Why Honno? Just Asking the Question. @Honno #authors

Great Women, Great Writing, Great Stories.

Why Honno was a question I wanted to ask each of the following Honno authors when I started the interviews with them over the last few months.

I mean, I knew why I liked being published by Honno:

Judith Barrow

Honno  is my kind of publisher; small, independent, and led by strong women who know what kind of  books they want to publish and don’t accept anything but the best that an author can produce. So the editing is hard, but fair, and leads to many discussions – and a few compromises on both sides.
Because it is known to be a Welsh press it is sometimes assumed that all its authors will be Welsh as well. So, often, when I’ve appeared at events, people are surprised to hear my broad Northern English accent. The supposition is false; Honno’s aim as an inspiring, feminist, Welsh press is to provide opportunities for women writers. The only proviso is that they are either Welsh, are living in Wales or have a connection to the country – which actually covers a great many writers. I love their strapline -. “Great Women, Great Writing, Great Stories.” So it always gives me a thrill when the manuscript I’ve been toiling over for months (or years!) is accepted by them.

I’ve had experience of having an agent, of being asked to conform to the commercial market; to fit in. And it wasn’t for me. As a creative writing tutor, I’ve spent the last couple of decades encouraging students to “write in their own voices”. So when the agent told me I needed to conform if I wanted to be published by one of the big publishing companies, I knew it wasn’t for me. This, after she’d placed me with a commercial editor who, not only wanted me to write in a different way, but also wanted me to write in a different genre.”The talent and skill as a writer is there but you need to be open to change.”, was the advice.

I took it; I changed from being a client with an agent ( who had, after all, accepted me on the strength of my first book) to seeking other outlets for my work.

I was lucky, I found Honno.

But, enough about me.

But, enough about me.

Honno’s mission is to publish Welsh women writers – for the purposes of submission to Honno this means that you must be a woman born in Wales or resident in Wales at the time of submission. Honno also publishes titles of exceptional interest to women within Wales from writers who may not meet the first two criteria i.e. that they are female and that they are of Welsh birth or residence.

I started each of the interviews with the statement:”My greatest support has come from the group of authors published by Honno. We’ve met up in real life on many occasions…”

That being said, the question all the Honno authors were glad to answer was:What do you like most about being published by Honno, an indie press rather than one of the big publishing houses?”

To learn more about the authors and their books, please click on their names

In order of appearance their replies:

Thorne Moore:

It’s a small press, which means it’s personal. Maybe famous sportsmen or ex-cabinet ministers can be lauded (promoted) to the skies by big publishers, but most of their less famous authors tend to be lost in a very impersonal ocean, with very little one-to-one attention. They are names on a spreadsheet. With Honno, you know the team and they know you. You feel far more valued, even if the big bucks aren’t there.

And there’s the fact that Honno is a Women’s Press, run by women, publishing women (as well as being Welsh, of course). It’s not an anti-man thing, but I grew up in the era of the rising tide of women’s lib, when women didn’t just sit around arguing their case but took really positive actions to prove themselves, such as setting up publishing companies like Virago. Unlike others, Honno is still going strong and flying the flag.”.

Carol Lovekin

The intimacy. The sense of being part of a family. Honno’s reputation as an independent press publishing writing exclusively by women appealed to my feminist heart from the start. And it felt like the right fit for my debut, with its connection to The Mabinogion and the legend of Blodeuwedd.

A small press may not have the financial resources available to bigger, mainstream houses; they do tend to have a broad vision. They’re less bureaucratic, more collaborative and if they believe in a project enough, will invest time, expertise and energy in it. This has certainly proved to be the case for me with Honno.”

Alison Layland

It feels like being part of a close-knit family. The small but dedicated and talented Honno team are accessible and supportive at all stages of the process, and it’s been lovely to become friends with so many of the other Honno authors. We’re a wonderful community, and although we’re scattered all over Wales and beyond, it’s particularly lovely when we get to meet up in person.

Wendy White

When I was writing ‘Not Thomas’ I knew exactly where I wanted to send it when I’d finished, and that was to Honno. I’d long admired their work and I loved the fact that they’re a female-only press and have a committee of women who decide what to publish. Added to that was my huge respect for Caroline Oakley, a Honno editor who had worked closely in a previous role for a number of years with (the aforementioned) Ian Rankin. I was absolutely delighted when I heard from Caroline that Honno were going to publish ‘Not Thomas’ and my whole experience of being part of the Honno family has been fantastic. All the staff and other authors are extremely supportive and go out of their way to make everyone welcome. I’m constantly recommending Honno to my female friends who are writers. It may be a small indie press but it commands huge respect and publishes wonderful books.”

Jan Newton

“I love the team spirit which goes with being a Honno author. The other authors are so supportive of each other, and you really feel part of the gang. You get to know everyone who makes Honno work, and feel part of the enterprise, in a way which would surely be very difficult in a larger organisation. I was, and continue to be, overwhelmed at the generosity of everyone involved. It feels like a real joint-venture, which is a pleasure to be a part of.”

Jane Fraser

I think with Honno, my forthcoming novel has found the perfect home with the UK’s longest-standing independent press that champions Welsh women and Welsh writing. I am proud that I now find myself among a list of authors I so admire.

Alys Einion

First, the fact that I am published by a women’s press is a major achievement. I grew into my own identity reading books by Honno and other women’s presses, and I felt that there must be something really special about authors who are published by smaller presses who can’t afford to take a gamble in the way in a bigger publishing house could. I am in awe of my fellow Honno authors, and I really do feel honoured to be in their company. It is so great to have a good relationship with my editor, and the community of Honno authors is so supportive and helpful. It is a huge plus to not have to have an agent to get your work read. I could paper my wall with rejection slips and after a while it just wears you down. Then there’s that personal experience of being nurtured by an editor who really knows her stuff and is invested in making sure your work is the best it can be.  

I think with Honno, the authors are all excellent, and that kind of sets a standard. It makes me strive to be better, to be worthy of the association. And it’s a feminist press, so what’s not to like?

Juliet Greenwood

I’m eternally grateful that I had the experience of being published by Honno before finding an agent and having a two-book deal with Orion. Having been through the process in the slightly less pressurised atmosphere of Honno, and learning the different stages of the editing process, gave me the confidence to feel I knew what I was doing – and even more importantly know that I had done it three times before so could do it again! That experience has been utterly invaluable. Honno also gave me time to develop as a writer and become more certain of who I was as an author.”

Hilary Shepherd

Text Box:

The community of writers and the friendship that has come out of being published by Honno. Having the confidence that I’ll be taken seriously with the next book (though as with big publishing houses there’s no guarantee a book will be taken on). And going to the seaside whenever I go to talk to my editor.”

Jo Verity

The informality and camaraderie of an indie publisher suits me and my way of working. I’ve been a Honno author for fifteen years and everyone I’ve worked with there has been approachable, supportive, flexible and available. I’m extremely blessed to have Caroline Oakley as my editor. She ‘gets’ what I’m trying to achieve and nudges me, firmly but sympathetically, in the right direction. I couldn’t bear to hand ‘my babies’ over to people whom I didn’t know, trust and consider to be friends.”

Jacqueline Jacques

My association with Honno began with their anthology, Luminous and Forlorn, which included my short story, Lovey Dovey Cats Eyes. I like that they are real people, who treat their authors as real people, rather than as a means to an end. They respect your wishes, offer sound advice and editing and pull out all the stops to provide a really good quality product you can be proud of.

Stevie Davies

“Being published by Honno is like going home. The first publisher of my fiction was The Women’s Press, where writers experienced warm support and a shared outlook on the politics of gender. At Honno there is a sense of solidarity such as one rarely finds in larger and more impersonal firms. Caroline’s editing skills are second to none and I have been grateful for her experience and insight.

Submitting your work

Honno is always interested in receiving unsolicited manuscripts  but currently does not intend to publish  poetry, works for children, novellas or short story collections by a single author. Honno does publish full length works of fiction and non-fiction for adults (manuscripts of between 60,000 and 120,000 words).

Honno is open to all genres of fiction and is particularly interested in increasing the number of literary fiction, crime/thriller, commercial women’s fiction, science fiction and fantasy titles it publishes. Honno is also building a list of non-fiction works to include biography (untold tales of remarkable Welsh women, places and industries), memoir, nature and travel writing. For a good idea of the types of work Honno is interested in study the Books pages on this site and the Editor’s blog posts.

However, whatever kind of work you are submitting, please ensure that you meet Honno’s criteria (see ‘Submission guidelines’ below) BEFORE doing so.

Honno is keen to publish work that shows all sides of life in Wales, but will consider stories not set within Wales. Honno is a feminist publisher and that influences the kinds of work selected for publication.

During the Coronavirus crisis we are happy to take submissions by email. Please attach your covering letter and submission and email it to post@honno.co.uk with ‘submission – your name ‘ as the subject line

https://www.honno.co.uk/authors/b/judith-barrow/

c392a-tenby2bheaderTenby Book Fair is approaching 24th September (this next Saturday!) and there are six events you can attend.
All three publishers will be giving talks and taking questions —

Honno, which has been publishing Welsh women, classics and contemporary, for thirty years (Happy birthday Honno!)

Firefly, founded in 2013, and already winning prizes, is the only publisher in Wales devoted to children and young adults

Cambria Publishing Co-operative provides all manner of help – editing, graphic design, printing etc – for indie authors.

There will also be talks by three authors.
Colin R Parsons writes very popular fantasy and science fiction for young people and has given many talks and presentations at schools.

Kathy Miles is a prize-winning poet who will be reading some of her work.

Matt Johnson, ex-soldier and police officer, will be talking about how he came to write his thriller, Wicked Game.

Places are limited, so if you would like to reserve a place at any of these talks, email judithbarrow77@gmail.com

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Here’s our line up:

Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh  Matt Johnson:http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles: http://bit.ly/1twN3Bg , Graham Watkins: http://bit.ly/2aEgwRv , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons:http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin: http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza:http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams:http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl:http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  David Thorpe:http://bit.ly/2a9uG0V , Eloise Williams:http://bit.ly/2aoZk1k , Phil Carradice: http://bit.ly/2aYINV5 , Jo Hammond:http://bit.ly/2b7nMqf, Sarah Jane Butfield: http://bit.ly/2cKQ3Xs   and Sharon Jones: http://bit.ly/2bhZ9sa .And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq 

 

Together with:

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showboat

Tenby Arts Festival 2016: Day Three: Monday 26th September.

Tenby Arts Festival 2016: Day Two: Sunday 25th September.

Tenby Arts Festival 2016: Day One: Saturday 24th

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Brass Ensemble

To announce the opening of the festival with a swing, a brass ensemble will perform a medley of popular musical numbers.

Outside St Mary’s Church
High Street

11am

Free


 

Book Fair                               11998866_10152946036952132_7601875809175322308_n

For the fifth year running the Book Fair is the popular opening event in Church House for the Tenby Arts Festival. We will have twenty-eight authors and two publishers for all to chat with, who are either Welsh based or have set their books in Wal12049533_502977976546241_4653897117982364739_nes. There will be three competitions this time: an adults short story competition, one for teenagers and one for children. Details to be announced separately in May through the media.
Talks, books, relaxing music, refreshments; a morning of friendly chatter and discussion – a great morning for all.

Here is what a visitor said of last year’s fair (see picture):

“This weekend I’ve attended the Book Fair at the Tenby Arts Festival. Having seen the busy London Book Fair last year and on the other end of the spectrum some deserted halls with only two tables and four attendees elsewhere, I was pleasantly surprised to find a good vibe and a great buzz in a busy hall with lots of mingling and literary delights.”

Church House
11am – 3pm

Free


 

Sand Circles

Marc Treanor

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The essence of all you see, only exists because of a very profound order of certain repeating mathematical formulas that create the foundation of all matter, from atoms to galaxies. Sacred Geometry is the ancient science that explores and explains the energy patterns that create and unify all things, and reveals the precise way that the energy of Creation organises itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more of these geometric shapes. The strands of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, the path of lightning, a nautilus shell, the star we spin around, the galaxy we spiral within, and all life forms as we know them emerge out of timeless geometric codes. Sacred Geometry may very well provide the answers that you have been looking for.  (http://www.maya48.com/)

The patterns Marc creates on the beaches are all inspired by sacred geometry. The idea of ‘sacredness’ transpires from the  realisation that these patterns appear everywhere from the very small, the quantum field or the microcosm, to the very large, the cosmic realms or the macrocosm.

North Beach

Free

 

Jack Harris                          Jack Harris

Jack Harris writes and performs literate, compassionate songs, about subjects as disparate as Caribbean drinking festivals, the colour of a potato flower and the lives of great poets like Sylvia Plath and Elizabeth Bishop.
These have won him considerable acclaim. The Telegraph voted his album ‘The Flame and the Pelican’ #5 in their top 10 Roots/Folk albums of 2012. Q magazine praised his ‘unique lyrical mind’, and Maverick UK awarded the record its full 10/10 rating.
Jack is happiest when playing live. He has brought his music to a loyal, ever-growing audience, at festivals, venues and skating rinks across the world. On occasion he has opened for some of Folk’s biggest names, including Anais Mitchell, Cara Dillon and Dick Gaughan. His live show is a riveting mix of song craft and theatrical story-telling, delivered with warm voice, dry humour and nimble, string-picking fingers. Come on out and see.

Church House
8.00pm

£10

 


 

Cantemus

The Messiah

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Under the baton of Welsh National Opera chorus master, Alexander Martin, singers from all over Pembrokeshire and beyond, choir members or not will rehearse and perform Handel’s Messiah  in the beautiful surroundings of St Mary’s Church.

Born in London, Alexander Martin studied Music at St John’s College, Cambridge, and the piano at the Royal College of Music in London. In 1992 he was appointed répétiteur at the Opéra National de Lyon in France under Kent Nagano. From 1995 to 1998 Alexander spent four seasons in Germany as répétiteur at the Opera, and répétiteur and conductor at the Hesse State Opera in Wiesbaden, before returning to live in France to pursue a freelance career. He has worked as guest conductor, assistant and coach for Lyon, Marseille, Avignon, le Capitole Toulouse, l’Opéra National du Rhin (Britten’s The Rape of Lucretia), La Monnaie, le Grand Théâtre Geneva, as well as for Aix-en-Provence, Glyndebourne, and Montepulciano Festivals. Alexander also worked closely with Philippe Jordan Britten’s Peter Grimes and The Turn of the Screw (Graz), and collaborated with René Jacobs in Rome for Tancredi. Following three seasons as Chorus Master in Bern (where he also conducted Cendrillon and Dave Maric’s Ghosts), Alexander worked as Chorus Master at the Opéra National de Bordeaux from 2010-2014. During this time he also worked in Bayreuth with Philippe Jordan on Parsifal (2012). He became Chorus Master at WNO at the start of this season.

The choir will be accompanied by Jeff Howard, organist.

Jeffrey Howard was born in Cardiff and studied at the University of Wales College, Cardiff, and the Royal Academy of Music, specializing in organ performance and church music. Since graduating, he has pursued a freelance career as organist, pianist, singer, coach and conductor. He has accompanied leading international singers including Bryn Terfel, Sir Willard White, and, Rebecca Evans.

Jeff has performed throughout the United Kingdom and Europe including the Wigmore Hall, The Goethe Institute, Brussels, and St. Paul’s Cathedral, and has worked with orchestras such as The Orchestra of the Age of Enlightenment, and the Royal Philharmonic. He made his Royal Albert Hall debut in 2002 as soloist in Shostakovitch’s second piano concerto. Recent performance include performed Rachmaninov’s second piano concerto and Beethoven’s Emperor Concerto at St. David’s Hall, Cardiff with the Cardiff Philharmonic Orchestra and a recital with Bryn Terfel at Philharmonic Hall, Liverpool.

Jeff frequently provides arrangements for the BBC National Orchestra and Chorus of Wales, S4C and various solo artists. He is accompanist, singer and arranger for Only Men Aloud!, winners of the BBC competition ‘Last Choir Standing’ who recently won a Classical Brit Award for their second album on the Universal label. Jeff is also involved in cabaret and music theatre having worked with names such as Michael Ball, David Owen Jones, Peter Karrie, and more informally, Dame Shirley Bassey!

For the past 18 years, Jeffrey has held a post as vocal coach at the Royal Welsh College of Music and Drama and at Welsh National Opera and Welsh National Youth Opera.

For those wishing to join the choir there will be rehearsal before the performance during the day. There will be a charge of £10 for those taking part and in addition a refundable deposit for copies of the music/text.

St. Mary’s Church

Rehearsals will be at 3pm – 5.30pm
Performance 6.30pm – 8pm

Tickets £8 


 

 


 

Enquiries to: tenbyartsfestival@yahoo.co.uk

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This is a post copied and posted from  Thorne Moores’s website.

Fair Play – why book fairs?

 

I’ll be taking part in a small flurry of book fairs soon: The Rhondda, on September 3rd, Tenby  (which I am helping to organise) on September 24th, and Carmarthen on October 1st.

  
Tenby Book Fair 2015
 

To stand at a stall, offering my wares, might seem a very Mediaeval way of going about things in the days of internet ordering and e-books. Besides, what are bookshops for, if not to provide any book that anyone is looking for? Literary festivals like Hay, with big names addressing crowds of fans are all very well, but why bother with book fairs?

The reason is that for most of us authors, such events are the only occasions when we get to meet our readers in the flesh, to discuss our work and hear their opinion. We write for ourselves, mostly, and perhaps to please a publisher or agent, but ultimately, since we choose to be published, rather than storing our work in notebooks under our bed, we write for “the reader” out there, who will devour our polished words. It becomes a somewhat surreal situation if our readers never materialise in the flesh. We need the contact to keep it real.

A fair also allows us to meet our fellow authors, in an atmosphere where everything is all about books, and sometimes it’s very healthy to escape the private isolation of writing and remind ourselves that we are not alone. There are other people as obsessed with writing as us.

For indie authors, who self-publish, and who want to rely on more than Kindle sales on Amazon, fairs can be almost the only way to put their printed books out there, for people to see. Many bookshops simply don’t stock independent authors. An ISBN number is not enough to get you on the “List.” And for us conventionally published authors, there is no guarantee that bookshops, even their local bookshops, will pay them any attention whatsoever. If you are lucky, you might find a copy of your book, buried in a dark corner, out of sequence, while the front displays concentrate on the highly promoted big names. If you are in the hands of one of the mega-publishing houses, which sees you as a potential block-buster in WH Smiths or on airport concourses, then they might send you off on tour round the country or the world, to meet your readers. They might flaunt your book cover on billboards for you. 99% of authors don’t get that treatment, so we have to put ourselves out there.

And that’s what book fairs are for. So do come. We’re a rare breed and well worth gawping at.

Today With Sarah Jane Butfield

 

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So… here we are; the last of the interviews with our authors, all twenty-seven of them and all will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl 

There are many genres and many books to browse over. And twenty-seven authors to chat to about their writing. The winners of the three writing competitions will be announced on the day and the prizes given.

 And just a word of thanks here to the three publisher who will be donating the prizes:

 http://www.fireflypress.co.uk/  A collection of  their books for the Children’s competition.   Cambria Publishing Co-operative  is sponsoring the YA Flash Fiction prizes and  http://honno.co.uk/  also a collection of their books for the Adult Short Story Cpompetition 

In the next week or so I’ll be showcasing all three publishers who will be also giving short talks at the Book Fair: http://honno.co.uk/, http://www.fireflypress.co.uk/ and http://www.cambriapublishing.org.uk/

And I’ll be sharing a post from the brilliant http://showboat.tv/ Who always video and share our Tenby Book Fair.

Please feel free to check out all our authors and their great books. 

Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh  Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles: http://bit.ly/1twN3Bg , Graham Watkins: http://bit.ly/2aEgwRv , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons:http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin: http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza:http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams:http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl:http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  David Thorpe:http://bit.ly/2a9uG0V , Eloise William:http://bit.ly/2aoZk1k , Phil Carradice: http://bit.ly/2aYINV5 , Jo Haammond:http://bit.ly/2b7nMqf  and Sharon Jones: http://bit.ly/2bhZ9sa .And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq 

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

So now let’s meet our author of today.Sarah Jane Butfield. Sarah Jane was born in Ipswich, Suffolk, UK. She is a wife, mother, retired Registered General Nurse and an international best-selling author of Travel, Nursing and Culinary memoirs. She has also written a series of self-help guides for new authors based on her experiences to date and inspires and mentors new authors in her role as CEO at Rukia Publishing. 

 

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Welcome,Sarah Jane, great to have you here today; last but not least!

And I’m pleased to finally arrive, Judith

So tell us, please,how long have you been writing?

It feels like I have been writing my whole life, but the reality is that I started writing in 2013. I think that is because the majority of the content of my books so far have been about my life and my experiences I am constantly reminiscing which completely takes over my thoughts.

What kind(s) of writing do you do?

I currently write non fiction author guides, travel and nursing memoirs. Although I also have a romance novel in progress and a couple of ghostwriting projects which are outside of my usual genre of writing.

Why did you choose to write in your particular field or genre?  If you write more than one, how do you balance them?

To be honest I didn’t choose a genre when I started writing it was entirely by accident, hence the title of my first author guide, The Accidental Author. I resurrected my love of journaling, that I had in my childhood, after the traumatic events of the Brisbane floods in 2011. It was more of a cathartic exercise to begin with, but as I started to tell people about our experiences after relocating to Tasmania to start over and rebuild our lives, I was encouraged to share our story to help and inspire others who may be facing life changing events.

The Accidental Author (The What, Why, Where, When, Who & How Book Promotion Series 1) by [Butfield, Sarah Jane]

The Accidental Author is permanently free as I hope it offers aspiring authors a real glimpse of how they could start writing based on my experiences

So, what have you written?

Two Dogs and a Suitcase: Clueless in Charente

Our Frugal Summer in Charente: An Expat’s Kitchen Garden Journal

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The Intermediate AuthorpreneurProduct Details

Where can we buy or see them? 

I have added the links at the end ..

What are you working on at the minute?

I have 2 main projects on the go at the moment.

Firstly, I am co-writing the sequel to Shame by Phil Thomas after working with him on the second edition of book one which details his horrific true story of abuse within the UK criminal justice system in the 1970’s which is now part of a judicial review which culminates in 2017. We hope to coordinate the release of the sequel with the finalising of the court proceedings and issue of the final report on how to try to prevent events on this scale happening in the future.

Secondly, a bit overdue, I am in the final stages of preparing Ooh Matron 2! Bedpans to Boardrooms to be released.

Ooh Matron!

Product Details

What’s Ooh Matron 2 about?

Book 2 in my nursing memoir series follows the story of my nursing career and patient experiences over a 28 year career when I worked  in a variety of specialisms and roles in healthcare settings in both UK and Australia. These books form part of The Nomadic Nurse Series which is proving popular not only with medical memoir fans, but also those who enjoy travel and personal memoirs.

What was the hardest part of writing Glass Half Full?

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In some respects the hardest part was reliving very personal and emotional events and trying to portray them accurately in a way that readers could relate to the decisions we made and how when life changing events happen you often don’t get long period to debate discuss and decide what to do. Sometimes you have to just make a decision and act on it.

What did you enjoy most about writing this book?

I really enjoyed reliving the happy times that occurred during our time in Australia. I still feel very privileged to have had the opportunity to live and work in a country which is so family and community focused and I have no regrets despite how life turned out for us there.

Product Details

Are there misconceptions that people have about your book?  If so, explain.

I think the biggest misconception some people have is that making the decision to emigrate was easy. It was very far away from being easy. Both Nigel and I had been married and divorced. We had child custody issues due to having children from previous marriages and this meant that our decision would result in some of our children remaining with our ex partners in the UK. This was one of the hardest decisions we have ever made, and as I said before trying to portray enough of our story without intrusion into our children’s lives, yet being able to give readers an idea of the rationale to our decisions was very hard. There were elements of my personal situation in the lead up to our decision which at the time of writing Glass Half Full I could not go into in detail because of the ages of the children and the ex partner involved, but suffice to say psychological and physical domestic abuse was involved.

What is the biggest thing that people THINK they know about your subject matter, that isn’t so?

This is tough, but honestly I think the answer is that unless you have personally parented children and step-children through child custody, divorce and child safety life events, it may be difficult for readers to totally comprehend the enormity of emotional and psychological thought processes involved. For this reason readers may build up preconceived ideas and as one reader wrote in a review “Surely he couldn’t have been the monster you portrayed him as.” When in fact I underplayed the extent of his behaviour towards me and my children.

What inspires you?

My biggest inspiration is my family. Without the support and encouragement from my husband Nigel I may never have started my writing journey on a professional level.

How did you get to be where you are in your life today?

I feel very fortunate to now be able to write and support new and aspiring authors as a full time occupation. This wasn’t a planned career move but it now feels as if it was meant to be and I love everything about what I do and the people I work with.

For your own reading, do you prefer ebooks or traditional paper/hard back books?

I love reading paperbacks and I thoroughly enjoy browsing in second hand book shops and charity shops for new material. I have a favourite book shop in Tenby actually called

However, my Kindle is overflowing with awesome books from fellow independent authors.

What book/s are you reading at present?

I am currently an ARC reader for Peri Hoskins and his upcoming book called East, which is set in Australia and although it is called literary fiction it is based on his memoirs so it is very poignant.

Who designed your book cover/s?

I have had a few cover designers but I have now developed a working relationship with Ida Jansson at AMYGDALA DESIGN. Together we are reworking some of my original covers and her work on Glass Half Full has been amazing.

Do you think that the cover plays an important part in the buying process?

Yes the cover plays a huge part. It’s funny how when I first started out I didn’t realise quite how important it was until I questioned what makes me pick up a book or click on a book online, and it’s the cover 80% of the time

What would you say are the main advantages and disadvantages of self-publishing against being published or the other way around?

What I love about self-publishing is having total control of not only the content and how I portray it but also the timeframes. Having a large family means that rigid timeframes would create increased pressure which I feel would stifle my writing ability. I like to write everyday even if that means getting up 5am for some quiet time!

Which social network worked best for you?

It’s funny how social networking has become so integral to publishing over the years and particularly so for independent authors. I love to interact with my readers and I find Facebook and Twitter the most responsive, however I get a lot of emails from my mailing list and via my blogs.

How can readers discover more about you and you work?

Websites:

http://www.sarahjanebutfield.com/

http://www.rukiapublishing.com/

Linkedin:https://www.linkedin.com/in/authorsarahjanebutfield

Pinterest: https://uk.pinterest.com/readgoodbooks/

Goodreads:https://www.goodreads.com/author/show/7391697.Sarah_Jane_Butfield

Connect with Sarah Jane on social media:

Twitter

@SarahJanewrites

@SJButfield

@GlassHalfFullTM

@TwoDogsMemoir

@FrugalSummer

Facebook:

www.facebook.com/AuthorSarahJaneButfield

www.facebook.com/Twodogsandasuitcase

www.facebook.com/OurFrugalSummerinCharente

www.facebook.com/Ooh-Matron-1646665865549530/timeline/

Blogs:

Sarah Jane’s Writing Blog http://sarahjanebutfield-glass-half-full.blogspot.co.uk/

Sarah Jane’s Blog at Rukia http://www.rukiapublishing.com/sarah-janes-blog

Amazon Author Page:

US https://www.amazon.com/Sarah-Jane-Butfield/e/B00GPLZW2Y/

UK https://www.amazon.co.uk/Sarah-Jane-Butfield/e/B00GPLZW2Y/

 

Today With Sharon Jones

Over the last few weeks I’ve been introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl 

 I’m almost finished interviewing them all now.

In the next fortnight I’ll be showcasing the three publishers who will be with us: http://honno.co.uk/, http://www.fireflypress.co.uk/ and http://www.cambriapublishing.org.uk/

And I’ll be sharing a post from the brilliant http://showboat.tv/ Who always video and share our Tenby Book Fair.

So far here are the wonderful authors. Please feel free to check them and their great books out: Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh  Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles: http://bit.ly/1twN3Bg , Graham Watkins: http://bit.ly/2aEgwRv , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons:http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin: http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza:http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams:http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl:http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  David Thorpe:http://bit.ly/2a9uG0V , Eloise William:http://bit.ly/2aoZk1k , Phil Carradice: http://bit.ly/2aYINV5  and Jo Haammond:http://bit.ly/2b7nMqf .And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq 

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

 

Today I’m really pleased to be chatting with  Firefly author. Sharon Jones. 

sharon jones 1

 

Welcome Sharon, it’s great to be meeting you here.

Let’s start by you telling us a little about yourself? Perhaps something not many people know?

I was born and raised in Dolgellau, North Wales and as a child was enchanted by local folk tales of Idris the giant who used to sit on Cader Idris, the mountain which overlooks the town. My imagination was far too big to stay restricted within my brain, so I would constantly make up stories. I was strongly influenced by Enid Blyton’s books which I devoured, and my stories always centred on magical trees and wishing wells. My biggest secret as a child was that there was a fairy door on the crab apple tree at the bottom of our garden. If I scrunched my eyes closed and tapped three times on the door, I would be transported to the magical Crabble Kingdom and was swept away on adventures with the Crabble Fairies. Oh, and other than my sons, I don’t think that anyone else knows that I can juggle!

grace-ella-lowres final cover

 

I love the cover! Do tell us what your book is about?

‘Grace-Ella: Spells for Beginners’ is my debut children’s book *pauses for a little squeal* It’s a funny, magical adventure about friendship and being true to yourself, for 7-9 year olds. Grace-Ella is an ordinary little girl who lives in the seaside town of Aberbetws … ordinary until one Saturday, a black cat strolls through the back door of the Bevin’s house and takes up residence. Little does Grace-Ella know that the cat will reveal that on the ninth day of the ninth month of the ninth year of her life, she will become a witch. What ensues are sparkling spells and potion commotions. Despite there being strict rules from the Witch Council about not using magic to seek revenge on a foe, will Grace-Ella be able to find a way of using her magic so that Amelia, the school bully, gets the comeuppance she deserves? Well, I guess you’ll have to read the book to find out. ‘Grace-Ella’ will publish on the 15th of September with www.fireflypress.co.uk/

 

Are you working on another book?

‘Grace-Ella: Spells for Beginners’ is the first in a series of ‘Grace-Ella’ books. I am currently working on Book 2. To give you a sneaky hint, the second story is about Grace-Ella’s adventures at Witch Camp, where rules are broken with catastrophic consequences, cats go missing, a broomstick battle and of course cauldrons full of sparkling magic. I also have another young middle grade story, currently under consideration with a publisher, so fingers and toes crossed for that too.

 

Are your characters based on real people or did they all come entirely from your imagination?

Grace-Ella whooshed into my mind as I was driving to work one morning. I had to execute a perfect emergency swerve and come to a skidding halt in a layby. I quickly jotted down who Grace-Ella was. She was just the ordinary young girl who sits in the classroom, but has this amazing magical secret. Mrs Bevin, Grace-Ella’s mam, is definitely based on a real person … but I can’t possibly reveal who. She is very pernickety and appearances and keeping up with the neighbours are her main goals in life. Because of this, she greatly exaggerates situations and on discovering that her daughter is a witch, her distress is almost apocalyptical. Having worked as a Primary School teacher for twelve years, I have taught many children who all have their own unique and wonderful characteristics and it’s a mish-mash of all these traits that generally make up my characters.

 

Do you have a day job in addition to being a writer? If so, what do you do during the day?

I worked as a Primary School teacher for twelve years, but made the difficult decision at the beginning of this year, to give up my teaching position. I wanted to give my full attention and all my energy into raising my boys and my writing. Once my book publishes, I will be available for school visits and writing workshops. I write in the mornings when my youngest son attends Nursery School. I have recently decorated and created a beautiful office space to work in and find the morning hours simply evaporate when my imagination takes hold and I’m away. I have to be alone and in complete silence to write (fuelled by coffee), so once the boys are home, it’s time to be Mam. Becoming a children’s author was always that dream that collected cobwebs in the deep recesses of my mind for years and to have now achieved that, well … quite simply, it’s magical.

 

 Where can we find you online?

You can find me twittering on Twitter @sharonmariej (https://twitter.com/sharonmariej)

I also write a blog called ‘Sharon Marie Jones: Just Being Me’, which you can read at sharonmariej.wordpress.com. On my blog, you’ll find my journey through the tragic grief I battle, following the death of my 5-year-old son in March. Some of this journey is written as detailed accounts, some is written as poetry. I hope by being honest and open about my situation, my writing may help someone in the same, or similar situation.

Sharon’s book is now available to pre-order:

Amazon.co.uk: http://amzn.to/2aRYb1N

Amazon.com:http://amzn.to/2aLStDa

Gwales:http://bit.ly/2aRZONi

Firefly Press: http://www.fireflypress.co.uk/

 

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                                    TheLostGirlTourBanner 1                        

                                                                 THE LOST GIRL

                                                                   BY LIZ HARRIS

The Lost Girl (Choc Lit) (The Heart of the West Book 3) by [Harris, Liz]

                                                                   

                                                   What if you were trapped between two cultures?

Life is tough in 1870s Wyoming. But it’s tougher still when you’re a girl who looks Chinese but speaks like an American.

Orphaned as a baby and taken in by an American family, Charity Walker knows this only too well.  The mounting tensions between the new Chinese immigrants and the locals in the mining town of Carter see her shunned by both communities.

When Charity’s one friend, Joe, leaves town, she finds herself isolated. However, in his absence, a new friendship with the only other Chinese girl in Carter makes her feel like she finally belongs somewhere.

But, for a lost girl like Charity, finding a place to call home was never going to be that easy …

Genre: Historical Romantic Fiction

Heart of the West: Book 3

Release Date: 8th August 2016

Publisher: Choc Lit

BUY LINKS

AMAZON UK

AMAZON US

 photo of author

ABOUT LIZ HARRIS

Liz Harris lives south of Oxford. Her debut novel was THE ROAD BACK (US Coffee Time & Romance Book of 2012), followed by A BARGAIN STRUCK (shortlisted for the RoNA Historical 2013), EVIE UNDERCOVER, THE ART OF DECEPTION and A WESTERN HEART. All of her novels, which are published by Choc Lit, have been shortlisted in their categories in the Festival of Romantic Fiction. In addition, Liz has had several short stories published in anthologies. Her interests are theatre, travelling, reading, cinema and cryptic crosswords.

FACEBOOK

TWITTER

WEBSITE

GOODREADS

  TheLostGirlTourBanner 1

GIVEAWAY

1 COPY OF THE BOOK (ebook)

http://www.rafflecopter.com/rafl/display/4be03017180/?

My Review of Sandlands by Rosy Thornton for #RBRT

I reviewed Sandlands by Rosy Thornton as a member of #RBRT (and wasn’t I in for a treat!)

I gave this collection of short stories 5* out of 5*

The Blurb:

A collection of linked short stories, all set in and around the small village of Blaxhall in the sandlings of coastal Suffolk, which is the reason for the title, ‘Sandlands’. The collection is inspired by the landscape of the area and its flora and fauna, as well as by its folklore and historical and cultural heritage. Six of the twelve stories focus around a particular bird, animal, wildflower or insect characteristic of the locality, from barn owl to butterfly. The book might be described as a collection of ghost stories; in fact, while one or two stories involve a more or less supernatural element, each of them deals in various ways with the tug of the past upon the present, and explores how past and present can intersect in unexpected ways. The stories uncover what is real and enduring beneath the surface of things.

My Review:

What can I say about this book! I loved it; devoured it in one sitting.

And the cover!  The image of the ethereal  barn owl; the staring,  seemingly unblinking, eye is, for me, a metaphor for the author’s depth of  study, of research and knowledge of her subject.

Sandlands encompasses sixteen short stories that are based around the Sussex landscape, traditions, the different seasons,human nature and nature itself

Rosy Thornton has an empathetic writing style. Her portrayal of all the diverse characters shows an instinctive knowledge of human emotions and reactions to various situations. Each anecdote is an excellent observation of people,  fascinating in so many different ways, and each is satisfyingly complete

 There are lots of entwining themes; of quiet humour, time shifts, mystery and ancient history, folklore, superstitions, life and death, nature and even sometimes, a subtle personification of nature  and animals (see below).

 The stories are told variously through first person and third person point of view; individual voices so different that it’s possible to envisage them… and certainly for the reader to empathise and react to every story in  many different emotional ways.

But what struck me most as I savoured these tales was the beautiful poetic prose, the rhythmic flow of the narrative, the extensive and unique use of words,the syntax and the way Rosy Thornton ‘strings’ those words together. Let me show you what I mean. This is just one example. I could have dipped into this book anywhere but this sequence is taken from The Witch Bottle

“A soft, plosive pop, inaudible beyond the confines of the bottle, released the first gauzy wisp of smoke and with it a smouldering, acrid odour, Fire burn and cauldron bubble. Then came the flame. Bluish and tentative at first, it began to lap along a ridge of fabric, but quickly grew bolder, darkening to purple and rich red, then leapt, hungry and orange, to lick inside the glass. Finally it found a crack, the way to the outside air and life-giving oxygen– where, invigorated, it bucked and swayed its wild banshee dance, until it met the threads of Persian wool.

Fire burn…!”

Wonderful stuff!!

 You just have to read these stories. I thoroughly recommend Sandlands.

 Buying Links:

Amazon.co.uk: http://amzn.to/2be4vC8

 Amazon.com: http://amzn.to/2aG7Q1p

 

 

Today with Jo Hammond

 

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Over the last few weeks I’ve been introducing the authors who will be at the Tenby Book Fair, http://bit.ly/27XORTh, the first event of the Tenby Arts Festival http://bit.ly/24eOVtl 

 I’m almost finished interviewing them all now.

In the next fortnight I’ll be showcasing the three publishers who will be with us: http://honno.co.uk/, http://www.fireflypress.co.uk/ and http://www.cambriapublishing.org.uk/

And I’ll be sharing a post from the brilliant http://showboat.tv/ Who always video and share our Tenby Book Fair.

So far here are the wonderful authors. Please feel free to check them and their great books out: Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh  Matt Johnson: http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles: http://bit.ly/1twN3Bg , Graham Watkins: http://bit.ly/2aEgwRv , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons:http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin: http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza:http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams:http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl:http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  David Thorpe:http://bit.ly/2a9uG0V , Eloise William: http://bit.ly/2aoZk1k and Phil Carradice: http://bit.ly/2aYINV5  And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq 

There may also be a short chat with John and Fiona of http://showboat.tv/ who, as usual, will be filming the event.

Today I am so pleased to be talking with  Jo Hammond

jo hammond

 

 Welcome, Jo, good to see you here today.

Good to be here, Judith

So, let’s start by you telling us what have you written? 

Battle in Iraq published by ibtauris, Adelina Patti Queen of Song and Wilderness & Paradise. The last two are both available as e-books on Amazon or through Hammond Associates. I have also written short stories for the Sexy Shorts series published by Accent Press.

Why did you choose to write in your particular field or genre? If you write more than one, how do you balance them?

My field is biography/history and I guess I am just very interested in lives already lived, especially women who have achieved extraordinary things often against the odds. Where did your love of books/storytelling/reading/writing/etc. come from? I have loved reading since I was very young. I learned to read at the age of 3. Living in West Africa there were not many distractions, my younger brother was my only companion much of the time. I escaped into a world of stories and characters. I used to be told I was a bookworm and when I was very young I thought that there really was such a biological creature – an insect that lived in books.

How long have you been writing?

Since the age of about 7. My very first success was in the tiny school I attended in a town called Zaria. Gerald Durrell was in the country on one of his expeditions and came to talk to us about his adventures and the animals he had seen. We were then set a competition to write an essay based on his talk. I won the first prize which was a terrapin.

What kind(s) of writing do you do?

As well as the biographies I have mentioned and which I tend to write as though they were novels, I have written poetry and short stories.

What cultural value do you see in writing/reading/storytelling/etc.?

I believe that from the earliest times when storytelling was entirely oral it was a way of making sense of the world around us and a way of remembering important events.

What were your goals and intentions in these books, and how well do you feel you achieved them?

My first book Battle in Iraq is the story of my grandfather’s experiences working ships on the Tigris River during WW1. Although it is based on his diaries and letters, I wrote the back ground history to the war and as my son once put it, end with “a fine rant” in the final chapter against the war of 2003. For me it was important to try to explain the war to people and also to highlight the suffering in this theatre of war which is often forgotten concentrating as we do on the western front. My other two books are both about high achieving women, Adelina Patti had an amazing life as an opera singer starting at the age of 9 and had immense character. She also lived at a time of great excitement and upheaval with civil wars and revolutions going on across the world. She is often forgotten as compared with Jenny Lind and Nellie Melba, I felt that balance should be redressed. “Wilderness & Paradise” is a collection of mini biographies of women who went out alone to explore the deserts of Arabia, again brave and pioneering women who had exceptional courage and extraordinary lives.

Can you share some stories about people you met while researching these books?

Most of my research was done in libraries and museums so the people I met were librarians, archivists and curators. For “Battle in Iraq” I went to Turkey to visit the town where my grandfather was a prisoner of war. It was a town of narrow streets with ottoman buildings that featured overhanging upper storeys. Its main claim to fame was the huge rock that dos almost sheer to 800 metres. In his diaries grandfather wrote of clubbing the rock and sitting there to read so of course we had to climb it too. I went to Turkey with some trepidation because my mind was filled with the evil things done to our troops in Iraq but I found the people friendly and helpful though there was not one person in the town prepared to admit that there had ever been prisoners of war there. Later when I was doing research at St Anthony’s college Oxford I met a very pleasant Iraqi who introduced me to his own publishers who subsequently accepted my book. For Adelina Patti I went to Windsor Castle to look at the diaries of Queen Victoria for whom Adelina often sang. I felt very privileged to be holding her actual diaries in my hand and reading her incredibly neat, clear handwriting. I also met Lord Mark Poltimore who is an art expert at Sotheby’s and on the Antiques Road Show. He is the owner of the painting by Winterhalter on the front of my book because he is the grandson of Adelina’s third husband. I also met his mother thereby giving me a living contact with Adelina and her husband Baron Cederström. They very kindly lent me her letters to study. What are some of the references that you used while researching? Many biographies and histories, the Bible, diaries and autobiographies.

What did you enjoy most about writing this book?

I loved doing the research and finding odd facts and references and I loved the feeling that I was bringing these people to life. How did you get to be where you are in your life today? I grew up in West Africa so travel and far away places always appeal to me, hence my choice of subjects. I went to boarding school and then did a degree in French and Italian. I worked for a while teaching English as a Foreign Language and later as a secretary and translator before training as a teacher of Modern Languages. During this time I was also doing some free-lance writing for local newspapers. Coming to Pembrokeshire I wanted to escape from teaching so I started a business selling hampers of local specialities whilst still doing supply teaching. But I still wanted to write so I studied for an MA in Creative Writing at Trinity College and have been writing and giving talks ever since.

Who are some of your favourite authors that you feel were influential in your work? What impact have they had on your writing?

Racine, Jane Austen, Pierre Loti, Gertrude Bell, Isabelle Eberhardt, Balzac, Evelyn Waugh, Agatha Christie. All of these use simple language – I dislike books that use abstruse words where a simple one will do, I find that pretentious. But some of them also manage to write so lyrically creating beautiful images or sounds. In the case of Austen and Christie I think it is the vividness with which they portray their characters that most appeals.

Are you a full-time or part-time writer? How does that affect your writing?

I have always been a part time writer as I have had to earn money, I also had four sons of whom three are triplets so they have been my priority. Now they are grown up and have sons of their own so I am often on Granny duty. Having said that I find that ideas and thinking things through can happen while engaged in mundane tasks. Once the inspiration is in place the actual writing does not take so long.

Any tips on how to get through the dreaded writer’s block?

I often get struck by writers’ block. Sometimes it is difficult to see how best to word something of fit it into the narrative. My solution is to walk away from it. Go and do something else, taking the dog for a walk is good because you can one thinking while walking and the change of air breathes fresh life into you.

How do you feel about ebooks vs. print books and alternative vs. conventional publishing?

E-books have been a great benefit in many ways. Anyone can be published on Amazon and books are available to the public so easily through the internet. But there has as a result been a sad decline in the number of bookshops and the clatter of masses of unknown books on the internet drowns out more worthwhile books. I think the printed copy will always exist if only because once you have bought it it needs no electricity to enable you to read it.

Do you write more by logic or intuition, or some combination of the two? Summarise your writing process.

My books tend to be driven by logic and for the most part are written in the old fashioned beginning, middle and end way. As I write biographies as though they were novels intuition plays a part in thinking up the conversations that people might have had in a given situation. My books are strictly factual but obviously there is no record of what people said to each other unless a conversation is reported in an autobiography, so I have to make those up as with descriptions of clothes and places, though they are based on general reading around the subject.

Do you proofread/edit all your own books or do you get someone to do that for you?

I do my own proof reading, editing and publishing. After my first book I gave up on traditional publishers – too slow and too uninterested to market effectively.

Tell us about the cover/s and how it/they came about.

All my book cover are designed by me. Battle in Iraq shows a photo of my grandfather against a map of Iraq. On the back is a picture of the ship he was on when captured. It gives some clue as to wheat the book is about. Adelina Patti shows a portrait of the singer by Winterhalter. Wilderness & Paradis has a picture of an oriental rug of the type used to frame a doorway. It hangs in my dining room while on the back is a photo I took of a window at the Grand Mosque in Dubai. I wanted to give the atmosphere of the book from the very start.

What are some ways in which you promote your work? Do you find that these add to or detract from your writing time?

I am on Twitter and I also have a blog but find I have little time for them. I try to “tweet” about once a week and find it does often result in a small flurry of sales.

How do you market your books? My last two books are on sale through ebooks on Amazon and I sell copies myself at book fairs and when I give talks or lectures. My first book Battle in Iraq is available from the publishers ibtauris.

What do you like to read in your free time?

I like to try new books, I enjoyed “The Girl on the Train” and also “Night Train to Lisbon”. I do mostly read fiction though my own books are non-fiction. “The Time Travellers Wife” struck me as similar to my own life being married to a man who is away working a great deal – not that he comes home naked, just the way he may be away for weeks and then suddenly parachutes back into my life and turns my routine upside down.

What is your favourite film and why?

Casablanca is the best film ever made. It is one of the most quoted because of its succinct and punchy lines. All its characters are so very vividly created and evoke immediate sympathy.

What is your role in the writing community?

I have given talks based on my writing. I help to run a creative writing group in Pembroke Dock

What projects are you working on at the present?

I am beginning research on women aviators as part of a plan to write a collection of mini biographies again. after that I feel I would really like to try my hand at fiction.

Tenby Book Fair: 24th September 2016

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Events

Events to be held at the 2016 Tenby Book Fair, 24th September

Revised
Some talks, readings, Q&A sessions will be held in an adjoining room at the fair. Numbers will be limited, so it is advisable to reserve a place in advance. There is no charge.
  1. 11:00    Cambria Publishing Co-operative will be giving a talk and taking questions about the services and assistance they offer to independent authors.
  2. 11:30    Poet Kathy Miles will be giving a reading of some of her work.
  3. 12:00    Firefly Press will be talking about publishing children’s books and what they look for in submissions.
  4. 12:30    Prizes for the short story competitions will be presented in the main hall – no booking necessary.
  5. 1:30      Colin Parsons, children’s writer, talks about his popular work
  6. 2:00      Honno Welsh Women’s Press will be talking about their work, publishing contemporary novelists, anthologies and classics, and discussing what they look for in submissions.
  7. 2:30      Matt Johnson, thriller writer and ex-policeman, talks about his work and experiences.
  8. 2:55      Main hall (no booking required): raffle prizes.

 

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              book                                     

                                              BENEATH THE APPLE BLOSSOM

                                                                BY KATE FROST

Genre: Contemporary women’s fiction

Release Date: 04/08/16

Publisher: Lemon Tree Press.

Four women, linked by blood ties, friendship, betrayal, loss and hope, struggle with the choices they’ve made and the hand that life’s dealt them.

All Pippa’s ever wanted is marriage and kids, but at thirty-four and about to embark on IVF, her dream of having a family is far from certain. Her younger sister Georgie has the opposite problem, juggling her career, her lover, a young daughter and a husband who wants baby number two.

Pippa’s best friend Sienna has a successful career in the film world, and despite her boyfriend pressurising her to settle down, a baby is the last thing she wants. Happily married Connie shares the trauma of fertility treatment with Pippa, but underestimates the impact being unable to conceive will have on her and her marriage.

As their lives collide in a way they could never have predicted, will any of them get to see their hopes realised?

EXTRACT

Connie stopped and looked around. She had wandered a little way off the path and was in a small grassy clearing surrounded by trees heavy with spring leaves and blossom. Not in the mood for making small talk with a stranger, she chose a spot in semi-shade out of sight of the path, leant back against the slender tree trunk and closed her eyes. A slight breeze caressed her face and every so often she got the wonderful sensation of sunlight on her. She took a deep breath and drank in the scent of damp grass and spring flowers – fresh, sweet and alive – then opened her eyes to the canopy of white against the blue sky. The apple tree was bursting with blossom like masses of white teardrops.

She had everything to live for even if it didn’t feel like it right now. Life was a journey, and the best journeys were the ones that couldn’t be predicted before setting off, or that weren’t an easy ride to reach the destination. Right then, on    a perfect spring day beneath the apple blossom, she made a pact with herself to keep loving life whatever was thrown at her. She may have suffered yet more disappointment but she could still see beauty in the world and feel at peace.

 BUY LINKS

AMAZON UK

AMAZON US


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ABOUT KATE FROST

Kate Frost is a writer and author with a MA in Creative Writing from Bath Spa University where she has also taught the lifewriting course to Creative Writing undergraduates. Alongside writing articles and short stories for magazines such as New Welsh Review, The London Magazine and QWF, Kate has worked in a bookshop, a cinema, as ground staff at Edgebaston Tennis Tournament and as a Supporting Artist in the films Vanity Fair, King Arthur and The Duchess.

Kate’s debut novel, The Butterfly Storm, was published in 2013 and featured on Amazon’s Movers and Shakers chart. Beneath the Apple Blossom is the first book in a series and Kate also plans to release the first in a time travel adventure trilogy for children by the end of 2016.

Kate lives in Bristol with her husband, her young son and their Cavalier King Charles Spaniel, and fits in writing and publishing books around looking after – and being amused by – an energetic toddler.

Facebook: https://www.facebook.com/katefrostauthor/

Twitter: https://twitter.com/Kactus77

Goodreads Author Page: https://www.goodreads.com/author/show/7131734.Kate_Frost

Instagram: https://www.instagram.com/katefrostauthor/

Google+ https://plus.google.com/u/0/104783514144778238847/about/p/pub

LinkedIn: https://www.linkedin.com/in/kate-frost-29976041?trk=hp-identity-name

Blog: http://kate-frost.co.uk/index.php/blog/

Website: http://kate-frost.co.uk/

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PAPERBACK COPY OF THE BOOK

 (open internationally)

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