My Review of Where There’s Doubt by Terry Tyler #psychological thriller


Book Description

‘I can be anything you want me to be. Even if you don’t know you want it. Especially if you don’t know you want it.’

Café owner Kate is mentally drained after a tough two years; all she wants from her online chess partner is entertainment on lonely evenings, and maybe a little virtual flirtation.

She is unaware that Nico Lewis is a highly intelligent con artist who, with an intricately spun web of lies about their emotional connection, will soon convince her that he is The One.

Neither does Kate know that his schemes involve women who seek love on dating sites, as well as his small publishing business. A host of excited authors believe Nico is about to make their dreams come true.

Terry Tyler’s twenty-fourth publication is a sinister psychological drama that highlights the dark side of internet dating—and the danger of ignoring the doubts of your subconscious.

My Review

One of the certainties about any of Terry Tyler’s novels is that there will be individualistic characters that, from the moment they are introduced, come to life. Another of her talents is that she tells a great story, whatever the genre. I can say that, in all honesty, having read every one of her books. Whether it’s sagas, psychological fiction or dystopian, it’s the strength of the plots, the characters and the relationship between the two that draw in the reader from the first page. And Where There’s Doubt is no exception, as a psychological thriller this is both powerful and complex.

I love stories told from a variety of first-person points of view; for me it adds to the narrative if it is revealed in this way. We get to know each character, through their voice, through their behaviour, through their perception of the world, of life. In Where There’s Doubt the author introduces trust and gullibility, motivations with coercions, honesty with lies, and weaves them together. All of which kept me guessing. And usually getting it wrong.  

The main characters are multi-layered, from the wary protagonist, Kate, to Nico, the smooth conman, and the three diverse women he meets on an online dating site. And, in the background, adding authenticity to the plot, there are other characters: the would-be suitor of Kate’s, the  friend whose loyalty may be questionable, Kate’s employees in the café, the unpublished and naïve authors – preyed upon by Nico and his claims to be an independent publisher.
There are many settings, but the main background, the seaside town and café, give a unsafe validity to the criminality that is a fundamental theme throughout.

This is a contemporary read, with an all too familiar aspect of deceit and misrepresent in both internet dating and vanity press. But there are always possible consequences with both. I try not to give spoilers with any of my reviews – but I will say that love, loyalty, and justice are also threaded through this book..

 I admire Terry Tyler’s writing style, ability to produce impressive stories, and this thriller doesn’t disappoint. I would highly recommend Where There’s Doubt to any reader who is looking for a fascinating read.

About Terry Tyler:

Terry Tyler is the author of twenty-four books available from Amazon, the latest being ‘Where There’s Doubt’, about a romance scammer. Also recently published is ‘Megacity’, the final book in the dystopian Operation Galton trilogy. She is currently at work on a post apocalyptic series, which will probably take the form of three novellas. Proud to be independently published, Terry is an avid reader and book reviewer, and a member of Rosie Amber’s Book Review Team.

Terry is a Walking Dead addict, and has a great interest in history (particularly 12th-17th century), along with books and documentaries on sociological/cultural/anthropological subject matter. She loves South Park, the sea, and going for long walks in quiet places where there are lots of trees. She lives in the north east of England with her husband

Presenting the Authors at the Honno Book Fair 7th May 2022 at the Queens Hall, Narberth, Pembrokeshire. Today with Carol Lovekin #Honno #authors

Introducing my friends and fellow (or should that be sister?) authors of Honno – The longest-standing independent women’s press in the UK – who will be at the Honno Book Fair on the 7th May 2022 , 10.00am until 4.00pm, at the Queens Hall, Narberth, Pembrokeshire. Over the next few weeks I’ll be introducing the each author. I’ll also be showcasing Honno, the publishers.

If you’re in the area,we’d be thrilled if you popped in to say hello.

Today, I’m really pleased to be joined by Carol Lovekin

Hello and welcome, Carol. Lovely to see you here today. 

And glad to be here, Judith

Please tell us, how many books have you written, and which is your favourite?

Four. Favourite is tough. Like my children, I love them all for different reasons. But I’ll pick Wild Spinning Girls as it’s the one everyone says they like best. And it was shortlisted for a prize: the Wales Book of the Year (Fiction Award) 2021.

How did you come up with the title for your book?

During a read through, I spotted it, almost at the end. It was a moment when one of my characters was musing on the essential nature of ‘girls’ and it was perfect.

What part of the book did you have the hardest time writing? Or what was your hardest scene to write, and why?

The opening chapter! It wasn’t until my editor pointed out, during our initial structural edit, that I’d started the story in the wrong place, I realised I had. Once she told me, ‘It begins with Ida’s accident’ (which feeds into the fairy tale element and the story of The Red Shoes), the penny dropped. I was able to draw on my own background in ballet and had the scene written in my head almost before I got home!

What part of the book was the most fun to write?

The scenes involving Olwen – my ghost. I love her. She is my role model and any hauntings I plan will be an homage to her!

If you were to write a spin-off about a side character, which would you pick?

Heather, probably. And some of my readers have expressed an interest in Roni, wanting to know more about her. This is the nature of story however – they are never finished and some threads get left to spin in the wind.

If you’re planning a sequel, can you tantalize us with a snippet of your plans for it? If not, your plans for your next book?

My next book is due out this May. Which is perfect, as the story takes places over the month of May. Only May is the story of May Harper, a girl who can look you in the eye and see your lies. As gifts go, it’s a double-edged sword; May doesn’t always want to know people’s secrets. But at the heart of her family hides the biggest lie of all, one she is determined to see. 

At what point did you think of yourself as a writer?

Before I was published, I was a scribbler with no directions. Once I retired, I decided to take my writing seriously, with a view to publication. And I had an idea I knew could work: if I could write it, it had legs, so to speak. Luckily for me, it had wings. When Ghostbird was published, that was when I knew I was a writer.

What do the words “writer’s block” mean to you?

Get a grip!? In my view and in my writing life, there’s no such thing. Sometimes (mostly) I write, sometimes I don’t. Regardless of any circumstances which may take me away from physical writing, I’m always thinking about my current story. Every aspect of creating a story is a writer’s work.

Are there therapeutic benefits to modelling a character after someone you know?

Absolutely. I did it with my second book, Snow Sisters. Allegra, the mother in this story is a narcissist. While I was writing the book, I finally said ‘No’ to a long-time friend whose narcissism had pushed me to my limit. ‘No’ is anathema to a narcissist and she instantly ended the friendship. Stealing a few of her attributes was a small but satisfying therapy. And the thing about a narcissist is, they will never guess you have modelled a character on them because in a narcissist’s world, everything is about them anyway. They are perfect, and that arrogant, self-involved, manipulative character couldn’t possibly be them!

What is the most difficult part of your writing process?

Beginnings. On every level. Sometimes, even though I know exactly what a chapter is about, I can’t start writing it. Can’t find the perfect opening sentence never mind a paragraph. It can takes hours. And don’t get me started on – well – the start! Once upon a time . . .?   

How do you use social media as an author?

Carefully!

Why did you choose Honno as a publisher?

Although, ultimately, Honno chose me, I always had them in mind. I thought they would be a perfect fit for the first book I submitted. Ghostbird has a quintessentially Welsh feel to it. Added to that was my admiration for Honno as a feminist women’s press supporting women’s voices. I got my debut break with them as a result of taking part in a Meet the Editor session with Janet Thomas. This was life-changing for me. At the age of 71 I became a published author and my fourth book is on the horizon.

Presenting the Authors at the Honno Book Fair 7th May 2022 at the Queens Hall, Narberth, Pembrokeshire. Today with Liz Jones

Introducing my friends and fellow (or should that be sister?) authors of Honno – The longest-standing independent women’s press in the UK  who will be at the Honno Book Fair on the 7th May 2022 , 10.00am until 4.00pm, at the Queens Hall, Narberth, Pembrokeshire.

If you’re in the area,we’d be thrilled if you popped in to say hello.

Over the next few weeks I’ll be introducing each author. I’ll also be showcasing Honno. 

Today, I’m really pleased to be joined by Liz Jones

Hello and welcome, Liz. Good to have you with us here today.

Glad to be here, Judith.

Please tell us, how many books have you written, and which is your favourite?

The Queen of Romance is my one and only (so far…)

How did you come up with the title for your book?

Through a long and tortuous process… My original title, The Many Lives of Marguerite was okay, but didn’t really tell the reader anything. Eventually, I came up with The Forgotten Queen of Romance. The ‘forgotten’ was later dropped… 

What inspired the idea for your book?

It all began when I visited what I thought was just her husband’s grave (that of the controversial Welsh author Caradoc Evans). Then I discovered Marguerite, this incredible woman who had been a bestselling romance author, whose book The Pleasure Garden was became Alfred Hitchcock’s first film, who had appeared in a film alongside the legendary Gloria Swanson, and had run a thriving repertory theatre company in my home town of Aberystwyth. Yet now she lay forgotten alongside her husband, without even her name on the gravestone. I had to find out more…

What part of the book did you have the hardest time writing? Or what was your hardest scene to write, and why?

The scenes about Marguerite’s childhood in India, during the days of the Raj. I have never been to India and knew little about the Raj, so I had to draw heavily on a combination of research and imagination. But I found this research fascinating. The mindset of the British in India was astonishingly racist and elitist. They were also making huge sacrifices for the sake of the British Empire, which they genuinely believed to be a noble project.

What part of the book was the most fun to write?

I enjoy visiting places and getting and writing about them in situ. Visiting Broadstairs, where Marguerite lived and ran a theatre company just before the war, was great fun, as was visiting the site of another of her homes, near Aberdyfi, high above the Dyfi estuary.   

Which of the characters do you relate to the most and why.

Marguerite as a biographical character was eccentric, endlessly fascinating and also infuriating! The men in her life were (with one exception) pretty awful to here. The character I felt by far the most empathy for was Pauline Bloch, the German Jewish refugee who was Marguerite and Caradoc’s live-in maid during the war. The poor woman was traumatised and not receiving the help and support she needed – least of all from Marguerite who was too wrapped up in her own marriage and money problems to care.  

I was privileged to read some of Pauline’s letters, written some thirty years later, where she reflected on her time with Marguerite and Caradoc. She was a strong, determined and remarkably fair-minded woman who had overcome so much.

If you were to write a spin-off about a side character, which would you pick?

Pauline, without a doubt.

If you’re planning a sequel, can you tantalize us with a snippet of your plans for it? If not, your plans for your next book?

All I can say is I’m researching another biography. It’s far too soon to reveal any more!

 At what point did you think of yourself as a writer?

I don’t think you can really call yourself a writer after just one book. Although now I do write most days – features for magazines, mostly.

 Have you ever considered writing under a pseudonym, and why or why not?

With a name like Liz Jones? Of course I have! If ever I write a book that’s completely different (a novel, for instance), I might just dream up a far more exotic name for myself!

 What do the words “writer’s block” mean to you?

Writer’s block is something I experience every day. Sometimes I can overcome it. Other times, I suddenly find that cleaning the sink or organising my bookshelf is suddenly far more pressing than writing… Yet once I’m really in the writing zone, I find it difficult to stop. If only I found it easier to get there in the first place – I’m still working on that!   

What do you need in your writing space to help you stay focused?

Peace, quiet, not too much clutter and, above all, a room of my own. (Virginia Woolf said it all really…)

 Are there therapeutic benefits to modelling a character after someone you know?

As a writer of non-fiction, I’m afraid I can’t really answer this!

 What is the most difficult part of your writing process?

Beginning.

What, to you, are the most important elements of good writing?

That’s a very big question! There are so many different kinds of good writing. If I had to say, I think it’s honestly – writing where the author strips away any ‘show-offy’ bits and tells the story with sincerity and integrity, rather than indulging in writing that draws attention to itself. Having said that, I can’t resist the odd flourish or purple passage, although I try not to overdo it! 

What comes first for you — the plot or the characters — and why? 

As a biographer it has to be character! I have to feel fascinated by a character to want to write about them.

 How do you use social media as an author?

I’m on Twitter, which I’ve found pretty useful, in a low-key sort of way. I know Twitter has a bit of a toxic reputation, but it’s great for connecting with other authors and keeping in touch with Honno and the wider world of books. What I also like about Twitter is that it’s okay to promote your own work there – unlike facebook, where too much self-promotion tends to be frowned upon! 

 Why did you [choose? Honno as a publisher?

The honest answer is because Honno is based in my home town of Aberystwyth. When my idea was still embarrassingly sketchy, I contacted the lovely Janet Thomas (a member of the Honno committee and hugely experienced editor). Thanks to Janet’s unstinting encouragement, I began to feel that my idea really could work as a book. Later, as a first-time Honno writer, I felt supported by the team throughout the whole process – from the initial edits to the marketing. Becoming a Honno author is like joining a very special women’s club! 

Author Bio:

Dr Liz Jones is a prize winning writer of creative non-fiction and journalism, and a creative writing tutor at Aberystwyth University. Her book, The Queen of Romance (Honno), a biography of Marguerite Jervis (aka Oliver Sandys and Countess Barcynska), ‘the most successful author and theatre entrepreneur you’ve never heard of’, was selected for The Independent‘s book choices for May, 2021.

Twitter: @LizJonesAber

Presenting the Authors at the Honno Book Fair 7th May 2022 at the Queens Hall, Narberth, Pembrokeshire. Today with Sara Gethin

Introducing my friends and fellow (or should that be sister?) authors of Honno – The longest-standing independent women’s press in the UK who will be at the Honno Book Fair on the 7th May 2022 , 10.00am until 4.00pm, at the Queens Hall, Narberth, Pembrokeshire.  

If you’re in the area we’d be thrilled if you popped in to say hello.

Over the next few weeks I’ll be introducing each author. I’ll also be showcasing Honno.

Today, I’m really pleased to be joined by Sara Gethin

Hello and welcome, Sara. And thank you for being with us today. 

 It’s good to be here, Judith

Please tell us how many books have you written, and which is your favourite?

I’ve written two novels for adults, and I’m going to add an optimistic ‘so far’ to the end of that sentence, as I have another storyline percolating in my head. ‘Not Thomas’ was my first novel. It’s a contemporary story about a neglected five-year-old boy and the people who are letting him down – spectacularly – and those who try to help him. The children in my second novel, ‘Emmet and Me’, are also failed by the adults around them. The background to that story is the extremely harsh industrial school system of 1960s’ Ireland. Picking a favourite from only two books feels like an impossible choice, but the most recently published is ‘Emmet and Me’, so I’ll choose that one.

What inspired the idea for your book?

The inspiration for ‘Emmet and Me’ came from a memoir I read by a man who’d been brought up in an industrial school in Letterfrack, Connemara. Those schools were filled with children whose families had fallen on hard times, and they were run, mainly, by the Catholic Church. They operated all over Ireland from the late 1800s, and some of them – a handful of the infamous ‘laundries’ – were still open in the 1990s.

The Letterfrack school was notorious for the extremely harsh treatment meted out by the Christian Brothers who ran it. Peter Tyrrell, the author of the memoir I read, wanted to draw attention to the terrible plight of children in these schools during the 1950s and ’60s. He felt ignored by the people in power, and eventually took his own life by setting fire to himself on Hampstead Heath. The character of Emmet came to me very clearly after reading Peter’s memoir, and I knew that at some point I was going to write about a boy growing up in the inhumane conditions of a rural industrial school in 1960s’ Ireland.

What was your hardest scene to write, and why?

There’s one scene in ‘Emmet and Me’ that readers have said makes them shudder. It’s where one of the characters has a rather nasty and unusual accident. The peculiar thing is I didn’t realise, until I went back to edit that passage, that I’d described an incident I’d witnessed as a child. That same accident happened to a friend I was with in a field when we were seven years old. I had buried the memory until I wrote about it for the book. Writing that scene initially wasn’t as difficult as going back to edit it, and discovering I was reliving the incident from my own childhood.

What part of the book was the most fun to write?

I loved writing the conversations between the two central characters, the ten-year-olds Claire and Emmet. The children meet in school and become forbidden friends. They’re misfits. Emmet is looked down on as he lives in the industrial school, or ‘orphanage’ as the locals call it. Claire feels out of place because she’s been uprooted from her Cardiff home and dumped at her granny’s isolated cottage. Both children love reading and horses, and Emmet and Claire bond over a copy of Black Beauty. It was great fun to write conversations alternating between Welsh and Irish accents, although it was also quite a challenge!

If you were to write a spin-off about a side character, which would you pick?

There are two girls in Claire’s class who are referred to by everyone as the ‘House Girls’. They live in the local orphanage, and they stand out a mile in school because their uniforms are different from the other girls’. They’re ignored or teased by the children in their class, and the teachers treat them appallingly too. Despite this, they show Claire nothing but kindness. I’d love to expand their story one day.

*At what point did you think of yourself as a writer?

The first book I wrote was the collection of stories for children, ‘Welsh Cakes and Custard’. When I found it on the shelf of my local library, I truly felt like a writer. That was back in 2013, and I’ve written three more books for children since then, plus two novels for adults. I still get a huge thrill when I see them on the shelves of Llanelli library, although I really hope they get borrowed too!

Have you ever considered writing under a pseudonym, and why or why not?

I write my children’s books under my real-life name, Wendy White, but I use Sara Gethin as a pen name when I write for adults. That’s because the stories I’ve written for children, so far, have a light touch and are humorous, whereas my stories for adults are in a totally different vein. That’s not to say there’s no humour at all in my novels – I really hope I make my readers laugh or smile a few times when they read ‘Not Thomas’ or ‘Emmet and Me’. But it’s certainly true to say there are darker moments in the stories too.

What do you need in your writing space to help you stay focused?

I love to have music on in the background while I write, but not just any music – it needs to be a playlist I’ve put together for that specific piece of writing. Sometimes the playlist consists of one song, repeated over and over, for a particular scene. I find music is the easiest route back into the mood I’m trying to create for a book, especially if I’ve had to take a break from writing. When I’m struggling to find the words, it’s normally because I haven’t yet discovered the perfect piece of music.

How do you use social media as an author?

Ah, social media – love it or loathe it, it’s not going away any time soon, is it?

I’m mainly active on two platforms – Twitter and Instagram – with an occasional dip into Facebook. My favourite is Insta. I could waste many happy hours on there, scrolling through images of gorgeous scenery and beautiful book covers. My own posts are mostly of sandy walks and shipwrecks. Cefn Sidan is my local beach, and it’s very photogenic. I’ve also been known to post the occasional book-related pic.

On Twitter, I love following authors and talking about books I’ve read or am looking forward to reading. I mostly retweet other people’s news, with a shameless flurry of self-promotion when I have a new book out myself, and I’m always so grateful when people share my news too. Pre-pandemic, when I’d organise signings in book shops, I’d tweet about them before and afterwards. My book launch for ‘Emmet and Me’ last year was a Zoom affair. I tweeted  about that to an extremely annoying extent, I’ve no doubt! But it was wonderful to have so much support from the Twitter community for the launch event, and for the new novel too.

Why did you choose Honno as a publisher?

I love the fact that Honno is run by a committee of women, and I’ve been a fan of the publisher and their books since my student days, many years ago now. Long before I began writing, I knew it would be wonderful to be published by them. I feel it’s a huge honour that my two manuscripts were chosen for publication by Honno, and I’m very proud to be featured among the fabulous female writers they have on their list.

Thank you so much, Judith – I can’t tell you how wonderful it feels to talk about books again! I’m so looking forward to getting together in May for the Honno Book Fair at Narberth. It will be a very special event indeed! Sara x

Sara Gethin Bio:

Sara Gethin is the pen name of Wendy White. She grew up in Llanelli and worked as a library assistant before becoming a primary school teacher. Her debut novel, ‘Not Thomas’, written in the voice of a neglected five-year-old boy, was shortlisted for the Guardian’s Not the Booker prize. While home is still west Wales, she and her husband spend much of their free time in Ireland.

Presenting the Authors at the Honno Book Fair 7th May 2022 at the Queens Hall, Narberth, Pembrokeshire. Today with Hilary Shepherd

Introducing my friends and fellow (or should that be sister?) authors of Honno – The longest-standing independent women’s press in the UK – who will be at the Honno Book Fair on the 7th May 2022 , 10.00am until 4.00pm, at the Queens Hall, Narberth, Pembrokeshire.

If you’re in the area,we’d be thrilled if you popped in to say hello

Over the next few weeks I’ll be introducing each author. I’ll also be showcasing Honno. 

Today, I’m really pleased to be joined by Hilary Shepherd

Hello and welcome, Hilary. Good to see you here today.

It’s good to be with you, Judith

Could you tell us, please, how many books have you written, and which is your favourite?

Five written, three published. My favourite is ‘Albi’.

What inspired the idea for your book?

The book is based on a village in Aragon in Spain where we have a house. Over the last 20 years we’ve been told a lot of stories about the impact of the Civil War on neighbours who have all died now. Our house is full of farm implements that would have been in common use then and the sound landscape has changed little – the streets are too narrow for traffic so human voices dominate. The sheep flocks still graze to the sound of their bells and the shepherds call to them as they always did. The golden orioles still sing. I couldn’t not write about it!

Which of the characters do you relate to the most and why.

Albi himself, a nine-year-old boy who is catapulted into a strange and forbidding world but is still only a child. I think of him whenever I’m in the village and things he got up to and it’s a jolt to remember sometimes that he exists only in my head. And in the heads of my readers.

What part of the book did you have the hardest time writing? Or what was your hardest scene to write, and why?

The ending, because there were so many threads to draw together and I wanted to do justice to my characters and also to history, which doesn’t have resolutions.

What part of the book was the most fun to write?

The pranks Albi gets up to, and the irony of what he sees compared with what he understands.

What do you need in your writing space to help you stay focused?

Now I’m older, a comfortable chair. 

 What is the most difficult part of your writing process?

At the moment it’s to keep writing when making physical things seems so much less of a self-indulgence. This is a knock-on of covid though I’m not sure why. At the moment I find myself preferring to make a window than spend time at my desk, which isn’t very conducive to finishing off my next novel.

What, to you, are the most important elements of good writing?

Writing that isn’t tied to the earth by too many words in the wrong places.

What comes first for you — the plot or the characters — and why?

Both – they leapfrog each other until it gets difficult to remember which was the trigger, though I’m pretty certain the characters come second but then drive the plot, sometimes surprisingly.

 How do you use social media as an author?

I’m afraid I don’t. I used to, but I really didn’t like it.

 Why did you Honno as a publisher?

Because they were there, and because Caroline responded so generously to my first submission. Since then I’ve come to appreciate the community that Honno is and the chance to be aware of others’ progress through the otherwise deeply solitary experience of being published.

About Hilary:

I live on a hillside in the middle of Wales where I have spent most of my adult life farming and woodworking, and also writing. My first novel was set in the Sudan where I lived for two years, the second in Ghana, and the third in Spain. Writing about other places is a wonderful way to spend time in them when life keeps you somewhere else.

Presenting the Authors at the Honno Book Fair 7th May 2022 at the Queens Hall, Narberth, Pembrokeshire. Today with Annette Purdey Pugh

Introducing my friends and fellow (or should that be sister?) authors of Honno – The longest-standing independent women’s press in the UK – who will be at the Honno Book Fair on the 7th May 2022 , 10.00am until 4.00pm, at the Queens Hall, Narberth, Pembrokeshire. Over the next few weeks I’ll be introducing the each author. I’ll also be showcasing Honno, the publishers.

If you’re in the area,we’d be thrilled if you popped in to say hello

Today, I’m really pleased to be joined by Annette Purdey Pugh.

Annette Purdey Pugh

 . Hello and welcome, Annette. Great to see you here today. 

 Glad to be here, Judith

Please tell us, how many books have you written, and which is your favourite?

So far, I have only had one book published: A Murder at Rosings, published 2021.

So, what inspired the idea for your book?

I’ve always loved Pride and Prejudice, but the immediate inspiration was an indulgent afternoon watching the BBC adaptation. It just occurred to me that it would be fun to use some of the characters in a murder mystery.

What part of the book was the most fun to write?

It was all great fun to write! This, of course, has a lot to do with Jane Austen’s wonderful characters, who formed a basic framework upon which to build. I was provided with a ready-made villain, in the form of the obnoxious Mr Collins, and a natural suspect, in Mr Bennet. Lady Catherine’s grand establishment at Rosings was ripe for population with all those servants necessary to run it and I greatly enjoyed bringing them to life, together with the two ‘detectives’ who investigate.

Which of the characters do you relate to the most and why?

The character I most enjoyed writing about is Mary Bennet. As Jane Austen depicts her in Pride and Prejudice, she is very dull, especially when compared with her sisters, and we learn very little about her, except that she is studious and can be given to pompous pronouncements. This leaves her character open to exploration, and, as my novel progressed, I found my sympathy for her growing. Her visit to Rosings with her father, and her experiences there, both before and after the murder, cause great changes in herself and her life. Hopefully, if there were an alternative universe where fictional characters came alive, she would be happy with the outcome.  

If you’re planning a sequel, can you tantalize us with a snippet of your plans for it? If not, your plans for your next book?

I have thought a lot about a sequel, but I do feel that my story came to a natural conclusion at the end of A Murder at Rosings. However, I have been toying with the idea of continuing with the history of the house itself, with reference, of course, to past events.

Meanwhile, I have been working on a completely different mystery concerning buried bones and old wrongs in the Cors Caron area of Ceredigion.

 At what point did you think of yourself as a writer?

I’ve enjoyed writing stories and poems all my life and have won prizes in the Learners’ Section at the National Eisteddfod. I took two full-length Open University courses in Creative Writing and found them immensely fulfilling. However, I don’t think I would ever have considered myself a ‘writer’ until Honno agreed to publish my novel, A Murder at Rosings – and, even now, I feel a bit reticent about it!

What, to you, are the most important elements of good writing?

This is a big question! For me, good fiction writing is a combination of the following: An interesting storyline which draws the reader in quickly and maintains their interest throughout; characters who arouse the reader’s sympathy and a desire to know what happens to them next; a style of writing which flows well and is appropriate to the subject matter. Above all, a piece of prose, whether fiction or non-fiction, should be readable and enjoyable. If it’s a struggle to get from page to page, then it’s not for me.

What comes first for you — the plot or the characters — and why? 

As a writer, the characters definitely come first, though I’m not always sure where they come from in the first place. I like to see where they will take me, and it is not necessarily in the direction I might have sketchily planned for them. Sometimes, a peripheral character may turn out to be crucial to the plot, when that finally emerges. In writing A Murder at Rosings, I was more than half-way through before I had any idea as to the identity of the murderer, or the circumstances, but the characters eventually led the way. As a reader, I think I have always been most interested in the characters; I faithfully follow some detective series, for example, not so much for the mysteries as for the detectives’ evolving personal lives!

How do you use social media as an author?

I’m very new to social media and did not use it at all until my book was published, when I saw that it is useful for authors to have some social media presence. Consequently, and with the encouragement of an old friend, I joined Twitter, and enjoy interacting with others on that platform – although I am often lured away from writerly things by politics! I try to mention my book in posts from time to time, sometimes including a relevant photo. Twitter is also a good source of advice from other writers, whom I have found to be really supportive. Finally, it is full of news of literary events and publication opportunities, as well as of the myriad of new books which come out every week.

Why did you choose Honno as a publisher?

I sent my manuscript to Honno on the advice of my sister-in-law, who used to work for Cyngor Llyfrau Cymru. I was encouraged by their website, where I was told that all submissions would be read, and by the fact that it is a company run by women, with the aim of publishing Welsh women’s writing. As an added bonus, it’s based in Aber!

Biography

Annette Purdey Pugh grew up in Flintshire and graduated in English from Lancaster University. She studied Creative Writing with the Open University, and has won prizes for poetry and prose at the National Eisteddfod of Wales. In a varied career, she has worked as a medical librarian, an optical adviser, and a milkwoman. She lives with her husband on the family farm in West Wales, where they keep 300 sheep. A Murder at Rosings is her first novel.

Connect with Annette:

Twitter: @APurdeyPugh

A Parrot for Your Shoulder? #Reflections #Humour #Friends #BookReview:What Lies Between Them by J.L. Harland

For months now I have been peering at the outside world through a thick net curtain with the odd hole here and there. I haven’t become a ‘Nosy Neighbour’ though, my already limited vision has been exacerbated by cataracts.

My world of shortsightedness began a long time ago. In fact I was seven years old. The school sent home a note to my parents alerting them of the problem.They’d just assumed I was a clumsy child, who fell over a lot, and dropped things.

As the years progressed the lenses in my glasses became thicker – ‘ jam jar bottoms’ was the usual description.

Mind you, it didn’t stop me being “sporty”. I counted the steps needed before I took a metaphorical leap into the dark over the hurdles and high jump, before I took off for the long jump, and worked out which way to throw the javelin.(though, for the latter I did become aware of the the sports teachers always calling out, “it’s Judith’s turn”. Took me a long time to work out why I was so special – and I do wonder what would happen in these days of health and safety). In cross country I would follow the leading group of runners, until my friend told me the finishing line was a hundred yards straight ahead, when I sprinted to the front.

At sixteen, I had my first Saturday job, saved up for contact lenses – and never looked back – well, actually I did look back, and forward, and sideways – and upwards. I’d never realised there were so many stars!! Or should I just say… stars in the sky?

Fast forward a few decades, and suddenly the world became blurry again. Last year it was discovered I’d developed a cataract. I adjusted by writing on the laptop in eighteen font, in bold, and, when reading, altering the Kindle to around twenty words per page..

Which leads me to the ‘getting rid of the cataract’ scenario.

But first a (short – or really, not so short) aside. Two months ago I was diagnosed with a condition called TMD (according to Google, a disorder of the jaw muscles, temporomandibular joints, and the nerves associated with chronic facial pain). I was issued with a sheet of ‘DOs and Don’t’s’ –

1.Do not chew gum or pen tops ( Pen tops?!!! ).

2. Do not bite food with your front teeth. (When it’s almost impossible to open your mouth wide enough to get food to your back teeth).

3.Do not yawn too wide. (Try reading that without getting the urge to yawn).

4.Do not bite your nails. ( Anyone remember that horrid tasting stuff your mother painted on you nails as a child to stop that?)

5.Do not clench your teeth – apart from when eating, your teeth should be apart. (See point two)

6. Do not rest your chin on your hand (Even when totally fed up and peering at the laptop screen from three inches to read the last sentence you’ve written?)

Oh, yes, the cataract!

I was given an appointment for the surgery, followed by a rushed, last minute instructions to have a NHS PCR test, not the Government PCR test, which I’d already had (the two do not have systems that communicate with one another, apparently).

So far so good…

The following is a text I sent to a caring, empathetic and long-standing friend…

‘The test was a bit difficult,’ I wrote. “The fully PPI protected nurse said, “Open mouth.“.
Me: “I can’t” Explained about the TMD.
Nurse: “Well, has to be a mouth test, not a nose test. So, open wide. Wider.” Poking stick through my clenched teeth. “Say Ahh.”
Me “Argghh.” Heaving – gag reflex working well!!
Nurse (brightly): “There, all done.”
Me: Projectile vomiting.

On the way to the hospital for the operation, I explained the PCR problem to said friend, expecting sympathy. Her matter of fact response? “You’ll have to wear an eyepatch afterwards, you know. Would you like a parrot for your shoulder to go with it?

Now, having explained the delay, I can get on with the real reason for writing this post. I’ve been wanting to write the following review for some weeks now.

What Lies Between Them by J.L. Harland (FREE delivery March 17 – 21)

I was sent an Arc of What Lies Between Them by the authors with a request that, if I liked the story, would I endorse the book? Would I? I’ve been honoured to tackle this task

My Endorsement….

” Emotional,sensitive and thoroughly satisfying.”

In addition I also decided to give an honest review.

I gave What Lies Between Them 5*

Book description:

Elin Fiorelli, a career academic, has returned from three months in Finland to Brynderwen university, Wales. She thinks she has her future mapped out, a professorship within her grasp. But, her former lover, Michael Harwick, is now her boss. Her job is at risk and the ghosts of her past come back to haunt her with the secret she has kept buried deep within herself for so long. When her mother becomes terminally ill, trying to balance work and duty becomes more difficult. But Elin is resilient and as the year unfolds, she faces her past traumas, emerging stronger than before.

My Review:

 I loved this story. And I think it was mainly because I was so fascinated by the protagonist, Elin. She encapsulates so many of the facets of any woman’s life: the struggles to be recognised in a male dominated environment, the guilt of conflict between self-fulfilment with the pressures to conform in society, the familial love that juxtaposes duty and yet sometimes underlying resentment.

And then there is the Dean, Michael Harwick, the elusive figure from Elin’s past, whose actions set her on her path for the life she has since led. And which, despite devastating trauma, has given her the strength to achieve the highest respect in her field of work.

The descriptions of the main setting, Brynderwen university, bring the place to life: the sounds of the campus, the lecture halls, the students union, the canteen, the sights of the grounds, the inner offices of the Dean and tutors, the atmosphere of academia. But there is also the background of the home lives of the characters: of Elin and her demanding, yet desperately ill and lonely mother, of Sue, her friend, divided by loyalty to Elin but also to her job. .All set against the bustling life of Cardiff and its people. The authors bring so much of the city to life on the page.

An excellent plot, engaging rounded characters, great dialogue and a good sense of place to keep the reader enthralled from the first to last page. Couldn’t ask for more.,

What Lies Between Them is a story I thoroughly recommend.

About the Authors:

Two authors with one voice makes: J. L. Harland. Janet Laugharne and Jacqueline Harrett enjoy the creative process of working together and producing stories that have a unique, blended voice. Their debut novel, What Lies Between Them’is published by Dixi Books in 2022 and they are currently editing a sequel. J. L. Harland short stories have been published in anthologies and online and a novella is out on submission. Their website, jlharland.co.uk, has a blog on writing where further information about their work can be found. Individually, Janet Laugharne’s poetry has won or been placed in competitions and appeared in Black Bough, Atrium Poetry, Sarasvati and The Dawntreader (forthcoming). Jacqueline Harrett’s crime novel, ‘The Nesting Place’, featuring D.I. Mandy Wilde, is recently published with Diamond Books.

Links to J L Harland:

Website: https://jlharland.co.uk/

Twitter: https://twitter.com/JLHarlandAuthor

Buying link for What Lies Between Them:

Amazon.co.uk: https://amzn.to/3tWxtzz (FREE delivery March 17 – 21)

Presenting the Authors at the Honno Book Fair 7th May 2022 at the Queens Hall, Narberth, Pembrokeshire. Today with Crystal Jeans

Introducing my friends and fellow (or should that be sister?) authors of Honno – The longest-standing independent women’s press in the UK who will be at the Honno Book Fair on the 7th May 2022 , 10.00am until 4.00pm, at the Queens Hall, Narberth, Pembrokeshire.

If you’re in the area,we’d be thrilled if you popped in to say hello.

Over the next few weeks I’ll be introducing each author. I’ll also be showcasing Honno. 

Today, I’m really pleased to be joined by Crystal Jeans.

 Hi and welcome, Crystal. Good to see you here today.

It’s good to be with you, Judith

Tell us, please, how many books have you written, and which is your favourite?

I’ve written four books and though my latest, The Inverts, is my favourite, I have a special place in my heart for The Vegetarian Tigers of Paradise, as it was my first.

How did you come up with the title for your book?

Someone else did actually – Catherine Merriman, a fellow Honno author, suggested it. She was my teacher at the time and she lifted it out of the text. It was in reference to an illustration from my Children’s Book of Bible Stories – it showed tigers and lambs and people frollocking in paradise (I grew up a Jehovah’s Witness). I’d wondered if the tigers were vegetarian in paradise.

What part of the book did you have the hardest time writing? Or what was your hardest scene to write, and why?

No particular part was difficult. Overall, it was hard trying to splice together what was essentially a collection of personal essays into a novel. Emotionally, it was hard writing about my mother as I wasn’t on speaking terms with her at the time. But I got to flex my magnanimity muscle, which made me feel very noble (we’re fine now). I also struggled with fictionalising it. Looking back, I could have gone further. I was too close to it.

If you’re planning a sequel, can you tantalize us with a snippet of your plans for it? If not, your plans for your next book?

I’m not writing a sequel but I would like to return to creative non-fiction one day. I thought I’d scratched that itch with The Vegetarian Tigers of Paradise but apparently not. I’d like to write very honest essays about sex. I will never write about my family again. I felt awful when VToP came out – my mother loved it but she was very anxious about how she might be perceived and I felt bad for her. Guilty. Right now I’m working on a historical fiction novel. It’s too early for me to talk about.

 At what point did you think of yourself as a writer?

When I started writing my first novel at age 21. It was terrible by the way.

 Have you ever considered writing under a pseudonym, and why or why not?

No. I love my name. And it already sounds made-up.

What do the words “writer’s block” mean to you?

Hell. I’ve only had writer’s block once, when I was pregnant. I watched a lot of TV and felt very empty.

What do you need in your writing space to help you stay focused?

Tea and nicotine. Radio 2 played on low. And a walking treadmill or a knee stool. Sitting at a desk for years has ruined my back.

 Are there therapeutic benefits to modelling a character after someone you know?

Yes. Writing about my mother made me really think hard about how she might have felt at certain points of her life, like when she lost her own mother at 14. As I said, we weren’t speaking at the time, and part of the reason I ended up wanting to make up with her was the empathy I felt recounting (fictionalised) parts of her life.

 What is the most difficult part of your writing process?

The first draft. I absolutely love the editing process though. It’s like a fun puzzle and I could do it all day.

 How do you use social media as an author?

I don’t. I’m beyond crap at using social media to promote my work. I don’t have a lot of time for it, or enthusiasm. I don’t really understand how Twitter works – am I supposed to add anyone who adds me? I personally have never bought a book because I’ve seen an author’s Twitter feed. I buy books through word-of-mouth. My agent tells me that it does make a difference for some authors – those who seem like they actually enjoy it. I think if I was in my teens/early twenties when my books came out, I would have been brilliant at social media book promotion because I was such a flaming narcissist and attention seeker back then. Now, the prospect fills me with dread and low-level anxiety.

 Why did you choose Honno as a publisher?

Honestly? None of the big London publishers would accept unsolicited manuscripts, I couldn’t get an agent, so I tried the Welsh indies, who did accept unsolicited MMS. Honno turned out to be a great fit though and I have nothing but praise for Caroline, my editor.

Bio

Crystal Jeans has had three books published by Honno – The Vegetarian Tigers of Paradise, which was shortlisted for the Polari Prize, Light Switches are my Kryptonite, which won Wales Book of the Year in the English language for fiction, and The Homeless Heartthrob, a collection of short stories. The Inverts was published by Borough Press in 2021. She lives in Pontypridd with her wife and two children.

My twitter – @crystaljeans1

My Review of Making Waves, the sequel to Inside Out by Thorne Moore

As with Inside Out, I was given an ARC copy of Making Waves by the author, in return for an honest review.

I gave Making Waves 5* out of 5*

After reading this book I was happy to give the following endorsement: “Thorne Moore’s writing has three great qualities: the variety of genres, an exceptional sense of place, and characters that come alive on the page.”

I reviewed Inside Out here: https://bit.ly/3tNqwyI. Although both books are brilliant stand alone stories, I recommend reading Inside Out first.

Book Description:

Two hundred years in the future, with the Solar System in the hands of mega-corporations…
Tod Fox, commander of the Heloise, has delivered six rash volunteers to Triton, control centre of Ragnox Inc. But then he took one away again.
Now volunteers and crew face a new chapter in their lives, as human resources at the mercy of Ragnox Director, Jordan Pascal, or as allies of Pan, under Benedict Darke, the relentless enemy of the Triton regime.
Where will their allegiance lie? There is no middle ground in Arkadia. It is war. No mercy. Victory at any price.

Volume II of Salvage. Sequel to Inside Out

My Review:

I need to start by saying that Making Waves is only the second Science Fiction book I have read (and, yes, the first was Thorne Moore’s book, Inside Out). So I have little knowledge of this genre. But my interest in this author’s work is – and has long been – the psychological underpinning of the stories: I am always instantly gripped from the very first lines and by the way she presents the characters with all their foibles, their strengths, their weaknesses. And, juxtaposed with that aspect, are the settings they are living in. Backgrounds that inevitable affect their actions.

Even so, I was taken by surprise in Volume ll of Sequel: some of the characters act… well… out of character. Or, should I say, not with the personalities I expected after reading Volume l. The author gives them a new dimension. The travellers who journeyed to Triton on the ISF Heloise and the original crew of ISF Heloise, are instantly recognisable by their spoken and internal dialogue and by the subtle inclusion of details from their back stories. But they have extra facets to their characters, greater depths in their portrayals by their reactions to what is happening in the plot. Once engaged with that I applauded the courage, the innovative adaptation to the lives they are forced to endure, and I despaired of the evil of those connected with Ragnox on Triton and the desperate conditions there. And I was fascinated by the varied and complex new characters associated with Pan; Benedict Darke, that add even more interest to the story.

Trying hard to resist giving away spoilers here.

And, yet again, as in all her books, and although it’s an alien world. it’s the author’s inherent ability for writing descriptions (sometimes in only a few words) of the settings that evoke a sense of place. That gives credence to this excellent plot.

A plot that is intricate in the way it moves along, twisting and turning, yet with an ease that brings together the expected and unexpected, as in ‘real’ life.

This is a cracking book that kept me riveted and immersed. And, as I said in my review of Inside Out, Making Waves is a novel I would recommend to any readers who enjoys character-led stories – whatever the genre.

The author:

Thorne was born in Luton and graduated from Aberystwyth University (history) and from the Open University (Law). She set up a restaurant with her sister and made miniature furniture for collectors. She lives in Pembrokeshire, which forms a background for much of her writing, as does Luton.
She writes psychological mysteries, or “domestic noir,” exploring the reason for crimes and their consequences, rather than the details of the crimes themselves. and her first novel, “A Time For Silence,” was published by Honno in 2012, with its prequel, “The Covenant,” published in 2020. “Motherlove” and “The Unravelling” were also published by Honno. “Shadows,” published by Lume, is set in an old mansion in Pembrokeshire and is paired with “Long Shadows,” also published by Lume, which explains the history and mysteries of the same old house. She’s a member of Crime Cymru.

Find Thorne at

Website:https://thornemoore.com/

Twitter: https://twitter.com/ThorneMoore

Facebook: https://www.facebook.com/thorne.moore.7

Buy Making Waves from:

Amazon.co.uk: https://amzn.to/3sZufKR

A lovely review of The Memory from Lynne Patrick, member of Promoting Crime Fiction #PromotingCrimeFiction #MysteryPeople #TuesdayBoolBlog

Published by Honno Welsh Women’s Press,
19 March 2020.
ISBN: 978-1-91290513-2 (PB)

Euthanasia is the greyest of grey areas in criminal terms, especially when the person on the receiving end is incapable of making such an irreversible decision. For thirty years Irene has lived with the memory of her mother Lilian standing at her sister’s bedside holding a pillow. No one has ever talked about it, but it has stood between mother and daughter ever since, a dark shadow that made an already fraught relationship almost unbearable 

And now Irene and Lilian are inextricably bound by the cruellest of fates. Lilian is in the most demanding phase of dementia, and before the disease took hold she refused point-blank to give Irene power of attorney. They are joint owners of the house they live in, Irene’s childhood home, but with no control over her mother’s financial affairs she cannot sell it to pay for Lilian’s care and has to do everything herself. Through a nightmare twenty-four hours, during which Lilian’s demands become increasingly challenging, memories flood into Irene’s mind and she relives the childhood that led to that appalling moment and the frustrated adulthood that followed. 

Rose, the dead sister, was a Downs baby, and Lilian rejected her from the outset. Irene, on the other hand, fell in love. Her adoration of her small sister, and the motherly care she lavishes on her is portrayed in almost tear-jerking detail, as is Rose’s affectionate nature, a common feature among Downs children. Irene is not without support, even after her father, who loves Rose but cannot deal with Lilian, leaves to set up home with another woman. There’s Sam, her childhood friend and later sweetheart, and Nanna, who willingly takes on the burden of the household. The network of complex relationships and all their ups and downs form the foundation of the novel.  

Whether The Memory is a crime novel in any conventional sense is open to conjecture. As a perfectly observed account of the last stages of dementia, and a picture of a family riven and distorted by both tragedy and great love, it is a masterclass. But it is also as meticulously and tautly structured as any psychological thriller. As well as vividly drawn characters and a rich sense of place, there are edge-of-the-seat moments of tension, and a twist at the end that I would never have predicted, obvious though it was the moment it was revealed.

Judith Barrow has taken two emotionally charged situations and woven them into a heart-wrenching story which had me close to tears more than once. Long before the end I had stopped caring whether it qualified as crime. I simply didn’t want to stop reading.

Reviewer: Lynne Patrick

Buying Links:

Honno: https://bit.ly/3b2xRSn

Amazon.co.uk: https://amzn.to/3qEbVnM

Amazon.com: https://amzn.to/3k8DIMO

Judith Barrow originally from Saddleworth, a group of villages on the edge of the Pennines, has lived in Pembrokeshire, Wales, for over forty years. She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University. She is a Creative Writing tutor for Pembrokeshire County Council and holds private one to one workshops on all genres.

https://judithbarrowblog.com

Reviewer: Lynne Patrick

Lynne Patrick has been a writer ever since she could pick up a pen, and has enjoyed success with short stories, reviews and feature journalism, but never, alas, with a novel. She crossed to the dark side to become a publisher for a few years and is proud to have launched several careers which are now burgeoning. She lives in Oxfordshire in a house groaning with books, about half of them crime fiction.

https://promotingcrime.blogspot.com/2021/09/the-memory-by-judith-barrow.html?showComment=1631538885937#c1304619422469911346

Promoting Crime Fiction

My photo
UK-based Mystery People, set up in February 2012, was founded by Lizzie Hayes following the discontinuation of the Mystery Women group.
Mystery People is dedicated to the promotion of crime fiction and in particular to new authors.
But this is not just a writers’ group, for without readers what would writers do?
Lizzie says…
“From an early age I have been a lover of crime fiction. Discovering like minded people at my first crime conference at St Hilda’s Oxford in 1997, I was delighted when asked to join a new group for the promotion of female crime writers. In 1998 I took over the running of the group, which I did for the next thirteen years. During that time I organised countless events promoting crime writers and in particular new writers. But apart from the sheer joy of reading, ‘I actually love books, not just the writing, the plot or the characters, but the sheer joy of holding a book has never abated for me. The greatest gift of my life has been the ability to read.”
As a founder member of Mystery Women in 1997, promoting Crime Fiction has always been my passion. Following the closure of Mystery Women, a new group was formed on 30th January 2012 promoting crime fiction. New reviews are posted daily, but to search for earlier reviews please click on the Mystery People link below and select ‘reviews’ from the welcome page. This will display an alphabetic option for you to find the review you would like to read
:

https://promotingcrime.blogspot.com/2021/09/the-memory-by-judith-barrow.html?showComment=1631538885937#c1304619422469911346

My Review of Advent by Jane Fraser #TuesdayBookBub #NetGalley

Book Description:

Winter, 1904, and feisty twenty-one-year old Ellen has been summoned back from her new life in Hoboken, New Jersey, to the family farm on windswept Gower, in a last bid to prevent the impending death of her alcoholic father. 

On her return, she finds the family in disarray.  Ailing William is gambling away large swathes of Thomas land; frustrated Eleanor is mourning the husband she once knew; and Ellen’s younger twin brothers face difficult choices.

Ellen, tasked with putting her family’s lives in order, finds herself battling one impossible decision after another.  Resourceful, passionate, and forthright, can she remain in Gower, where being female still brings with it so many limitations?  Can she endure being so close to her lost love?  Will she choose home and duty, or excitement and opportunity across the Atlantic?

My Review:

I loved this book for so many reasons. Jane Fraser’s writing style is superb; the story is a good one, the characters well rounded, the dialogue immediately summons up each of them, the descriptions evoke instant images.There is not one word wasted.

The protagonist, Ellen, is multi layered, the reader becomes aware of her fragility, both emotionally and physically as the story progresses. She has striven to distance herself from her family’s needs, from a lost love, by going to America – yet still,on her return to the farm, she is drawn in by those needs, by that love.

To paraphrase a sentence in the book, “long days, short time.’ – the story only covers a brief six months, but each day is long, each day needs to be endured, dealt with by Ellen. New decisions have to be made. And all the while we are listening to her internal dialogue: learning her history, of her relationship with those in her life, getting to know them through her eyes; discovering how each fits into the society and era of Wales in the early twentieth century, what is expected of them. How, in the past, through no fault of her own, she didn’t fit in, and now refuses to succumb to others’ expectations.

What I most admire about this author’s writing is the brevity of words in bringing the background, the setting, the weather, to life on the page. A sentence, here and there of poetic prose immediately evokes a sense of place. Wonderful.

Whilst I realise that, for some readers, there may be not enough background fleshed out – and it’s difficult for me not to give spoilers here( i.e. Ellen’s life before America and her life there) – I felt the subtlety of the writing that covers both of these events was enough for me and the absence of that backdrop doesn’t take anything away from the story.

Advent is a book that will stay with me for a long time. I have no hesitation in recommending it to any reader who loves a well written historical family story.

Links to buy:

Honno: http://bit.ly/3nUfXYa

Amzon.co.uk: http://amzn.to/2WNt8yn

To read more about Jane, please visit the interview she gave previously on my blog: http://bit.ly/3fxNPX4

Why Honno? Just Asking the Question. @Honno #authors

Great Women, Great Writing, Great Stories.

Why Honno was a question I wanted to ask each of the following Honno authors when I started the interviews with them over the last few months.

I mean, I knew why I liked being published by Honno:

Judith Barrow

Honno  is my kind of publisher; small, independent, and led by strong women who know what kind of  books they want to publish and don’t accept anything but the best that an author can produce. So the editing is hard, but fair, and leads to many discussions – and a few compromises on both sides.
Because it is known to be a Welsh press it is sometimes assumed that all its authors will be Welsh as well. So, often, when I’ve appeared at events, people are surprised to hear my broad Northern English accent. The supposition is false; Honno’s aim as an inspiring, feminist, Welsh press is to provide opportunities for women writers. The only proviso is that they are either Welsh, are living in Wales or have a connection to the country – which actually covers a great many writers. I love their strapline -. “Great Women, Great Writing, Great Stories.” So it always gives me a thrill when the manuscript I’ve been toiling over for months (or years!) is accepted by them.

I’ve had experience of having an agent, of being asked to conform to the commercial market; to fit in. And it wasn’t for me. As a creative writing tutor, I’ve spent the last couple of decades encouraging students to “write in their own voices”. So when the agent told me I needed to conform if I wanted to be published by one of the big publishing companies, I knew it wasn’t for me. This, after she’d placed me with a commercial editor who, not only wanted me to write in a different way, but also wanted me to write in a different genre.”The talent and skill as a writer is there but you need to be open to change.”, was the advice.

I took it; I changed from being a client with an agent ( who had, after all, accepted me on the strength of my first book) to seeking other outlets for my work.

I was lucky, I found Honno.

But, enough about me.

But, enough about me.

Honno’s mission is to publish Welsh women writers – for the purposes of submission to Honno this means that you must be a woman born in Wales or resident in Wales at the time of submission. Honno also publishes titles of exceptional interest to women within Wales from writers who may not meet the first two criteria i.e. that they are female and that they are of Welsh birth or residence.

I started each of the interviews with the statement:”My greatest support has come from the group of authors published by Honno. We’ve met up in real life on many occasions…”

That being said, the question all the Honno authors were glad to answer was:What do you like most about being published by Honno, an indie press rather than one of the big publishing houses?”

To learn more about the authors and their books, please click on their names

In order of appearance their replies:

Thorne Moore:

It’s a small press, which means it’s personal. Maybe famous sportsmen or ex-cabinet ministers can be lauded (promoted) to the skies by big publishers, but most of their less famous authors tend to be lost in a very impersonal ocean, with very little one-to-one attention. They are names on a spreadsheet. With Honno, you know the team and they know you. You feel far more valued, even if the big bucks aren’t there.

And there’s the fact that Honno is a Women’s Press, run by women, publishing women (as well as being Welsh, of course). It’s not an anti-man thing, but I grew up in the era of the rising tide of women’s lib, when women didn’t just sit around arguing their case but took really positive actions to prove themselves, such as setting up publishing companies like Virago. Unlike others, Honno is still going strong and flying the flag.”.

Carol Lovekin

The intimacy. The sense of being part of a family. Honno’s reputation as an independent press publishing writing exclusively by women appealed to my feminist heart from the start. And it felt like the right fit for my debut, with its connection to The Mabinogion and the legend of Blodeuwedd.

A small press may not have the financial resources available to bigger, mainstream houses; they do tend to have a broad vision. They’re less bureaucratic, more collaborative and if they believe in a project enough, will invest time, expertise and energy in it. This has certainly proved to be the case for me with Honno.”

Alison Layland

It feels like being part of a close-knit family. The small but dedicated and talented Honno team are accessible and supportive at all stages of the process, and it’s been lovely to become friends with so many of the other Honno authors. We’re a wonderful community, and although we’re scattered all over Wales and beyond, it’s particularly lovely when we get to meet up in person.

Wendy White

When I was writing ‘Not Thomas’ I knew exactly where I wanted to send it when I’d finished, and that was to Honno. I’d long admired their work and I loved the fact that they’re a female-only press and have a committee of women who decide what to publish. Added to that was my huge respect for Caroline Oakley, a Honno editor who had worked closely in a previous role for a number of years with (the aforementioned) Ian Rankin. I was absolutely delighted when I heard from Caroline that Honno were going to publish ‘Not Thomas’ and my whole experience of being part of the Honno family has been fantastic. All the staff and other authors are extremely supportive and go out of their way to make everyone welcome. I’m constantly recommending Honno to my female friends who are writers. It may be a small indie press but it commands huge respect and publishes wonderful books.”

Jan Newton

“I love the team spirit which goes with being a Honno author. The other authors are so supportive of each other, and you really feel part of the gang. You get to know everyone who makes Honno work, and feel part of the enterprise, in a way which would surely be very difficult in a larger organisation. I was, and continue to be, overwhelmed at the generosity of everyone involved. It feels like a real joint-venture, which is a pleasure to be a part of.”

Jane Fraser

I think with Honno, my forthcoming novel has found the perfect home with the UK’s longest-standing independent press that champions Welsh women and Welsh writing. I am proud that I now find myself among a list of authors I so admire.

Alys Einion

First, the fact that I am published by a women’s press is a major achievement. I grew into my own identity reading books by Honno and other women’s presses, and I felt that there must be something really special about authors who are published by smaller presses who can’t afford to take a gamble in the way in a bigger publishing house could. I am in awe of my fellow Honno authors, and I really do feel honoured to be in their company. It is so great to have a good relationship with my editor, and the community of Honno authors is so supportive and helpful. It is a huge plus to not have to have an agent to get your work read. I could paper my wall with rejection slips and after a while it just wears you down. Then there’s that personal experience of being nurtured by an editor who really knows her stuff and is invested in making sure your work is the best it can be.  

I think with Honno, the authors are all excellent, and that kind of sets a standard. It makes me strive to be better, to be worthy of the association. And it’s a feminist press, so what’s not to like?

Juliet Greenwood

I’m eternally grateful that I had the experience of being published by Honno before finding an agent and having a two-book deal with Orion. Having been through the process in the slightly less pressurised atmosphere of Honno, and learning the different stages of the editing process, gave me the confidence to feel I knew what I was doing – and even more importantly know that I had done it three times before so could do it again! That experience has been utterly invaluable. Honno also gave me time to develop as a writer and become more certain of who I was as an author.”

Hilary Shepherd

Text Box:

The community of writers and the friendship that has come out of being published by Honno. Having the confidence that I’ll be taken seriously with the next book (though as with big publishing houses there’s no guarantee a book will be taken on). And going to the seaside whenever I go to talk to my editor.”

Jo Verity

The informality and camaraderie of an indie publisher suits me and my way of working. I’ve been a Honno author for fifteen years and everyone I’ve worked with there has been approachable, supportive, flexible and available. I’m extremely blessed to have Caroline Oakley as my editor. She ‘gets’ what I’m trying to achieve and nudges me, firmly but sympathetically, in the right direction. I couldn’t bear to hand ‘my babies’ over to people whom I didn’t know, trust and consider to be friends.”

Jacqueline Jacques

My association with Honno began with their anthology, Luminous and Forlorn, which included my short story, Lovey Dovey Cats Eyes. I like that they are real people, who treat their authors as real people, rather than as a means to an end. They respect your wishes, offer sound advice and editing and pull out all the stops to provide a really good quality product you can be proud of.

Stevie Davies

“Being published by Honno is like going home. The first publisher of my fiction was The Women’s Press, where writers experienced warm support and a shared outlook on the politics of gender. At Honno there is a sense of solidarity such as one rarely finds in larger and more impersonal firms. Caroline’s editing skills are second to none and I have been grateful for her experience and insight.

Submitting your work

Honno is always interested in receiving unsolicited manuscripts  but currently does not intend to publish  poetry, works for children, novellas or short story collections by a single author. Honno does publish full length works of fiction and non-fiction for adults (manuscripts of between 60,000 and 120,000 words).

Honno is open to all genres of fiction and is particularly interested in increasing the number of literary fiction, crime/thriller, commercial women’s fiction, science fiction and fantasy titles it publishes. Honno is also building a list of non-fiction works to include biography (untold tales of remarkable Welsh women, places and industries), memoir, nature and travel writing. For a good idea of the types of work Honno is interested in study the Books pages on this site and the Editor’s blog posts.

However, whatever kind of work you are submitting, please ensure that you meet Honno’s criteria (see ‘Submission guidelines’ below) BEFORE doing so.

Honno is keen to publish work that shows all sides of life in Wales, but will consider stories not set within Wales. Honno is a feminist publisher and that influences the kinds of work selected for publication.

During the Coronavirus crisis we are happy to take submissions by email. Please attach your covering letter and submission and email it to post@honno.co.uk with ‘submission – your name ‘ as the subject line

https://www.honno.co.uk/authors/b/judith-barrow/

c392a-tenby2bheaderTenby Book Fair is approaching 24th September (this next Saturday!) and there are six events you can attend.
All three publishers will be giving talks and taking questions —

Honno, which has been publishing Welsh women, classics and contemporary, for thirty years (Happy birthday Honno!)

Firefly, founded in 2013, and already winning prizes, is the only publisher in Wales devoted to children and young adults

Cambria Publishing Co-operative provides all manner of help – editing, graphic design, printing etc – for indie authors.

There will also be talks by three authors.
Colin R Parsons writes very popular fantasy and science fiction for young people and has given many talks and presentations at schools.

Kathy Miles is a prize-winning poet who will be reading some of her work.

Matt Johnson, ex-soldier and police officer, will be talking about how he came to write his thriller, Wicked Game.

Places are limited, so if you would like to reserve a place at any of these talks, email judithbarrow77@gmail.com

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Here’s our line up:

Rebecca Bryn: http://bit.ly/1XYWbtF, Thorne Moore: http://bit.ly/1P6zDQh  Matt Johnson:http://bit.ly/1RUqJFg , Christoph Fischer: http://bit.ly/1svniAr , Sally Spedding: http://bit.ly/1VNRQci, Wendy Steele: http://bit.ly/1PMoF8i ,Kathy MIles: http://bit.ly/1twN3Bg , Graham Watkins: http://bit.ly/2aEgwRv , Carol Lovekin:http://bit.ly/1Y2z6HT, Colin R Parsons:http://bit.ly/1tvBc5G , Lisa Shambrook: http://bit.ly/28NMI5v:  ,Alex Martin: http://bit.ly/28VLsQG ,  Judith Arnopp:  http://bit.ly/290cJMl , Sharon Tregenza:http://bit.ly/29frGPq    Juliet Greenwood:http://bit.ly/29jylrM , Nigel Williams:http://bit.ly/29racfO , Julie McGowan:http://bit.ly/29CHNa9 , John Nicholl:http://bit.ly/29NtdtX  ,Tony Riches:  http://bit.ly/29y3a8k:  ,Wendy White: http://bit.ly/29TMCpY  ,Angela Fish:http://bit.ly/2a5qY2U  David Thorpe:http://bit.ly/2a9uG0V , Eloise Williams:http://bit.ly/2aoZk1k , Phil Carradice: http://bit.ly/2aYINV5 , Jo Hammond:http://bit.ly/2b7nMqf, Sarah Jane Butfield: http://bit.ly/2cKQ3Xs   and Sharon Jones: http://bit.ly/2bhZ9sa .And thanks to Thorne Moore for interviewing me: http://bit.ly/1VTvqGq 

 

Together with:

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