Places in our Memories: With Jane Risdon #MondayBlogs #Memories

There are places that remain in our memories, the details may become slightly blurred, nostalgia may colour our thoughts, but they don’t fade. And how those places made us feel at the time is the one thing that remains.

Today I’m pleased to be welcoming online friend, Jane Risdon, here to tell us about her childhood memories.

Thanks so much for inviting me, Judith, it is lovely to be able to share my memories with you.

Soon after I was born, my father left for the Korean War, and my mother and I, moved in with my paternal grandfather — a former British Indian Army Major —with my dad’s sister, and brother, although not long after, my uncle immigrated to Australia.

During my first two years living with them all, I recall the house being filled with music when my uncle was there, and he, his sister, and my mum, would jitterbug and waltz around the breakfast room to the radio or their 78rpm record collection, to the music of Nat King Cole, Johnny Rae, Guy Mitchel, Alma Cogan, Bill Haley, Ann Sheridan, Doris Day, and so many others whose music I grew up to love.

My parents met when my dad was an Officer Cadet Instructor at the Royal Military Academy, Sandhurst, in 1947, when she and her sisters used to go to the dances in the Old College. Eventually, she married my dad, and one of her sister’s married his best friend, who was an instructor too. Sandhurst features greatly in our family history – another story one day, perhaps.

Grandfather’s Victorian era house in Aldershot, was on three floors and was full of Indian memorabilia and furnishings. Tables with elephant tusks (I know, don’t let’s go there), and grand carvings on the wooden legs and surfaces. Rugs and tapestries weaved by Indian artisans with scenes of tigers, and other animals covered the walls and floors. There were various other pieces of art and furniture I can barely recall. But I can still remember the smells of camphor in the parlour, and the ‘carpet’ smell given off by the wall hangings and Persian rugs which were everywhere.

On the ground floor as you stood at the front door, there was a lovely entrance hall, with decorated floor tiles. On the left there was the parlour, where a grand fireplace dominated the room. On the mantlepiece there were various vases and other ornaments and, eventually, I was bequeathed them by my grandfather, who inherited them from his mother. Apparently I was fascinated by them as a toddler, and I must admit I loved them as I was growing up.

On the right looking ahead there was the staircase with ornate bannisters. Opposite the stairs on the left, there was a breakfast room leading into a scullery and kitchen with a backdoor onto the garden. ‘Joey,’ the budgie had a cage in the breakfast room, which had a huge dresser along one wall, displaying most of my parent’s wedding presents, in the form of a full white dinner service, Japanese fine porcelain tea and coffee sets, and in the huge drawers their Indian linen was held, along with their damask table linen, and canteen of silverware, and similar items.

Joey, the budgie, was fun too. He used to talk all the time and said funny things, because I can recall everyone going into hysterics every time he said anything. Years later, I learned that he used to swear, not that I ever heard anyone in the family using bad language, Joey seemed to have picked it up from somewhere.

The scullery held the sink and  gas cooker. I’m not sure if there was a fridge when I lived there – I was only there from birth until I was two, but years later I used to visit with my parents and siblings and so the timescale for my memories probably get intermingled with other times. I’m always transported back to that scullery, whenever I smell Lifebuoy, Imperial Leather, and Wright’s Coal Tar Soaps. Sticks of celery in a glass container filled the air with their fragrance whenever we had afternoon tea. I’m sure we ate other things, but I cannot recall.

Years later when I had brothers and sisters and we’d visit him on a Sunday, the smells were still there, although, by then these were joined by the smell of baking because grandad had a live-in housekeeper who was an excellent cook.

Grandfather in his Major’s uniform. Grandfather and his brother before deploying to France

My grandfather was strict. Children were seen and not heard. I was another of his soldiers under his command, although he was a kind man. One was not allowed to speak until spoken to, one was not allowed to fold one’s arms or rest them on the table. There was a certain way to behave when dining and his training has never left me. Bad table manners drive me mental.

Grandfather lied about his age and joined the Army aged fourteen, having been a boarder at the Duke of York Military School for the children of widows of soldiers, where he was joined by two of his brothers who also enlisted in the Army.  Apparently they didn’t question Grandfather’s enlistment and he was in France soon after, fighting in WW1. My Grandparents married in England in the 1920s. They went out to India soon after their marriage and lived there until partition in 1947. He served in Africa in WW2, leading his men — including Gurkhas, Sikhs, Muslims, and Hindus from India, to fight Rommell in the desert. He rose to the rank of acting Lieutenant Colonel but retired as a Major.

During WW2, my grandmother drove ambulances carrying wounded soldiers from the docks to the hospitals where they were living in India. She was a fashion icon, I gather, wearing trouser suits when ladies were frowned upon if they wore them, and she favoured huge picture hats when driving, which caused a stir. She also took in lodgers when my grandfather was in Africa, and her guests included jockeys for the various Maharajahs, including the Maharajah of Jaipur’s favourite rider.

My grandparents divorced when my father and his siblings — who were born and grew up in India — were very young. Grandmother remarried and went out to South Africa where she and her Argentinian husband, purchased an ostrich farm, and later a grand hotel in the Valley of a Thousand Hills in Natal. She died in her late forties, in South Africa. My father and his brother never saw her again, although their sister spent time with them in South Africa as a small child, and later, which I will go into further on.

My father, and his younger brother and sister in India

Ayah with Dad and Roy

My father and his siblings were educated in the Himalayas. He and his brother went to a college in Simla (Shimla), known as the Queen of Hill stations, and their sister went to a convent elsewhere. The boys could count future presidents, prime ministers, princes, and maharajas amongst their school mates. They spent nine months of the year in the mountains and came down for the summer which they spent with their parents in Quetta, Poona, and other places they lived. Although, mostly they were looked after by their Ayah (nanny), it seems from all accounts, their childhood spent in India, was idyllic and magical most of the time. The boys were taught by Christian Brothers, although the family was Church of England, and my aunt was taught by Catholic nuns. One day her school had a visit from Mahatma Gandhi, and she was introduced to him, and shook his hand. He then went outside the school, sat by the gates, and greeted various people, wearing his loin cloth! She has a clear memory of it but has no idea why he was visiting in his loin cloth.

My father in Sumatra circa 1953

Father as a child with brother and Quetta Hills Tribesmen

My father joined the British Indian Army in India after the war, when he was old enough, and was sent to Africa and various other ‘hot spots,’ before ending up in England, at the Royal Military Academy, Sandhurst, where he eventually met and married my mother.

Back to the house. In the hall, next to the stairs, there were steps down into the sitting room. Again, the smell of Indian wooden furniture is a prevailing memory. I can’t recall what else was in the room, but there were double French doors opening on to the back garden. In the garden, the smell of creosote is a vivid memory. It coated the wooden fence panels, and the garden shed, and when the sun shone the creosote seemed to smell stronger.

Father in the Korean War

When I was two, Mum and I flew to Singapore to join my dad, who’d been posted from Korea to Malaya — The Malayan Emergency —  to take part in the counter-insurgency operations by Britain, which lasted from 1948-1960, and resulted in the defeat of Communist rebels, attacking the rubber plantations and murdering Malayans. We lived in Singapore for a few years, and I have quite vivid memories of our time there. I recall meeting my father for the first time at the airport, and shooting up inside my mother’s skirt, apparently wanting, ‘that nasty man’ to go away. It took months to accept him. It seems that as a toddler every man I met I called ‘daddy,’ and even the station master on Aldershot railway station was called ‘daddy,’ until one day he took my mother aside and suggested she tell ‘that poor child,’ who her father is.

Flying to Singapore, before Jet engines, took over a week, one way. We had frequent stops for lunch, and refuelling, in various countries, and we overnighted in a number of other countries, unable to fly at night. Sights and smells I can still recall, especially India; staying in Calcutta, Karachi, and Bombay — as they were known back then. I clearly remember coming off the plane for a lunchtime stop, and seeing an Indian lady, in a sari, with rings through her nose, with bare feet.

On the first floor in my grandfather’s house, there were several bedrooms and a bathroom. The floor in the bathroom was tiled in black and white, and one afternoon I managed to lock myself in there and had to be rescued by my uncle — via a ladder — put up to the bathroom window. He was able to unlock the door from the inside.

The next floor had more bedrooms and a bathroom, and I suppose I must have gone inside them at some point. I can’t recall. Although, I know one bed was so high off the ground, my great grandparents, when visiting, used to take a running jump to get on to it, which must have been a sight for sore eyes, considering they were both in their nineties!

I’m not sure where my grandfather’s room, my uncle’s, or my mother’s was, but they were on this floor. But I do recall my teenage aunt’s room. It was like an Aladdin’s cave. She had so many pairs of shoes and handbags, which I liked to play with. And, she had an amazing collection of dolls which were on her bed. The dolls could be turned upside down and there would be another doll under their clothes. I spent many hours playing with them, carefully, of course.

Jane around 1952 

Just before we left for Singapore, my grandmother visited from South Africa, mainly to see if her daughter would go back with her to live at their hotel, The Valley of a Thousand Hills Hotel, in KwaZulu-Natal. She arrived at my grandfather’s house with her new husband — they were on their honeymoon in Europe — complete with chauffeur-driven car. She refused to pick me up in case I messed up her furs and haute couture outfit. She gave me a dress and a doll, I believe. After a while they took off with my aunt in tow, to tour the West Country, so my aunt could decide if she wanted to go to South Africa or not. My aunt decided to remain with her father. Grandmother returned to South Africa and died four years later.

Amah 1954 with her niece.

Singapore was amazing. So different to the way it is today.  My husband, and I, have lived there on several occasions throughout recent years, when working with Chinese recording artists. In 1954 it was a town surrounded by jungle, and I can clearly remember how it was.

Singapore Junk with city in the background.

We lived in flats, with the parade ground behind us, and every morning you could hear the men on parade, the music, and the marching. I had an Amah (nanny) to look after me. She used to take me into her room and feed me raw fish and rice, and I would squat on the floor with her to eat it with chopsticks.

I had a little friend, older than me, called Janice, and we used to swim in the sea together, and go to the park for picnics and play on the swings. We also went to the Botanical Gardens. Our parents had an amazing social life and would often cross the Straits from Singapore to Jahor Bahru, to dine and go dancing.

I cannot recall the flat. I do remember sitting on the steps inside the flat with Janice, and somewhere there is a photo.

RMA Heritage Day 2016

Having a parent in the Army, I spent my childhood until my teens, travelling and living around the world. Going to so many different schools, it was almost impossible to make long-term friends. Eventually, working and living overseas with my husband, in the music business, I’ve found it hard to call anywhere home. Picking one place to concentrate on, has been difficult. I hope you’ve enjoyed my memories of the early years with my grandfather, and of living in Singapore.

About Jane:
Jane Risdon is the co-author of ‘Only One Woman,’ with Christina Jones (Headline Accent) and ‘Undercover: Crime Shorts,’ (Plaisted Publishing), as well as having many short stories published in numerous anthologies. She writes for several online and print magazines such as Writing Magazine, Electric Press, and The Writers’ and Readers’ Magazine.
She is a regular guest on international internet podcasts including UK Crime Book Club (UKCBC), Donnas Interviews Reviews and Giveaways, and on radio shows such as theauthorsshow.com, chatandspinradio.com, and The Brian Hammer Jackson Radio Show.
Undercover: Crime Shorts is being used by Western Kentucky University, Kt. USA, in an Introduction to Literature Class, for second year students from Autumn 2021 for the foreseeable future.
Before turning her hand to writing Jane worked in the International Music Business alongside her musician husband, working with musicians, singer/songwriters, and record producers. They also facilitated the placement of music in movies and television series.
Earlier in her career she also worked for the British Ministry of Defence in Germany, the Foreign and Commonwealth Office, London.
Jane is represented by Linda Langton of Langton’s International Literary Agency in New York City, New York USA.

Jane’s Links:
https://janerisdon.com
https://www.amazon.co.uk/Jane-Risdon/e/B00I3GJ2Y8
https://www.facebook.com/JaneRisdon2/
https://www.amazon.co.uk/Undercover-Crime-Shorts-Jane-Risdon-ebook/dp/B07RFRVL4P
https://www.amazon.co.uk/Only-One-Woman-Christina-Jones/dp/1783757310
https://www.goodreads.com/author/show/5831801.Jane_Risdon
https://www.bookbub.com/authors/jane-risdon
https://wnbnetworkwest.com/channel/6/…
https://wnbnetworkwest.com/channel/4/…
https://chatandspinradio.com/
https://www.MYLVF.com

Places in our Memories with Terry Tyler #Mondayblogs #Memories

There are places that remain in our memories, the details may become slightly blurred, nostalgia may colour our thoughts, but they don’t fade. And how those places made us feel at the time is the one thing that remains.

Today I’m welcoming Terry Tyler, a friend I’ve known online for many years, and had the great pleasure in meeting and getting to know her in real life at Barb Taub’s writing retreat on Arran, a few weeks ago

First, thank you to Judith for inviting me to this nostalgia-fest on her blog!

When told about the feature, I immediately wanted to write about the place we used to go on holiday when I was a child.  It was a holiday rental bungalow called Barn Piece in Eccles-on-Sea, Norfolk, complete with a genuine gypsy caravan in the garden, which we loved.  We went there from about 1966 to 1976.

Behind us are you can see the dunes, leading to the beach.

The ancient village of Eccles-juxta-Mare, as it was once called, vanished into the sea over a hundred years ago, and by the time we started going on holiday there, in the late 1960s, the only indication of its existence on the map was the location of Eccles beach.  In the 1960s it consisted of a few private houses down overgrown lanes; they fascinated me, and I loved to peer through the untended foliage and wonder who lived in them.  The Pyghtle and Smee Cottage; they were the two I remember. 

Then there was a sandy track past shabby chalets to a grocery shop where Julia, Eddie and I would go to buy sweets, buckets and spades, postcards and other stuff that children used to spend their holiday money on in those days; I always spent all mine within a couple of days, whereas Julia made hers last. 

The bungalow had such a ‘we’re on holiday’ feeling about it, a home from home as we went there for many years.  By the beginning of the second week, I always felt as though my real life was there, not back at home.  Barn Piece was large and light and shabby and a bit musty-smelling, and we loved it.  This photo was taken by Dad back then; the gypsy caravan was just to the right of the washing line

Our dog was called Susie; she was with us for ten years and remembered the place whenever we arrived there, too.  She would hurtle up the sandy slope to the beach without being told where to go. 

Eddie said to me the other day that he can still remember how the gypsy caravan smelled—I can, as well. 

Here’s a picture of Julia and me cleaning it out!  Why we chose to do this on such a brilliant, sunny afternoon, I have no idea!

The last time I went there on holiday was in 1976, when I was nearly seventeen, and my best friend Ruth was invited to come with us so that I didn’t kick up about going on holiday with my parents and twelve-year-old brother!   The one of me (right) is two photos exposed together, but I’ve always liked its ghostly feel …

… which brings me to the eerie bells of the lost church, a victim of the coastal erosion so prevalent in that area.  I’ve found a couple of articles about it, which give more information than I can put here, or this post would be far too long!

Weird Norfolk: The lost village of Eccles which sometimes appears after storms and the graveyard where the dead cannot rest

The ‘lonely sentinel’ of Eccles-juxta-Mare is finally lost to the sea

Now and again we’ve gone back there to take a look—my parents went there in the winter of 1990, when the ruins of the church had become visible once more.

This photo on the dunes (that’s Mum in the grass! – Barn Piece down to the left), taken the same day, shows how wild the place feels—and you can see Happisburgh (pronounced Hays-borough) lighthouse in the distance. Happisburgh is fast becoming a lost village, too.  In 2005 I spent a weekend at a beer festival there—just a few years later, the field in which we camped had crumbled into the sea.

From 2000-2009 I lived in Cromer, further up the coast; around 2001, when my parents visited, we made the pilgrimage to Barn Piece.

I went back in 2007, too, but it had changed so much.  Smart holiday cottages and chalets were everywhere, and the new sea defences meant that I didn’t recognise the beach.  The sandy slope up the dunes that we used to run up as children, excited about our first glimpse of the sea, has gone; the dunes themselves had flattened into little more than a small hump.  Barn Piece, though, was still there.  Fifteen years on, I don’t know whether it is or not; I’ve googled it, but have come up with no results.  I’ve googled Eccles-on-Sea, too, and all those empty fields appear to have been built on.

Happy days.  Mostly, I’m so glad that my mother was like me, forever taking photographs—thank you, Mum, for all these memories!

The Author:

Terry Tyler writes post-apocalyptic, dystopian and dark psychological fiction, available on Amazon.  She loves quiet, wild places, and still gets as excited about going to the seaside as she did when she was a child.  Aside from writing, she enjoys reading, telly binges, long walks, and wasting time on Twitter.  She lives with her husband in North East England.

Places in our Memories #MondayBlogs #Memories

There are places that remain in our memories, the details may become slightly blurred, nostalgia may colour our thoughts, but they don’t fade. And how those places made us feel at the time is the one thing that remains.

Copyright: @TalkSaddleworth

This is one of my memories; the street I lived in until the age of five.

It was a narrow street with only ten small, terraced houses. Built in stone,  the front exteriors were identical: a door with a window on the left and two bedroom windows above. The differences were made by the individual choices of each household. Perhaps I should really say, the choices made by the women. Each house had different net curtains at the downstairs window, white or cream; a variety of patterns. It seemed like every other Monday the washing lines on the common land at the back of the houses were filled with row upon row of lace-like material. And every Saturday morning my mum cleaned the front step with a white donkey-stone, bought from the rag and bone man in exchange for any old clothes that were past wearing. Rubbing the sandstone in long sweeps over the step she would smooth it out with a cloth until it was evenly covered.She was always in a good mood if she was the first on the street to have a Saturday “tidy front step”.

The street was cobbled. In summer when the weather was hot the tar between the cobbles melted, very tempting for small fingers. We would poke the tar with sticks and often get some on our hands, or clothes. I’m not sure how my mother removed it from my fingers, but I do remember getting into trouble about that.  Being too narrow for cars, we were able to play on the road: hopscotch, skipping games, football (the dads would sometimes join in), cricket (being the smallest I was only ever allowed to field, not always successfully, I might add; the street sloped downwards, the ball often only came to rest on the patch of land at the end of the street).

We stayed out from first thing in the morning until dark, given half a chance. I remember eating whatever ‘butty’ I was given for lunch (dinner) sitting on the front doorstep.

Copyright @LiverpoolEchoe

The patch of land I mentioned, was called ‘the croft’ for some reason. It was  where we had the communal bonfire each year. The men collected old boxes, planks and pallets, broke up old furniture and built the bonfire. Some older boys would guard it to prevent anyone from the other streets stealing anything; there was great rivalry with the bonfires. On the night our mothers produced potato pies, black peas, treacle toffee. Some people threw potatoes onto the fire to cook – which they more often than not, didn’t, but no one admitted the hot, blackened potatoes were raw inside.  There was always lots of fireworks (always the dads in charge): Rockets, Catherine Wheels, Rip-Raps, Bangers. We were allowed Sparklers to write our names in the dark skies. I don’t remember it ever raining on Bonfire Night, though, being in the North of England, I suppose it must have.

 With no bathroom in the house  the lavatory was in a row of three small buildings. A cinder path crossed the common land to get to them. Stiflingly hot in summer, bitterly draughty in the winter, my mum fought a war against germs inside our loo, it always smelled of Jeyes Fluid. The brick walls were whitewashed which sometimes formed bubbles and broke up into powdery flakes that floated down onto the stone flags. With no window, and a door that fitted tightly when latched, it was pitch-black in there.  I always stretched my leg out to hold the door back against the wall; I was more scared of the dark than being seen by anyone who passed. And, anyway, over the roofs of the houses in the next street I could see fields and the dark purple of the moors; somewhere that seemed a magical place.

Bath night was Sunday night. With no bathroom in the house, we used a large tin bath that was usually hung on a large nail outside the back door. Hauled in front of the kitchen fire the bath was filled with pan after pan of hot water heated by the wall cylinder.

In winter the only warm room was the kitchen. Bedtime was a dash from there, up icy-cold stairs into the bedroom, tightly clutching my hot water bottle. If my father wasn’t home, my mother, oblivious to any thoughts of Health and Safety, carried a shovelful of fire, burning coals from the kitchen fireplace, to the fireplace in my bedroom, in order to take the chill off the room. It rarely did, but I loved watching the flickering shadows from the low flames on the walls and ceiling. Often, by morning, my clothes, laid out on the chair at the end of my bed, in readiness to jump into, would be stiff with cold, and the inside of the windows were covered in intricate patterns on the panes, icy kaleidoscopes of snowflakes that melted when I held my hand on the glass.

I suppose we were poor, but where we lived and at that time we were the norm. I can’t remember feeling any different from anyone else. But I guess, at five, I was oblivious to the larger picture of our family, days were times of play, and the novelty of the small school I attended. It’s only looking back that I realise how quickly I took for granted our next house with a bathroom, electric heaters in all the rooms, and a garden to play in. Oh, and an inside lavatory!

Best of all, I was within walking distance of the fields and the moors, and as I  got older the moors became a somewhere to roam, to escape to, with my dog..

Copyright @David Barrow
Copyright @David barrow

Next week: Places in our Memories #MondayBlogs #Memories with Thorne Moore

Today With Christoph Fischer

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Over the last couple of weeks I’ve been be chatting with authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl .  I’m looking forward to having many more such chats over the next couple of months. 

So far I’ve interviewed Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore:  http://bit.ly/1P6zDQh  and Matt Johnson: http://bit.ly/1RUqJFg  . Over the next few weeks I’ll be introducing them all and I’ll also be showcasing the publishers who will be in attendance. There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today’s guest need little introduction.  I’m really pleased to be chatting with my  friend, Christoph Fisher. Christoph organised the first Llandeilo Book Fair this year and is now in the process of setting up another: http://llandeilobookfair.blogspot.co.uk/

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Hi Christoph and welcome. Let’s start by asking you what books have most influenced your life?
I’m not sure which ones influenced me the most but here are some books that triggered big events in my life:
After reading “The Idiot” by Dostoevsky I became a true literary addict. Before then I liked reading, now I was hooked. I read all of his work and decided to find a way of living by working with books. I became a librarian.
I switched over to the travel industry after reading “Backpack” by Emily Barr. It is a thriller set in Asia but it is as much about finding yourself as ‘Eat, Pray, Love’ – only with more bite.

  1. How do you develop your plots and characters?

I have basic plans for the story and the characters but I allow them to change as the story moves along. I often find that the great scene in Chapter 13, which I had built up to from the start, doesn’t feel right any more. I allow chaos during the first drafts and then iron things out in the re-writes.

  1. Tell us about your latest book?

Ludwika is about a Polish woman forced to work in Germany to fill the labour shortage during WW2. Although she is better off than other victims of the Nazi regime, her life gets disrupted beyond repair.

Ludwika: A Polish Woman's Struggle To Survive In Nazi Germany by [Fischer, Christoph]

  1. We all need a hero! Tell us about your protagonist(s)? Was there a real-life inspiration behind him or her?

In Ludwika’s case there is real-life inspiration. She was the mother of a friend of mine and I started writing her story after helping them find out more about their mother’s time in Germany.

  1. A good villain is hard to write. How did you get in touch with your inner villain(s) to write this book. Was there a real-life inspiration for him/her/it?

I usually have a real villain in mind. One in particular found her way into two of my books. I imagine what they would say or do and then the writing comes to me very easily. In the re-writing process I make sure I change enough not to get sued.

  1. What real-life inspirations did you draw from for the world-building within your book?

I used my grandparents as inspiration for two of my books. Their marriage was difficult for various reasons. In “The Luck of the Weissensteiners” I focus on the political circumstances and their life in Slovakia during WW2. In “Sebastian” I write about my grandfather and his disability.

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Did you research for your book?

Yes. I think especially in historical fiction you need to get your facts right. In many cases the research came long before I had the idea for the book, so it wasn’t too arduous during the writing.

  1. What was the hardest part of writing your book?

Letting Ludwika go through her ordeals, knowing she was a real person and only in part product of my imagination.

  1. What was your favourite part to write and why?

One chapter in which Ludwika makes a new friend. I wanted to show how even in the darkest hours there can be hope, friendly encounters and a little joy.

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  1. Did you learn anything from writing your book and what was it?

Yes, I learned that odd choices can make a lot of sense when you look at them closely and know the context. There are often good reasons for what appears irrational or risky.

  1. Is there a message in your novel that you hope readers will grasp?

I hope people will see that there were many heart-breaking tragedies and stories during that time. In comparison they may pale but for the individual they were still catastrophic.

  1. What are your future project(s)?

I am currently working on the sequel to my medical thriller “The Healer” and also on a humorous murder mystery.

Product Details

  1. If you couldn’t be an author, what would your ideal career be?

Film and book critic.

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  1. What is your preferred method to have readers get in touch with or follow you (i.e., website, personal blog, Facebook page, here on Goodreads, etc.) and link(s)?

Website: http://www.christophfischerbooks.com/

Blog: http://writerchristophfischer.wordpress.com/

Goodreads: https://www.goodreads.com/author/show/6590171.Christoph_Fischer

Amazon: http://ow.ly/BtveY

Twitter: https://twitter.com/CFFBooks

Pinterest: http://www.pinterest.com/christophffisch/

Google +: https://plus.google.com/u/0/106213860775307052243

LinkedIn: https://www.linkedin.com/profile/view?id=241333846

Facebook: http://www.facebook.com/WriterChristophFischer?ref=hl

  1. Do you have anything specific that you want to say to your readers/ new writers

Yes. Readers, please leave reviews for the books and recommend them to your friends. Your support is very important.
To new writers: Be true to yourself and don’t let yourself be discouraged.

My Interview with Rebecca Bryn

Today I’m really pleased to be chatting with Rebecca Bryn who’s going to talk about her latest novel, On Different Shores. 

We will hear more of Rebecca: she will be one of the authors at the Tenby Book Fair: http://tenbybookfair.blogspot.co.uk/ which is one of the first events at the the Tenby Arts Festival: http://www.tenbyartsfest.co.uk

 

An image posted by the author.

 

 Hi Rebecca, please introduce yourself and your book to help our readers get to know you.

 Hi Judith. I write under the name of Rebecca Bryn, chosen to protect my family from the embarrassment of being associated with me. I’d like to talk about my latest novel, ‘On Different Shores’ based on a true family story, which I hope to release later this year.

What inspired you to write your book and how long did it take.

A: Someone once asked me how long it took me to paint a seascape they were interested in buying. I told them thirty years, because that was how long it had taken me to learn my craft, to be able to produce that particular painting. So, on that basis, On Different Shores is the culmination of about twelve years of writing, rewriting, editing, tearing apart and rebuilding, and a lifetime of experiences that broke me and allowed me to rebuild myself.

On Different Shores is inspired by a family story, my grandmother was somewhat tight-lipped about. After my mother died, I delved into her family history and found this story was true. I haven’t been able to confirm the assertion that we have relatives in Tasmania who own a shipping line, but I have found the committal proceedings, trial reports, convict records and probations records of my great-great-great uncle James, who was transported to Van Diemen’s Land (Tasmania) aboard the convict ship Tortoise, in 1841, along with his two cousins. They were found guilty of ‘very aggravated manslaughter’ and transported for life. James married twice; (his first wife died in childbirth and his baby son 8 days later) he died in 1913, aged 93, and is buried in Hobart alongside his Irish convict wife, who died in 1912 aged 92. So Hobart was not bad for them, it seems. A short story that may raise a smile can be found free at www.independentauthornetwork.com/rebecca-bryn. It’s called ‘Ooh Air Margrit’ and is embarrassingly true. (And a little too honest)

What did you enjoy most about creating this book?

The research. I feel really close now to James and to my roots in Yardley Hastings, East of the Brook.

What facets of your life, both personal and professional, are woven into your book, if any? 

I enjoy research so I can accurately depict, pictorially almost, the time, the place and the emotional strictures this must have placed on the people who become my characters. I’ve used my artist head to clothe a character in ‘The Silence of the Stones’ and my love of my maternal grandfather to bring Walt to life in ‘Touching the Wire’. I recommended honesty, earlier, to aspiring writers, so I can do no less here. My novels all have an underlying theme, that of unbreakable love. Walt for Miriam, Alana for Tony, Raphel for Kiya, and Ella for Jem. Losing my first husband broke me. To be deserted, unloved, discarded was unbearable. To lose the man I adored, my friends and family, people I’d grown up with, was so painful I suffered clinical depression for many years. I didn’t know I was clinically depressed then but, reading the symptoms now, I realise I had all of them. Each day was a struggle. I lived to get through the next two minutes, then the next. I had to, to bring up two children alone and hold down a full-time job to keep a roof over our heads. But they say what doesn’t kill you, makes you stronger. I met a wonderful man, who showed me it was possible to love again, and I married him. I shall always love my first husband, despite the pain he put me through. Love, in my mind, is unbreakable. This was a concern to me for a long while. It felt disloyal to my second husband, but my ex mother-in-law, who is ninety-six and has been my role model since I was thirteen, assured me it is possible to love two men in your life. So I do, without guilt, and this determination and ability to love inspires many of the tangled relationships in my novels. Excuse me while I reach for a tissue. I’ve come over all emotional.

How did you get published?

After a close shave with traditional publishing, that frankly scared me witless, I decided to take my destiny in my own hands and self-publish. I like the freedom to write what I want and promote it how I want. It’s been a huge but very satisfying learning curve. I can say, however, that I did everything myself… with a little help from my friends.

Did you have any surprises or hiccups along the way during the book writing and/or publishing process?

Hiccups have usually been accepting criticism and finding a way forward through it: using it in the best way to improve my writing. That can sometimes be a challenge… I did say I liked a challenge. I think the main surprise was the physical difficulty of putting a book under a reader’s nose and, if they do see it and read it, getting them to leave a review.

What one thing did you wish you’d known before you started this project?

Probably nothing. If I’d known what was involved, I’d never have started. Not knowing what I can’t do has always been a huge help to me.

You’re a fly on the wall when readers are discussing your book.   What would you hope to hear them say about it?

That they empathised with my characters and understood them, even if they didn’t like them. That they found an honesty in my writing, and that it made them think. I tackle difficult and sometimes traumatic subjects, and I hope it makes people appreciate what they have in life.

Tell us one thing about you that most people don’t know or would surprise them.

Oh gosh. I have one leg longer than the other? I did say I wasn’t symmetrical. I sound quite deformed don’t I? Maybe I should write under the name of Quasimodo.

What single piece of advice would you give new authors?

Write from the heart. Dig deep into your own experiences and don’t be afraid to write what you feel. (Like me, you can always hide behind a pseudonym)

Share a short summary of a typical day in your life with us  please.

I get up too late to do the writing I promised myself I’d do before my husband gets up. I walk the dog, have breakfast, deal with e-mails and social media. Catch up on my promoting from the previous day, (Do interviews J) By this time it’s usually lunchtime and I wonder where the morning’s gone. Lunch, watch Bargain Hunt on the TV. Walk dog, water greenhouse, wander round garden not weeding. Feel guilty because husband is weeding. Don’t manage to find time to do the painting I should have finished last week for an exhibition that’s looming ominously. Fit in a bit of cleaning in case the estate agent rings up with a viewing. By this time it’s four-thirty, which is when I feel justified in sitting down to do a bit of writing. I catch up with e-mails and social media instead, and do some promoting, by which time it’s time to think about tea. I throw something together, eat, watch the soaps, and wish I had a quiet place to write. Reread the last bit I wrote and rewrite it. Maybe, if I’m inspired, write a few new words, delete them and write a few more. Do tonight’s promoting, ignore husband talking about what’s on TV and the fact that he needs an early night for once… And just as I’m getting into a character… it’s almost midnight: bed time and I’ve achieved precious little. Hey ho, tomorrow is another day. I promise myself I’ll get up early and write before husband gets up…

Describe where you do most of your writing. What would I see if I was sitting beside you?

You’d be sitting on top of my dog, on the settee in my living room, in front of a log burner and a rug that’s thirty-four years into its thirty-five year guarantee. I wonder if the company that made it still exists?

What’s your motto or favourite quote you like to live by?

‘Never judge a man until you’ve walked two moons in his moccasins.’ Another is ‘The only thing written in stone is your epitaph.’ (I made that one up myself – I’m rather proud of it.)

Links to find Rebecca: and her books:

http://www.amazon.co.uk/Rebecca-Bryn/e/B00MBB5BXC

rebeccabrynandsarahstuart-novels.co.uk

http://amzn.to/1XmZQAL

 

 

 

Tales of Our Holiday Lets. Or … Is it Really Worth it? Or … Tales of the Unexpected!

Well, yes it is worth it – we love it, despite the unexpected. Having a holiday apartment attached to our house has brought us many friends; visitors who return year after year in the summer to enjoy the lovely Pembrokeshire coastline and all the other attractions this part of West Wales offers. We love seeing them again. And we are fortunate to meet many new people as well. But there have been downsides. Or should I say, occasions that made us think again about sharing our home.

Such as the Hippies.

old hippie

One of the first lot of visitors in our first year (nearly our last!) I’d almost forgotten about them until Husband dug up a string of bells in one of the flower beds the other day. Here I must hasten to add that, no, we didn’t do away with one of them and bury  the body in the garden. In fact I’ve no idea how the bells got there and so can offer no explanation. Which is all besides the point.

There were just the two of them when they arrived in a small battered car, decorated with brightly coloured swirly shapes. Having always yearned to be ‘one of the beautiful people’ , and knowing I’d no chance, I thought they both looked wonderful in their colourful clothes and long flowing locks ( him and her). Our three children were very young at the time and were mesmerised, especially when, before even unpacking, the man sat cross-legged on the front lawn playing his guitar and she sat alongside banging on a tambourine. Being a conventional type of chap Husband was wary. ‘Hope they don’t stay in every day making that racket.’ (obviously seeing his quiet weekend and evenings pottering in the garden quickly disappearing). ‘Oh, live and let live,’ said I, wistfully.

 Words I needed to remember later that day.

Thinking discretion was the better part of valour I persuaded Husband to take us to the beach; giving the couple a chance to settle in.

Five hours later we piled three weary kids into the car and went home.

We could hear the noise as we drove up the lane to our house. ‘What the …! Husband, looking forward to a quiet beer after his strenuous Family Day of playing football, keeping three kids from drowning in the sea and being being buried in the sand, stared at me with horror.  It was extremely loud. ‘It’s actually music,’I said. ‘It’s coming from our garden and it’s actually too bloody loud,’ said he.

hippies dancing

As we turned onto the drive we were faced by a large camper van. We parked the car next to it and got out. There were half a dozen dancers on the lawn. One of them waved to us. I half raised my hand in reply before I heard Husband’s sigh. (I think I should add here that when we moved into the house the acre of land around it was a field and it had taken three years to get it anything like a garden. He’d worked hard on transforming it and it’s the only thing he’s precious about )  Two of the women were holding small bunches of flowers; Dianthus, I realised (and hoped Husband didn’t)  from around the edges of the garden. No such luck; I watched with interest as his face turned puce. ‘Oh dear,’ I said, suddenly aware that I was tapping my feet to the beat.  The kids, ecstatic, joined in with the dancing. One woman picked up our daughter and twirled her around. Seeing Husband looking at his churned-up grass, and seeing our original woman holiday-maker amongst the others, I thought I should say something.  ‘They’ve got visitor… our visitors.’ ‘We’ve got trouble,’ he growled, pointing to the back of the van where  a pile of rucksacks and sleeping bags lay on the ground

van

Just then four men appeared from around the corner of the house and gathered up the bags. They walked away from us. For the second time Husband said,’what the …’. And followed them. I followed him. I wasn’t too worried, after all their van had ‘Peace’ written along the side. We knocked on the door of the apartment. The man who answered wasn’t our visitor. He looked to be around forty-five; an original hippie. ‘Hey, man,’ he said, holding up a hand. He actually said ‘Hey, man,’ like someone out of a third rate film.

‘Who are you? ‘ said Husband. I noticed his ears were bright red, a sure sign of an impending explosion. (oh, dear, I always make him to be so angry in these posts)

‘Friends are staying here,’ the man said. ‘We’re going to kip down for a couple of days with them.’ The other men looked on from inside the kitchen, bottles of beer in their hands. There was no sign of ‘our’ visitor.

‘Just going to stay a couple of days,’ said one of the others.

‘Got a problem with that?’ said another.

‘You got a problem?’ The first man again..

 I felt the first tremor of trepidation. ‘Should I call the police?’ I whispered, poking Husband in the back.

He didn’t answer. What he did say to them was, ‘No,I’ve not got a problem. Because what you’re going to do is…you’re going to leave.’There was a long silence, then some mutterings. The men bunched up behind the older man. I was really worried by this time, Husband was no match for them.

Then one said,’ we come in peace.’ He did! He really did say that!

‘Then… in peace, you’ll leave,’ said Husband. I had the urge to giggle; I think it was nerves. ‘From my count,’ continued Husband, ‘there are ten of you. Eight too many. Eight have to leave.’ 

‘No way, we’re doing no harm.’

 It was a stand-off. We all stared at one another. Then Husband said,’okay, then that’ll be fifty pounds each.’ I knew he didn’t mean it; we’re only insured to take two people in the apartment and he’s not one for  flouting the law. It was a gamble.

 I’ve never seen people move so fast! They last we saw of them was the billowing of smoke from the exhaust of the camper van.

 Until, that is, Husband dug up the string of bells the other day 

This is My Mum.

This is My Mum.. She’s the one on the left. Next to her (the dark-haired toddler, is her sister Olive, who lived with us for many years) …

mum & Olive when babies

This is My Mum, a photograph taken in her early teens …

mum young woman1

This is My Mum –  The girl on the left …

Mum around sixteen

This is My Mum, elegantly posed in her late teens…

mum - young woman

This is My Mum in her Auxiliary Territorial Service (ATS) uniform during the war…

mum in Army

This is My Mum – on her wedding Day to Dad. Sitting in a car in a photographer’s studio with a pretend background …

Mum & Dad - wedding day

This is My Mum – with my sister and me – I’m the grumpy-looking blond one…

mum in her thirties

mum with us on the beach

This is My Mum in her forties outside the house she lived in until 2014 …

mum around forty five

This is My Mum in her sixties, enjoying the sun in the garden …

mum in the back garden

This is My Mum -aged eighty, at our son’s wedding …


mum purple suit

This is My Mum …

mum thrfee months ago

This is My Mum …

I will give her some dignity so I won’t show her as she is now;  a small frail figure huddled under the bedclothes. She  sleeps most of the time, only speaks the odd disconnected word, she’s doubly incontinent and can’t feed herself, 

My Mum would not have wanted to live like this. I do not want her to have to to live like this. I wouldn’t want to live like this  What I should say is … ‘exist like this.’

 You’ve seen the photographs of my mum as she was. That’s how I want to remember her.  In a similar way, that’s how I want my children to remember me.

This why I wanted to write this post. 

 

Memories … and What Comes Next

 

This is the view I saw from the window of my bedroom in the house I lived in as a child until the day I married. The war memorial, an Obelisk, on Alderman’s Hill is called Pots and Pans. No one seems to know why. When I was eleven I had a dog (a Heinz Fifty-Seven variety; a cross between a corgi and a terrier,  who probably these days would be called a Torgi) named Rusty. She and I could  climb and run back down the hill in twenty minutes. Nowadays I think it would take me an hour just to get to the top. I’m not even going to try.

2420008_4841d65b.jpg (640×381)

 

 

The house itself doesn’t change. Each tread of the stairs has its own noise; a soft whisper, a sigh of relief underfoot, a crack of protest. Each door sounds my progress through the house; the bedroom door protests its opening on the ill-fitted carpet, the bathroom door shushes closed. Downstairs the living room door opens quietly, then creaks as it’s forced against the many painted-over the hinges and frame. Finally there’s the heavy sigh of kitchen door, as though opening onto another day’s toil.

It’s my mother’s house.    Once I lived here too. Now I visit.

 

 

 

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It’s six o’clock in the morning.With laptop and cup of tea I settle down to write. I must have done this hundreds of times before. I wait to hear the thud of her feet as she stomps across the bedroom, the sound of her peeing in the bathroom, the yank on the chain of the flush of the old-fashioned cistern. I hold my breath, force back the slight irritation, hope she gets back into bed. But the mumblings get louder. I hear her tap on my bedroom door: ‘Judith?’ followed by the feigned echo  of surprise; ‘you’re up already?’ as she takes the first two steps onto the landing.

In the past I bit back the exasperation. She knew I wrote at this time. I always have; it’s my time. We had a day of shared memories to get through. Again. Of laughing at the old black and white photographs; the different and often outrageous hairstyles and perms, her hats and frilly blouses, my flower-power flared jeans and mini skirts.   Hours of mindless TV;  Jeremy Kyle, This Morning, Doctors. Lunchtimes;  chomping mournfully through thinly buttered Ryvita on diet days –   joyfully savouring meat and potato pies and custard slices on  ‘who gives a damn’ days. Then the comfort of the afternoon nap and the quiet hour of companionable reading.

I wait to hear the thud of her feet as she stomps across the bedroom floor.

It doesn’t happen.

Some weeks ago, a quick phone call, a frantic journey brought us to to this part of the country, to the hospital, to the ward, to the bed she sat up … cheerfully waving as we walk towards her. ‘Hello love,’ she shouted, ‘ well, here’s another fine pickle I’ve got myself into.’ She seemed perfectly clear, lucid for a few minutes. Then she called me Olive, her sister who’d died some years ago, mixing up past and present; confused. I held her hand, traced the veins under the thin, wrinkled skin, touched the  deformed nail on her right hand little finger that once was trapped in the machinery of her winding frame in a cotton mill and never properly grew back..

And I knew there were hard family decisions to be made.

Mum at a family wedding ten years ago.

mum

Yesterday Mum went into residential care. At ninety three she’d lived in this house for sixty-one years.

Today will be the last time I write here; it felt as though it was a ritual I needed to go through. This is what I wrote.