creating new poetry through collaboration with others. As poets, we don’t usually set out to write a book. The poems come first, then we collect them together for publication. I would like to work with other poets on projects though and see where we go with it.  My work isn’t all about publication, my poetry is written for performance and spoken word events and I already work with others on that. I am one of four women in the Rockhoppers poetry group, which goes out and performs work. We have some collaborative work already, and I’d like to do more, although it’s difficult getting four busy writers together in one place at one time.

Have you always wanted to be an author?

I spent most of my working life in print journalism, so I have always been a writer, and an editor too, but it’s only since ‘retiring’ from that work, just over five years ago, that I have found the time and creative energy to write poetry.  I guess I went into journalism in the first place because it was the only way I could see that I could earn a living from some kind of writing.

How many books have you written? Which is your favourite?

I have one collection of poetry out – The Spaces in Between, published in September 2015 by Pinewood Press. There are many new poems waiting to be collected into the next book, which I am currently working on. I am not sure yet whether there will be another full collection next, or two or three shorter poetry pamphlets. The favourite, I think, will always be the latest.

spaces in between

What genre do you consider your books? Have you considered writing in another genre?

I have thought about doing creative writing other than poetry, but I am not drawn to writing fiction either in novel, short story or even flash fiction form, although I enjoy reading them all. I have a few short stories from years ago hiding in a drawer, but I think they’ll stay there!

In three words, can you describe your latest book?

Poetry for now.

What is your favourite part of the book?

There is a sort of arc of a personal journey in my poetry collection, although I haven’t made it obvious. I guess my favourite part is the last few poems, if only because they are leading to the next part of the journey for me.

How long did it take you to write The Spaces in Between?

As far as poetry publishing goes, this debut collection was out quite quickly, just three years after I started writing poetry seriously in 2012. I found I had a great deal to say in poetry after I retired from my journalism career. There is plenty more on the way too…

Do you hear from your readers much? What kinds of things do they say?

I love getting feedback. Of course, at poetry readings that often happens one-to-one at the events. I do get reactions to the poetry on my blog too. A number of my poems have been picked up from there by people and read out at public events. For example the poem I wrote after Jo Cox MP was killed was read at a couple of memorials for her in 2016, and at Great Get Together events in 2017.  I also sometimes get requests from people to use poems from my book in various ways, such as by teachers who want to use them with their classes in school.  I love it when people want to use my work in this way. Poetry is not meant to sit on the page.

Do you have any hidden or uncommon talents?

No idea! I don’t think I hide much.

What would you say is your interesting writing quirk?  

I really have no idea. I think it is for readers to say what is of interest in my writing, and what they see as quirky …

What do you like to do when you’re not writing?

I read a lot. I think it’s important to read if you want to write, especially to read all kinds of poetry if you want to write poetry. I also love contemporary novels, film, theatre and music. I also love to walk, swim, practice yoga, and enjoy our beautiful coast and countryside here in west Wales.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing

I fell asleep on the train home from work and after going around the Waterloo loop a few times ended up in a siding at Twickenham. I didn’t think it was amusing, but the train guard did, and I am sure other people will!

Give us a random fact about yourself.

I am allergic to mushrooms.

 Links to Jackie:


Today With Kathy Miles

Introducing the authors who will be at the Tenby Book Fair,, the first event of the Tenby Arts Festival .  I’m looking forward to having many more such chats over the next couple of months. 

So far I’ve interrogated interviewed Rebecca Bryn:, Thorne Moore: , Matt Johnson: , Christoph Fischer:  and Sally Spedding: and Wendy Steele:  and Graham Watkins:  And thanks to Thorne Moore for interviewing me today:  Over the next few weeks I’ll be introducing the rest of the authors and I’ll also be showcasing the publishers who will be in attendance. There may also be a short chat with John and Fiona of who, as usual, will be filming the event.


Today I’m really pleased to be chatting with Kathy Miles whose work has appeared in many anthologies and magazines. She was the 2015 winner of the Bridport Poetry Prize.

Why did you choose to write in your particular field or genre? 

I am primarily a poet, but also write short fiction pieces, drama, and non-fiction. The disciplines required for each genre are very different, but also exhilarating, and I enjoy the challenges involved in writing out of my main genre area. I think I was initially drawn to poetry as a means of expression because of an overwhelming love of words…I’m  just as happy browse-reading a dictionary or thesaurus as a novel. I particularly like exploring their etymology, how the meanings of words have changed over the centuries. So many wonderful words have fallen into disuse, or their meanings changed completely from the original: in these cases, it’s not only the words which are lost, but their associated cultural mores. I always work with a range of  dictionaries and thesauri on my desk, many of them published prior to 1950, and find it exciting when I can trace a word back to a meaning quite different from its contemporary usage. I love playing with words, as well as with the various structures and rhythms of a poem, and I think this is why I write mainly in this genre: for me, what I can do with the words is very satisfying.


Where did your love of books/storytelling/reading/writing/etc. come from?

My parents read to me when I was little: there was always a bedtime story, and the house was full of books. My father was a part-time writer, and I would go into his study and read whatever I could lay my hands on. He worked as a clerk in the local government offices, and was paid monthly. I remember that whenever he got his salary (in one of those little brown folded envelopes) he would go to the bookshop on the way home and buy me a new book. My mother had no literary aspirations, but she read magazines avidly, so along with the books, I grew up on Womens’ Own, Womens’ Weekly and The Readers’ Digest, which in those days always published a good range of short fiction in their pages.

How long have you been writing?

I’ve been writing for as long as I could hold a pen. I have drawerfuls of poems and stories I wrote as a child, the earliest being from when I was about five. There was no specific reason for it: it was just something I always did, and which I never questioned. Other people took part in sport, went swimming, drew pictures or made things, and I wrote.

What are some of the references that you used while researching this book?

I’m very careful to research each poem thoroughly. When I’m writing I use resources which would normally include subject-specific databases and web sources as well as hard copy books, encyclopaedias, dictionaries and thesauri. I have a massive Dictionary of Mythology which is pretty much falling apart at the seams!




What do you think most characterises your writing?

I write a great deal about the landscape: living in a rural area is a huge privilege. I have badgers visiting my garden at night, dragonflies skimming over my pond, and the sight of mountains and the sea in the distance, so it would be hard not to write about these things. But I dislike the idea that writers should be put into specific genres, and so I wouldn’t describe myself as a ‘landscape poet’ because that would be to ignore all the other things I write about. What I would hope characterizes my writing is the truth of what I am trying to convey: but that, of course, is for others to decide!

Links to Kathy’s books.

Gardening With Deer:

The Shadow House:

The Shadow House:


Tenby Arts Festival – Day Seven – Friday 25th September 2015

Laurie Dale

Laurie Dale in full swing in front of the microphone.
Laurie Dale in full swing in front of the microphone.

Well known to all Tenby Festival fans, Laurie will entertain his audience with his very own particular style of songs, jokes and stories.

Tea is included

Church House

Tickets £6.00 (includes tea)



Tony Jacobs and his band,  The Tuxedo Jazz Orchestra. present a wonderful evening of exciting music,

There may even be some dancing!

It is always a swell party with Tony Jacobs and company. You can enjoy the music of Gershwin, Cole Porter, Frank Sinatra and Louis Armstrong to name but a few. Listen again to those favourite songs such as Georgia on my Mind, Tiger Rag, Alexander’s Ragtime Band, Chattanooga Choo Choo and many others. If your toes keep on tapping there will be room to get up and trip the light fantastic, dancing the night away.

The Grand Raffle will be drawn during the evening.

De Valence Centre


Tickets £18.00


Enquiries to: