‘I can be anything you want me to be. Even if you don’t know you want it. Especially if you don’t know you want it.’
Café owner Kate is mentally drained after a tough two years; all she wants from her online chess partner is entertainment on lonely evenings, and maybe a little virtual flirtation.
She is unaware that Nico Lewis is a highly intelligent con artist who, with an intricately spun web of lies about their emotional connection, will soon convince her that he is The One.
Neither does Kate know that his schemes involve women who seek love on dating sites, as well as his small publishing business. A host of excited authors believe Nico is about to make their dreams come true.
Terry Tyler’s twenty-fourth publication is a sinister psychological drama that highlights the dark side of internet dating—and the danger of ignoring the doubts of your subconscious.
One of the certainties about any of Terry Tyler’s novels is that there will be individualistic characters that, from the moment they are introduced, come to life. Another of her talents is that she tells a great story, whatever the genre. I can say that, in all honesty, having read every one of her books. Whether it’s sagas, psychological fiction or dystopian, it’s the strength of the plots, the characters and the relationship between the two that draw in the reader from the first page. And Where There’s Doubt is no exception, as a psychological thriller this is both powerful and complex.
I love stories told from a variety of first-person points of view; for me it adds to the narrative if it is revealed in this way. We get to know each character, through their voice, through their behaviour, through their perception of the world, of life. In Where There’s Doubt the author introduces trust and gullibility, motivations with coercions, honesty with lies, and weaves them together. All of which kept me guessing. And usually getting it wrong.
The main characters are multi-layered, from the wary protagonist, Kate, to Nico, the smooth conman, and the three diverse women he meets on an online dating site. And, in the background, adding authenticity to the plot, there are other characters: the would-be suitor of Kate’s, the friend whose loyalty may be questionable, Kate’s employees in the café, the unpublished and naïve authors – preyed upon by Nico and his claims to be an independent publisher. There are many settings, but the main background, the seaside town and café, give a unsafe validity to the criminality that is a fundamental theme throughout.
This is a contemporary read, with an all too familiar aspect of deceit and misrepresent in both internet dating and vanity press. But there are always possible consequences with both. I try not to give spoilers with any of my reviews – but I will say that love, loyalty, and justice are also threaded through this book..
I admire Terry Tyler’s writing style, ability to produce impressive stories, and this thriller doesn’t disappoint. I would highly recommend Where There’s Doubt to any reader who is looking for a fascinating read.
About Terry Tyler:
Terry Tyler is the author of twenty-four books available from Amazon, the latest being ‘Where There’s Doubt’, about a romance scammer. Also recently published is ‘Megacity’, the final book in the dystopian Operation Galton trilogy. She is currently at work on a post apocalyptic series, which will probably take the form of three novellas. Proud to be independently published, Terry is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.
Terry is a Walking Dead addict, and has a great interest in history (particularly 12th-17th century), along with books and documentaries on sociological/cultural/anthropological subject matter. She loves South Park, the sea, and going for long walks in quiet places where there are lots of trees. She lives in the north east of England with her husband
For months now I have been peering at the outside world through a thick net curtain with the odd hole here and there. I haven’t become a ‘Nosy Neighbour’ though, my already limited vision has been exacerbated by cataracts.
My world of shortsightedness began a long time ago. In fact I was seven years old. The school sent home a note to my parents alerting them of the problem.They’d just assumed I was a clumsy child, who fell over a lot, and dropped things.
As the years progressed the lenses in my glasses became thicker – ‘ jam jar bottoms’ was the usual description.
Mind you, it didn’t stop me being “sporty”. I counted the steps needed before I took a metaphorical leap into the dark over the hurdles and high jump, before I took off for the long jump, and worked out which way to throw the javelin.(though, for the latter I did become aware of the the sports teachers always calling out, “it’s Judith’s turn”. Took me a long time to work out why I was so special – and I do wonder what would happen in these days of health and safety). In cross country I would follow the leading group of runners, until my friend told me the finishing line was a hundred yards straight ahead, when I sprinted to the front.
At sixteen, I had my first Saturday job, saved up for contact lenses – and never looked back – well, actually I did look back, and forward, and sideways – and upwards. I’d never realised there were so many stars!!Or should I just say… starsin the sky?
Fast forward a few decades, and suddenly the world became blurry again. Last year it was discovered I’d developed a cataract. I adjusted by writing on the laptop in eighteen font, in bold, and, when reading, altering the Kindle to around twenty words per page..
Which leads me to the ‘getting rid of the cataract’ scenario.
But first a (short – or really, not so short) aside. Two months ago I was diagnosed with a condition called TMD (according to Google, a disorder of the jaw muscles, temporomandibular joints, and the nerves associated with chronic facial pain). I was issued with a sheet of ‘DOs and Don’t’s’ –
1.Do not chew gum or pen tops ( Pen tops?!!! ).
2.Do not bite food with your front teeth. (When it’s almost impossible to open your mouth wide enough to get food to your back teeth).
3.Do not yawn too wide. (Try reading that without getting the urge to yawn).
4.Do not bite your nails. ( Anyone remember that horrid tasting stuff your mother painted on you nails as a child to stop that?)
5.Do not clench your teeth – apart from when eating, your teeth should be apart. (See point two)
6. Do not rest your chin on your hand (Even when totally fed up and peering at the laptop screen from three inches to read the last sentence you’ve written?)
Oh, yes, the cataract!
I was given an appointment for the surgery, followed by a rushed, last minute instructions to have a NHS PCR test, not the Government PCR test, which I’d already had (the two do not have systems that communicate with one another, apparently).
So far so good…
The following is a text I sent to a caring, empathetic and long-standing friend…
‘The test was a bit difficult,’ I wrote. “The fully PPI protected nurse said, “Open mouth.“. Me: “I can’t” Explained about the TMD. Nurse: “Well, has to be a mouth test, not a nose test. So, open wide. Wider.” Poking stick through my clenched teeth. “Say Ahh.” Me “Argghh.” Heaving – gag reflex working well!! Nurse (brightly): “There, all done.” Me: Projectile vomiting.
On the way to the hospital for the operation, I explained the PCR problem to said friend, expecting sympathy. Her matter of fact response? “You’ll have to wear an eyepatch afterwards, you know. Would you like a parrot for your shoulder to go with it?”
Now, having explained the delay, I can get on with the real reason for writing this post.I’ve been wanting to write the following review for some weeks now.
What Lies Between Them by J.L. Harland(FREE deliveryMarch 17 – 21)
I was sent an Arc of What Lies Between Them by the authors with a request that, if I liked the story, would I endorse the book? Would I? I’ve been honoured to tackle this task
” Emotional,sensitive and thoroughly satisfying.”
In addition I also decided to give an honest review.
I gave What Lies Between Them5*
Elin Fiorelli, a career academic, has returned from three months in Finland to Brynderwen university, Wales. She thinks she has her future mapped out, a professorship within her grasp. But, her former lover, Michael Harwick, is now her boss. Her job is at risk and the ghosts of her past come back to haunt her with the secret she has kept buried deep within herself for so long. When her mother becomes terminally ill, trying to balance work and duty becomes more difficult. But Elin is resilient and as the year unfolds, she faces her past traumas, emerging stronger than before.
I loved this story. And I think it was mainly because I was so fascinated by the protagonist, Elin. She encapsulates so many of the facets of any woman’s life: the struggles to be recognised in a male dominated environment, the guilt of conflict between self-fulfilment with the pressures to conform in society, the familial love that juxtaposes duty and yet sometimes underlying resentment.
And then there is the Dean, Michael Harwick, the elusive figure from Elin’s past, whose actions set her on her path for the life she has since led. And which, despite devastating trauma, has given her the strength to achieve the highest respect in her field of work.
The descriptions of the main setting,Brynderwen university, bring the place to life: the sounds of the campus, the lecture halls, the students union, the canteen, the sights of the grounds, the inner offices of the Dean and tutors, the atmosphere of academia. But there is also the background of the home lives of the characters: of Elin and her demanding, yet desperately ill and lonely mother, of Sue, her friend, divided by loyalty to Elin but also to her job. .All set against the bustling life of Cardiff and its people. The authors bring so much of the city to life on the page.
An excellent plot, engaging rounded characters, great dialogue and a good sense of place to keep the reader enthralled from the first to last page. Couldn’t ask for more.,
What Lies Between Themis a story I thoroughly recommend.
About the Authors:
Two authors with one voice makes: J. L. Harland. Janet Laugharne and Jacqueline Harrett enjoy the creative process of working together and producing stories that have a unique, blended voice. Their debut novel, What Lies Between Them’is published by Dixi Books in 2022 and they are currently editing a sequel. J. L. Harland short stories have been published in anthologies and online and a novella is out on submission. Their website, jlharland.co.uk, has a blog on writing where further information about their work can be found. Individually, Janet Laugharne’s poetry has won or been placed in competitions and appeared in Black Bough, Atrium Poetry, Sarasvati and The Dawntreader (forthcoming). Jacqueline Harrett’s crime novel, ‘The Nesting Place’, featuring D.I. Mandy Wilde, is recently published with Diamond Books.
Eighteen months ago, Gwen Meredith left the job she loved and came back to Pembrokeshire to help support her irritable and increasingly confused grandmother. But someone is pursuing a vendetta against her.
As the attacks become more malicious, her old anxieties begin to build. She’s attracted to her new neighbour who is keen to help…but can she trust him?
When those closest to her are threatened, her desperation mounts. Who can she trust?
Gwen has a dark secret of her own. Can she even trust herself?
Means to Deceive is what I always call a gripping psychological read. As with this author’s style, it’s a slow- burner; but well worth the wait; the tension slowly but surely racks up the terror for the protagonist,Gwen. The plot twists and turns, keeping the reader guessing, and feeling every emotion Gwen feels: trepidation, unease, her suspicions of those around her. There are two obvious antagonists, but there are also two people in her life she has always loved and trusted, her grandmother, and her brother, even though her lifelong emotional relationship with each of them is completely different. Yet it’s only when, having come back to live in Pembrokeshire to care for her grandmother, her brother visits to help her, and she meetsthe new neighbour Ben, that her life begins to unravel.
Initially I wanted the protagonist to be stronger, more assertive, but the more I read, the more I realised how consumed by guilt and grief she is by something that happened in the past – (not giving away spoilers here). And these two emotions are the silent antagonists, revealed through a recurring section in the book, each time uncovering a little more memory, explaining why the layer of vulnerability in Gwen. Fascinating!
All the characters in the book are well rounded, multi layered. I found myself liking the way they are portrayed, and both loving and disliking some to their actions – to me, this is a sign of a well told story. Certainly I was kept guessing who was really trying to destroy Gwen’s life.
And I like being able to tell who’s speaking in a story, even without dialogue tags, Alex Craigie certainly gives each character their voice in all her books.
I’ve read this author’s works before and one of the talents she has is to bring settings to life by the small details in her descriptions, so the village where Gwen lives: Dernant, the rooms of her home, the garden, the outside spaces, the houses of the other characters are instantly envisaged and give a great sense of place.
As I say, I don’t give spoilers in my review, and here, in the book description, the reader is given enough to know the plot. All I will say, and I hope that has come across in my words, is that I enjoyed Means to Deceive and thoroughly recommend to any reader who enjoys a well written psychological drama
Trish was ten when her first play was performed at school. It was in rhyming couplets and written in pencil in a book with imperial weights and measures printed on the back.
When her children were young, she wrote short stories for magazines before returning to the teaching job that she loved.
Trish has had three books published under the pen name of Alex Craigie. The first two books cross genre boundaries and feature elements of romance, thriller and suspense against a backdrop of social issues. Someone Close to Home highlights the problems affecting care homes while Acts of Convenience has issues concerning the health service at its heart. Her third book. Means to Deceive, is a psychological thriller.
Someone Close to Home has won a Chill with a Book award and a Chill with the Book of the Month award. In 2019 it was one of the top ten bestsellers in its category on Amazon.
Book lovers are welcome to contact her on firstname.lastname@example.org
As with Inside Out,I was given an ARC copy of Making Waves by the author, in return for an honest review.
I gave Making Waves 5* out of 5*
After reading this book I was happy to give the following endorsement: “Thorne Moore’s writing has three great qualities: the variety of genres, an exceptional sense of place, and characters that come alive on the page.”
I reviewed Inside Out here: https://bit.ly/3tNqwyI. Although both books are brilliant stand alone stories, I recommend reading Inside Out first.
Two hundred years in the future, with the Solar System in the hands of mega-corporations… Tod Fox, commander of the Heloise, has delivered six rash volunteers to Triton, control centre of Ragnox Inc. But then he took one away again. Now volunteers and crew face a new chapter in their lives, as human resources at the mercy of Ragnox Director, Jordan Pascal, or as allies of Pan, under Benedict Darke, the relentless enemy of the Triton regime. Where will their allegiance lie? There is no middle ground in Arkadia. It is war. No mercy. Victory at any price.
Volume II of Salvage. Sequel to Inside Out
I need to start by saying that Making Waves is only the second Science Fiction book I have read (and, yes, the first was Thorne Moore’s book, Inside Out). So I have little knowledge of this genre. But my interest in this author’s work is – and has long been– the psychological underpinning of thestories: I am always instantly gripped from the very first lines and by the way she presents the characters with all their foibles, their strengths, their weaknesses. And, juxtaposed with that aspect, are the settings they are living in. Backgrounds that inevitable affect their actions.
Even so, I was taken by surprise in Volume ll of Sequel: some of the characters act… well… out of character. Or, should I say, not with the personalities I expected after reading Volume l. The author gives them a new dimension. The travellers who journeyed to Triton on the ISF Heloise and the original crew ofISF Heloise, are instantly recognisableby their spoken and internal dialogue and by the subtle inclusion of details from their back stories. But they have extra facets to their characters, greater depths in their portrayals by their reactions to what is happening in the plot.Once engaged with thatI applauded the courage, the innovative adaptation to the lives they are forced to endure, and I despaired of the evil of those connected with Ragnox on Triton and the desperate conditions there.And I was fascinated by the varied and complex new characters associated with Pan; Benedict Darke, that add even more interest to the story.
Trying hard to resistgiving away spoilers here.
And, yet again, as in all her books, and although it’s an alien world. it’s the author’s inherent ability for writing descriptions (sometimes in only afew words) of thesettingsthat evoke a sense of place. That gives credence to this excellent plot.
A plot that is intricate in the way it moves along, twisting and turning, yet with an ease that brings together the expected and unexpected, as in ‘real’ life.
This is a cracking book that kept me riveted and immersed.And, as I said in my review of Inside Out, Making Waves is a novel I would recommend to any readers who enjoys character-led stories – whatever the genre.
Thorne was born in Luton and graduated from Aberystwyth University (history) and from the Open University (Law). She set up a restaurant with her sister and made miniature furniture for collectors. She lives in Pembrokeshire, which forms a background for much of her writing, as does Luton. She writes psychological mysteries, or “domestic noir,” exploring the reason for crimes and their consequences, rather than the details of the crimes themselves. and her first novel, “A Time For Silence,” was published by Honno in 2012, with its prequel, “The Covenant,” published in 2020. “Motherlove” and “The Unravelling” were also published by Honno. “Shadows,” published by Lume, is set in an old mansion in Pembrokeshire and is paired with “Long Shadows,” also published by Lume, which explains the history and mysteries of the same old house. She’s a member of Crime Cymru.
Published by Honno Welsh Women’s Press, 19 March 2020. ISBN: 978-1-91290513-2 (PB)
Euthanasia is the greyest of grey areas in criminal terms, especially when the person on the receiving end is incapable of making such an irreversible decision. For thirty years Irene has lived with the memory of her mother Lilian standing at her sister’s bedside holding a pillow. No one has ever talked about it, but it has stood between mother and daughter ever since, a dark shadow that made an already fraught relationship almost unbearable
And now Irene and Lilian are inextricably bound by the cruellest of fates. Lilian is in the most demanding phase of dementia, and before the disease took hold she refused point-blank to give Irene power of attorney. They are joint owners of the house they live in, Irene’s childhood home, but with no control over her mother’s financial affairs she cannot sell it to pay for Lilian’s care and has to do everything herself. Through a nightmare twenty-four hours, during which Lilian’s demands become increasingly challenging, memories flood into Irene’s mind and she relives the childhood that led to that appalling moment and the frustrated adulthood that followed.
Rose, the dead sister, was a Downs baby, and Lilian rejected her from the outset. Irene, on the other hand, fell in love. Her adoration of her small sister, and the motherly care she lavishes on her is portrayed in almost tear-jerking detail, as is Rose’s affectionate nature, a common feature among Downs children. Irene is not without support, even after her father, who loves Rose but cannot deal with Lilian, leaves to set up home with another woman. There’s Sam, her childhood friend and later sweetheart, and Nanna, who willingly takes on the burden of the household. The network of complex relationships and all their ups and downs form the foundation of the novel.
Whether The Memory is a crime novel in any conventional sense is open to conjecture. As a perfectly observed account of the last stages of dementia, and a picture of a family riven and distorted by both tragedy and great love, it is a masterclass. But it is also as meticulously and tautly structured as any psychological thriller. As well as vividly drawn characters and a rich sense of place, there are edge-of-the-seat moments of tension, and a twist at the end that I would never have predicted, obvious though it was the moment it was revealed.
Judith Barrow has taken two emotionally charged situations and woven them into a heart-wrenching story which had me close to tears more than once. Long before the end I had stopped caring whether it qualified as crime. I simply didn’t want to stop reading.
Judith Barroworiginally from Saddleworth, a group of villages on the edge of the Pennines, has lived in Pembrokeshire, Wales, for over forty years. She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University. She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.
Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fiction.
UK-based Mystery People, set up in February 2012, was founded by Lizzie Hayes following the discontinuation of the Mystery Women group. Mystery People is dedicated to the promotion of crime fiction and in particular to new authors. But this is not just a writers’ group, for without readers what would writers do? Lizzie says… “From an early age I have been a lover of crime fiction. Discovering like minded people at my first crime conference at St Hilda’s Oxford in 1997, I was delighted when asked to join a new group for the promotion of female crime writers. In 1998 I took over the running of the group, which I did for the next thirteen years. During that time I organised countless events promoting crime writers and in particular new writers. But apart from the sheer joy of reading, ‘I actually love books, not just the writing, the plot or the characters, but the sheer joy of holding a book has never abated for me. The greatest gift of my life has been the ability to read.” As a founder member of Mystery Women in 1997, promoting Crime Fiction has always been my passion. Following the closure of Mystery Women, a new group was formed on 30th January 2012 promoting crime fiction. New reviews are posted daily, but to search for earlier reviews please click on the Mystery People link below and select ‘reviews’ from the welcome page. This will display an alphabetic option for you to find the review you would like to read:
The UK’s new megacities: contented citizens relieved of the burden of home ownership, living in eco-friendly communities. Total surveillance has all but wiped out criminal activity, and biometric sensor implants detect illness even before symptoms are apparent.
That’s the hype. Scratch the surface, and darker stories emerge.
Tara is offered the chance to become a princess amongst media influencers—as long as she keeps quiet and does as she’s told.
Aileen uproots to the megacity with some reluctance, but none of her misgivings prepare her for the situation she will face: a mother’s worst nightmare.
Radar has survived gang rule in group homes for the homeless, prison and bereavement, and jumps at the chance to live a ‘normal’ life. But at what cost?
For all three, the price of living in a megacity may prove too high.
Megacity is the third and final book in the dystopian Operation Galton trilogy, and is Terry Tyler’s twenty-third publication.
‘As long as some of us are still living free, they have not yet won. Anyone who refuses to live as they want us to has beaten them. That’s how we do it. That’s how we win.’
I knew this was going to be a difficult review for me to write. I’ve been an admirer of Terry Tyler’s work for many years, and I’ve really enjoyed her dystopian books in the Operation Galton series. But because it’s the last in the series, and because I never give spoilers in my reviews, I wasn’t sure what I was going to say without giving away the plot.
But, first, I need to stress that the writing is excellent, as always; the author never fails to tell a great story, never fails to draw the reader in from the beginning.
And there is an especially useful recap of the two previous books, Hope and Wasteland, for those readers who need a reminder of the former stories and characters. I did glance through this, and it is a good prompt. I was glad I was going to meet past characters and to find out what happens to them. And time and again the three stories subtly intertwine to provide an historical background to Megacity.
The settings are described in such depth there is an immediate sense of place. The sinister normality of the megacities vies with the Wastelands, a setting viewed (as are the characters who live there) as ‘the other’. The portrayal of both is instantly evocative and plausible.
Each chapter is told from the different characters’ pointof view, and, in that way, it’s easy to become absorbed very quickly with the story of their individual lives. Their lives couldn’t be more different, there is a façade of acceptance most of the time. But underneath there is anger, fear, and frustration. And pain. And loss. Each character is multi-layered, each reveal themselves through their inner dialogue. Thoughts that, with some of the antagonists, is so completely at odds with their spoken dialogue, it reveals their inner depths of corruption. All the facets that humanity is capable of, from empathetic friendship, love and humility to manipulation and complete and unrelenting evil, is shown In this story.
Terry Tyler’s books are usually strongly character led, but in Megacity, the characters and plot are equally centre stage. And powerfully revealed. For me this has to be the most chilling of the series. And yet, ultimately, there are possibilities of hope …
I have no problem in thoroughly recommending Megacity any reader who enjoys dystopian fiction and well told stories.
And, for the author’s writing style, the plot, the satisfying denouement of Operation Galton, i give Megacity a resounding five stars
About the Author
Terry Tyler is the author of twenty-two books available from Amazon, the latest being ‘Megacity’, the final book in the dystopian Operation Galton trilogy. Also published recently is ‘The Visitor’, a post-apocalyptic murder mystery set in the same world as her popular Project Renova series. She is currently at work on a psychological thriller that centres round an internet dating con, but has not yet finished with devastated societies, catastrophe and destruction, generally. Proud to be independently published, Terry is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.
Terry is a Walking Dead addict, and has a great interest in history (particularly 12th-17th century), along with books and documentaries on sociological/cultural/anthropological subject matter. She loves South Park, the sea, and going for long walks in quiet places where there are lots of trees. She lives in the north east of England with her husband.
Did you know that 99% of the reading public never post a review for a book?
At Rosie Amber’s Book Review Team (six years and going strong!), we often look at ways to encourage more people to review. This autumn, Rosie has planned a Review-A-Book Challenge, with a great list of books to choose from, all free of charge to anyone serious about writing a review for her blog – and possibly joining the review team, if you enjoy the process. Each day for a week or so, she will feature articles on how to write simple reviews, on choosing a star rating, and many more. The challenge is open to all, from experienced reviewers and book bloggers, to those who have never written a review. If this has piqued your interest and you would like to take a look at the books on offer, please click here to read the full post and view the book list.
‘Out of all the death and destruction has come the freedom to be who we really are.’
A hundred years after the world was devastated by the bat fever virus, the UK is a country of agricultural communities where motherhood is seen as the ideal state for a woman, new beliefs have taken over from old religions, and the city of Blackthorn casts a threatening shadow over the north of England. Legacy travels backwards in time to link up with the characters from Tipping Point, Lindisfarne and UK2.
Seventeen-year-old Bree feels stifled by the restrictions of her village community, but finds a kindred spirit in Silas, a lone traveller searching for his roots. She, too, is looking for answers: the truth behind the mysterious death, forty years earlier, of her grandmother.
In 2050, Phoenix Northam’s one wish is to follow in the footsteps of his father, a great leader respected by all who knew him…or so his mother tells him.
In 2029, on a Danish island, Lottie is homesick for Lindisfarne; two years earlier, Alex Verlander and the kingpins of the Renova group believe they have escaped the second outbreak of bat fever just in time…
Book 4 of the Project Renova series rebuilds a broken country with no central government or law, where life is dangerous and people can simply disappear…but the post-Fall world is also one of possibility, of freedom and hope for the future
“I need to say right from the start that a dystopian novel is one genre I have never read. And never intended to….”
That’s how I started my review of the first of the Project Renova Series:Tipping Point
And, being quite a wimp, if the author had been anyone else but one of my favourite writers I doubt I would ever would have.
However, for many years now I’ve enjoyed Terry Tyler’s books and so, with some trepidation, I read Tipping Point and was hooked. I waited with impatience for the second: Lindifarne… and then the third:UK21.
So when I realised there was a fourth book: Legacy I had no hesitation in buying it. And I have to say this is one of the best books I have read for a long time; an exceptional read.
As in all Terry Tyler’s novels the stories are character-led with convincing story-lines and evocative settings. And they are all written from various characters’ points of view, a method I love.
There is a skill in making a believable world from the appalling destruction of the world we live in now; that skill shines out in the whole of this series. But it is this final book, set in various time frames, that truly reveals how it could be possible to totally reinvent a new world. And it shows, both in the settings and in the characters, the good and the bad in human behaviour.
The book is populated with a great number of characters, all diverse, all rounded. There is not one character that I was ambivalent about; I either loved them ( it was wonderful to see Lottie again; even more feisty) or I hated them (I really did understand the fear that the character, Falcon North and some of his underlings could instil in others).
As always in this author’s books, the dialogue, both internal and spoken is distinctive to each character.
Strong themes are threaded throughout, of power, love – both familial and romantic (with a bit of lust thrown in for good measure), hatred, alternative beliefs, nature and, obviously, survival.
And just to say, I love all the covers of this series; They all tell a story in themselves
I am a slow reader and it’s been quite a while since I read the first three books, so it was a great help that the author has put a synopsis of each story before Legacy begins. And these are a good reminder, both of the plot and the characters. But, to me, these give only a flavour and, even though Legacy is my favourite and, for me, the strongest of the four, each book has its own unique strengths and so I would recommend readers to start with Tipping Point.
About the author:
Terry Tyler is the author of eighteen books available from Amazon, the latest being ‘Legacy’, the final book in her post apocalyptic series. She is currently at work on a new dystopian series, set the UK, approximately twelve years in the future. Proud to be independently published, Terry is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.
Terry is a Walking Dead addict, and has a great interest in history (particularly 14th-17th century), and sociological/cultural/anthropological stuff, generally. She loves South Park, Netflix, autumn and winter, and going for long walks in quiet places where there are lots of trees. She lives in the north east of England with her husband.
I enjoyed Wendy Steele’s The Naked Witch. It is an undemanding read with an easy to follow but convincing plot-line which runs smoothly throughout the story. This is a cross genre book, a mixture of romance and mystery threaded through with magic and witchcraft. I was particularly fascinated by these latter themes and often stopped to re-read these sections; to ponder on them and the way the protagonist was epitomised by them. On the one hand Lizzie Martin is a woman who is trying to grapple with all that life throws at her: initially unexplained difficulties within her work life, complicated struggles with her ex-husband, anxieties for an ex, but still beloved, mother-in-law, worries for a teenage daughters growing maturity. All juxtaposed with an intriguing sub plot, the truth about her father’s death. The strength of this character lies with her beliefs in the goddess that guides her and in her ability to take and centre energy in herself from the earth.
And, just as Lizzie is rounded and multi-layered so are the supporting characters. I had empathy and liking for some and instant dislike for others; a true sign of strong characterisation for me.
The descriptions of the settings: Spain, Lizzie’s home, workplace, her Sanctuary give a good sense of place.
The dialogue is believable. It is clear who is speaking and, mostly, carries the story along. I say mostly because, occasionally, and only occasionally, I felt. It slowed things down by slight repetition. In much the same way that some of the descriptions of food did in parts. I did find myself, every now and again, skipping over the sections where meals were reported. And, in a couple of places the narrative moved a little too quickly from one scene to another.
But these are small grumbles. I loved the lovely conversational style of the author’s writing, the humour that lightens the tone, the interesting insight to white witchcraft and enchanting mystical happenings. Most of all I loved the story.
I recommend The Naked Witch; it’s a good read.
Lizzie Martin’s new boss has asked her to ‘bare all’ and become more corporate.
For Lizzie, swapping paisley for pin stripe is like asking a parrot to wear pea hen.
She has to choose between her job and her integrity, cope with an unexpected stay in hospital, monitor her fourteen year old daughter’s latest crush, continue seeking the truth about her father’s death and juggle two new men in her life.
There is hope though.
At the bottom of the garden is a little wooden shed that Lizzie calls Sanctuary. Within its warm and welcoming walls, Lizzie surrounds herself with magic.
About the Author:
In 1972, Wendy Steele came home from the Tutankhamun exhibition and wrote about her experience, beginning a writing journey which she still travels. Since working in the City BC (Before Children), she has trained in alternative therapies, belly dance and writing. Wendy combines these three disciplines to give balance to her life.
Her first novel ‘Destiny of Angels’ was published in 2012, closely followed by two short story anthologies and a non-fiction book ‘Wendy Woo’s Year – A Pocketful of Smiles’, an inspirational guide, offering ideas, meditations and recipes to make every precious day, a happy one.
Moving to Wales, the fulfilment of a 15 year dream, inspired her to write the Standing Stone book series, set in Wales in the countryside she loves.
Writing workshops in Wales widened her writing perspective and the resulting short stories have been published online and in anthologies.
Wendy writes fantasy, with a dollop of magic, exploring the ‘what if…?’ the starting point for all her stories. She lives with her partner and cats, restoring her farmhouse and immersing herself in the natural world on her doorstep.
I was given a copy of What’s Left Unsaid by the author as a member of Rosie Amber’s Review Team #RBRT, in return for an honest review.
I gave this book 5*
Sasha is just about managing to hold her life together. She is raising her teenage son Zac, coping with an absent husband and caring for her ageing, temperamental and alcoholic mother, as well as holding down her own job. But when Zac begins to suspect that he has a secret sibling, Sasha realises that she must relive the events of a devastating night which she has done her best to forget for the past nineteen years.
Sasha’s mother, Annie, is old and finds it difficult to distinguish between past and present and between truth and lies. As Annie sinks deeper back into her past, she revisits the key events in her life which have shaped her emotionally. Through it all, she remains convinced that her dead husband Joe is watching and waiting for her. But there’s one thing she never told him, and as painful as it is for her to admit the truth, Annie is determined to go to Joe with a guilt-free conscience.
As the plot unfurls, traumas are revealed and lies uncovered, revealing long-buried secrets which are at the root of Annie and Sasha’s fractious relationship.
There are some books that grab you from the first page, even the first paragraph. What’s Left Unsaid did just that for me:
“If Annie had just been honest with me, we might have avoided much of the ugliness which followed… but she wasn’t and we didn’t…”
How could I resist? I didn’t! It helped when I realised the story is told in one of my favourite formats; it’s written from different points of view under the name of three characters: the protagonist, Sasha, her mother Annie and her late father, Joe. I especially liked Joe’s objective viewpoint that balanced out the subjective viewpoints of the other two characters as they describe the complex and difficult relationship between them. Even so, the question hovering throughout the text is what is truth and what is lies. It’s a cleverly written narrative and I loved the writing style of Deborah Stone; she moves from character to character, slipping easily into their voices, alternately moving the reader to understand each with empathy, yet being able to see the flaws in them as well.
The plot is tense and tightly woven, moving at different paces to reveal the secrets held for years held by this family. There are many themes: family secrets and deceptions, emotional power struggles between characters, dementia, miscommunications, understandings and forgiveness. All delicately intertwined throughout the text.
I always think that, when we reach a certain age we are formed by the things that we have done, what has happened to us, how we have been treated and how we have treated others. In What’s Left Unsaid the flashbacks to Annie’s earlier life reveal her vanity, her prejudices of others and her jealousy of her own daughter. As a reader I was torn between disliking much of what she was and yet having compassion for what she has become; a woman in the throes of dementia. The flashbacks of Joe’s earlier life show his Jewish family’s struggles to move from a totalitarian Russia at the end of the nineteenth century to the North of England where they face fascism and suffer poverty that they fight to escape, much as they have escaped from an oppressive regime.
The characters are many layered. The protagonist, Sasha is living in a loveless marriage and cannot understand either her husband, Jeremy, who has a secret of his own or her son, Zac, typically a monosyllabic, hormonal teenager. She has no closeness with her mother yet is forced to be deeply involved in her life. The author cleverly and subtly reveals the tensions hidden in Sasha, much as she does in all the major characters. Her internal dialogue initially shows her timidity, her nervousness, in the way she approaches her family. Yet there is also exasperation and even anger. And this comes out more and more as the story progresses.
Joe’s words, spoken from beyond the grave, are wise and, as I said earlier, objective. I felt they gave a distanced reflective view on human nature as a whole. Yet, through the dialogue and thoughts of the other characters, his personality in life is exposed to have had had the same flaws and weaknesses as their own.
Even without the story being allocated to each character the reader is left in no doubt who is speaking; each have their own distinctive voice.
The narrative describing the settings give a good sense of place and provide an interesting background to the story.
What’s Left Unsaid is a complex and poignant read. Thought provoking and absorbing it left me reflecting on the complexities of marriage and families. I would recommend this to readers who enjoy well-written family sagas
I was given this novel by the author as a member of Rosie Amber’s Review Team #RBRT in return for an honest review.
I gave Connectedness 4* out of 5*
TO THE OUTSIDE WORLD, ARTIST JUSTINE TREE HAS IT ALL… BUT SHE ALSO HAS A SECRET THAT THREATENS TO DESTROY EVERYTHING
Justine’s art sells around the world, but does anyone truly know her? When her mother dies, she returns to her childhood home in Yorkshire where she decides to confront her past. She asks journalist Rose Haldane to find the baby she gave away when she was an art student, but only when Rose starts to ask difficult questions does Justine truly understand what she must face.
Is Justine strong enough to admit the secrets and lies of her past? To speak aloud the deeds she has hidden for 27 years, the real inspiration for her work that sells for millions of pounds. Could the truth trash her artistic reputation? Does Justine care more about her daughter, or her art? And what will she do if her daughter hates her?
This tale of art, adoption, romance and loss moves between now and the Eighties, from London’s art world to the bleak isolated cliffs of East Yorkshire and the hot orange blossom streets of Málaga, Spain.
I enjoyed reading Connectedness. Although it is the second novel in the ‘Identity Detective’ series that features Rose Haldane, journalist and identity detective, who reunites the people lost through adoption, it can be read as a standalone novel. In Connectedness the story revolves around the protagonist, successful artist, Justine King, who discovers her life is, and has been, a web of lies and secrets. She is vulnerable and haunted by incidents that happened in her younger days as a student. The suspenseful plot is revealed through a clever blend of her past and present and has a steadily growing pace after an intriguing prologue.
There are numerous layers to this book, details that are cleverly drip-fed throughout to reveal many themes: of sadness and distress, memories, anger, grief, familial love, discovery, loss and regret.
The characters are well rounded and portrayed to evoke sympathy and understanding in the reader. Both the internal and spoken dialogue add to their credibility.
It is obvious the author has researched the art world that is the basis of the story. Research that adds to the character of the protagonist who uses her emotions, her fears, her pain, both consciously and unwittingly, when producing her work. There is a wonderful sense of art being part of both the human condition and the environment around us,
The descriptions of the settings of contemporary Filey in Yorkshire, Malaga in Spain in the eighties and London are evocative through the use of all the five senses and give a wonderful sense of place. At times I felt I was travelling alongside the protagonist in her journey of discovery.
And the denouement is poignant and satisfying.
Just the one reservation, and I’m sorry to say this, but I don’t like the title. If I hadn’t been intrigued by the book description and if I hadn’t loved the cover on first sight, I wouldn’t have chosen Connectedness. It doesn’t mean anything to me. Suffice it to say I’m glad I did choose this book.
This is the first book I’ve read by Sandra Danby It won’t be the last. The idea of the story itself is intriguing and she has a sensitive yet powerful writing style that I have no hesitation in recommending to readers who enjoy contemporary and women’s’ fiction.
About the author:
Sandra Danby is a proud Yorkshire woman, tennis nut and tea drinker. She believes a walk on the beach will cure most ills. Unlike Rose Haldane, the identity detective in her two novels, ‘Ignoring Gravity’ and ‘Connectedness’, Sandra is not adopted.
I was given Finding Max by the author as a member of Rosie Amber’s Review Team #RBRT in return for an honest review.
I gave this book 4* out of 5*
Five-year-old Max is abducted from a playground on a hot summer day while his brother, Gary, has his back turned. Seventeen years later, Max returns to Gary’s life in a serendipitous twist with a disturbing tale to tell. As they learn to love and trust each other, they must outwit and outrun the nefarious Quinn, who seeks to re-abduct Max for his own evil purposes. Killing Gary and his new girlfriend, Jean, to get them out of his way is just part of his plan. Will they escape? And when all is said and done, will Max and Gary ever truly be freed from the shackles of guilt and pain from the past? Amid the gritty, harsh landscape of New York City, Finding Max explores those areas of society we seldom like to look at—homelessness, hunger and sexual abuse—with profound delicacy, brutal honesty and compassion. This thrilling novel will keep you reading long into the night
Finding Max is an intriguing and powerful novel; a cross genre of psychological thriller and mystery. It’s a dark plot that is threaded through with themes of violence, abandonment and sexual abuse but these are juxtaposed and balanced by themes of courage, loyalty and love. I liked the writing style of this author and it’s obvious there has been a great deal of research into the deep-seated trauma of childhood mistreatment and cruelty. Darren Jorgensen treads a fine line but it’s done with sensitivity and skill. The reader is taken into the inner lives of the two main characters, two brothers, Guy and Max and their past and present lives.
On the whole all the characters throughout are well-rounded and believable. Both Guy and Max are multi layered. They are portrayed, individually, as damaged by their history but in different ways, Max, by his abduction as a child, and Guy, by his belief that he failed his brother by his neglect and inability to stop the abduction. But, as in all good writing, both are also depicted to grow and change as the story progresses. This transformation is helped by the introduction of Jean, Guy’s new girlfriend. I wasn’t sure, at first, by this character but eventually realised her purpose to the plot; she is an emotional go-between – having a strong impact on both brothers in the short time span
The antagonist, Quinn, is interesting; a psychopathic murderer who is shown to have a disturbing, unnatural love for Max. He stalks him, desperate to reclaim him and dangerously bitter by his belief that Guy and Jean have taken Max away from him. It’s a strong, well written portrayal of an adversary.
I deliberated over some of the dialogue; I’m not convinced by it, especially that of Max. The inner dialogue, on the whole, is excellent, revealing the horror, the terror, the power of the mind and it gives understanding to some of Max’s irrational behaviour and need to hide, to run away. But the spoken dialogue he is given doesn’t always ring true; there is a sophistication there that feels wrong for this naive character. And, without the dialogue tags, it is occasionally difficult to discern who is speaking, Guy, portrayed as an educated and socially competent man, or Max.
The description of the settings: Guy’s office, the shelter where he is based as a social worker, and his apartment; the way homelessness on the streets is shown, give a brilliant sense of place. I could see the world the characters move around in.
Besides my thoughts on the dialogue, I had only a few reservations. Firstly, I felt that the pace of the plot was slowed down, in places, by the unnecessarily introduction of issues not particularly relevant to the story, Secondly, I was never quite sure about the coincidence of Max walking into the drop-in centre where Gary is based. But, for the sake of the plot, I accepted it as possible.
I think it also should be said that there are explicit details of child sexual abuse some readers may find upsetting.
Although Finding Max is a standalone novel it is open- ended and could lead to a sequel.
On the whole this is a powerful and absorbing read. One I would recommend in particular to readers who enjoy a dark physiological crime genre
It’s been quite a while since I read a book in one go but I couldn’t put this one down. Someone Close to Home sent me through a whole range of emotions; delight, sadness, anger, joy, frustration. And this is a debut novel! The writing style of Alex Craigie is sophisticated, emotive and empathetic.
The start of the story grabbed me straightaway: the image of the protagonist, Megan, watching “each minuscule judder of the hand (of the clock)”, her immobility and her thoughts on her childhood, especially of her selfish and destructive mother who Megan loathed – still loathes, is compulsive reading. There is one sentence that foreshadows all that happens as the story continues: ‘This is all down to my mother… she’s been dead for over thirty years now and still she’s poisoning my life.”
This is a story of two halves: the time that Megan is in the badly-run care home, which lasts around six months and is told in present tense, mainly through the internal dialogue of the protagonist, and the whole of her childhood and younger life.told in past tense as flashbacks. The latter leads the reader inexorably to the point where Megan is lying helpless after suffering a stroke. She is at the mercy of mostly inattentive carers, poorly paid and resentful. Their actions, the way they carry out their tasks on Megan is described simply by her; they are tasks done to her, sometimes carefully, sometimes without heed. And then there is the carer, Annie… I’ll say no more.
The description of of the protagonist’s days evoke the dreariness. The word, “waiting” is repeated so many times that I, as the reader, also waited with Megan, knowing, with some dread, that something awful will happen.
The main characters: Gideon (childhood friend and later the man she loves. Claire, her true friend in later life, Jordan, Megan’s husband, egotistical actor and a cruel man, Theo and Camilla, her greedy and selfish children), are many layered and well portrayed; their dialogue identifies them immediately. And, although there are many flat characters,, in the guise of the carers and the owner of the care home, the author also gives them distinguishable voices.
The descriptions of the settings give a good sense of place. The room Megan is lying in is told in meticulous but confined detail. We see the limited view she has, and only that. (it did give me a sense of claustrophobia, I must admit.). There is “the sturdy chest of drawers topped with shapes that will become a television and some framed photographs”as “the heavy grey light” “pushes into the room” after a long sleepless night”. We hear “the rattle of trolleys” that she knows is “laden with clean and soiled bedding”, the “insistent buzzing” of room bells, the “moans, shouts and cussing from room nearby punctuated by the chivying of staff”. We feel her pain through the roughness of the care, the threat of bed sores. And the details of the places in her childhood, the houses she lived in, countries she visited as a professional pianist, are full of evocative imagery.
It’s a plot that moves at an even pace but, ultimately, it’s also one that took me by surprise. Even closely following the actions of the characters in the story still didn’t prepare me for the ending.
Someone Close to Home by Alex Craigie is a book I thoroughly recommend to any reader.
Talented pianist Megan Youngblood has it all – fame, fortune and Gideon.
But Gideon isn’t good enough for Megan’s ambitious, manipulative mother, whose meddling has devastating repercussions for Megan and for those close to her.
Now, trapped inside her own body, she is unable to communicate her needs or fears as she faces institutional neglect in an inadequate care home.
And she faces Annie. Sadistic Annie who has reason to hate her. Damaged Annie who shouldn’t work with vulnerable people.
Just how far will Annie go?
Born in Sunderland, in the north of England, Alex has wended her way south via Eccles, Bramhall, Histon, Cambridge, Leicester and Market Harborough before finally coming to rest thirty years ago in a peaceful village in Wales. She lives in an old, draughty house with stone walls 2’ thick that make any DIY a real challenge and she knows she’s really lucky to have all her children and grandchildren living close by. It’s often chaotic and noisy but these are her most treasured moments and she savours them – even if she’s reduced to an immovable heap after they’ve gone. When not writing, reading or simply enjoying the rural life, she’s in the garden waging a war of attrition against the brambles that she encourages in the hedges for birds to nest in, vicious nettles that support a variety of butterflies, and bindweed that looks lovely but doesn’t share nicely with the other plants.
Judith waited for me in a department store while I waited for her in Cardiff Library. Would the meeting take place? Neither of us had thought to share our phone numbers prior to the meeting.
Judith emerged from the lift, in Cardiff Library, wearing a silk purple top that was co-ordinated with her fabulous lilac hair. I warmed to her instantly! Her beaming smile lit up her face and I knew she’d make me laugh. She travelled from Pembrokeshire to take part in a panel on agents, traditional and Indie publishing and agents at the Crime Cymru event, and her huge canvas bag bulged with goodies for the day ahead. I was lucky to grab some time with her.
Judith: At last, I thought you’d got lost in your handbag. I waited in the department store and realised I had no contact details. After I finished my mint tea, I asked three strange women if they were Jessie. They thought I was mad.
Judith’s Yorkshire accent and mischievous blue eyes instantly made me giggle. Great to meet someone who spoke the same lingo.
Jessie: I’m so sorry but I thought you’ be able to read my mind. Couldn’t you hear me calling you in my dulcet tones across the streets of Cardiff? Don’t ask me why I didn’t send you my mobile number and confirm the meeting. I also approached a couple of potential Judiths but the real Judith is much better. So pleased, I found a representative of Honno Press and she had your number.
We laughed and grabbed some coffee from a coffee station in Cardiff Library. The staff set up a couple of chairs for us to conduct the chat. Having spilt the coffee all over my hand, we settled down to chat about Judith.
Jessie: Judith, tell me what a Yorkshire lass is doing in Pembrokeshire.
Judith: We went on holiday to Pembrokeshire, loved it and never returned to Saddleworth. We bought a half-built house and renovated it.
Jessie: Do you miss Yorkshire?
Judith: Pembrokeshire was a great place for our kids to grow up. I miss Yorkshire stone, craggy landscape and the meandering moors. I love our house, in Pembrokeshire, but I always expected I’d live in a stone cottage in my old age. As you can hear, even after forty years in Wales my accent hasn’t changed – I’m still a Yorkshire lass. People say they can hear my voice in their heads when they read my books. Lucky them!
Jessie: Obviously, people love your voice as you have written eight books. How did the writing start?
Judith: Well, I hope they do. As for the writing, I’d written since I was a child but never done anything much about it. Then I went to night school with my daughter. I finished A Level English and went on to gain a degree through the Open University. Whilst studying for the degree, I had breast cancer, and this made me see life differently. I decided to follow my dream to become a writer. Initially, I had an agent but she wanted me to write as an author of Mills and Boon so I parted company with her.
Jessie: That’s ridiculous; your books are not of that genre. The books are historical fiction with engaging stories of the Howarth family. The books have complex plots and characters.
Judith: I write people driven, gritty dramas and wasn’t prepared to adapt my writing. Eventually, I got a contract with Honno Press – an independent publisher in Wales- and found their approach personal and supportive. My first book ‘Pattern of Shadows’
Jessie: What’s Pattern of Shadows about?
Judith: It’s the story of a nursing sister, Mary Howarth, and her family, during World War Two and is set around a POW camp located in a disused cotton mill in a Lancashire town. When I was a child my mother was a winder in a cotton mill and I would go there to wait for her to finish work; I remember the smell of the grease and cotton, the sound of the loud machinery and the colours of the threads and bales of material. Pattern of Shadows was meant to be a standalone book, but the characters wanted me to carry on with their lives. Eventually, it developed into a family saga trilogy. My recent book, the prequel, is A Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth. They wanted me to explain their, how they had become what they are in the trilogy. I was happy to; I think, as we get older, we are made by our life experiences.
Jessie: I’m reading One Hundred Tiny Threads. I’m about a third of the way through. It’s a great read. The opening is engrossing with Winifred waking up to another day in the shop. The characters are so real, and I love getting inside their heads. I’m shouting at them all the time. The way you thread the characters’ attitudes towards women is brilliant. I’m fascinated by the Suffragettes in Leeds. For some reason, I always imagined the movement to be concentrated in London.
Judith: Researching the Suffragettes opened up my eyes. I wanted to tell their story through the voices of the characters and show how women, in the society at that time, were ready for the change. Stories draw people into to the political background of the era, and life was certainly a challenge then. People say my books are dark. Have you got to the gory bits?
Jessie: Well, there has been a murder.
Judith: No, I’m thinking of scene after that – you wait. Bill’s a bastard but it’s his background. I don’t know why Winifred married him.
Jessie: Oh no, what was Winifred thinking of? I’m furious with her, as I haven’t read the terrible news yet. I’m intrigued as to why she didn’t marry the love of her life and scared for her.
Judith: oh ‘eck, hope I haven’t I haven’t spoiled it for you, Jessie. But, you must understand Bill had a terrible life as a child with his father. And then he was a soldier in the horrendous First World Wars. He was also one of the Black and Tans when he returned from the Front. He’s a bastard but didn’t have it easy. As I said, our lives shape us.
Jessie: I agree and people interest me too.
Judith: Yes, well your novel, You Can’t Go It Alone, is also character driven and could become a family saga. I can see it now. I want to know more about Luke and Rosa and their parents.
Jessie: I plan to do that, and you have inspired me to complete historical research. I would have to look carefully into the eras the generations were born into. Thanks for your advice.
Judith: No problem, I teach creative writing in Pembrokeshire, so I just can’t help myself (some would say it’s interfering!!). Writing is like looking at the world through the eyes of a child and I love it. I watch folk walk past my window, at home. It’s hilarious how people walk. I can’t stop people watching and passing it on through my books. I never stop watching and am always so busy.
Jessie: I notice you also organise Narberth Book Fair.
Judith: Yes, I organise it with a friend, author, Thorne Moore. It started in Tenby, but we had to move because we outgrew the venue with so many writers wanting to take part. I think it’s so important to attend these events; to get out there and meet the readers.
Jessie: What advice would you give to fledgling writers?
Judith: Get a professional editor and be prepared for a slog. The first draft of the book is the best bit. I always cry when I get my editor’s comments.
Jessie: Tell me, what have you got in your handbag today?
Judith handed me a copy of Pattern of Shadows and a book entitled Secrets; an anthology of short stories of the minor characters in the trilogy. She proceeded to let me in on the secret life of her handbag. She had some very colourful reading glasses, pens, more pens, bookmarks, a spare blouse, her mobile and an agenda.
Judith: As you can see I do love a bit of colour. I try to be organised and I absolutely love writing. I want you to place these books in your handbag and let the Howarth family keep you company. You’ll love some of the family and dislike some of the other – but that’s life!
Judith is fabulous fun, and I had a blast meeting with her. Meeting face to face is so much better than communicating on line. I delighted in her humour, straight-talking and infectious sense of fun. Judith is a natural storyteller, and this translates in her animated dialogue. She told me she is ‘living each day’. She thrives on her writing and engagement with authors. Her generosity was evident in her willingness to share the benefit of her experience.
Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire, has lived in Pembrokeshire, Wales, for forty years.
She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.
She is also a Creative Writing tutor for Pembrokeshire County Council.
Winifred is a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling. Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer. The girl he determines to make his wife. Meeting Honora’s intelligent and silver-tongued medical student brother turns Winifred’s heart upside down and she finds herself suddenly pregnant. Bill Howarth reappears on the scene offering her a way out.
Love, music and secrets are woven together in this poignant, heart-warming narrative.
Set in a Welsh village, the story explores the contrast in attitudes and opportunities between different generations of women. As the characters confront their secrets and fears, they discover truths about themselves and their relationships. The reader is invited to laugh and cry, with the characters, and find joy in the simple things in life. Listen to the music and enjoy the food, as you peek inside the world of the inhabitants of Delfryn.
Let Sophie show you that no one can go it alone. Who knows, you may find some friends with big hearts…
I really liked You Can’t Go It Alone, there are so many familiar ‘human life’ threads running throughout the relationships of the characters And there are a lot of up and down real life moments throughout, some poignant, some sad, some joyous, some humorous, some unexpected. All thought provoking. There is one sentence that foreshadows the troubles and upsets that will affect them;”The sun was trying to make an appearance but the clouds were dancing in the sky as if they intended to win the dual.”
The characters are well drawn and multi layered. From the protagonist, Sophie who, with her husband, Jack, has recently moved to the village in the hope of a new life (in more ways than one), to the owners of the cafe, Rosa, the ever optimist, and Matteo, a quick tempered, jealous husband and their daughter, the talented Olivia. And then there is the delightful young Daisy.
The dialogue is exceptional; the personalities of the characters were instantly revealed to me, as the reader, through both the internal and the spoken speech.
It’s the Olive Tree Café is where most of the action occurs and there is a strong sense of the cafe’s ambience. Indeed, all of the settings have a good sense of place and it’s almost as if the Delfryn itself is personified as a character in the story, with the interweaving, individual lives it holds at its centre.
Initially the story appears to be a lighthearted look at life in a Welsh village but it is soon revealed that, as the book description says, this really is anexploration of “the contrast in attitudes and opportunities between different generations of women”.
Jessie Cahalin has a lovely light touch with her poetic prose; there are numerous sections which immediately evoke wonderful images and emotions and many sentences that made me stop to reread them just for the sheer beauty of the language.
I recommendJessie Cahalin’s debut novel; You Can’t Go It Alone is an interesting and thoughtful story
Jessie is a bookish blogger, word warrior and intrepid virtual explorer. She loves to entertain with stories, and is never seen without: her camera, phone, notebook and handbag. Fellow authors have deemed her ‘creative and quirky’ and she wears these words like a blogging badge of honour.
Having overcome her fear of self-publishing, she is now living the dream of introducing the characters who have been hassling her for decades. Her debut novel, ‘You Can’t Go It Alone’, is a heart-warming tale about the challenges women still face in society. The novel has light-hearted moments and presents hope. As C. S. Lewis said, ‘We read to know we are not alone.’ Connecting with authors via her Books in my Handbag Blog is a blast. She showcases authors’ books in the popular Handbag Gallery and has fun meeting authors in her virtual world. Communicating with her authors, still gives Jessie a creative buzz.
Jessie Cahalin hails from Yorkshire, but as a book blogger, she has realised that her country of origin is probably The World. She loves to travel the world and collects cultural gems like a magpie. She searches for happy endings, where possible, and needs great coffee, food and music to give her inspiration.