A Hundred Tiny Threads by Judith Barrow #familysaga  Reviewed by Julie Barham #review #women

 

 So thrilled with this review:

I received a review copy of this book from Honno Press, the Welsh Women’s Press, as I was intrigued by the idea of a book which swept through so much history through the eyes of one woman. Winifred lives and works in a shop in a grim mining town in 1911. Her parents own and run the general shop, and her mother’s sharp temper and determination to keep Winifred working mean that her horizons are, and always have been severely limited. Bill, a miner, is first seen trapped by a misplaced explosion in a mine, reflecting on his probable death and his dislike of his step-family. In many ways they are alike, but all the circumstances of their lives suggest that they will never meet, let alone come together. This novel is a family saga without the central family; personal dislike and forces beyond their control mean that these are two individuals struggling to survive in challenging social circumstances.

Winifred is tempted away from her home by chance meetings with Honora, an unconventional artist who has become an active worker for woman’s suffrage. This is not genteel campaigning but marches and protests which lead to violence and arrest, even death, for those women who become involved. I was not sure why Winifred becomes a speaker for this small group, but her absences from the shop annoy her mother and force her father to shield her. Winifred meets Conal, Honora’s attractive and clever brother, and becomes involved with him. She is horrified by her grandmother’s living conditions which have resulted from family losses and her own mother’s harsh unyielding personality. Developments within the shop and the campaign mean that Winifred becomes more isolated and more desperate.

Bill survives the accident but is unable to continue working at the mine; he travels away and encounters Winifred while trying to scrape enough to survive. He becomes entranced by her and takes desperate action to try and gain her interest. Terrible events graphically described force him into fighting in the War which is just as hideous as can be imagined. This is a novel which pulls no punches in describing death; I cannot say that there is much light or joy in any of its narrative.

This is an immense book which traces those pushed by events and a War which affected everyone in the country. The intense details leave little to the imagination as the struggle to survive is real and incrementally built as loved ones go and unyielding hatred makes loss worse. It is a layered view of life as characters find challenges on many fronts. Barrow has a keen eye for detail which builds up a feeling of reality in this chronicle of lives lived in harsh situations. The writing is painfully real and feels just as overwhelming as life; decisions quickly taken lead far into the story as a whole. This is apparently a book which precedes three others relating to the same family through several generations. Certainly it is just as diverse, with as many backstories and complicated feelings as real families tend to inherit. There are many elements of tragedy here as well as determined love and strands of hope. This is a superb book for those who like their novels immersive and intense, real life of people around them in times of trial and progress.

Julie blogs at Northern Reader.

Judith Barrow, A Hundred Tiny Threads (Honno Press, 2017). 978-1909983687, 320pp., paperback.

BUY A Hundred Tiny Threads from the Book Depository.

Advertisements

Tales of Our Holiday Lets. Or … Is it Really Worth it? Or … Tales of the Unexpected #ThrowbackThursday

Well, yes it is worth it – we love it, despite the unexpected. Having a holiday apartment attached to our house has brought us many friends; visitors who return year after year in the summer to enjoy the lovely Pembrokeshire coastline and all the other attractions this part of West Wales offers. We love seeing them again. And we are fortunate to meet many new people as well. But there have been downsides. Or should I say, occasions that made us think again about sharing our home.

Such as the two elderly sisters …

I watched Husband walk past the kitchen window and waved. He didn’t wave back. Because of the goggles and the scarf around his nose and mouth  I couldn’t tell if he smiled or not. I thought – probably not. He wore a helmet over a balaclava on his head, navy overalls, elbow length gloves and thigh waders. He looked ridiculous but I didn’t dare laugh. This was serious. He was on a mission… a clearing the sewers mission…

Sewer Contractor New Rochelle Husband in a hole!

The story of the sewers began  a fortnight earlier in the shape of the two ladies. They arrived late on the Saturday evening; it was already getting dark.  Despite our assurances that it didn’t matter; that we were home anyway, they  continued to apologize profusely as we showed them to the apartment. There’d been traffic hold-ups, one of them suffered from car sickness so they’d had to stop often, they’d lost their way; gone off at the wrong junction of the M4 and ended up in Swansea.

We calmed them down, Husband offered to carry their luggage in.

‘No,’ they said, ‘we’ll be fine. You leave us to it. We haven’t much.’

They were ideal guests; the type we’d  hoped for when we started this venture.

old lady twoold lady

They were quiet, friendly, pleasant to have around.. Ever ready for a chat they sat with us in the garden a couple of the evenings enjoying a glass of wine, some nibbles. They didn’t go out much; just for one or two hours each day. Most of the time they sat on the guest patio, reading. Aged around eighty, we discovered they were twins; obviously both retired; one an ex school teacher, they other a librarian. They called us Mr and Mrs Barrow and we  called them both Miss Smith (obviously not their real name!!) They wore almost identical clothes and shoes, had the same hairstyle, finished one another’s sentences  in the same refined tones. 

When we asked if everything was all right,did they need anything , we were told all was perfect. On the middle weekend they insisted I hand over the clean  bedding and towels and changed the bed themselves. 

On the last evening we invited them in for a meal. They only stayed a couple of hours; we were told they had an early start in the morning.  Later we heard them hoovering. I knocked on the door and told them not to bother, they had a long day in front of them the following day.. Despite my protestations, they persisted for another hour.

 They must have gone very early, they’d left before we got up at seven the next day.

 Which I thought was great; it meant I could get on with the cleaning before the next visitors arrived.

It was halfway through the following week when we noticed the problem. Our new visitors complained that the loo wasn’t working properly and the bathroom was smelling. By the end of the day the kitchen sink in the apartment was backing up with unpleasant water and the lavatories in the main part of the house weren’t flushing efficiently. In fact they were overflowing!

At this point I’m wondering if I should have put a health warning on this post. Hmm?

 Trying to be as delicate as possible here!!!loo

And so to the beginning of this sorry tale… 

I watched Husband walk past the kitchen window and waved …

He stopped, came back to the window and motioned (sorry!) for me to open it. ‘I don’t suppose you want to help?’ he shouted through the scarf. I closed the window – the smell was bad. Besides I thought we should have sent for the local drains/ sewage clearing people. Being a ‘careful  with money’ man, Husband thought he could “do it himself” 

 The new visitors went out for the day with a donation from us for meals.

Without going into any more graphic detail all I can say is that the blockage was… cat litter (with the evidence!). Our two little old ladies had apparently smuggled brought their cat on holiday with them (into our “no smoking, no pets” apartment) and flushed the contents of the litter tray down the loo. Which was washed by the water along the pipes only so far before setting like cement in the drains.

Six hours later – and after much shovelling and swearing – Husband conceded defeat and we sent for the specialists. 

I connected the garden hose to the outside tap on the garage and hosed him downBefore he was allowed back into the house, he stripped off.

Which reminds me. Have I told you about the Naturists who came to stay…?

My Last Saturday Round-Up Of the Brilliant Authors #authors & Poets #poets at the Narberth Book Fair #BookFair

Titleband for Narberth Book Fair

Gathering the last of those authors and poets who joined in with the interviews to  help to show what a treat is in store at our book fair. Do please drop in to our website:   Narberth Book Fair, cleverly put together by the brilliant Thorne Moore.

There are forty authors, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults: workshops & talks and fun workshops for children, activities for the children; Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire. Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

There is still time to  enter the poetry competition: competition Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter and, hopefully, will be with us at the fair), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

The line up so far:

Judith Barrow

Thorne Moore

Juliet Greenwood

Graham Watkins

Rebecca Bryn

Helen Williams

Sally Spedding

Katy Whateva

Sara Gethin

Cheryl Rees-Price

Jackie Biggs

Judith Arnopp

Colin R Parsons

Kate Murray

Hugh Roberts

Carol Lovekin

Catherine Marshall

Tracey Warr

Steve Thorpe

Wendy Steele

I must say I’ve enjoyed interviewing all the poets and authors and I hope you’ve enjoyed reading them. There will still be plenty of news about the book fair over the next few weeks. In the meantime, do think about entering the competition and don’t forget to put your name down for any of the workshops; numbers are limited.
Titleband for Narberth Book Fair

My Fifth Saturday Round-Up Of All the Brilliant Authors #authors & Poets #poets at the Narberth Book Fair #BookFair

Titleband for Narberth Book FairGathering even more of us all together this week to show what a treat is in store at our book fair. Do please drop in to our website:   Narberth Book Fair, cleverly put together by the brilliant Thorne Moore.

Will be posting interviews with the authors and poets who will be taking part in our Book Fair for some weeks to come.

There are forty authors, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults: workshops & talks and fun workshops for children, activities for the children; Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire. Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition: competition Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter and, hopefully, will be with us at the fair), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

The line up so far:

Judith Barrow

Thorne Moore

Juliet Greenwood

Graham Watkins

Rebecca Bryn

Helen Williams

Sally Spedding

Katy Whateva

Sara Gethin

Cheryl Rees-Price

Jackie Biggs

Judith Arnopp

Colin R Parsons

Kate Murray

Hugh Roberts

Carol Lovekin

Catherine Marshall

Tracey Warr

Steve Thorpe

Wendy Steele

My Series of Author #authors & Poet #poets Interviews for Narberth Book Fair #FridayReads. Today with Carol Lovekin

 

 

Titleband for Narberth Book Fair

Throughout this months I ’ll be posting interviews with the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty authors, so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults  workshops & talks and fun workshops for children, activities for the children  Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.  Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition:  competition . Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

Our author today is the ever ebullient and friendly fellow Honno author, Carol Lovekin.

Carol Lovekin

Let’s start by you telling us why you write, please, Carol.

Because I can’t play the piano is the glib answer. The truth is simpler: I love it. I’m me when I write. The person it took me years to become. And reading books made me want to write them. I can’t say I have huge ambitions (other than winning the Bailey’s Women’s Prize, obvs.) I write because it makes me happy.

What do you love most about the writing process?
The unfolding of the story. How it emerges as a spark, a ‘What if?’ moment and unfolds into an outline and a plot. I love the way characters make themselves known to me. It’s like meeting new friends, people I had no idea existed. And I’m addicted to editing.

What is your work schedule like when you’re writing?
I’m a lark and awake with the birds. I often handwrite in bed over a cup of tea. Random ideas, scenes and vignettes for my current story, for the next one and quite often the one I’m planning down the line. Each story has its own notebook. My aim is to be at my desk, working on my current story no later than ten o’clock. If I’m feeling particularly creative – down and deep with my story – it’s often a lot earlier. Word count is of no concern to me – showing up is what matters.

What do you think makes a good story?
Characters who endear themselves to me on the first page; perhaps shock me. So long as they make me want to find out more. A quality writing style that draws me in. I don’t mind simple stories – a sense of place is as important to me as a convoluted plot. That said, I’m a sucker for a twist that takes my breath away.

How many books have you written? Which is your favourite?
Two. (The ones in the metaphorical dusty drawer don’t count.) Asking me to pick a favourite is a borderline Sophie’s Choice scenario, Judith! Ghostbird because it was the book that validated me as a writer. Snow Sisters because it proves I’m not a one-trick pony!

ghostbird

I love this cover

What genre do you consider your books? Have you considered writing in another genre?
I call them ghost stories laced with magic; contemporary fiction with a trace of mystery. My mentor, the lovely Janet Thomas, says they are family stories (with magic.) Which I guess is as good a description as any since, magical edges notwithstanding, they are firmly rooted in family relationships. I feel as if I’ve found my niche as a writer and have no plans to write in any other genre.

Could you tell us a bit about your most recent book and why it is a must-read?
Snow Sisters explores what can happen when an act of kindness, enacted by a child, offers the hope of redemption to a tragic ghost with a horrific secret. It’s also a story of love, exploring the ties that bind sisters. And the tragic ones that can destroy mothers and daughters.

In three words, can you describe your latest book?
Ghostly. Quirky. Welsh.

Does your book have a lesson? Moral?
I don’t trust morality! Perhaps: Listen to your grandmother for she is wiser than Yoda?

Do your characters seem to hijack the story or do you feel like you have the reins of the story?
Regularly. I’ve come to the conclusion it’s some kind of Literary Law. At some point characters are required to run off into the wild wordy wood and we have no choice but to follow, more often than not without our breadcrumbs.

Do you have any hidden or uncommon talents?
I’m a trained ballet dancer.

What would you say is your interesting writing quirk?
Although I begin at the beginning, within less time than it takes for me to say, ‘Oh look, shiny!’ I’m off to the middle (anywhere, frankly) and I can be gone some time. I write entire scenes in isolation slotting them into the narrative as I go.

What do you like to do when you’re not writing?
I read, swim and walk. After writing and reading, swimming is the best thing ever. Each week I discuss writing with my talented friend and co-conspirator, Janey. We are the sole members of the smallest writing group in Wales.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing.
Meeting Margaret Atwood in the eighties made me smile for a week.

Give us a random fact about yourself.
I don’t like even numbers.

 Links to Carol:

Website
Facebook
Twitter

My Review of Not Thomas by Sara Gethin #contemporary fiction

Not Thomas by [Gethin, Sara]

I gave Not Thomas 5* out of 5*

My Review:

Every now and then I read a book that sets all my senses tingling with the brilliance of it.

And this is why I wanted to write my review in a different way than normal.

 I don’t just mean that the characters are so multi-layered and rounded that I can empathise with them. Or that the descriptions give a wonderful sense of place that make the settings easy to envisage.  Or that the plot makes a story that is innovative and original.

I mean a book that holds all these… and more. And this novel does just that

 Not Thomas is narrated through the point of view of the protagonist, Tomas. He’s five years old. And, because of this, the narration and his dialogue are simplistic and poignant; the words jump off the page as those of a five year old child. And it works so well.  

We see his world; his home, his school, the people around him, through his eyes. We learn of his perception of himself, the capabilities of his body; often described in almost a third person, personification kind of way; “my ear is listening “, ” my teeth are hurting my tongue”

 Sara Gethin has an usual talent for seeing through the eyes of a child and I love her style of writing.

 Without giving any spoilers to this superb novel I will say that, despite the simplicity of a lot of the narrative, this is a dark, compelling story with a gripping plot. I could see this as a television drama.

 I thoroughly recommend Not Thomas. I’m not ashamed to say there were moments when I cried reading this story, sometimes in  a sad way but sometimes, as Tomas would say, when “my mouth was laughing”.

Book Description:

“The lady’s here. The lady with the big bag. She’s knocking on the front door. She’s knocking and knocking. I’m not opening the door. I’m not letting her in. I’m behind the black chair. I’m waiting for her to go away.

Tomos lives with his mother. He longs to return to another place, the place he thinks of as home, and the people who lived there, but he’s not allowed to see them again. He is five years old and at school, which he loves. Miss teaches him about all sorts of things, and she listens to him. Sometimes he’s hungry and Miss gives him her extra sandwiches. She gives him a warm coat from Lost Property, too. There are things Tomos cannot talk about – except to Cwtchy – and then, just before Easter, the things come to a head. There are bad men outside who want to come in, and Mammy has said not to answer the door. From behind the big chair, Tomos waits, trying to make himself small and quiet. He doesn’t think it’s Santa Claus this time.

When the men break in, Tomos’s world is turned on its head and nothing will ever be the same again”

Other Reviews: 

“Heart-wrenching, captivating and beautiful… a poignant portrayal of a hostile world depicted through the eyes of a child. Gethin writes with profound depth and compassion in this exceptionally moving and powerful novel.” Caroline Busher, Irish Times best-selling author

“The ability to use sentiment without descending into sentimentality is a rare commodity. But it is something Sara Gethin does effortlessly in Not Thomas. The book is, by turns, compelling, disturbing, enthralling and both physically and emotionally draining. It is, ultimately,an up-lifting tale that is rewarding and an affirmation of the human spirit. Do not expect an easy read, even though she writes fluently with a skill that drives the reader on. Expect to cry, to run the whole gamut of emotions. This is a book that will reward any perceptive reader. It is thoroughly recommended.” Phil Carradice, writer and broadcaster

“This novel should be printed on plastic paper so that the reader’s ample tears don’t blot the paper. Sara Gethin has given us an undeniably memorable character in Tomos, a lovable boy living in the most brutal poverty and abject neglect. It also casts light into the dark shadowlands of child poverty and should act as a reprimand to those who let it continue. Yet Gethin doesn’t forget that the writer’s first job is to hook the reader with a strong story and this one really gets under the skin. A deeply convincing novel that surges with emotion and compassion in equal measure.” Jon Gower, author, producer and former BBC Wales arts & media correspondent 

“Sara Gethin’s use of simple language, clipped sentences, and repetition assist in creating a very believable and natural-sounding child’s voice… The narrative pace is quick, at times breathless, as one would expect from a lively and care-deprived child, and it contributes to a thoroughly engaging page-turner. Sara Gethin, with her impressive range of writing skills, takes us to a tragic place, a bleak corner of messed-up lives and hopelessness, but she also shows us the warm spirit of human light that can break through such darkness.” –Peter Thabit Jones, Poet and dramatist

Wendy White

Sara’s Bio:

Sara Gethin is the pen-name of Wendy White. She grew up in Llanelli and studied Religion and Ethics in Western Thought at St. David’s University, Lampeter. She has worked as a childminder, an assistant in a children’s library and a primary school teacher. She writes for children as Wendy White, and her first book Welsh Cakes and Custard won the Tir nan-Og Award in 2014. She has two grown-up children and, while home is still west Wales, she and her husband spend much of their free time across the water in Dublin. Not Thomas is published by Honno

My Series of Author & Poet Interviews at the Narberth Book Fair With Fellow Organiser Thorne Moore

Over the next few weeks I’ll be posting interviews with the authors who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty of us so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults and fun workshops for children, activities for the children and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.   

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition: Submit a poem, in any form, of 20 lines or less, on the subject of : –

Books and Reading.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

 So, all the formalities now set out, I’ll be chatting with everyone week by week.  Our next author is Thorne Moore. Thorne is also a Honno author and hard working fellow organiser of the Book Fair. 

 

Thorne Moore

 

Welcome, Thorne, let’s start by you telling us why you write, please.

Because I’ve never been able to stop myself. I was a chronic daydreamer as a child, and daydreams are the first step towards writing. I invented worlds and peopled them, and then I disappeared into them. Then I learned to read and started disappearing into books. The obvious next stage was to combine the two and disappear into my own books.

What is the ultimate goal you hope to achieve with your writing?

To say something significant, to make people stop and think. For immortality. Which doesn’t mean I write for fame or fortune, though both would be nice. I am my thoughts and, in writing a book, those thoughts get recorded in a form that will survive me, even if it’s only in a few mangled pages at the back of a second-hand bookshop in Mongolia.

Are your characters based on real people or did they all come entirely from your imagination?

Both? I invent my characters, or they invent themselves – sometimes I know the sort of person I need for a book but I have to wait for that character to acquire a life of its own before they really work. I never base characters on actual specific people. But then we all learn about human nature by seeing people, the way they talk and walk and dress and think and agonise and emote. That knowledge has to feed into the makeup of our fictional characters, or they wouldn’t come across as real.

What do you think makes a good story?

Convincing characters, pace that doesn’t send you to sleep, a plot that flows organically, without being too contrived, natural dialogue, language suited to the story, without superfluity and an underlying theme that leaves the reader thinking, if only for a second or two.

What genre do you consider your books? Have you considered writing in another genre?

I write about ordinary people in crisis, dealing with trauma and its aftermath, sometimes through generations. That trauma is often a crime, so I suppose they count as crime novels, and my protagonist is always a woman (write what you know), so they could count as women’s literature, and they sometimes delve into the past, so they could be classified as historical novels, or sagas. Can I settle for Domestic Noir? It could encompass anything really.

Could you tell us a bit about your most recent book and why it is a must-read?

My third novel, published by Honno Press, is The Unravelling. It’s about a woman, Karen, who is a little bit troubled – actually very troubled, with some serious mental issues. A chance and seemingly meaningless event – an apple rolling into a drain – sparks off a memory of a girl she knew at school, Serena Whinn, the angel of the playground, whom she had worshipped at the age of ten. Karen becomes obsessed with finding Serena and the circle of friends who had surrounded her. As she searches, hidden memories of awful events back in 1966 come to life, and as the story of what really happened in 1966 begins to unravel, Karen unravels with it, until, finally, the truth emerges and sets her free.

The Unravelling: Children can be very very cruel (A gripping domestic noir thriller) by [Moore, Thorne]

It’s a story about the secret world of playground politics that adults don’t see, and the damage and cruelty that can result when boundaries are pushed too far and things get out of hand. I imagine everyone will recognise something from their schooldays, even if they don’t remember the sixties.

Does your book have a lesson? Moral?

Not a moral, exactly, but I do delve into questions of evil and its source. And the long-term effects of guilt. I always deal with guilt. It has to be one of the most fascinating aspects of human identity – the ability to feel guilt.

What is your favourite part of the book?

Difficult to say, but I did enjoy some of the scenes where I was drawing on my memories of my own childhood. My characters are all fictional, but Marsh Green, in the book, bears a very close resemblance to the estate where I lived and went to school.

What was the inspiration behind The Unravelling.

It was simply remembering the place where I grew up and where, with a child’s imagination, all sorts of monsters and nightmares could exist, alongside all the fairytales and games. I used to walk home down a wooded lane, crossing a stream on a great iron pipe, running past the witch’s cottage… All sorts of things might have happened. And then in real life, far away, all sorts of things really do happen, and you wonder how it could possibly have come to that.

Do your characters seem to hijack the story or do you feel like you have the reins of the story?

I have the reins, but the horses have minds of their own and often refuse to respond. It’s quite encouraging when I tell them to do or say something, and they turn round and say ‘Yes, but I wouldn’t, would I. Think again, please.’ Then you know you’ve made them real.

Do you have any hidden or uncommon talents?

Far too many to mention. I do make hand-carved miniature furniture.

What would you say is your interesting writing quirk?

A disinclination to get up and dressed, before starting to write in the morning. I write in bed.

What do you like to do when you’re not writing?

Gardening. Walking. Reading. Watching the broody swallow nesting in my porch.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing

Needing to relieve myself, in thick mist, while climbing the upper reaches of the Watkin track on Snowdon. I was modestly crouching, pants down, behind a rock, when the mists suddenly parted and I found myself looking straight across to the Miner’s Track, and a band of boy scouts.

Give us a random fact about yourself.

At the age of 10 I won a bronze medal for old time ballroom dancer. Don’t know how – or why.

A Time For SilenceMotherloveThe UnravellingMoments of Consequence

Links to Thorne and her books:

Website
Blog
Facebook
Twitter
Pinterest
Goodreads
Amazon