Today with Jo Hammond

 

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Over the last few weeks I’ve been introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl 

 I’m almost finished interviewing them all now.

In the next fortnight I’ll be showcasing the three publishers who will be with us: http://honno.co.uk/, http://www.fireflypress.co.uk/ and http://www.cambriapublishing.org.uk/

And I’ll be sharing a post from the brilliant http://showboat.tv/ Who always video and share our Tenby Book Fair.

So far here are the wonderful authors. Please feel free to check them and their great books out: Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh  Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles: http://bit.ly/1twN3Bg , Graham Watkins: http://bit.ly/2aEgwRv , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons:http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin: http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza:http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams:http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl:http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  David Thorpe:http://bit.ly/2a9uG0V , Eloise William: http://bit.ly/2aoZk1k and Phil Carradice: http://bit.ly/2aYINV5  And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq 

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today I am so pleased to be talking with  Jo Hammond

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 Welcome, Jo, good to see you here today.

Good to be here, Judith

So, let’s start by you telling us what have you written? 

Battle in Iraq published by ibtauris, Adelina Patti Queen of Song and Wilderness & Paradise. The last two are both available as e-books on Amazon or through Hammond Associates. I have also written short stories for the Sexy Shorts series published by Accent Press.

Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?

My field is biography/history and I guess I am just very interested in lives already lived, especially women who have achieved extraordinary things often against the odds. Where did your love of books/storytelling/reading/writing/etc. come from? I have loved reading since I was very young. I learned to read at the age of 3. Living in West Africa there were not many distractions, my younger brother was my only companion much of the time. I escaped into a world of stories and characters. I used to be told I was a bookworm and when I was very young I thought that there really was such a biological creature – an insect that lived in books.

How long have you been writing?

Since the age of about 7. My very first success was in the tiny school I attended in a town called Zaria. Gerald Durrell was in the country on one of his expeditions and came to talk to us about his adventures and the animals he had seen. We were then set a competition to write an essay based on his talk. I won the first prize which was a terrapin.

What kind(s) of writing do you do?

As well as the biographies I have mentioned and which I tend to write as though they were novels, I have written poetry and short stories.

What cultural value do you see in writing/reading/storytelling/etc.?

I believe that from the earliest times when storytelling was entirely oral it was a way of making sense of the world around us and a way of remembering important events.

What were your goals and intentions in these books, and how well do you feel you achieved them?

My first book Battle in Iraq is the story of my grandfather’s experiences working ships on the Tigris River during WW1. Although it is based on his diaries and letters, I wrote the back ground history to the war and as my son once put it, end with “a fine rant” in the final chapter against the war of 2003. For me it was important to try to explain the war to people and also to highlight the suffering in this theatre of war which is often forgotten concentrating as we do on the western front. My other two books are both about high achieving women, Adelina Patti had an amazing life as an opera singer starting at the age of 9 and had immense character. She also lived at a time of great excitement and upheaval with civil wars and revolutions going on across the world. She is often forgotten as compared with Jenny Lind and Nellie Melba, I felt that balance should be redressed. “Wilderness & Paradise” is a collection of mini biographies of women who went out alone to explore the deserts of Arabia, again brave and pioneering women who had exceptional courage and extraordinary lives.

Can you share some stories about people you met while researching these books?

Most of my research was done in libraries and museums so the people I met were librarians, archivists and curators. For “Battle in Iraq” I went to Turkey to visit the town where my grandfather was a prisoner of war. It was a town of narrow streets with ottoman buildings that featured overhanging upper storeys. Its main claim to fame was the huge rock that dos almost sheer to 800 metres. In his diaries grandfather wrote of clubbing the rock and sitting there to read so of course we had to climb it too. I went to Turkey with some trepidation because my mind was filled with the evil things done to our troops in Iraq but I found the people friendly and helpful though there was not one person in the town prepared to admit that there had ever been prisoners of war there. Later when I was doing research at St Anthony’s college Oxford I met a very pleasant Iraqi who introduced me to his own publishers who subsequently accepted my book. For Adelina Patti I went to Windsor Castle to look at the diaries of Queen Victoria for whom Adelina often sang. I felt very privileged to be holding her actual diaries in my hand and reading her incredibly neat, clear handwriting. I also met Lord Mark Poltimore who is an art expert at Sotheby’s and on the Antiques Road Show. He is the owner of the painting by Winterhalter on the front of my book because he is the grandson of Adelina’s third husband. I also met his mother thereby giving me a living contact with Adelina and her husband Baron Cederström. They very kindly lent me her letters to study. What are some of the references that you used while researching? Many biographies and histories, the Bible, diaries and autobiographies.

What did you enjoy most about writing this book?

I loved doing the research and finding odd facts and references and I loved the feeling that I was bringing these people to life. How did you get to be where you are in your life today? I grew up in West Africa so travel and far away places always appeal to me, hence my choice of subjects. I went to boarding school and then did a degree in French and Italian. I worked for a while teaching English as a Foreign Language and later as a secretary and translator before training as a teacher of Modern Languages. During this time I was also doing some free-lance writing for local newspapers. Coming to Pembrokeshire I wanted to escape from teaching so I started a business selling hampers of local specialities whilst still doing supply teaching. But I still wanted to write so I studied for an MA in Creative Writing at Trinity College and have been writing and giving talks ever since.

Who are some of your favourite authors that you feel were influential in your work? What impact have they had on your writing?

Racine, Jane Austen, Pierre Loti, Gertrude Bell, Isabelle Eberhardt, Balzac, Evelyn Waugh, Agatha Christie. All of these use simple language – I dislike books that use abstruse words where a simple one will do, I find that pretentious. But some of them also manage to write so lyrically creating beautiful images or sounds. In the case of Austen and Christie I think it is the vividness with which they portray their characters that most appeals.

Are you a full-time or part-time writer? How does that affect your writing?

I have always been a part time writer as I have had to earn money, I also had four sons of whom three are triplets so they have been my priority. Now they are grown up and have sons of their own so I am often on Granny duty. Having said that I find that ideas and thinking things through can happen while engaged in mundane tasks. Once the inspiration is in place the actual writing does not take so long.

Any tips on how to get through the dreaded writer’s block?

I often get struck by writers’ block. Sometimes it is difficult to see how best to word something of fit it into the narrative. My solution is to walk away from it. Go and do something else, taking the dog for a walk is good because you can one thinking while walking and the change of air breathes fresh life into you.

How do you feel about ebooks vs. print books and alternative vs. conventional publishing?

E-books have been a great benefit in many ways. Anyone can be published on Amazon and books are available to the public so easily through the internet. But there has as a result been a sad decline in the number of bookshops and the clatter of masses of unknown books on the internet drowns out more worthwhile books. I think the printed copy will always exist if only because once you have bought it it needs no electricity to enable you to read it.

Do you write more by logic or intuition, or some combination of the two? Summarise your writing process.

My books tend to be driven by logic and for the most part are written in the old fashioned beginning, middle and end way. As I write biographies as though they were novels intuition plays a part in thinking up the conversations that people might have had in a given situation. My books are strictly factual but obviously there is no record of what people said to each other unless a conversation is reported in an autobiography, so I have to make those up as with descriptions of clothes and places, though they are based on general reading around the subject.

Do you proofread/edit all your own books or do you get someone to do that for you?

I do my own proof reading, editing and publishing. After my first book I gave up on traditional publishers – too slow and too uninterested to market effectively.

Tell us about the cover/s and how it/they came about.

All my book cover are designed by me. Battle in Iraq shows a photo of my grandfather against a map of Iraq. On the back is a picture of the ship he was on when captured. It gives some clue as to wheat the book is about. Adelina Patti shows a portrait of the singer by Winterhalter. Wilderness & Paradis has a picture of an oriental rug of the type used to frame a doorway. It hangs in my dining room while on the back is a photo I took of a window at the Grand Mosque in Dubai. I wanted to give the atmosphere of the book from the very start.

What are some ways in which you promote your work? Do you find that these add to or detract from your writing time?

I am on Twitter and I also have a blog but find I have little time for them. I try to “tweet” about once a week and find it does often result in a small flurry of sales.

How do you market your books? My last two books are on sale through ebooks on Amazon and I sell copies myself at book fairs and when I give talks or lectures. My first book Battle in Iraq is available from the publishers ibtauris.

What do you like to read in your free time?

I like to try new books, I enjoyed “The Girl on the Train” and also “Night Train to Lisbon”. I do mostly read fiction though my own books are non-fiction. “The Time Travellers Wife” struck me as similar to my own life being married to a man who is away working a great deal – not that he comes home naked, just the way he may be away for weeks and then suddenly parachutes back into my life and turns my routine upside down.

What is your favourite film and why?

Casablanca is the best film ever made. It is one of the most quoted because of its succinct and punchy lines. All its characters are so very vividly created and evoke immediate sympathy.

What is your role in the writing community?

I have given talks based on my writing. I help to run a creative writing group in Pembroke Dock

What projects are you working on at the present?

I am beginning research on women aviators as part of a plan to write a collection of mini biographies again. after that I feel I would really like to try my hand at fiction.

Tenby Book Fair: 24th September 2016

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Events

Events to be held at the 2016 Tenby Book Fair, 24th September

Revised
Some talks, readings, Q&A sessions will be held in an adjoining room at the fair. Numbers will be limited, so it is advisable to reserve a place in advance. There is no charge.
  1. 11:00    Cambria Publishing Co-operative will be giving a talk and taking questions about the services and assistance they offer to independent authors.
  2. 11:30    Poet Kathy Miles will be giving a reading of some of her work.
  3. 12:00    Firefly Press will be talking about publishing children’s books and what they look for in submissions.
  4. 12:30    Prizes for the short story competitions will be presented in the main hall – no booking necessary.
  5. 1:30      Colin Parsons, children’s writer, talks about his popular work
  6. 2:00      Honno Welsh Women’s Press will be talking about their work, publishing contemporary novelists, anthologies and classics, and discussing what they look for in submissions.
  7. 2:30      Matt Johnson, thriller writer and ex-policeman, talks about his work and experiences.
  8. 2:55      Main hall (no booking required): raffle prizes.

 

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TAF vs

 

 

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              book                                     

                                              BENEATH THE APPLE BLOSSOM

                                                                BY KATE FROST

Genre: Contemporary women’s fiction

Release Date: 04/08/16

Publisher: Lemon Tree Press.

Four women, linked by blood ties, friendship, betrayal, loss and hope, struggle with the choices they’ve made and the hand that life’s dealt them.

All Pippa’s ever wanted is marriage and kids, but at thirty-four and about to embark on IVF, her dream of having a family is far from certain. Her younger sister Georgie has the opposite problem, juggling her career, her lover, a young daughter and a husband who wants baby number two.

Pippa’s best friend Sienna has a successful career in the film world, and despite her boyfriend pressurising her to settle down, a baby is the last thing she wants. Happily married Connie shares the trauma of fertility treatment with Pippa, but underestimates the impact being unable to conceive will have on her and her marriage.

As their lives collide in a way they could never have predicted, will any of them get to see their hopes realised?

EXTRACT

Connie stopped and looked around. She had wandered a little way off the path and was in a small grassy clearing surrounded by trees heavy with spring leaves and blossom. Not in the mood for making small talk with a stranger, she chose a spot in semi-shade out of sight of the path, leant back against the slender tree trunk and closed her eyes. A slight breeze caressed her face and every so often she got the wonderful sensation of sunlight on her. She took a deep breath and drank in the scent of damp grass and spring flowers – fresh, sweet and alive – then opened her eyes to the canopy of white against the blue sky. The apple tree was bursting with blossom like masses of white teardrops.

She had everything to live for even if it didn’t feel like it right now. Life was a journey, and the best journeys were the ones that couldn’t be predicted before setting off, or that weren’t an easy ride to reach the destination. Right then, on    a perfect spring day beneath the apple blossom, she made a pact with herself to keep loving life whatever was thrown at her. She may have suffered yet more disappointment but she could still see beauty in the world and feel at peace.

 BUY LINKS

AMAZON UK

AMAZON US


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ABOUT KATE FROST

Kate Frost is a writer and author with a MA in Creative Writing from Bath Spa University where she has also taught the lifewriting course to Creative Writing undergraduates. Alongside writing articles and short stories for magazines such as New Welsh Review, The London Magazine and QWF, Kate has worked in a bookshop, a cinema, as ground staff at Edgebaston Tennis Tournament and as a Supporting Artist in the films Vanity Fair, King Arthur and The Duchess.

Kate’s debut novel, The Butterfly Storm, was published in 2013 and featured on Amazon’s Movers and Shakers chart. Beneath the Apple Blossom is the first book in a series and Kate also plans to release the first in a time travel adventure trilogy for children by the end of 2016.

Kate lives in Bristol with her husband, her young son and their Cavalier King Charles Spaniel, and fits in writing and publishing books around looking after – and being amused by – an energetic toddler.

Facebook: https://www.facebook.com/katefrostauthor/

Twitter: https://twitter.com/Kactus77

Goodreads Author Page: https://www.goodreads.com/author/show/7131734.Kate_Frost

Instagram: https://www.instagram.com/katefrostauthor/

Google+ https://plus.google.com/u/0/104783514144778238847/about/p/pub

LinkedIn: https://www.linkedin.com/in/kate-frost-29976041?trk=hp-identity-name

Blog: http://kate-frost.co.uk/index.php/blog/

Website: http://kate-frost.co.uk/

 Beneath the Apple Blossom Tour Banner

GIVEAWAY

PAPERBACK COPY OF THE BOOK

 (open internationally)

http://www.rafflecopter.com/rafl/display/4be03017177/?

 

Being Anne: The Tenby Book Fair on 24th September.

Our grateful thanks to Anne for featuring us on her page today. I’ve copied the interview below but here’s the link to Anne’s site:

https://beingannereading.blogspot.co.uk/2016/08/feature-tenby-book-fair-on-24th.html?showComment=1470127579350#c8502712530969313920

Feature: The Tenby Book Fair on 24th September

 

I’ve been seeing a lot of mentions recently of the forthcoming Tenby Book Fair. Judith Barrow is running a series of interviews on her excellent blog with some of the authors who are attending. Taking place on 24th September this year, the event has its own website, and is featured on the Tenby Arts Festival website as its first event. 

I’m delighted that the organisers – Judith Barrow, Thorne Moore and Alex Martin – agreed to join me on Being Anne to tell us more about it…

L-R; Alex, Judith and Thorne

Judith, Thorne and Alex, welcome to Being Anne. I already know you all as novelists, but would you like to introduce yourselves?

Judith: Thank you Anne, we’re so pleased to be here. My name is Judith Barrow; I was born and brought up in a small village on the edge of the Pennine moors in Yorkshire but moved in 1978 to live in Pembrokeshire, West Wales. I had the first of my trilogy, Pattern of Shadows, published in 2010, the sequel, Changing Patterns, in 2013 and the last, Living in the Shadows in 2015. All by Honno. I’m now writing the prequel.

Thorne: My name is Thorne Moore. I was born in Luton but now live on the edge of a village in North Pembrokeshire. I write “domestic noir” crime mysteries and I have had three novels published by Honno: A Time For Silence (2012),Motherlove (2015) and The Unravelling (2016). I am currently working on another novel set in Pembrokeshire.

Alex: My name is Alex Martin. I live on the Gower Peninsula, in south Wales and also spend a lot of time in France, which I also love. I have written The Katherine Wheel Series, currently 3 books, Daffodils, Peace Lily and Speedwell with a fourth planned next year. They are based around WW1 and the social changes it evoked. My first book is based in France on my own grape-picking experience in the 1980’s. The Twisted Vine is more of a mystery story. I hope to publish The Rose Trail, a time slip ghost story, later this year.

Ah, I had the pleasure of reviewing Thorne’s The Unravelling this week – and yours are nearly at the top of my pile, Judith! Mmm, rather like the look of Alex’s too…

But we’re not here to talk about your books. We’re talking about the Tenby Book Fair that takes place on 24th September. How did you get involved in the organisation?

Judith:  I had the idea of holding a Book Fair five years ago and approached the Tenby Arts Festival Committee to see if there was any room in the programme for me. Initially there wasn’t and I decided to hold the Book Fair in the local library. Then they found me a two hour slot; the first event of the Festival, always held in St Mary’s Church House. Since then Thorne and Alex have worked alongside me at the subsequent Book Fairs. And we’ve been given more time.

Thorne: I joined up, enthusiastically, after attending Judith’s second fair. It was wonderful to find an outlet where authors could get together and meet the public. I’m delighted it’s beginning to feel like a permanent fixture.

Alex: I met Judith through Twitter, strangely enough! And had just published my first book, I was thrilled to attend my first book fair as an author and meet other kindred spirits. I’ve loved being involved in subsequent Book Fairs at Tenby and deepening my friendship with both Thorne and Judith has been a delight.

A little like herding cats though, maybe? What have been the particular challenges?

Judith: For me, at first, it was the sheer amount of work, time and effort it took to arrange; the publicity; getting the word out about the event, finding authors, making sure the authors were happy with their placings in the room. All sorts of little problems. It was a great relief when Thorne and Alex offered their help with future Book Fairs. I made the mistake of offering the public a choice of two free second hand books at the first Book Fair for every one of bought, author-signed new book. The idea didn’t work, either for the public or the authors.  A couple of years ago we also gave the authors the chance to give a talk about their work while the Book Fair was going on.  People who would have come into the event walked away, reluctant to interrupt. We also had a couple of authors who were, shall we say, a little long-winded and the audience became very restless.

Thorne: I think we’re getting the hang of it now. Coming up with creative ideas for the publicity has been good fun. 

Alex: I was in charge of the music and learned just how much classical music swells and ebbs in volume – sometimes downing out constructive conversation so was constantly twiddling knobs behind the stage. We’ve learned a lot too about the flow of customer traffic through the doors and how to manage it. It’s been fascinating but the footfall last year confirmed we’re ironing out the glitches nicely. 

I know this is the fifth Tenby Book Fair – how many publishers and authors will be involved this year?

Judith: We have twenty-five authors and three publishers; two traditional and one a cooperative.

Thorne: Yes, we are just about at capacity in Church House, but it’s great to have such a wide range, covering all genres, from children’s books to thrillers and biographies. The presence of publishers is a new thing this year, as we want the fair to be about books from everyone’s point of view – readers and would-be authors. 

Alex: The increasing size and popularity of the Tenby Book Fair makes the hard work very worthwhile and is increasingly satisfying. 

And what can people expect on the day?

Judith: Besides the authors signing their books and chatting about their work, we have a few talks by authors, a poetry reading and the publishers will be talking about themselves and the kind of submissions they are looking for. The cooperative publishers will be talking about the services they offer. We’ll have a separate room for these talks etc.

I notice there are a few competitions too…

Judith: Three competitions in all. A little bit of advertising here:

Children’s Competition
For entrants aged 7 – 12, an essay (one page) entitled: My Favourite Character.

Write about a character in a book that you like. Is he or she clever? Brave? Funny? Or just get to do all the things you’d like to do.

Include your name and age on the sheet and a way of contacting you – it can be your address, or your school, or a phone number – so we can tell you if you’ve won.



Hand your entry in to any library in Pembrokeshire, or post it to:
Tenby Book Fair, Saddleworth House, Carmarthen Road, Kilgetty, SA68 0XX

Send it by August 13th, 2016



Collections of books are very generously being donated as prizes by Firefly Press.
 A winner and a runner-up will be chosen from each of two age groups: 7-9 and 10-12. Prizes will be presented at the Book Fair in St Mary’s Church House.

 

Young Adult Flash Fiction Competition
For entrants aged 12 – 18, a 100 word Creepy Tale.

You could write “A Creepy Tale,” about ghosts, vampires, zombies, the supernatural or anything that might give you the shivers. But can you write it in 100 words or less? That’s the challenge in this competition. A full story, in 100 words or less.



Include your name, age and contact details (address, phone number or email address) with the entry, and post it to: Tenby Book Fair, Saddleworth House, Carmarthen Road, Kilgetty, SA68 0XX OR paste it into the body of an email to thornemoore@btinternet.com with “Flash Fiction” in the subject line. 


The closing date is August 13th 2016. 


First Prize £15 book token. 2 runners-up: £5 book token. 
Prizes sponsored by Cambria Publishing Co-operative

Short Story Competition
For entrants 18 and over: a short story, “The Bag Lady.”

Entry Fee £3. Send cheque, made payable to “Tenby Book Fair” with your entry, or pay on-line, via PayPal (link on Tenby Book Fair website).

Write a short story of 2000 words or less, entitled “The Bag Lady”. How you interpret the title is up to you.

Include name and preferred contact details (address, phone number or email address) and post to: Tenby Book Fair, Saddleworth House, Carmarthen Road, Kilgetty, SA68 0XX  or send as a Word or Rich Text Format document, attached to an email to:thornemoore@btinternet.com including “Short Story” in the subject line.

Closing date: 13th August 2016.


First Prize £25 Second prize £10 Third Prize £5.
The prizes are donated by Cambria Publishing Co-operative

All three winning stories will be published on the Tenby Book Fair website and on http://showboat.tv/

People particularly mention the good vibe and great buzz of previous years – that must be something you’re proud of…


Judith: We all are, I think. We delegate the work between us. I find the authors mainly, keep in touch with them all, let them know how we’re progressing and interview them for the website. Thorne works on the leaflets, posters and website and Alex manages the press and other publicity. On the day we set up and generally share anything that crops up. It’s a friendly and hugely satisfying partnership.

Alex: I can second that. Although commitments mean I can’t attend on the actual day this year, I’ve thoroughly enjoyed being involved in the preparation.

Tenby was where I spent my childhood holidays – I had no idea it had such a thriving arts scene, or the popular Arts Festival that the book fair is part of. Where does the Book Fair audience come from? Mainly local people, or visitors?

Judith: The Tenby Arts Festival in September has been going for a long time. They mainly cover all forms of music; choirs, soloists, instrumental. They hold talks on local history and artists and have an open mic poetry session. Various things like that. They also have a children’s sandcastle competition. And, of course the Book Fair. There are also a few musical events, film-showings in a local hotel and there are always events happening at the local Tenby Museum in the summer months. We have a lot of local visitors who come to our book fair and have it marked in their diaries, but we also have many visitors from round the country, visiting Tenby for the Arts Festival.

I’m a little out of touch with the Welsh book scene too, although I do (of course) know about the wonderfulHonno Welsh Women’s Press. Tell me a little more about the publishers involved in the fair.

Judith: There are two other publishers besides Honno Welsh Women’s Press at this year’s Book Fair. Firefly is a press for children’s and young adults’ books, which started up in 2013 and is already winning awards. Cambria is a publishing co-operative, offering a range of services and help for those preferring to go it alone.

And some of the more well-known authors?

Judith: We have such a range and many of them are well-known within their own genres, like Sally Spedding, author of seriously chilling thrillers, or Colin Parsons, the children’s writer. Phil Carradice has written over fifty books. Others are new arrivals on the scene, but sure to be rising stars, like Matt Johnson, whose first novel, Wicked Game, is already soaring.

Other than the moment when the doors close on a perfect day, what are you particularly looking forward to on the day?

Judith: Meeting the authors. Some of them have been coming to the Book Fairs from the beginning and are old friends. Meeting new faces and potential friends. The buzz when people start to come in. Watching the faces of readers as they interact with the authors. It’s a great atmosphere. And seeing the video and photos of the Book Fair, taken by  http://showboat.tv/, friends of ours who always film the Book Fairs.

Alex: I shall be there in spirit with only my books to represent me, but will be willing everyone on and am confident it will be more popular than ever.

And you’ll be doing it again, next year…?  

Judith: Ah, well… next year will be different for us. The Book Fair will be part of a new venture. A group of us, including Thorne and Alex, will be forming the TenbyLitFest in June for three days 16th – 18th, and the book fair will be held on the Saturday (17th), in a larger venue, with even more authors attending. There will be a host of other events, including aMeet the Publishers day, poetry readings, plays, literary trails, children’s events etc. The motto is Everything about Words.

Alex: A new challenge will be very exciting. It’s a good feeling to bring writers, publishers but most importantly, readers together to discuss books.

It sounds like a wonderful day, ladies – and I hope it will be in every way. I’m gutted I can’t be there this year, but the dates for next year’s TenbyLitFest are already in my diary… see you there!

Presenting the Authors at the Tenby Book Fair 24th September 2016

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Over the last few weeks I’ve been introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl 

 I’m almost finished interviewing them all now.

In the next few weeks I’ll be showcasing the three publishers who will be with us: http://honno.co.uk/, http://www.fireflypress.co.uk/ and http://www.cambriapublishing.org.uk/

And I’ll be sharing a post from the brilliant http://showboat.tv/ Who always video and share our Tenby Book Fair.

So far here are the wonderful authors. Please feel free to check them and their great books out: Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl: http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  David Thorpe: http://bit.ly/2a9uG0V . , and Eloise William: http://bit.ly/2aoZk1k And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq 

Panorama

 I would also like to say,Thanks, Thank You, Message, Grateful

to everyone who has shared our interviews so far and spread the word. 

And don’t forget, there is still time to write a masterpiece for our short story competitions:

 http://tenbybookfair.blogspot.co.uk/p/competitions.html

And for all our visitors, here’s how to find us:

 http://tenbybookfair.blogspot.co.uk/p/where-to-find-us.html

showboat vsmall (1)

TAF vs

August 2016 is Write An Amazon Review Month! By @TerryTyler4 #AugustReviews

On Monday 25th July, book blogger Rosie Amber wrote this post encouraging readers and writers alike to post a short review on Amazon for any book they’ve read and enjoyed ~ following this up, Terry Tyler is starting this initiative along with other writer-bloggers including Rosie, Cathy from Between The Lines, Barb Taub, Shelley Wilson and Alison Williams.

 

The idea is that, from August 1st, everyone who reads this uses their Amazon account to post just one review on one book that they’ve read (but feel free to carry on if you get in the swing!).  You don’t even have to have read it recently, it can be any book you’ve read, any time.  The book does not have to have been purchased from Amazon, though if it is you get the ‘Verified Purchase’ tag on it; however, if you download all your books via Kindle Unlimited, as many do these days, they don’t show the VP tag, anyway.

 

Remember, this isn’t the Times Literary Supplement, it’s Amazon, where ordinary people go to choose their next £1.99 Kindle book.  No one expects you to write a thousand word, in-depth critique; I don’t know about you, but I’m more likely to read one short paragraph or a couple of lines saying what an average reader thought of a book, than a long-winded essay about the pros and cons of the various literary techniques used.  Yes, those are welcome too (!), but no more so than a few words saying “I loved this book, I was up reading it until 3am”, or “I loved Jim and Vivien and the dialogue was so realistic”, or whatever!

Book-Review

Why should you write a review?

They help book buyers make decisions.  Don’t you read the reviews on Trip Advisor before deciding on a hotel, or any site from which you might buy an item for practical use?  Book reviews are no different.

If the book is by a self-published author, or published by an independent press, the writers have to do all their promotion and marketing themselves ~ reviews from the reading public is their one free helping hand.

The amount of reviews on Amazon helps a book’s visibility (allegedly).  If you love a writer’s work and want others to do so, too, this is the best possible way of making this happen.

It’s your good deed for the day, and will only take five minutes!

review books

Off we go, then!  A few more pointers:

If you need any help with writing your review, do click on Rosie’s post, above.

A review can be as short as one word.  The shortest one I have is just two 🙂

You don’t have to put your name to the review, as your Amazon ‘handle’ can be anything you like.

No writer expects all their reviews to be 5* and say the book is the best thing ever written; there is a star rating guide on Rosie’s post.

Would you like to tell the Twittersphere about your review?  If so, tweet the link to it with the hashtag #AugustReviews ~ and thank you!  I will do one blog post a week featuring these links: The #AugustReviews Hall of Fame (thank you, Barb!).

 

August Reviews Hall of Fame (1)

 

If you have a blog and would like to spread the word about #AugustReviews, please feel free to copy and paste this blog post, provide the link to it, re-blog it, or whatever ~ many thanks, and I hope you will join in to make this idea a success 🙂

 

 

 

approval-15914__180

 

 

 

 

Today with Eloise Williams

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks.

So far I’ve cross-examined interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl: http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  and David Thorpe: http://bit.ly/2a9uG0V . And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week I’ll be introducing the last of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ ,http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today  I’m really pleased to  introduce Eloise Williams

Eloise5

 

 Welcome Eloise, good to be chatting with you today.

It’s good to be here, Judith

First of all, tell us what genre are your books?

I write for children, middle grade and young adults.

My first book ‘Elen’s Island’ is aimed at 7-9’s and my second, ‘Gaslight’ which comes out next Spring (EEK!) is for age 10 upwards.

Elen's Island New Cover

What draws you to this genre?

Anything can happen. Magic can happen. Things can be ridiculous, scary, funny, sad, sometimes all in one page. I like the scope of writing for the young. I love it when children tell me what they thought of my book. I am so grateful for their honesty when they give feedback. One of my favourite quotes from a child I worked with is;

‘I felt ALMOST excited to get to meet an author.’ Lara, aged 9.

My readers make me laugh. They also make me work hard to keep their attention.

I want to recreate the feeling I had when I was a child reading a book. I want the rest of the world to disappear around the reader so they are living through the pages. I have no idea if I’m there yet but it’s what I’m striving for!

Do you have a trailer for your own book?

I do have a trailer for ‘Elen’s Island’.

 

 

I think it’s a really important way of giving a flavour of what the book is about. Money is hard to come by and people need to know whether the book is going to be right for them. I hope that my trailer gives a hint of the story without ruining anything. Also it is lovely and sparkly. I love a bit of sparkle.

What is your favourite saying?

‘Do what you love – Love what you do.’

I have no idea where it comes from but it really speaks to me. It took me a very long time to rediscover what I loved doing and I intend to spend the rest of my life doing it. I’m talking about writing of course. Though the same rule could be applied to eating chocolate.

What is your favourite quote?

‘Time held me green and dying

Though I sang in my chains like the sea.’

It’s from ‘Fern Hill’ by Dylan Thomas. I love his work. I try to say this line to myself every day. It reminds me that time is precious and to make the most of life.

What advice would you give to your younger self?

This is really difficult to answer. I think I’d need a few hundred pages and perhaps a therapist to answer this properly.

What I try to teach myself now is something I have learned from my favourite children’s character of all time, Luna Lovegood – it is OK to be weird!

Find Eloise at:

http://www.eloisewilliams.com/

https://twitter.com/Eloisejwilliams

Buying Links:

Amazon.co.uk: http://amzn.to/2atpR2e

http://www.fireflypress.co.uk/node/181

 

Today With Angela Fish

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks. 

So far I’ve cross-examined interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl: http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  and Wendy White: http://bit.ly/29TMCpY   And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week I’ll be introducing thelast of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ , http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today  I’m really pleased to  introduce children’s author  Angela Fish.

angela fish

 

Welcome Angela, lovely to be chatting with you today.

 Happy to be here, Judith.

So, tell us,Angela,where did your love of books/storytelling/reading/writing/etc. come from, and how long have you been writing?

My mother read to me a lot when I was little and I was reading simple text myself by the time I was four. I’ve never lost my love of reading and can be quite greedy with it! I remember writing simple poems and stories, and even plays, from the age of seven. Later on, most of my creative energy went into English essays but it wasn’t until I started an Humanities degree that I had any formal creative writing experience.

What kind(s) of writing do you do?

As a child, I wrote anything! Stories, poems, plays, and I loved making up stories to tell my friends and my younger brother. As an adult, initially I focused on poetry and my dissertation was a collection of poems with commentary. After that I did an M.Phil. (Literature) but that was a research project, rather than my own writing. I went on some residential writing courses, mostly for poetry, and published some in journals. I was also placed second in a magazine short story competition, but then I started lecturing at my local university and work, and academic writing, took over. It wasn’t until I took early retirement and joined a writing group that I started writing again with any real purpose. Since then I’ve had a highly commended and a second place in Writer’s Forum magazine poetry competitions, written five books for children (two published, one just about ready for the printers, two submitted for publication), begun a new trilogy for girls, and have two adult novels partly written! It’s been quite a productive time but I don’t think that I would have done half (if any) of it without the support and encouragement of the writing group, and then the writing circle that I’ve been involved with.

What is the biggest thing that people THINK they know about your subject/genre, that isn’t so?

That writing for children is easy or that the author doesn’t have to be so careful with research/planning and so on. For the most part, children’s books are ‘filtered’ by adults, so sloppy or patronising writing won’t be acceptable. Children are also quite discerning readers. I’ve had a class from a junior school, together with some individuals, read the manuscripts to ensure that I was ‘hitting the mark’ with my ‘Ben’ series. An additional benefit from this has been engaging with the children as I’ve been invited into schools to talk to them, not just about my books, but about the process of writing and publishing.

Ben and the Spider Gate by [Fish, Angela]

What inspires you?

I find inspiration all around me. I love to watch the changing of the seasons and the different species of birds, insects and flowers, plus the changes to the trees, that each one brings. I also love watching (and listening to) people when I’m out and about! It’s amazing how a simple statement or a conversation can be developed into a storyline, plot or poem. I’ve been an avid reader all my life and I think that, even though I can’t possibly remember every book I’ve read, some part of each one has left an imprint and influences what I write. As a child I was fascinated with magic and with mythical creatures and tales. Writing for children allows me to recreate that sensation of the wonder of the ‘unreal’ and place it in the real world. I can only hope that my own stories might engender in others the same sense of delight in the written word, and encourage children to explore and develop their own creative activities.

What inspired you to write this first novel for children?

As I mentioned, I was part of a writing group and we were experimenting with different genres – stretching ourselves really, as it’s easy to become stuck in the same groove. We agreed to try writing for children and I completed two shorter (picture) books – one non-fiction and one fiction. Then we used story cubes (dice) as prompts for character and plot for the first chapter of a longer piece of work. The two images that came up were an open padlock and a triangle shape, but with wiggly lines rather than straight ones. Most of the group interpreted the shape as a pyramid or a tent but it immediately reminded me of a doodle that I’ve been drawing on the corners of pages since I was a teenager. It’s a partial cobweb with a spider dangling from it.

Once that thought had come into my head, I couldn’t shift it and so the basis of the story line developed. The padlock gave rise to the spider’s name (Lox) but also to the idea of his role as gate-keeper to the spider kingdom. The plot uses the traditional motif of a quest, but with a twist. I completed the first chapter and as I had such positive feedback from the group, I decided to finish it. Considering that I spent the last ten years of my working life in the intergenerational field, it’s not surprising that the main character, Ben, and his grandmother have such a close relationship, but this evolved as I was writing the book – it wasn’t a specific intention when I began.

Ben and the Spider Prince by [Fish, Angela]

How much planning do you do when you embark on a new story?

I don’t make really specific plans but I generally have the story outline, and sometimes quite a bit of detail, in my head before I even put pen to paper. I like to talk to my characters and even role-play their parts. I do plan things like time sequences, for example, as I have to make sure that I don’t make mistakes or create something that isn’t believable. I’ve also had to bear in mind that two of my main characters are seven years old so there are many places they wouldn’t be able to go, or things they couldn’t do, at that age. Although there’s a magical element to the stories, they do have a basic everyday setting, so I have ensure that it is realistic.

Do you think that the cover plays an important part in the buying process?

Absolutely. I’ve been so fortunate that the publishers introduced me to Michael Avery who has done the illustrations for all three books. He totally understood my concept of the characters, the settings (in both the real and the magical worlds), and has added a whole new dimension to the books that the children I’ve spoken to have totally embraced.

What process did you go through to get your book published?

My first search was for publishers who were accepting unsolicited manuscripts. Then I looked for some more detailed information about each company and at their terms of submission. The main thing that influenced me to submit to the Book Guild was that they asked for the whole manuscript right away and they guaranteed to respond more quickly than many others, which they did.

How did you get to be where you are in your life today?

My career path has not been a straight one! I started my working life as a medical research technician in a local hospital. I stayed there for about six years by which time I had married and was expecting my first son. At that time there was no maternity leave – women had to give up their jobs! For the next eight years I was a stay-at-home mum with my two sons, then I returned to work. I joined the Polytechnic of Wales – again as a laboratory technician, but in electrical engineering. Following this I undertook administrative work for the Faculty but I knew I wanted something more. I did ‘A’ level English Literature in one year via my local adult education college (evening class) and then applied, as a mature student, to enter the Humanities degree programme at the polytechnic (later – the University of Glamorgan). After I completed my degree, and then an M.Phil., I stayed at the university as a lecturer, then senior/principal lecturer over a period of 15 years. One major role (which has obviously influenced my first series) was the implementation of a project which brought together younger and older people (in a school environment) to improve intergenerational communication and relationships. Restructuring of my department would have meant a big upheaval so I opted for early retirement – the best thing I ever did! As I mentioned above, this was where the real opportunity and incentive for writing began.

What do you like to read in your free time?

I read anything and everything. At one time I was really into the crime/forensic genre; another time it was historical fiction. I would also not allow myself to put down a book until I finished it – it seemed like a disservice to the author, but these days I have learned that my time is important too, and if an author hasn’t done enough to capture my interest by, at least, chapter three, then maybe that book is not for me. I have a circle of friends (not necessarily writers) who are avid readers and we often share books. This means that I read things that I would not, necessarily, have chosen for myself, but it has had many positive outcomes and I’d recommend this avenue of book ‘choice’!

How do you find or make time to write?

I find it impossible to have a set time for writing each day. I know that this works for lots of writers, but I guess I’m just not disciplined enough! However, when I do create that space to write, I can often achieve anything up to seven thousand words in a day (that’s an eight to ten-hour writing day). Of course, like any writer, I might discard/edit a fair proportion of this, but it works for me. I don’t want to feel that I have to write, but that I want to write. If it ever became a chore, then I’d stop and simply read.

What are some ways in which you promote your work?  Do you find that these add to or detract from your writing time?

The publishing team set out where they’d market but also asked for local information. That’s where I’ve focused my attention, on the whole. I’ve approached local schools and have given readings/done workshops, together with appearing at fetes and book fayres. It can be a slow process as I find it hard to ‘sell’ my own books to children so I just give them the publicity postcards (that the publishers produce) to take home to their parents. Obviously, it takes a lot of time and effort (as a ‘new’ author, I haven’t been charging for these sessions) but I’m happy to try to create a presence, and to promote my first series, at the moment.

Which actor/actress would you like to see playing the lead character from your most recent book?

For the ‘Ben’ series, I could see Emma Thompson as Gran. It’s not exactly a ‘Nanny McPhee’ role, but her portrayal of that character immediately brought her to mind. As for Ben or Jess, I really don’t know. I love the little girl who does the ‘Oreo’ adverts and the boy who does the advert for mortgages (‘so they could have me’!) but I’m not really up to date with child actors at the moment!  We can but dream.

What do you think is the future of reading/writing?

I totally embrace modern technology but I do worry that the ‘art’ of writing is slowly being eroded. When children ask me how I begin writing my books, I’m completely honest and I tell them ‘With a pencil and paper’. Those first few sentences are always magical for me, and I’m always excited as I see the page fill up. I try to convey this sense of wonder to anyone that I work with and I sincerely hope that, as technology advances, we don’t lose sight of the true meaning of the ‘written’ word.

Links to find Angela;

Website: http://www.angela-fish.com/

Twitter: https://twitter.com/angelaEfish

Facebook:    http://bit.ly/2a9Z73Z

Links to buy Angela’s wonderful books

Amazon.co.uk: http://amzn.to/2aiza4t

www.bookguild.co.uk

Cambriapublishing.org.uk

 

 

 

 

 

 

 

 

Today With Wendy White

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks. 

So far I’ve cross-examined interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl: http://bit.ly/29NtdtX   and Tony Riches:   http://bit.ly/29y3a8k:  And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week or two I’ll be introducing the rest of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ , http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today  I introduce Wendy White

wendy white

 

Hi, Wendy, good to be chatting with you today.

 It’s great to be here, Judith

When did you start writing?

I joined a writing class run by Swansea University around ten years ago when my youngest child started secondary school. I was working as a supply teacher and had some time on my hands – and I was probably feeling a little redundant in the ‘mothering’ department. I’d enjoyed writing as a child, filling notebook after notebook with my stories, and even as an adult I always had plenty of make-believe rolling around in my head. But once I was grown up I never seemed to find the time to write anything down. Joining the class, and the homework we were set, gave me a reason to write, and I soon found I loved it. I still use some of the pieces I wrote back then as a basis for my writing now. And I made some wonderful writer friends too.

 

What genre of books do you write?

I’ve written two children’s books that are published by Pont at Gomer Press – ‘Welsh Cakes and Custard’

Wendy hasn’t said much about her books so I’ve added the blurb here:

Life is full of surprises when you’re five years old. Betsi Wyn is trying out lots of things – school dinners, concerts, pirate parties and all for the very first time. That’s when it’s good to have friends. Like Emyr Rhys, who knows about Welsh cakes and clog dancing. And Mam-gu …who knows about everything else! This delightful collection of stories about Betsi Wyn and Emyr Rhys by new author Wendy White explores the world of early childhood. Emyr Rhys’s Welsh cake recipe and Betsi Wyn’s version of Hen Fenyw Fach Cydweli add to the fun in this captivating book for parents and children.

and ‘Three Cheers for Wales’

 And the blurb is here:

Emyr Rhys and Betsi Wyn are back! Between cheering for Wales and cheering up Da-cu, days out with Mam-gu and dressing up like a frog, they have plenty to keep them busy and amused! Exciting times – and funny moments – fill these five new stories for young readers by award-winning author, Wendy White, with humorous illustrations by Helen Flook.

 What age group are the books aimed at?

My books are aimed at 4-8 year-olds and each one has five contemporary tales about friends Betsi Wyn and Emyr Rhys. Their grandparents feature strongly too. They’re written in English with a sprinkling of Welsh words and have a very strong Welsh flavour. There are stories about school Eisteddfods, a trip to Tenby on the train with Mam-gu, watching Wales play rugby in Cardiff and helping Da-cu make Welsh cakes – all with a liberal dollop of humour.

 Who illustrates the books for you?

They’re illustrated by a wonderful artist, Helen Flook from North Wales.

Any more books on the horizon, Wendy?

I have a third book due out early next year.

What drew you to this genre?

Having been a primary school teacher I guess it was natural that I’d lean towards writing for children. In fact, every job I’ve ever done has been child-related, from my first Saturday job on a market stall selling toys, to a stint working in Mothercare and then at my local children’s library. I’ve been a child-minder too in between teaching jobs. I still enjoy finger painting and making things out of Play-Doh. Perhaps I’ve never really grown up.

What process did you go through to get published?

The first story I sent to Pont Books was one I’d written for my creative writing class.  It was a humorous (or so I hoped) story about a child having dinner in school for the first time. It didn’t meet with success. I’d completely ignored the golden advice that recommends we check what publishers actually publish before sending manuscripts off to them. Pont Books publish stories with a Welsh dimension that celebrate the culture of our country, and my story didn’t have that. Fortunately the editor was kind and told me she enjoyed my writing style, but that she couldn’t accept it as it lacked the Welsh element they were looking for. She encouraged me to rework it and send it to her again. And then, although I appreciated her praise, I did the other thing that an aspiring author really shouldn’t do – I ignored the editor’s advice, put my story away in a drawer and forgot about it. It took me five years to realise that I could rewrite my story giving it a Welsh flavour – quite literally as it was a tale about food.

By the time I sent off the revised version, there was a new editor in place. Thankfully she too liked my style. However it still wasn’t plain sailing. I’d imagined that what I’d written would become a picture book but didn’t realise that a publisher was unlikely to pay out for a fully illustrated book by a first-time author. While the editor liked my story, she said she needed another four to make a ‘chapter’ book. Fortunately by that time I had plenty more ideas for my characters, Betsi Wyn and Emyr Rhys, and was able to send them to her. The final surprise for me was when my editor told me the book would take two years to be published. So in total I’d spent seven years, off and on, getting ‘Welsh Cakes and Custard’ out there. By contrast, my second book was written and published in one year.

How do you market your books?

A very good question. When I was writing my first book, I didn’t give a thought to how I would actually sell it – I naively thought the publisher would take care of all that. While I do get a lot of support from the lovely marketing people at Pont who supply me with posters, banners, flyers etc., I quickly discovered that books don’t sell themselves – well, mine don’t anyway! I was fortunate that I had coverage in the local press when my first book came out, and again when it won a Welsh book award, the Tir nan ’Og, in 2014. I visit schools and libraries and arrange book-signings at WHSmiths, Waterstones and indie bookshops around Wales. And this year I’m going to be involved in some book fairs – Tenby is the first, and I’m really looking forward to it. (and we’ll be happy to see Wendy with us!)

Although in the beginning I was very nervous about talking to people about my books, I now really enjoy doing book-related events. Meeting lots of different people and chatting about writing is, for me, one of the perks of being an author. And it’s very rewarding when a child tells you how much they’ve enjoyed your book.

What else have you written?

Alongside my children’s books I’ve written some short stories which have been included in the anthologies of my wonderfully supportive and talented writers’ group, Llanelli Writers’ Circle. I’ve been lucky enough to have a story short-listed for the Colm Tóibín International Award and to also have the start of my young adult manuscript highly commended in the Winchester Writers’ Festival competition this year. I occasionally write poems and a few years ago won Swansea and District Writers’ Group’s first national poetry competition.

I’m also working on a novel for adults about what happens when a five-year-old boy is returned to the care of his drug-addicted teenage mother – a bit of a departure for me from my cheerful children’s stories.

Who are your favourite authors and what are you reading at the moment?

Jo Verity’s ‘Left and Leaving’ which I’m thoroughly enjoying. Before starting that I read Carol Lovekin’s ‘Ghostbird’ which is wonderful and really hard to put down. I love reading and enjoy a range of genres. I read lots of children’s and young adult books, too. Authors I keep returning to are Emma Donoghue, Ian Rankin, Colm Tóibín, Roddy Doyle, Sally Spedding, Belinda Bauer – the list could go on. I was recently at the Llandeilo Book Fair and bought novels by Kate Glanville, Sharon Tregenza and John Thompson and thoroughly enjoyed them all. If I could spend all of my spare cash on books and my whole day reading, I would!

Where can we buy your books?

‘Welsh Cakes and Custard’ and ‘Three Cheers for Wales’, costing £4.99 each, are stocked in most branches of WHSmith and Waterstones in Wales, and in lots of Welsh independent book stores too. Online they’re available from Amazon and Gomer Press directly. And, of course, I’ll be selling them at Tenby Book Fair on Saturday, 24 September.

Find Wendy here: 

 FaceBook: http://bit.ly/29GiikW

 Twitterhttp://bit.ly/29Gk99b

YouTube: http://bit.ly/29B5Hh6

 Buying links:

Amazon.co.uk

Welsh Cakes and Custardhttp://amzn.to/29SwV5A

 Three Cheers for Wales: http://amzn.to/2acLy2s

 Amazon .com:

 Welsh Cakes and Custard:  http://amzn.to/29RiLTu

 Three Cheers for Wales:      http://amzn.to/29VoCp7

 

 

 

Today with Tony Riches

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks. 

So far I’ve cross-examined interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO , Julie McGowan: http://bit.ly/29CHNa9  and John Nicholl: http://bit.ly/29NtdtX    And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week or two I’ll be introducing the rest of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ , http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

 Today, I’m so pleased to be chatting with Tony Riches

Tony Riches 2016

Welcome Tony, Good to be chatting with you today.

Great to be here, Judith. And looking forward to the book fair

Let’s start by you telling us, what made you become a writer?

I wrote articles for magazines and journals before tackling my first book just over four years ago. I began with several non-fiction books on subjects as diverse as the story of Scott’s Antarctic ship, the Terra Nova, to Atlantis, about the last flight of the NASA Space shuttle. Now my focus is very much on historical fiction – and I have become something of an expert on the rise of the Tudor dynasty

Most novels tend to look at the Wars of the Roses from the Yorkist side, what made you choose to tell the story from the Tudor point of view?

I was born within sight of Pembroke Castle, so feel a special connection with Henry Tudor, who was born there. Everyone knows about King Henry VIII and his daughter, Queen Elizabeth Ist – but I was surprised to discover there were no books about Owen Tudor, the Welsh servant who married a queen and founded the Tudor dynasty. I discovered several accounts of the life of Henry Tudor (who later became King Henry VII) but there were no novels that brought his own story to life.

The idea for the Tudor Trilogy occurred to me when I realised Henry Tudor could be born in book one, ‘come of age’ with the help of Owen’s son, Jasper Tudor, in book two, and rule England in book three, so there would be plenty of scope to explore his life and times.

Owen - Book One of the Tudor Trilogy

If someone said they wanted to make a film of your books, who would you pick to play Owen, Edmund and Jasper?

I’m currently in the process of having audiobooks produced of OWEN and JASPER and find it fascinating to hear their voices from over five centuries ago, so can imagine what it must be like to see them made as a film. I’ve always thought Welsh Actor Michael Sheen would be great for Owen – and perhaps Ioan Gruffudd (famous for playing Horatio Hornblower) as Jasper Tudor. Edmund is a bit of a shady character (I’ve never forgiven him for what he did to Margaret Beaufort) although I recently visited Carmarthen Castle where he died and his impressive tomb in St David’s Cathedral. How about another great young Welsh actor, Iwan Rheon, (who you might know as Ramsay Bolton in Game of Thrones.)

Jasper - Book Two of the Tudor Trilogy

How long do you spend researching a novel before you start writing?

I’ve developed a great ‘system’ over the years of spending a year researching, followed by about none months writing the book while it’s all still fresh in my mind. I have a wonderful collection of books on Wars of The Rises and the fifteenth century, and I particularly enjoy visiting the actual locations I’m writing about. I’ve just returned from a visit to Josselin in Brittany, where I saw the châteaux where Jasper and Henry spent their long exile. There is no substitute for first-hand, primary research.

What comes first, your storyline or your research?

I have to decide where to start the storyline, then I start the research notes. For example, in OWEN I decided to begin with his first meeting with Queen Catherine of Valois, as little is really known about his life before then and I could easily work it in later.

Owen is told in the first person. It works really well – makes the story more personal for the reader. What made you write it in that way?

I’d already written the first two chapters when I read Wolf Hall, by Hilary Mantel, and was struck by the power of her use of the present-tense. It was a huge risk to re-write it in the first person present-tense but I enjoyed the challenge.

Warwick: The Man Behind The Wars of the Roses

How do you organise your writing day?

I’ve learnt to ‘deal with’ social media early in the morning to prevent it distracting me from writing. My ‘system’ is to aim for twenty-five chapters of about four thousand words, to arrive at a completed first draft for editing of about a hundred thousand. I keep track of my daily word count on a simple Excel spreadsheet, which allows me to see how well I’m doing at a glance.

What do you enjoy most about writing?

There is nothing better than having feedback from a reader who says they’ve really enjoyed one of my books. I’d like to think in some small way I’ve also helped readers understand the rise of the Tudors a little better, and it’s my ambition to present a more balanced view of the often overlooked King Henry VII.

What is the worst thing about writing?

I should know better by now but I must admit that a harsh comment in a review can trouble me for days. One reviewer recently pointed out that I’d failed to explain the reason for the Wars of The Roses!

The Secret Diary of Eleanor Cobham

How long does it take to do a project from start to finish? Do you write one book at a time, or have several on the go at once?

I’m happy to produce one new book a year. I enjoy sailing and kayaking, so I usually begin writing at the end of the season in October and aim to send a first draft to my editor by Easter the following year. The process is so intense I don’t think I could manage to juggle two books at once.

Who are your favourite personalities from history? Is there anyone you would particularly like to write about, but haven’t yet?

It would have to be Jasper Tudor, who put his loyalty to Henry Tudor and Margaret Beaufort before everything else. As for those I haven’t written about yet, there are some fascinating members of the court of Henry VIII I’ve already ‘penciled in’ for potential future novels.

You’ve written about the Wars of the Roses and the Romans, what other historical periods would you like to write about?

I’d like to slowly make my way towards the Elizabethan period, as I was looking at an original portrait of Queen Elizabeth 1st recently and saw the knowing look in her eye. There are plenty of books about Elizabeth but still plenty of scope to explore her life and times.

Do you ever get writer’s block? If so, how do you get around it?

No, I suffer from the opposite, which is waking up with my characters voices telling me so much I can hardly write it all down quickly enough. I keep my laptop by the side of the bed now, and have been known to write a whole chapter before breakfast.

Queen Sacrifice

Do you find social media – such as Facebook and Twitter – a benefit or a hindrance?

Twitter is a great way to build an international readership and has enabled me to have best sellers in the US and Australia – something which earlier writers would only have been able to dream of.  As a consequence, I’ve invested less time in Facebook, although there are some great groups there which I follow and contribute to when I can.

We have had Owen and Jasper, so what will be the last book of the Tudor trilogy?

I’m busy with the research for HENRY – Book Three of the Tudor Trilogy now.  I’ve just read Alison Weir’s excellent new book about Katherine of Aragon and was disappointed to see Henry portrayed as more than a little sinister and insensitive, so it looks like it’s up to me to present an alternative point of view.

What is your next project, once The Tudor Trilogy is complete?

I’m looking forward to entering the court of Henry Tudor’s tyrannical son – through the eyes of someone who knows him particularly well….

For more information about Tony’s books please visit his popular blog, The Writing Desk and his WordPress website and find him on Facebook and Twitter @tonyriches.

 

 

Today With John Nicholl

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks. 

So far I’ve cross-examined interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO ,Alys Einion:  http://bit.ly/29l5izl  and Julie McGowan: http://bit.ly/29CHNa9  And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week or two I’ll be introducing the rest of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ , http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today I am so pleased to be talking with John Nicholl

john nicholls

Welcome, John, so pleased to be chatting with you here today.

 Thanks, Judith, it’s good to be here.

May I start by asking you why did you choose to write in your particular field or genre? 

I guess that given my career in law enforcement and child protection, psychological thrillers chose me. I’d like to write something light, funny and life affirming, but I don’t think it’s ever going to happen.

And how long have you been writing?

I wrote a multi agency child protection guide and articles for newspapers and a national social work magazine during my career, but ‘White is the coldest colour’ was my first novel. I began writing fiction about five years ago.

What were your goals and intentions in this book, and how well do you feel you achieved them? 

I wrote ‘White is the coldest colour’ with the primary intention of producing an entertaining and original psychological suspense thriller. However, I also hoped it would play a small part in raising awareness of the risks posed by sexual predators. Reader feedback suggests I went some way towards achieving those ends. ‘When evil calls your name,’  the sequel, addresses domestic physical and psychological violence towards women, within the context of the story. Again, I hope it raises awareness of the problem to some extent.

white

 John hasn’t said a lot about his books so I’m adding the next few lines myself. This is the blurb on Amazon for White is the coldest colour:  “The Mailer family are oblivious to the terrible danger that enters their lives when seven-year-old Anthony is referred to the child guidance service by the family GP following the breakdown of his parents’ marriage.
Fifty-eight year old Dr David Galbraith, a sadistic predatory paedophile employed as a consultant child psychiatrist, has already murdered one child in the soundproofed cellar below the South Wales Georgian town-house he shares with his wife and two young daughters.
Anthony becomes Galbraith’s latest obsession and he will stop at nothing to make his grotesque fantasies reality.

The book includes content that some readers may find disturbing from the start. It is dedicated to survivors everywhere.”

Can you share some stories about people you met while researching this book? 

I spent twenty years as a social worker, which was all the research I needed. My books are entirely fictional, but they draw heavily on my professional experiences. I worked with some amazing people, some of whom have contributed to the characters I’ve created.

What do you think most characterises your writing?

I like to get inside the characters’s heads, and to portray their thoughts and feelings in addition to their actions.

What was the hardest part of writing this book? 

In many ways, writing ‘White is the coldest colour’ was cathartic, but it brought back some memories which were perhaps best left in the past.

Are there underrepresented groups or ideas featured if your book? 

Everyone has the right to live free of the fear of oppression and violence. I think those are the key principles underpinning my novels. Both of my first two books address important social issues, and talk about subjects many in society would prefer to ignore.

And, here again, I add the blurb on John’s second book: When Evil Calls Your Name: 

“When twenty-nine-year-old Cynthia Galbraith struggles to come to terms with her traumatic past and the realities of prison life, a prison counsellor persuades her to write a personal journal exploring the events that led to a life sentence for murder.
Although unconvinced at first, Cynthia finally decides she has all the time in the world and very little, if anything, to lose. She begins writing and holds back nothing: sharing the thoughts she hadn’t dare vocalise, the things that keep her awake at night and haunt her waking hours.”

What inspires you?

Family, spirituality, justice, beauty, travel, art, great writing, yoga and so much more.

Are you a full-time or part-time writer?  How does that affect your writing?

I’ve been unbelievably lucky, in that the success of my first novel has enabled me to write full time. Now all I have to do is to keep writing books people want to read. I suspect that’s going to prove to be a lot easier said than done.

What are some day jobs that you have held?  If any of them impacted your writing, share an example.

I tarred roads, emptied bins, and worked as a kitchen porter before moving on to police and social work. Once I qualified as a social worker, I worked for two social services departments, the child guidance service, and the NSPCC.  I’ve also lectured on child protection at several colleges and universities. I like to think my woking life has helped introduce an air of realism to my writing.

How do you feel about eBooks vs. print books and alternative vs. conventional publishing?

The more reading options open to people the better. Ebooks are relatively cheap and accessible, and that has to be a good thing. The publishing world is changing fast, enabling writers to self publish, if they so wish, and to let potential readers decide if their work is worth buying. I’ve chosen to remain independent despite contact offers from three publishers, and I would encourage anyone considering writing a book to give it a go. It’s never been easier to get your writing out there in front of the public.

What do you think is the future of reading/writing?

I believe that reading will always be a major pastime, although the introduction as alternatives like audio books gives people a viable alternative.Both my books were recently produced as audio books, and I have to admit that I was both surprised and impressed by the additional dimensions the narrators brought to the text.

Find John here:

http://bit.ly/29s3BAq

http://amzn.to/29CN2qh

https://twitter.com/nicholl06

http://bit.ly/29BhTAt

Buying Links: Amazon.co.uk:

White is the coldest colour: http://amzn.to/29tXtsO

When evil calls your name: http://amzn.to/29Bfy8G

Amazon.com:

White is the coldest colour: http://amzn.to/29x73Nf

When evil calls your name: http://amzn.to/29sIcfR

 

Tenby Book Fair – Authors and Short Story Competitions

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks. 

So far (there are more to come!!) I’ve cross-examined interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO ,Alys Einion:  http://bit.ly/29l5izl  and Julie McGowan: http://bit.ly/29CHNa9  And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week or two I’ll be introducing the rest of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ , http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

 And then we have the competitions: Besides the prizes, the winners of all three will be posted on both the Tenby Book Fair website:  http://tenbybookfair.blogspot.co.uk/   and on the Showboat website: http://www.showboat-tv.com/

competitions

The 2016 Tenby Book Fair will be offering three competitions this year.

Children’s Competition.

For entrants aged 7 – 12, an essay (one page) entitled: My Favourite Character.

Write about a character in a book that you like. Is he or she clever? Brave? Funny? Or just get to do all the things you’d like to do.

Include your name and age on the sheet and a way of contacting you – it can be your address, or your school, or a phone number – so we can tell you if you’ve won.

Hand your entry in to any library in Pembrokeshire, or post it to:

Tenby Book Fair, Saddleworth House, Carmarthen Road, Kilgetty, SA68 0XX

Send it by August 13th, 2016

Collections of books are very generously being donated as prizes by Firefly Press.
A winner and a runner-up will be chosen from each of two age groups: 7-9 and 10-12

Prizes will be presented at the Book Fair in St Mary’s Church House
on Saturday, September 24th, 2016

Young Adult Flash Fiction Competition

For entrants aged 12 – 18, a 100 word Creepy Tale.

You could write “A Creepy Tale,” about ghosts, vampires, zombies, the supernatural or anything that might give you the shivers. But can you write it in 100 words or less? That’s the challenge in this competition. A full story, in 100 words or less.

Include your name, age and contact details (address, phone number or email address) with the entry, and post it to:

Tenby Book Fair, Saddleworth House, Carmarthen Road, Kilgetty, SA68 0XX

OR paste it into the body of an email to:

Put “Flash Fiction” in the subject line

The closing date is August 13th 2016

First Prize £15 book token. 2 runners-up: £5 book token.

Short Story Competition

For entrants 18 and over: a short story, “The Bag Lady.”

Entry Fee £3 Send cheque, made payable to “Tenby Book Fair” with your entry, or pay on-line, via PayPal,
Write a short story of 2000 words or less, entitled “The Bag Lady.” How you interpret the title is up to you.

Include name and preferred contact details (address, phone number or email address) and post to:

Tenby Book Fair, Saddleworth House, Carmarthen Road, Kilgetty, SA68 0XX

or send as a Word or Rich Text Format document, attached to an email to:

Include “Short Story” in the subject line.

Today With Julie McGowan

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks. 

So far I’ve interrogated interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza: http://bit.ly/29frGPq    Juliet Greenwood: http://bit.ly/29jylrM , Nigel Williams: http://bit.ly/29racfO   and Alys Einion:  http://bit.ly/29l5izl And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week or two I’ll be introducing the rest of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ , http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

 

Today I’m really pleased to introduce Julie McGowan; a truly prolific author.

SONY DSC

SONY DSC

Hi Julie, Good to see you here today to chat about your writing

 Hi Judith, pleased to be here… and happy to share.

Right, tell me, please, why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

My two novels set in Wales are both historical fiction set in the first half of the twentieth century. It’s a period of time that has always fascinated me, particularly how people lived through two world wars and still manage to do all the normal things like fall in love and get married etc.

The Mountains Between

Just One More Summer

 

 

 

 

 

 

 

 

 

I also write contemporary fiction, not set in Wales, and switch between the two as the mood takes me.

Where did your love of books/storytelling/reading/writing/etc. come from?

I read from an early age – not much on the telly then! Also, I was involved in amateur dramatics through our chapel from childhood and that inspired me to weave stories.

How long have you been writing?

Over 20 years

What kind(s) of writing do you do?

Novels, commercial short stories for women’s magazines, features for national publications, pantomimes, sketches for adults and children, songs.

What cultural value do you see in writing/reading/storytelling/etc.?

I think it widens people’s horizons and enables them to experience situations and places that they may never come across in their lives. I think this is particularly important for children, and get quite cross when publishers etc think children’s books should only reflect the lives children lead. Very pleased J. K. Rowling ignored that!

How does your book relate to your spiritual practice or other life path?

‘Don’t Pass Me By’ includes some scathing reflections on the narrowness there used to be in some Welsh village chapels. I’m a practising Christian, but firmly believe that everyone should be allowed to follow their own spiritual path and not be weighed down by church dogma from any faith.

Don't Pass Me By

What were your goals and intentions in this book, and how well do you feel you achieved them?

I wanted to remind people that the movement of evacuee children during WW2 didn’t always have the  happy ending we like to glorify when these times are looked back on with rather rose-coloured glasses. I also wanted to show the difference between how children were treated then, and how our helicopter-parenting style today can be overprotective. I think I’ve achieved both objectives.

Can you share some stories about people you met while researching this book?

My research was rather solitary, but after the book was published I was contacted by a lady in her 80s who wanted to share her harrowing experience of being an evacuee. Her story was more amazing than anything I’d written! But the message she wanted to give me was that she wasn’t destroyed by her experience and that life can turn around – she was just brilliant.

What are some of the references that you used while researching this book?

I read books about first hand accounts of evacuees from South Wales, and used the internet, particularly the BBC history website.

What was the hardest part of writing this book?

Portraying elements of child sexual abuse that makes the reader understand the emotional turmoil the child is going through whilst not making the actual abuse too graphic.

What did you enjoy most about writing this book?

Feeling I’d succeeded with the hardest parts as outlined above!

What inspires you?

Listening to ‘ordinary’ people talking about their lives

How did you get to be where you are in your life today?

By not being scared to take chances and change direction – which could be construed as blind optimism!

Who are some of your favourite authors that you feel were influential in your work?  What impact have they had on your writing?

The much under-rated, in my view, Monica Dickens, and Elizabeth Jane Howard, both of whom succeeded in building wonderful stories around everyday people and multi-stranded novels. They helped me to look at the subtleties of human behaviour and made me want to express those subtleties in short, often oblique descriptions or sentences.

What did you find most useful in learning to write?  What was least useful or most destructive?

Most useful was writing a weekly column for a local paper which had to have a strict word count, so I learned how to edit my work and make it ‘less is more’. Least useful were some of the rejections from agents rather than publishers, who seemed to enjoy a critical put-down rather than a polite ‘no thanks’.

Are you a full-time or part-time writer?  How does that affect your writing?

Part time, which occasionally makes it difficult to get back under the skin of a character.

What are some day jobs that you have held?  If any of them impacted your writing, share an example.

Nurse, health visitor, school matron, town clerk, actress, theatre-in-education director to name but a few. Health visiting in particular I think increased my empathy and understanding of family dilemmas and I think has helped me to describe characters’ emotions.

How do you feel about eBooks vs. print books and alternative vs. conventional publishing?

I think there is a place for eBooks but they will never replace the feel of a print book in one’s hands and the anticipation of turning to that first page… Alternative publishing, when done well, can challenge conventional publishing, as long as it’s well edited.

What process did you go through to get your book published?

I had already had two books produced by the same publisher, so this book was already agreed. For my first book I went through the usual tortuous process of trying to find an agent or publisher and in the end worked my way through the list of publishers who would accept unsolicited manuscripts.

What makes your book stand out from the crowd?

It’s a page-turning story, with a number of characters that resonate with the readers, and has a strong emotional content, set in a turbulent time, but in a beautiful place.

How do you find or make time to write?

I try to carefully portion out my week to include writing time amongst my other commitments, but it often goes wrong!

Do you write more by logic or intuition, or some combination of the two?  Summarise your writing process.

I have a story and main characters in my head, and know how I want it to begin and end. Then I write, and often change the flow of the story as other characters work their way in, but the main plot ends the way I envisaged.

What are some ways in which you promote your work?  Do you find that these add to or detract from your writing time?

I do numerous book signings, talks, writing classes, book fairs and festivals. They do take up some time but are invaluable for meeting people and getting my name known – and often give me ideas for new characters!

What do you like to read in your free time?

Predominantly novels but of no particular genre – whatever intrigues me.

What projects are you working on at the present?

I’ve just finished my latest novel so am doing a final edit.

What do your plans for future projects include?

One of my books has been published in Germany, so my publisher is trying to get rights sold in other European countries. I may start another novel after the summer, once this year’s panto has been written, which has to be ready by September.

And my favourite for dealing with popular authors who’ve already done a lot of interviews: What question do you wish that someone would ask about your book, but nobody has? Write it out here, then answer it.

Question: Who is your favourite character in ‘Don’t Pass Me By’

Answer: It has to be Arfur, the young lad from the East End who finds it so hard to settle in a small Welsh village, and is so determinedly loyal to his good-time Mum, even in the face of all the evidence that she has deserted him. Once I’d got his character established I wanted to take  him home with me!

 

Find Julie here:http://amzn.to/29s1o9u

 

Brexitania (or Alan in Wonderland) by Alan A Roberts.   

Another gem from Alan Roberts, student of one of my creative writing classes. His last post was  here: http://bit.ly/29u7vui.  And then there was:  http://bit.ly/20Gvbh6 where he battles with the self service supermarket check-out

Here Alan finds himself in yet another quandary. But somehow he has returned to being a young lad. Well, with Alan, anything can happen… as we well know! 

alan in wonderland

Cleaning his large bedroom frustrated Alan and he lacked concentration, making the task long and boring.  His mind wandered until noticing the dust-laden air being sucked towards the bottom of the wall alongside the old wardrobe.  Perplexed he investigated, holding his hand near the wall feeling the air going in, slightly yet in.  He held his breath before deciding to gingerly peel away the wallpaper until a huge wrought iron door stood before him.  Where it might lead he couldn’t comprehend.

He lifted the handle, pushed the door, which opened slowly, its creaking hinges adding to Alan’s apprehension.  Although the inside was dark, he stepped timidly into the black void without considering where or what he had entered or whether he might get out again.  Powerful lights blazed into life but Alan had no time to think about stopping himself for he felt himself falling and whatever he had fallen into was either very deep or he was falling very slowly, for he had time to look about and wonder what might happen next.  He tried to look down but it was too dark to see what was below so he looked at the sides of the hole and noticed there were maps of European countries – in fact he counted twenty-seven maps and alongside each was a photograph.  Recognising the faces of Hollande and Merkel, Alan assumed every photo was of the Country’s political leader.  All poked their tongues out as he passed.

Down, down, down. 

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He thought the fall would never end.  Suddenly, thump! thump! he landed upon a pile of papers.  His fall was over and amazingly he was unhurt.  As he steadied himself he saw the papers were hundreds of thousands of the recent referendum ballot papers, each marked with an X alongside the ‘Leave the European Union’ statement.  Alan looked up from where he had fallen but all was in darkness overhead.  In front of him was a long passage and from there he saw a White Rabbit hurrying toward him.  Alan couldn’t believe his eyes; the Rabbit’s white fur was unkempt and had the face of Boris Johnston.

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“Welcome, Alan,” the White Rabbit joyously proclaimed, “you’re our first visitor since the victory.”  He grabbed Alan’s hand and continued to shake it until Alan’s arm ached.

“Where am I?” Alan asked.

“Why my lad, you’re in Brexitania.  It’s the Country’s new name – Britain sounds too much like Brittany and we can’t have any confusion with them lot over the Channel.  Do you like the new name?”

“It sounds stupid”, Alan responded.

“Sorry old boy, can’t change it now – registered it with the Copyright Office straight away.  Anyway, tell me what brings you here?”

“I found a secret door in my bedroom then fell into a hole that seemed to go on forever and landed here: I’ve no idea what’s happening.  It’s all a bit weird and a little exciting, if I’m honest.”

“Ah, that’s what we like to hear – yes – a bit weird and a little exciting – good combination of words – might put them in our manifesto when we get round to it,” Rabbit exclaimed.

White Rabbit struggled to pull a large pocket watch from a small pocket, looked at its face on which Alan noticed it had neither hands nor numbers and exclaimed,

“Oh my ears and whiskers, how late it’s getting! I have to be off to trigger article 50. We always knew Jean-Claude Junker would prove troublesome.  Anyway, follow me and meet the rest of the gang. This way, follow the path: hurry, there’s a good chap.”

Alan followed close behind but when he turned a corner marked, ‘Brexit Triumph’, the White Rabbit had disappeared.  He now found himself in a long, low hall that was lit by a row of lamps hanging from the roof.  There were doors round the hall, but all were locked; and when Alan had been all the way down one side and up the other, trying every one of the twenty-seven doors he walked sadly down the middle, wondering how he was ever to get out. Suddenly he came upon a little three-legged party table on which was placed a tiny golden key and Alan hoped it might unlock one of the doors; but as he tried each one their locks proved either too large or the key too small and none of them could be opened.  He tried a second time, hoping he might have missed one door on his initial round and he came to a low curtain that he hadn’t previously noticed.  Pulling the curtain aside he found a small door on which a sign declared, ‘BREXITANIA – ‘IN AND OUT’.  He tried the key and to his good fortune it fitted!

Opening the door, Alan found himself completely in the dark.  Adjusting his eyes, he saw two paths marked, ‘OUT’ and ‘IN’ but no instruction as to which of the two pathways should be taken or why.  He opted for the ‘IN’ path and walked its length, finally emerging into the light, into a place Alan recognised as Parliament Green.  He walked forward, becoming aware of a figure standing nearby, whose back was turned to him.  The figure wore a natty suit with a large stove-pipe hat perched precariously on its head.  As the figure turned he noticed a handwritten note pinned to the brim on which was printed in bold purple ink the words, ‘VOTE UKIP’.  Bizarrely, from beneath the rim the grinning face of Nigel Farage peered out; in his right hand he clutched a full pint of what Alan assumed to be froth-topped ale, which he instantly drank.  The Mad Hatter approached with his right hand extended.  Expecting to shake hands, Alan extended his but the Mad Hatter placed his thumb on his nose and wiggled his fingers, mockingly.

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“That had you,” the Mad Hatter gleefully spluttered before continuing, “hope you haven’t come for your share of the three hundred and fifty million quid we said we’d share out.” Bit of a porky but it helped get us OUT.  So, welcome to Brexitania – White Rabbit says you just dropped in. If you need a drink I’ll get Mock Chancellor Osborne over there to get you a glass of his ‘grumpy’.  Sorry, couldn’t resist that; cloudy lemonade’s your tipple, I believe?”

Carrying his lemonade, Alan wandered into the crowd gathered on the far side of the Green. A resplendent footman told him that a Cheshire Cat was due to make a speech.  Alan decided to wait and a few moments later the Cheshire Cat with Michael Gove’s grinning face jumped onto the dais and began addressing those assembled.

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“Welcome everybody – I’ve some announcements to make following our landslide victory.  First, Mr Justice Gums will be Lord Chancellor – boom! boom!; secondly we are banning the letters I and N appearing together and following Royal Assent words like ‘spin’ will become ‘spOUT’ and Cheshire Cat’s grin will become a ‘grOUT’; pubs called Inn’s will become OUT’s; legal terms will also change with Inns of Court becoming OUTS of Court and even Her Majesty’s family name will change from Windsor to WOUTdsor, difficult to pronounce but we’re certain you’ll get used to it.  Any questions?”

Alan raised his arm.

“And what’s your question, young man?”

“I can’t remain in such madness and I don’t want to be among all you mad people”.

Cheshire Cat Gove grinned from ear to ear.  “Oh no, you can’t REMAIN because we’re now OUT but also IN, if you get my drift. And anyway, we’re all mad here.  I’m mad, they’re mad and you’re mad.”

Alan indignantly responded, “You can’t say I’m mad, you don’t know me?”

“You must be mad,” grinned the Cheshire Cat, “or you wouldn’t have come here.” He paused for a moment, then continued, “No further questions? Then everybody OUT, quick as you can, there’s good fellows.”

Alan watched as Cheshire Cat jumped from the stage leaving behind his still wide grin.  From the Green he kept running until coming to a sign saying, ‘THIS WAY TO SEE ELIZABETH, QUEEN OF HEARTS’.  Alan took the path indicated and found himself standing outside a building resembling Buckingham Palace where a further sign proclaimed: ‘THE BREXITANIA GOVERNMENT GIVES NOTICE THAT BUCKINGHAM PALACE WILL BECOME BUCKOUTGHAM PALACE AND HRH THE DUKE OF EDINBURGH WILL BECOME THE DUKE OF EDOUTBURGH’.  Seeing another of the footmen, Alan asked if he might speak with the Queen.  With his request granted, Alan was ushered inside and approached the Royal couple seated on their thrones.  Alan thought they both looked decidedly sad although the Duke was making a valiant attempt to wave his EU flag, much to the annoyance of the courtiers.  The Queen wore a dress on which red hearts were sewn over its entire surface whilst the Duke had on his ceremonial uniform with plastic medals across the jacket, brown suede shoes and from his red tricorne hat a plume of feathers drooped over his face.  Alan forced himself not to laugh.  Advised to kneel before the Queen, announce his name loudly and tell Her Majesty why he needed the audience, Alan nervously approached the Queen’s throne, kneeled, cleared his throat and in a loud voice said:

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“Your Majesty, my name is Alan and I ask if you can please arrange for me to return home as soon as possible.”

The Duke looked down and simply muttered,

“Oh Gawd, not another bloody simpleton”.

The Queen, unfased by the Duke’s rude aside, looked over her bifocals,

“And where would one’s home be?”

Alan, stuck for a meaningful response, thought if he gave his address at 23 Alder Gardens the Queen would have no idea where that was or how he could get there, so answered,

“Back up the long hole, your Majesty.”

The ensuing momentary silence was broken when the Duke shouted,

“Back up whose long hole, you cheeky little bugger?”

“Off with his head,” the Queen commanded.  Attendants grabbed Alan and hauled him into a side-room where he was padlocked inside a small wooden cage.  Panicking, he closed his eyes to stop himself crying. He was, he thought, far too young to die.

Suddenly, loud knocking accompanied by his mother’s voice startled Alan back to the reality of his bedroom,

“Alan, Benny’s here and wants to know if you’re coming out?”

Staring at the ripped wallpaper, he wailed, “Mum, tell him I’m staying in,” and pulled the duvet over his head and thanked God he was safely back home.

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Today With Juliet Greenwood

Introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of weeks. 

So far I’ve interrogated interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh , Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles:  http://bit.ly/1twN3Bg , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons: http://bit.ly/1tvBc5G and Lisa Shambrook: http://bit.ly/28NMI5v:  and Alex Martin:  http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl  and Sharon Tregenza: http://bit.ly/29frGPq  And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq  Over the next week or two I’ll be introducing the rest of the authors. I’ll also be showcasing the publishers who will be in attendance and who will be giving short talks and may be able to give advice to would-be authors: http://honno.co.uk/ , http://www.fireflypress.co.uk/   and  http://www.cambriapublishing.org.uk/ ,

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today I’m chatting with the lovely author Juliet Greenwood, fellow Honno author and friend who writes the most wonderful books,

 Juliet and hat small

 

Welcome, Juliet. Great to see you here today. and love the hat by the way

 Why, thank you Judith, and it’s good to be here.

So, let’s get going, tell me … why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?

I am published by Honno Press, and write historical novels, mainly set in the Victorian/Edwardian eras, which move between Cornwall, Wales and London. There is always a big house and a mystery to be solved, and plenty of drama along the way, so they are along the lines of Kate Morton and Rachel Hore.

I’ve chosen to write in this genre as I’m fascinated by the lives of women in those periods, especially the way things were changing, and the battles for the independence we take for granted today. So much of women’s lives have been forgotten, particularly how active they were, and how many campaigns they fought and won, despite having no legal existence for most of this period.

My first book ‘Eden’s Garden’ was a time-shift, with a mystery set between contemporary and Victorian times. I really enjoyed the challenge of writing a time-shift, so I’m hoping to be working on another timeshift mystery soon. I enjoy the challenge of moving between two times.

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Where did your love of books/storytelling/reading/writing/etc. come from?

I was a bookworm as a child, who loved stories. My mum loved reading, so she always inspired me to try new things. She encouraged me to absorb the classics, which gave me a great background. It started a lifelong love affair with reading and writing!

Are there underrepresented groups or ideas featured if your book? .

I started researching ‘The White Camellia’, to be published by Honno this September, thinking that the background would be that of the suffragettes, but I soon came across the far less well-known suffrage movement, which was a revelation.

 

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The suffrage movement included both men and women who fought alongside each other for over fifty years for every citizen over the age of 21 to have the vote. Although a small number of men had the vote at the start of the campaign, this wasn’t achieved for either men or women until 1928. The women and men of the suffrage movement used democratic tactics, civil disobedience and persuasion. It also fought for equal employment rights for men and women, and won endless battles to give women legal rights, including to keep their earnings and property, and to keep their children in the case of divorce.

Although they didn’t resort to violence, they were brave and resourceful, especially when you consider that at the beginning of their campaign women had no legal existence at all. I think what I found most fascinating about the suffrage movement was that it showed women taking on those in power on their own terms and out-manoeuvring and outwitting them at every turn, using rational arguments (and a bit of clever publicity) to achieve many of the freedoms we take for granted today.

What is the biggest thing that people THINK they know about your subject/genre, that isn’t so?

I think the biggest misconception about the genre is that it’s always rich women floating around in nice houses, solving a bit of a mystery and probably finding a few pearls and Mr Darcy along the way. The greatest misconception about the struggle for the vote is that it was always violent – and that it was only about the women. In fact, most men in Victorian times also did not have the vote, and it was only the last few years when the violence erupted – and that was only after parliament, thanks to the work of the suffrage movement, had twice voted for women to have the vote.

I find that setting a story in the past can also be a way of exploring dilemmas that are universal and we still experience today. I feel the past can give more distance, so can give more freedom to explore experiences. As well as the role of women in politics, one of the main threads of the story in ‘The White Camellia’ is a character who takes the perfect revenge, with the most terrible and unexpected consequences – and that’s a story that could take place at any time.

What inspires you?

Primarily the untold stories of women. The more I learn, the clearer it becomes that so much of women’s achievements and experiences have not been told. Before I researched ‘We That are Left, I had no idea women worked on the front line in the First World War, often under fire, and were even given medals, as well as working as spies behind enemy lines. Although it’s now changing, too often women are still seen as passive victims, trailing behind their men, rather than being incredibly resourceful and resilient and worthy of taking centre stage. A love story is important – but there is so much more to women’s lives as well, including huge moral dilemmas, a need to live a fulfilled life, and the deep human need for self-determination.

 

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How did you get to be where you are in your life today?

Working hard, always reading, writing and learning – and never giving up! I’ve also tried to find jobs that allow me time and head space to write, which means I’ve never followed a conventional career path. It’s felt a bit scary at times, but I love what I do, and so it definitely feels it’s been worth it.

Are you a full-time or part-time writer? How does that affect your writing?

I’m a part-time writer at the moment. I earn most of my living as an academic proofreader. I work freelance to try and organise my life to do as much writing as possible. I enjoy the work, and it’s taught me to be precise in the use of language, and it’s definitely extended my vocabulary. The downside is never having enough time to write the next book while editing and doing publicity. It can be very frustrating at times, but I also feel it’s given me the freedom to develop as a writer.

For those interested in exploring the subject or theme of your book, where should they start?

There are some excellent books on the subject of the suffrage movement, these are some of the best introductions:

Margaret Forster                                               Significant sisters

Lucinda Hawksley                                           March Women, March

Melanie Phillips                                                The Ascent of Woman

How do you find or make time to write?

I get up about six each morning (weekends included!) to get my ‘day’ job done, which frees up as much of the day as possible. I try to have a set time for writing, but being freelance with strict deadlines that doesn’t always work. I walk my dog for a couple of hours each day, which I use as thinking time (just as valuable as writing time). I try to be strict about not spending too much time on social media (I have a room in the house that is a wifi free zone). I also try not to get sucked into series on TV (the Great British Bake Off and Sewing Bee don’t count!) and watch as little as possible, (except when I’m very tired and just want to switch off after a long day proofreading and writing, when I don’t want to see another word in front of me, and hanging out the brain to dry on the secret life of kittens just hits the spot). My friends know that I’ve sacrificed housework, except on a strictly necessary basis (like when expecting a plumber), and love me all the same.

MEDIA LINKS

 ‘We That Are Left’, Honno Press, 2014

The Welsh Books Council’s Book of the Month, March 2014

The National Museum of Wales Book of the Month, March 2014

Waterstones Wales Book of the Month March, 2014

Amazon Kindle #4 May 2014

http://www.amazon.co.uk/That-Are-Left-Juliet-Greenwood/dp/190678499X

 

‘Eden’s Garden’, Honno Press, 2012

Finalist for ‘The People’s Book Prize’, May 2014

Amazon Kindle #5 June 2014

http://www.amazon.co.uk/Edens-Garden-Juliet-Greenwood/dp/1906784353

 

Website:          http://www.julietgreenwood.co.uk/

Blog:                 http://julietgreenwoodauthor.wordpress.com/

Facebook:        https://www.facebook.com/juliet.greenwood

Twitter:            https://twitter.com/julietgreenwood