Memories Make the Story #MondayBlogs #Memories #families #sisters #secrets

Many people have asked me what was the inspiration for The Memory and my answer is always – memories: memories of being a carer for two of my aunts who lived with us, memories of losing a friend in my childhood; a friend who, although at the time I didn’t realise, was a Downs’ Syndrome child. But why I started to write the story; a story so different from my other four books, I can’t remember. Because it was something I’d begun years ago and was based around the journal I’d kept during that decade of looking after my relatives.

But what did begin to evolve when I settled down to writing The Memory was the realisation of why I’d been so reluctant to delve too far into my memories. The isolation, the loneliness, that Irene Hargreaves, the protagonist, endures; despite being married to Sam, her loving husband, dragged up my own feelings of being alone so much as a child. That awareness of always being on the outside; looking in on other families, relationships and friendships had followed me; had hidden deep inside my subconscious. And now, as content with my life as I am, it unsettled me.

Many people, and as an occasional creative writing tutor I’m one, say that writing is cathartic. Working through Irene’s memories; especially that one memory that has ruled her life, made me acknowledge my own. And that’s fine. I always say to my students, if you don’t feel the emotions as you write, then neither will your reader.

In The Memory I’m hoping the reader will sense the poignant, sad times with Irene, but will also rejoice with her in the happier memories.

Over the last few years I’ve moved from writing the historical family sagas of Haworth trilogy, that moves through the decades from 1914 – 1968, and The Heartstone, set during WW1, to contemporary fiction such as The Memory (which was shortlisted for the Wales Book of the Year 2021 The Rhys Davies Trust Award) and domestic thrillers, such as Sisters.

My next book, due to be published in November 2024 is The Stranger in My House:

“A gripping ‘cuckoo in the nest’ domestic thriller.”

After the death of their mum, twins Chloe and Charlie are shocked when their dad introduces Lynne as their ‘new mummy’. Lynne, a district nurse, is trusted in the community, but the twins can see her kind smile doesn’t meet her eyes. In the months that follow they suffer the torment Lynne brings to their house as she stops at nothing in her need to be in control.

Betrayed, separated and alone, the twins struggle to build new lives as adults, but will they find happiness or repeat past mistakes? Will they discover Lynne’s secret plans for their father? Will they find each other in time?

The Stranger in My House is a gripping ‘cuckoo in the nest’ domestic thriller, exploring how coercive control can tear a family apart. Set in Yorkshire and Cardiff, from the 60s to the winter of discontent, The Stranger in My House dramatises both the cruelty and the love families hide behind closed doors.

Sisters

The Memory

The Heart Stone

Discover the Haworth trilogy

Prequel to the Haworth trilogy

https://tinyurl.com/3m5xhnsu

This is My Mum.

This is My Mum.. She’s the one on the left. Next to her (the dark-haired toddler, is her sister Olive, who lived with us for many years) …

mum & Olive when babies

This is My Mum, a photograph taken in her early teens …

mum young woman1

This is My Mum –  The girl on the left …

Mum around sixteen

This is My Mum, elegantly posed in her late teens…

mum - young woman

This is My Mum in her Auxiliary Territorial Service (ATS) uniform during the war…

mum in Army

This is My Mum – on her wedding Day to Dad. Sitting in a car in a photographer’s studio with a pretend background …

Mum & Dad - wedding day

This is My Mum – with my sister and me – I’m the grumpy-looking blond one…

mum in her thirties

mum with us on the beach

This is My Mum in her forties outside the house she lived in until 2014 …

mum around forty five

This is My Mum in her sixties, enjoying the sun in the garden …

mum in the back garden

This is My Mum -aged eighty, at our son’s wedding …


mum purple suit

This is My Mum …

mum thrfee months ago

This is My Mum …

I will give her some dignity so I won’t show her as she is now;  a small frail figure huddled under the bedclothes. She  sleeps most of the time, only speaks the odd disconnected word, she’s doubly incontinent and can’t feed herself, 

My Mum would not have wanted to live like this. I do not want her to have to to live like this. I wouldn’t want to live like this  What I should say is … ‘exist like this.’

 You’ve seen the photographs of my mum as she was. That’s how I want to remember her.  In a similar way, that’s how I want my children to remember me.

This why I wanted to write this post. 

 

Memories … and What Comes Next

 

This is the view I saw from the window of my bedroom in the house I lived in as a child until the day I married. The war memorial, an Obelisk, on Alderman’s Hill is called Pots and Pans. No one seems to know why. When I was eleven I had a dog (a Heinz Fifty-Seven variety; a cross between a corgi and a terrier,  who probably these days would be called a Torgi) named Rusty. She and I could  climb and run back down the hill in twenty minutes. Nowadays I think it would take me an hour just to get to the top. I’m not even going to try.

2420008_4841d65b.jpg (640×381)

 

 

The house itself doesn’t change. Each tread of the stairs has its own noise; a soft whisper, a sigh of relief underfoot, a crack of protest. Each door sounds my progress through the house; the bedroom door protests its opening on the ill-fitted carpet, the bathroom door shushes closed. Downstairs the living room door opens quietly, then creaks as it’s forced against the many painted-over the hinges and frame. Finally there’s the heavy sigh of kitchen door, as though opening onto another day’s toil.

It’s my mother’s house.    Once I lived here too. Now I visit.

 

 

 

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It’s six o’clock in the morning.With laptop and cup of tea I settle down to write. I must have done this hundreds of times before. I wait to hear the thud of her feet as she stomps across the bedroom, the sound of her peeing in the bathroom, the yank on the chain of the flush of the old-fashioned cistern. I hold my breath, force back the slight irritation, hope she gets back into bed. But the mumblings get louder. I hear her tap on my bedroom door: ‘Judith?’ followed by the feigned echo  of surprise; ‘you’re up already?’ as she takes the first two steps onto the landing.

In the past I bit back the exasperation. She knew I wrote at this time. I always have; it’s my time. We had a day of shared memories to get through. Again. Of laughing at the old black and white photographs; the different and often outrageous hairstyles and perms, her hats and frilly blouses, my flower-power flared jeans and mini skirts.   Hours of mindless TV;  Jeremy Kyle, This Morning, Doctors. Lunchtimes;  chomping mournfully through thinly buttered Ryvita on diet days –   joyfully savouring meat and potato pies and custard slices on  ‘who gives a damn’ days. Then the comfort of the afternoon nap and the quiet hour of companionable reading.

I wait to hear the thud of her feet as she stomps across the bedroom floor.

It doesn’t happen.

Some weeks ago, a quick phone call, a frantic journey brought us to to this part of the country, to the hospital, to the ward, to the bed she sat up … cheerfully waving as we walk towards her. ‘Hello love,’ she shouted, ‘ well, here’s another fine pickle I’ve got myself into.’ She seemed perfectly clear, lucid for a few minutes. Then she called me Olive, her sister who’d died some years ago, mixing up past and present; confused. I held her hand, traced the veins under the thin, wrinkled skin, touched the  deformed nail on her right hand little finger that once was trapped in the machinery of her winding frame in a cotton mill and never properly grew back..

And I knew there were hard family decisions to be made.

Mum at a family wedding ten years ago.

mum

Yesterday Mum went into residential care. At ninety three she’d lived in this house for sixty-one years.

Today will be the last time I write here; it felt as though it was a ritual I needed to go through. This is what I wrote.