My Time on Meet the Author: Judith Barrow With Michelle Whitham

Good evening my lovelies.  I hope you’re all well and finding plenty to amuse you and any children you may have during lockdown!  Today I’m delighted to welcome the lovely Judith Barrow on to my blog with a wonderful interview.  She’s is talking to us about writing as an escape, connecting with others through her love of walking, the hilarious tale of Mr & Mrs Wilson (don’t miss it!) and her most recent book, The Memory……

GENRE(S):

Cross Genres: Mainly Family Saga/ but also includes Historic Fiction/ Crime Fiction

TELL US A BIT ABOUT YOURSELF:

I’m originally from Saddleworth, a group of villages at the foot of the Pennines in the North of England but have lived in Pembrokeshire, Wales, for forty years with my family.

I have an MA in Creative Writing with Trinity College, a BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University. I’ve had short stories, plays, reviews and articles, published throughout the British Isles and have won several poetry competitions. I’ve also completed three children’s books but done nothing with them as far as publishing goes.

I’m a Creative Writing tutor for Pembrokeshire County Council and I also hold private one-to-one creative writing workshops.

WHAT INSPIRED YOU TO START WRITING AND WHERE DO YOU GET YOUR IDEAS?

I’ve written since I was a child; it was a way to escape. My father was the head of the household; what he said was the rule. I didn’t always like it and hid in my writing.

HOW MANY BOOKS HAVE YOU WRITTEN AND PUBLISHED?

Three books (appallingly) written; never to see the light of day again! Five books, if we include this year’s one, so far, with Honno Press (https://www.honno.co.uk/): Pattern of Shadows, Changing Patterns and Living in the Shadows; a trilogy but also stand-alone books. The prequel to the trilogy, A Hundred Tiny Threads (written because the parents of the protagonist, Mary Haworth, Bill and Winifred, kept mithering me to tell their story). And, in March this year, Honno have published my most recent book, The Memory.

Different from the last four in that it’s more contemporary but still a family saga and written in two time-lines. I’ve also signed the contract with them for another book I’ve already written, which will be published in February 2021. There is another book that I Indie published in 2012, Silent Trauma: its fiction built on fact and a bit of a long story how this came about. It’s the story of Diethylstilboestrol; a drug; an artificial oestrogen, given to women, approximately between the years 1947 – 1975 in the UK, to prevent miscarriages. In short, I became involved in the charity because a relative of mine was affected by it. I was asked to write an article for their monthly magazine. After that, women began to contact me and the article turned into a story, then into a book. The charity was closed in the UK due to lack of funds and lack of interest by the British Government. I’d already had contact with many women and the charity in America: https://desaction.org/ through researching and getting quotes so, when the book was finished, I sent the manuscript to the committee of the charity. I needed to know that they approved of it, that it told their story honestly and that there was nothing in it that would offend or upset anyone. They answered and said I’d told the story as they wanted.

WHICH OF YOUR CHARACTERS WOULD YOU WANT TO BE STRANDED ON AN ISLAND WITH, AND WHY?

Mary Haworth, the protagonist of my Haworth trilogy. She’s strong-willed, so, whatever we’d need, whether it was food, water, some sort of shelter, or a boost to morale, I know I could rely on her. She makes the best of any situation and isn’t thwarted by obvious difficulties. She is tolerant, so would put up with any whinging (which no doubt I would do if too hot, too cold, hungry, thirsty, or bored). But can also be quite frightening when her temper’s up – so she would scare away any wild animals that threatened us. She’s an empathetic and good listener and can also tell a great story, which we would both need to help pass the time until we were rescued… hopefully by my husband who had missed me.

WHAT OTHER JOBS HAVE YOU DONE OTHER THAN BEING AN AUTHOR?

For years I worked in various departments of the Civil Service. But in my time as a stay-at-home mum with the children I had various part-time work: teaching swimming, hotel receptionist, cleaner on a caravan site, sewing slippers, making novelty cakes from home, working in a play school/nursery, working in a youth club. Would being on seven committees at various clubs (swimming, badminton, Scouts, Playgroup, PTA, athletics, gymnastics etc. etc.) that the children were involved in, be counted. I wonder? It felt like work at the time!

OTHER THAN WRITING, WHAT ELSE DO YOU ENJOY DOING?

Walking. I walk the Pembrokeshire coast with husband, David. There are a hundred and eighty-six miles of paths and we’ve covered a lot of them but only in stretches. Pembrokeshire is a glorious place to live. I sometimes write about the walks on my blog – and, through that, have made friends with many other walkers from all over the country who pass on their favourite places as well. And David takes the most stunning photographs (though he’s too modest to say so himself), so we always have memories to look back on when he uploads them onto the TV. And I have the most wonderful screen savers!

NAME ONE BOOK YOU THINK EVERYONE SHOULD READ AND TELL US WHY?

On Writing: A Memoir of the Craft by Stephen King. As the write-up says: “Part memoir, part master class; a revealing and practical view of the writer’s craft. It comprises the basic tools of the trade every writer must have”.  I couldn’t say it in a better way. This is a book I read a long time ago and it spurred me on when I was in the doldrums of the second book syndrome.

WHAT IS THE BEST THING YOU’VE DONE IN YOUR LIFE SO FAR?

Get married. I wrote a post about it; says it all! http://bit.ly/39h9ajW.

YOU WIN A MILLION POUNDS – YOU GIVE HALF TO CHARITY.  WHICH CHARITY DO YOU PICK AND WHY? WHAT WOULD YOU DO WITH THE REST OF THE MONEY?

A cancer charity because I was so well looked after when I had breast cancer and, also, because it’s affected many others in my family. I’d put money on one side and persuade my husband to hire a gardener (it’s an acre of land around the house and, though he wouldn’t agree, is too much for him). I’d have a cleaner so I wouldn’t have to do domestic trivia and could have more time to write. I’d give some money to the local animal rescue centre. (Can we get away with not counting that as a charity?) The rest of the money would be shared between my children and grandchildren.

WHAT IS YOUR FAVOURITE TIME TO WRITE, AND WHY?

I’m usually up at five because that’s when my brain works. I try to resist looking at any social media until I’ve put 1000 words on the page or when two hours has passed. If I don’t have any classes to run later I’ll carry on writing. Otherwise it’s time to start on the domestic trivia of the day and hope to get back to writing later. I always try to get an hour in at my desk in the late evening but, usually, that’s a mistake because if I get carried away I lose track of time and, before I know it, I’m almost catching up to the next day’s writing time. Hmm, does that make any sense at all? Perhaps I should say, I write until I stop! Anytime – but sometimes it turns out to be rubbish.

WHAT WAS THE STRANGEST, FUNNIEST, FULFILLING TIME OF YOUR LIFE THAT INSPIRED YOUR WRITING?

I have to say it was when we let the apartment attached to our home, as a holiday let during the summer months. Though hard work it provided me with a wealth of stories. People are a mystery to me most of the time. I’ve added one here:

The Naturists

 They must have been in their eighties. Mr and Mrs Wilson from Wigan

 Dilapidated car

 ‘Would you mind if we practiced our Tai Chi on the lawn?’

 I sense Husband’s alarm. When I glanced at him I saw he was breathing rapidly and his eyes were bulging a bit. But his ears were still their usual pink; bright redness is the usual signal of him being overly upset.

We’d had a couple who had stayed with us before and practised their judo on the front lawn. It had been quite entertaining until the man did his back in (or should I say his wife did his back in for him with a particular enthusiastic throw). They’d had to leave early with the man lying across the lowered back seat with his feet pointing towards the boot and surrounded by suitcases.  ‘Good job it’s an estate car’ Husband said in a casual way turning back to tend to his lawn where the husband had made a dent.

 I digress.

‘Tai Chi links deep breathing and relaxation with slow and gentle movements. See… ‘ the wife explained, taking in one long breath that made her nostrils flare alarmingly as, at the same time, she stretched out both arms. She felled Mr Wilson with one blow. I remember thinking at the time when her husband was smacked on the nose, that he should have known better than to stand so close. After all he must have realised she was going to demonstrate. ‘It’s a health-promoting form of exercise, Mrs Wilson said, cheerfully, as we all helped her husband back on his feet. ‘Sorry, love.’ She dusted him down. ‘It’s like a form of meditation, you know, exercises the whole of you, not just your body. Helps you to stay calm and gives you peace of mind, like.’

‘You didn’t do it right,’ Mr Wilson muttered.

 She ignored him. ‘We only took it up a month or two back,’ she said to us.

Husband carried their two small suitcases into the apartment, his shoulders shaking.

I clamped my teeth together. When I spoke I knew my voice was a couple of pitches higher than normal but there was nothing I could do about it.  ‘Is that all you’ve brought?’ I peered into the boot of the car.

‘Oh, yes, just the two bags. ‘Mrs Wilson linked her husband. ‘We travel light, don’t we Sidney?’

He nodded but said nothing.

There are two things I should mention at this point.

One, my mother was staying with us and her bedroom window looked out onto the front lawn.

 And two, we quickly discovered that this wobbly (no, I’ll rephrase that); this elderly couple were Naturists.

On the second morning after they’d arrived I drew back the curtains of my mother’s bedroom to see the two of them on the lawn, practicing their Tai Chi.  Despite their years their movements were graceful, there was no doubt about that. They moved forward in one continuous action, their hands held out in front of them.  But it wasn’t with admiration but in alarm that I watched them. Because they were completely naked. And I was standing side by side with my mother.

 It was when he turned towards the house and bent his knees and squatted that my mother made a choking noise and fell back onto the bed.

 Now I know this is totally out of context and misquoted (and I apologize wholeheartedly to Shakespeare) … but the words that sprang to mind when I gazed at him, were ‘…age shall not wither…

Well it was a very warm morning

Mum kept her curtains drawn for the rest of the week

AND FINALLY, TELL US ABOUT YOUR MOST RECENT BOOK AND WHERE WE CAN FIND IT?

Irene Hargreaves lives with her husband, Sam, and her mother, Lilian, who has dementia. It has, for a long time, been a difficult relationship between the two women and, over the last few years made worse by Irene’s mother’s illness. Irene is trapped by the love she has for Lillian which vies with the hatred she feels because of something she saw many years ago.

The book runs on two timelines: Irene’s life from the age of eight, after her sister, Rose, is born and her grandmother comes to live with the family, with flashbacks to happier times with Sam, and in present tense, over the last twenty-four hours when Irene knows she needs to make a decision.

The book. published 19th March 2020 by Honno>. Purchase here: Honno ~ Amazon

Where to find Judith online: Website ~ Blog ~ Twitter ~ Facebook

FINAL WORDS FROM CHELLE…

Thank you Judith for this wonderful interview.  I think we’ll all agree that the story of Mr & Mrs Wilson is quite hilarious – what a shock it must have been for your Mother!! I definitely think we can get away with not including the local animal rescue as a charity – I’d be donating my money them too.  A cancer charity is always a good cause that is close to so many people’s hearts and I’m glad that you were well looked after.

I’m also lucky enough to have been gifted with a copy of The Memory by Judith and Honno so keep an eye out as there will be a review up in the coming months! (Thank you Judith!).

I hope you’ve all had a good day and stayed in and safe.

Any comments for Judith, just drop us a comment or contact her using the links above.

Chelle x

Books in my Handbag Blog Detective Indie Author Investigates #FridayReads #Editing #Publishing The Crime and Coffee Festival

Detective Indie Author Investigates

The Crime and Coffee Festival beckoned me to Cardiff Library to solve the mystery of writing and publishing. The workshop: Cut, Slash and Perfect promised to reveal more about the writing and traditional publishing journey.  As I passed the crime scene tape surrounding the bookshelves, I did wonder if any authors had been lost during the cutting, slashing and perfecting process. I went undercover to find out more about traditional publishing. Would I need an agent, and would I need a sharper pair of scissors?

The panel discussion with: Thorne Moore, Caroline Oakely and Judith Barrow. Has Judith spotted Jessie?

Authors, Judith Barrow and Thorne Moore, chatted with the editor, Caroline Oakley, of Honno Pressabout publishing. The entertaining chat provided food for thought for all authors who wish to publish their work.  As I listened, I captured some of the main points and discovered what makes editors cut and authors cry. The panel put me at ease, and I was able to remove my disguise as an indie author.

Introducing Caroline Oakley who is the editor at Honno Press

Caroline has worked in general trade publishing for over thirty years and has edited a number of award winning and bestselling authors. Caroline works for, Honno Press, an independent Welsh Women’s publisher in Wales.

Clues from the Editor

Caroline gave a balanced overview of publishing

Big publishers only work through agents.

A good editor is key to success for all authors

Agents often have useful contacts within the publishing world and deal with the contracts.  Care must be taken when selecting an agent because, as in all businesses, there are inefficient, self –styled experts, with little experience, out there. Google and search for those authors who write in your genre to find out the names of the agents who deal with your kind of book before submitting. You can approach independent and smaller publishers with or without an agent. Find out what this kind of publisher wants before approaching them.  Research their website; look at the work of the signed authors.  Take your time to select the appropriate one for your genre; consider how much advance that publisher pays, the amount of royalties for sold books you will get, your rights (such as audio and foreign rights for your work) and the terms and conditions of your contract. You must read the small print!

Don’t get disheartened with rejection letters sent to publishers.  Hope your manuscript reaches the publisher at the right time (by this I mean that it’s not a miserable Monday morning for them, or they’ve not had a quarrel with a partner or their family – or they’ve not had a week of wading through a pile of “not very good” manuscripts before they get to yours)– it is subjective.

Indie publishing has its challenges, but it gives you more control and you get all the profit.  The Indie author deals with every element of the process; from the writing to choosing the cover, the blurb formatting, publication and marketing. Traditionally published authors also are expected to promote and market. Indie publishing is time- consuming but as I said before, they do have complete control over their work.

The venue – Cardiff Library

Whichever publishing route you choose, you must get yourself an editor! Although time-consuming (and sometimes devastating!) you must go through the cut, slash perfect process.  A good editor will identify gaps, things that possibly don’t work in your writing, mistakes such as change of dates of characters’ birthdays or colour of eyes in different parts of the book, errors in time scale etc.. But will not tell you what to do, only point out those mistakes and suggest changes to make your work stronger.

It is advisable that every author, whether self-published or traditionally published, has a website, blog and social media accounts.

Introducing Judith Barrow:

Judith Barrow has published four books with Honno Press.  She writes historical family saga fiction. She has also self-published books and a collection of short stories of the minor characters in her trilogy.

What did Judith say about her publishing journey?

Judith Barrow and Thorne Moore are published by Honno Press

I love working with Honno Press.  The staff are friendly and accessible. As a writer you learn what you can and cannot get away with.  I have built up trust with the editor who I know has had a long and professional career in all genres. And, although  Honno Pressalso organises the front cover for the books, they have allowed me input to the final decision .

Working with Honno Press provides me with quality, professional editing.  I cry every time, I get the editor’s comments, but I know, in my heart, it makes the work better.  An editor will read your book line by line and give an overview. A good editor will ask the right questions but will not give you the answers. When you edit your work, you must keep your own voice.

I do not send my very first draft to an editor and probably have about ten revisions.  I ask my friend, who is an author, to give me an honest opinion on anything I have doubts about.  I am also a member of a writing group and we email sections of our books for discussion.  But do, avoid too much input from too many sources into your work as it can confuse you – have a small trusted network of writers.  Believe in yourself! The cut, slash and perfect stages involves a first general edit, as many more detailed edits then necessary to get the writing to its best, a line by line edit to weed out any noticeable mistakes and then a proof read by the publisher’s proof reader. Finally, it comes back to me for a last read to make sure all is correct. I do like this final stage; it does make me feel as though I have control over the end product to some degree.

Introducing Thorne Moore

Thorne had published three books with Honno Fiction and writes domestic noir and psychological fiction.  Thorne has self-published and works with two publishers.

What did Thorne say about publishing?

She has self-published short stories in order to market a published book.  The different publishers are relevant to the books promoted. Regardless of how the books are published, the author must have a good editor.

A writer needs an editor to stand on the mountain and look down on your work.  During the writing process the author becomes too absorbed to be objective.  Through the feedback from the editor, you learn to write.  The editor will locate your common mistakes then you will avoid these in subsequent drafts.

You do need a small critical group of friends who will give you constructive criticism.

Don’t worry about the reviews. Jane Austin has plenty of one star and two star reviews on Amazon.

Don’t give up!  I was rejected by Honno at first. In an interview with Thorne, she told me about the trials and tribulations of her publishing journey. This story of Thorne’s publishing journey will be published very soon.

A good editor is key to success for all authors: traditionally published and self-published need a good editor.  A good editor will identify gaps in your work and ask the right questions.  My editor forced me to ask lots of questions about my book and rework sections.  I learnt a great deal about my writing through this process. As a self-published author I have involved a professional editor, beta readers and other authors.  One must be careful of making new mistakes in a new edit – it is expensive to pay for all the various stages of the edit.  I understand the security of working with an independent publisher who provides an editor. The indie author has greater control of the book but must complete all stages of the process including the book cover and the marketing. In the end, all clues pointed towards the importance of a professional editor during the publishing process.  No matter how many times the author sharpens the scissors to cut, they still need an editor and dosh to pay for quality.   Clearly, this wasn’t an open and shut case and more investigation needed to be completed.

Clue of the Day

Narbeth Book Fair – see Judith, Thorne and Jessie!

Caroline suggested the market for the unreliable narrator in all genres will change. Like fashion in clothes, fashion in books also changes.  No one knows what will be the next ‘in thing’ for novels.

Judith Barrow, Caroline Oakley, Thorne Moore will all be at the Narberth Book Festival on 22nd September.

You can book individual session with Caroline Oakley of Honno Press for £35.  For more information visit the Narberth Book Fair website. Children’s writers can book sessions with Firefly Press.

 

Yorkshire Lasses in Wales: When Jessie Met Judith Barrow

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire

Judith waited for me in a department store while I waited for her in Cardiff Library.  Would the meeting take place? Neither of us had thought to share our phone numbers prior to the meeting.  

Judith emerged from the lift, in Cardiff Library, wearing a silk purple top that was co-ordinated with her fabulous lilac hair.  I warmed to her instantly! Her beaming smile lit up her face and I knew she’d make me laugh.  She travelled from Pembrokeshire to take part in a panel on agents, traditional and Indie publishing and agents at the Crime Cymru event, and her huge canvas bag bulged with goodies for the day ahead.  I was lucky to grab some time with her.

We almost didn’t meet at Cardiff Library

Judith: At last, I thought you’d got lost in your handbag. I waited in the department store and realised I had no contact details. After I finished my mint tea, I asked three strange women if they were Jessie.  They thought I was mad.

Judith’s Yorkshire accent and mischievous blue eyes instantly made me giggle. Great to meet someone who spoke the same lingo.

Jessie:  I’m so sorry but I thought you’ be able to read my mind. Couldn’t you hear me calling you in my dulcet tones across the streets of Cardiff?  Don’t ask me why I didn’t send you my mobile number and confirm the meeting.  I also approached a couple of potential Judiths but the real Judith is much better. So pleased, I found a representative of Honno Press and she had your number.

We laughed and grabbed some coffee from a coffee station in Cardiff Library.  The staff set up a couple of chairs for us to conduct the chat.  Having spilt the coffee all over my hand, we settled down to chat about Judith. 

Jessie:  Judith, tell me what a Yorkshire lass is doing in Pembrokeshire.

Judith:  We went on holiday to Pembrokeshire, loved it and never returned to Saddleworth.  We bought a half-built house and renovated it.

Jessie:  Do you miss Yorkshire?

Judith Barrow – Secrets

Judith:  Pembrokeshire was a great place for our kids to grow up.  I miss Yorkshire stone, craggy landscape and the meandering moors. I love our house, in Pembrokeshire, but I always expected I’d live in a stone cottage in my old age.  As you can hear, even after forty years in Wales my accent hasn’t changed – I’m still a Yorkshire lass.  People say they can hear my voice in their heads when they read my books.  Lucky them!

Jessie:  Obviously, people love your voice as you have written eight books.  How did the writing start?

Judith:  Well, I hope they do. As for the writing, I’d written since I was a child but never done anything much about it. Then I went to night school with my daughter. I finished A Level English and went on to gain a degree through the Open University. Whilst studying for the degree, I had breast cancer, and this made me see life differently.  I decided to follow my dream to become a writer.  Initially, I had an agent but she wanted me to write as an author of Mills and Boon so I parted company with her.

A place that inspired the setting of Judith’s novels

Jessie: That’s ridiculous; your books are not of that genre.  The books are historical fiction with engaging stories of the Howarth family. The books have complex plots and characters.

Judith:  I write people driven, gritty dramas and wasn’t prepared to adapt my writing.  Eventually, I got a contract with Honno Press – an independent publisher in Wales- and found their approach personal and supportive.  My first book ‘Pattern of Shadows’

Jessie:  What’s Pattern of Shadows about?

Judith:  It’s the story of a nursing sister, Mary Howarth, and her family, during World War Two and is set around a POW camp located in a disused cotton mill in a Lancashire town.  When I was a child my mother was a winder in a cotton mill and I would go there to wait for her to finish work; I remember the smell of the grease and cotton, the sound of the loud machinery and the colours of the threads and bales of material.  Pattern of Shadows was meant to be a standalone book, but the characters wanted me to carry on with their lives. Eventually, it developed into a family saga trilogy. My recent book, the prequel, is A Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth. They wanted me to explain their, how they had become what they are in the trilogy. I was happy to; I think, as we get older, we are made by our life experiences.

Hundred Tiny Threads. The two main characters, Winifred and Bill, are the parents of the protagonist in the trilogy, Mary Howarth

Jessie:  I’m reading One Hundred Tiny Threads. I’m about a third of the way through.  It’s a great read.  The opening is engrossing with Winifred waking up to another day in the shop. The characters are so real, and I love getting inside their heads.  I’m shouting at them all the time. The way you thread the characters’ attitudes towards women is brilliant.  I’m fascinated by the Suffragettes in Leeds.  For some reason, I always imagined the movement to be concentrated in London.

Judith:  Researching the Suffragettes opened up my eyes.  I wanted to tell their story through the voices of the characters and show how women, in the society at that time, were ready for the change. Stories draw people into to the political background of the era, and life was certainly a challenge then.  People say my books are dark.  Have you got to the gory bits?

Jessie:  Well, there has been a murder.

Judith:  No, I’m thinking of scene after that – you wait.  Bill’s a bastard but it’s his background.  I don’t know why Winifred married him.

Jessie:  Oh no, what was Winifred thinking of?  I’m furious with her, as I haven’t read the terrible news yet.  I’m intrigued as to why she didn’t marry the love of her life and scared for her.

Judith: oh ‘eck, hope I haven’t I haven’t spoiled it for you, Jessie.  But, you must understand Bill had a terrible life as a child with his father.  And then he was a soldier in the horrendous First World Wars. He was also one of the Black and Tans when he returned from the Front. He’s a bastard but didn’t have it easy.  As I said, our lives shape us.

Jessie:  I agree and people interest me too.

Judith:  Yes, well your novel, You Can’t Go It Alone, is also character driven and could become a family saga.  I can see it now.  I want to know more about Luke and Rosa and their parents.

Jessie:  I plan to do that, and you have inspired me to complete historical research.  I would have to look carefully into the eras the generations were born into.   Thanks for your advice.

Judith:  No problem, I teach creative writing in Pembrokeshire, so I just can’t help myself (some would say it’s interfering!!).  Writing is like looking at the world through the eyes of a child and I love it. I watch folk walk past my window, at home.  It’s hilarious how people walk. I can’t stop people watching and passing it on through my books.  I never stop watching and am always so busy.

Narbeth book fair – a great book fair for readers and worth a visit

Jessie:  I notice you also organise Narberth Book Fair.

Judith:  Yes, I organise it with a friend, author, Thorne Moore.  It started in Tenby, but we had to move because we outgrew the venue with so many writers wanting to take part. I think it’s so important to attend these events; to get out there and meet the readers.

Jessie:  What advice would you give to fledgling writers?

Judith:  Get a professional editor and be prepared for a slog.  The first draft of the book is the best bit. I always cry when I get my editor’s comments.

Jessie: Tell me, what have you got in your handbag today?

Judith handed me a copy of Pattern of Shadows and a book entitled Secrets; an anthology of short stories of the minor characters in the trilogy. She proceeded to let me in on the secret life of her handbag.  She had some very colourful reading glasses, pens, more pens, bookmarks, a spare blouse, her mobile and an agenda. 

Judith:  As you can see I do love a bit of colour. I try to be organised and I absolutely love writing.  I want you to place these books in your handbag and let the Howarth family keep you company. You’ll love some of the family and dislike some of the other – but that’s life!

Judith is fabulous fun, and I had a blast meeting with her.  Meeting face to face is so much better than communicating on line.  I delighted in her humour, straight-talking and infectious sense of fun.  Judith is a natural storyteller, and this translates in her animated dialogue.  She told me she is ‘living each day’.  She thrives on her writing and engagement with authors.  Her generosity was evident in her willingness to share the benefit of her experience.

 I should add that I will be one of the authors at this year’s Narberth Fair: http://www.narberthbookfair.co.uk/
https://www.facebook.com/narberthbookfair/

About Judith:

Judith Barrow, originally from Saddleworth, near Oldham, and on the wrong side of the Pennines but still in Yorkshire, has lived in Pembrokeshire, Wales, for forty years.

She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.

She is also a Creative Writing tutor for Pembrokeshire County Council.

Contact Judith at:
Email: Judithbarrow77@gmail.com
Twitter: @judithbarrow77 
Facebook: https://www.facebook.com/judith.barrow.3

Amazon link to her books:

Secrets
A Hundred Tiny Threads

Secrets

Winifred is a determined young woman eager for new experiences, for a life beyond the grocer’s shop counter ruled over by her domineering mother. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling. Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer. The girl he determines to make his wife. Meeting Honora’s intelligent and silver-tongued medical student brother turns Winifred’s heart upside down and she finds herself suddenly pregnant. Bill Howarth reappears on the scene offering her a way out.

 

Please see all my interviews at My Guests and my website and blog at JessieCahalin.com.

My Series of Author & Poet Interviews at Narberth Book Fair. Today with with Sarah Jane Butfield

Titleband for Narberth Book FairI’ve posted interviews with most of the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty authors, so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults  workshops & talks and fun workshops for children, activities for the children  Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.  Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year was a poetry competition (now closed) which is being judged at the moment.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

Our latecomer to the interviews is a favourite at our book fairs, the prolific author, Sarah Jane Butfield.  It’s a short but sweet interview. To find out more about Sarah Jane do please drop in to the book fair… and question her thoroughly!!

sarah ajane

I’ll just add a little about Sarah Jane below

Author Sarah Jane Butfield was born in Ipswich and raised in rural Suffolk. Sarah Jane is a wife, mother, ex-qualified nurse and now an international best-selling author. Married three times with four children, three stepchildren and two playful Australian Cattle dogs she an experienced modern day mum to her ‘Brady bunch’, but she loves every minute of their convoluted lives.

The roving Florence Nightingale, has had a successful career as a nurse and used her nursing and later teaching qualifications to take her around the world.

Welcome, Sarah Jane, could we start by you telling us  what you were like at school and were you good at English?

I enjoyed English at school but became better and more proficient in college.

What are your ambitions for your writing career?

I became an author accidentally, hence my nickname the Accidental Author, however I aspire to continue to share my personal experiences of parenting, family life, travel and nursing anecdotes to inspire readers to follow their dreams.

sereis

 

Which writers inspire you?

I find Lisa Genova books not only inspirational, but very moving.

So, what have you written? Where can we buy or see them?

Untitled design

 

Ooh Matron! books2read.com/OohMatron

Bedpans to Boardrooms books2read.com/Bedpanstoboardrooms

Sarah Jane’s Travel Memoir Series:

Book One: Glass Half Full: Our Australian Adventure books2read.com/GlassHalfFull

Book Two: Two Dogs and a Suitcase: Clueless in Charente books2read.com/TwoDogs

Book Three: Our Frugal Summer in Charente: An Expat’s Kitchen Garden Journal books2read.com/ourfrugalsummer

Sarah Jane’s Travel Memoirs Boxset books2read.com/MemoirBoxset

 

The Accidental Author books2read.com/AccidentalAuthor

The Amateur Authorpreneur books2read.com/AmateurAuthorpreneur

The Intermediate Authorpreneur books2read.com/IntermediateAuthorpreneur

 Sarah Jane will be launching her latest book at the fair:

bedpans and boardrooms

Bedpans to Boardrooms is the sequel to Oo Matron

And that’s all she tells me today, folks, but as I say, do come along and chat to Sarah Jane about all her adventures. She may say she became an author accidentally – but her books are great reads.

My Series of Author & Poet Interviews at Narberth Book Fair. Today with with Helen Lewis

Titleband for Narberth Book Fair

 

 I’ve posted interviews with most of the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty authors, so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults  workshops & talks and fun workshops for children, activities for the children  Children’s Page and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.  Location.

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year was a poetry competition (now closed) which is being judged at the moment.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

Our latecomer to the interviews is an author whose book I’ve read and thoroughly enjoyed; Helen Lewis.

Version 2

 

Welcome, Helen, could we start by you telling us who is your favourite author?

Do I have to have one? I’m greedy I’d like a few, obviously Joanne Harris, David Mitchell, Audrey Niffenegger, Roald Dahl

So what do you think makes a good story?

Just a little bit of magic. Unorthodox and quirky use of language. Strong characters that you are interested in; worried about their fate

 What book that you have read has most influenced your life

Surely it has to be the bible, forget religion (if you want to), that book is packed with intrigue, murder, fantasy, jeopardy, shall I go on? I think the route of all stories ever told or to be told are planted within those covers.

How many books have you written? Which is your favourite?

Just the one so far, The House With Old Furniture. It is, by far my favourite!

The house with old furniture

 

Here’s my review of Helen’s novel: http://bit.ly/2wf4El2 

Could you tell us a bit about your book and why it is a must-read

The House With Old Furniture is a story of love, loss and betrayal – where no-one can be trusted to tell the full story, and nothing is as it seems. One son dead and the other grieving, Evie is banished to Wales, her world falling apart. She survives in part due to the presence of the mysterious Alys and her son Nye, who reminds Evie of her own lost boy.

OK so I copied the blurb, but the hardest thing, I have found about this writing malarkey, is having to define and summarise the tens of thousands of words you have just spent years scribbling. I think it’s a must read, because even though I have read it now about seven times, at least, maybe eight or nine, I still get lost in the tale, it still grips me even though I know the ending!

 What was the inspiration behind The House With Old Furniture

I literally stumbled upon the inspiration for this story shortly after my family moved to Pembrokeshire twelve years ago. Whilst on a walk with our two boys in the woods that surround our home, we discovered the remains of a cottage. If we’d been in a hurry, and I hadn’t got my boot stuck in the stream, we would have completely missed it. Only parts of three walls remained, ferns, moss and ivy rendered most of it invisible and at some point a huge tree had fallen straight through the middle of it finishing off most of what was left. It took a bit of imagination to picture a cottage amongst the undergrowth, almost like staring at one of those coloured dot pictures trying to find the hidden image. Whilst the boys waited for me to free my boot, they scrambled over the ruins of the little house unearthing all kinds of everyday treasures: the rusty end of a bedstead, a rotten milk churn, and old bottles to name but a few.

You couldn’t help but feel that you were trespassing in someone’s home, although the building was barely recognisable as such the sense of what it must have been like to live there was so strong in my mind. I felt I could hear the last inhabitants crunching through the dead leaves towards us. It was as if some fragment of their being had evaporated into the air around us and become a part of the place, ingrained, like the scent of wild garlic, in the very trees around us.

As we all walked back home through the woods I knew there was a story to be told about that little cottage. So in some down time – broadband down time – telephone wire down time, you know what it can be like living in rural Welsh Wales! I began stitching together this tale, creating the characters that live in it, Jesse, Finn, Andrew and Evie. I wanted my characters to unpick the mystery within The House With Old Furniture for the reader, and decided to introduce an old journal that would slowly unlock the secrets. Bizarrely the idea for the journal came from a very old and decrepit cookery book that once belonged to my Nan – ‘The Diary Book of Home Cookery’. When Nan died, Grandpa, determined to remain independent and ‘carry on’, treated it a bit like a bible. And somehow I have now inherited it. It’s full of his notes, scribbled all over the printed recipes, on how things should really be cooked and it’s packed with his own concoctions jotted down on the backs of old yellowing receipts and envelopes. I love it. It’s a real treasure of mine even though the spine has fallen and most of the photos have turned blue and green. And I’m thrilled that some of Grandpa has made it into the novel, I used his actual hand-written recipes for bread and dumplings as backgrounds on the chapter divider pages. I can hear him chuckling about that!

 How long did it take you to write it?

Forever! Five, very long years.

Do you hear from your readers much? What kinds of things do they say?

I have heard from some of them, and it’s been lovely. I love the questions I’ve been asked, it’s made me look at the book in different ways. I still find it surprising that people are actually reading something that I have written.

Do you have any hidden or uncommon talents?

Absolutely none. Sorry. I fully intended to be a ballerina until the age of 16, I had about six lessons a week and taught as well, unfortunately it wasn’t to be. But that is hardly an uncommon talent.

What would you say is your interesting writing quirk?

I couldn’t come up with an answer to this question so I (stupidly) asked my husband and teenage sons who just happened to be sat around the kitchen table where I am doing this. So unhelpfully they came up with “You can’t spell.” Thank you husband. “You’re not very good, ha ha.” Thank you teenager two. And “I don’t know what a quirk is.” Brilliant teenager one (who’s not actually a teenager now, but still behaves like one). I haven’t really answered that have I?

Hahaha… families!!

What do you like to do when you’re not writing?

Run, as far and as much as I can, I’m addicted. Also started open water swimming which is the most awesome, relaxing, stress busting thing invented for humans to do.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing

Again I deferred to the same male audience mentioned above, and according to the teenagers the funniest thing I ever did was whilst eating chips at the New Inn Amroth, I tried to put sauce on them and, you’ve guessed it already, the lid flew off covering everything in sauce. If I remember rightly, I found that more annoying than hilarious, which I mentioned to the teenagers. “That’s the point,” they said, “No sense of humour.”

Note to self: never ask your family about the most amusing thing that’s happened to you…it’ll normally the most amusing thing they think happened to you!

Give us a random fact about yourself.

I am utterly, totally, completely terrified of heights. 3m off the ground and I’m jelly on the floor.

 Helen’s links:

Facebook: http://bit.ly/2xK2DLP

 Twitter: http://bit.ly/2wG32C4

Buying links:

Amazon.co.uk:  http://amzn.to/2vLv9f1

Amazon.com: http://amzn.to/2iFnnSg

Helen is published by Honno, where her book is also available: http://www.honno.co.uk  

new honno_logo

 

 

Mutterings by author, Thorne Moore

 Monday, 28 August 2017

Judith Barrow coming full circle

I have written four novels and each has been independent – different settings, different characters, different themes – but I have begun to feel the allure of keeping a story going, beyond the last page of a book. I have written short stories that accompany my novels, but I’ve never yet been brave enough to take on a whole series.
That is what Judith Barrow has done, with her Howarth Family trilogy, covering the decades from the Second World War to the late sixties, and she has completed it now with a prequel, A Hundred Tiny Threads, covering the early decades of the 20th century. I am hugely impressed.

Pattern of Shadows is the first of the Howarth family trilogy. Mary is a nursing sister at Lancashire prison camp for the housing and treatment of German POWs. Life at work is difficult but fulfilling, life at home a constant round of arguments, until Frank Shuttleworth, a guard at the camp turns up. Frank is difficult to love but persistent and won’t leave until Mary agrees to walk out with him.

Sequel to Pattern of ShadowsChanging Patterns is set in May 1950, Britain is struggling with the hardships of rationing and the aftermath of the Second World War There are many obstacles in the way of Mary’s happiness, not the least of which is her troubled family. When tragedy strikes, Mary hopes it will unite her siblings. Will the family pull together to save one of their own from a common enemy.

The last of the trilogy, Living in the Shadows is set in 1969. There are secrets dating back to the war that still haunt the family, and finding out what lies at their root might be the only way they can escape their murderous consequences.

And so to the prequel: A Hundred Tiny Threads: Winifred is a determined young woman eager for new experiences. When her friend Honora – an Irish girl, with the freedom to do as she pleases – drags Winifred along to a suffragette rally, she realises that there is more to life than the shop and her parents’ humdrum lives of work and grumbling.
 Bill Howarth’s troubled childhood echoes through his early adult life and the scars linger, affecting his work, his relationships and his health. The only light in his life comes from a chance meeting with Winifred, the daughter of a Lancashire grocer.

For the record, in my opinion, this is a great book, that places two people in the midst of some of the most earth-shattering and horrifying events of the early 20th century but shows it all through their very individual eyes, coloured by their own uniquely troubled situations. And, of course, knowing how it ends in the following trilogy adds a piquant regret to the tale.

Judith, like me, has lived in Pembrokeshire for many years and, like me, came here from a distant galaxy long ago and far away – Well, Yorkshire in her case and Bedfordshire in mine. Here, she tells how she came to Pembrokeshire.
We found Pembrokeshire by accident.
With three children under three, an old cottage half renovated and a small business that had become so successful that we were working seven days a week, we were exhausted. David, my husband, thought we should get off the treadmill; at least for a fortnight.
Pre-children, cottage and business, we always holidayed in Cornwall. But we decided it was too far with a young family and an unreliable van. We’d go to Wales; not too difficult a journey from Lancashire, we thought.
Once that was mentioned, David was eager to see Four Crosses, near Welshpool, where his grandfather originated from.
‘We could stay there,’ he said.
‘But the children will want beaches,’ I protested. ‘And I’ve heard Pembrokeshire has wonderful beaches.
We agreed to toss a coin and Pembrokeshire won. We’d call at Four Crosses on the way home.
I borrowed books on Wales from the library and, balancing our 8-month-old twins, one on each knee, I read as much as I could about the county. It sounded just the place to take children for a holiday. We booked a caravan and, when the big day came, packed the van to the hilt with everything the children would need, remembering only at the last minute, to throw a few clothes in for ourselves.
It took 10 hours.
In 1978 there was no easy route from the North of England to West Wales.
We meandered through small lanes, stopping for emergencies like much needed drinks, picnics, lavatory stops and throwing bread to the ducks whenever our eldest daughter spotted water. I’d learned to keep a bag of stale bread for such times.
The closer we were to our destination the slower we went. In the heat of the day the engine in our old van struggled; we needed to top up the radiator every hour or so. For the last 50 miles we became stuck in traffic jams.
We got lost numerous times.
All this and three ever-increasingly fractious children.
We arrived at the caravan site in the middle of the night so were relieved to find the key in the door.
The owner, a farmer, had given up and gone home.
I woke early. Leaving David in charge of our exhausted and still sleeping family, I crept out.
The sun was already warm; a soft breeze barely moved the leaves on the oak tree nearby. Skylarks flittered and swooped overhead, calling to one another. 
Although the caravan was one of four in the farmer’s field, we were the only people there. It was so quiet, so peaceful.
I walked along a small path. Within minutes I was faced by a panorama of sea. It seemed so still from the top of the cliff, but the water blended turquoise and dark blue with unseen currents, the horizon was a silvery line.
Faint voices from two small fishing boats carried on the air.
The sandstone cliffs curved round in a natural cove. Jagged rocks, surrounded by white ripples of water, jutted up towards the sky.
I fell in love with Pembrokeshire.
I’d always liked living so close to the Pennines. The moors, criss-crossed by ancient stone walls, were glorious with wild rhododendrons in summer, heather in the autumn. Even when brooding under swathes of drifting mist or white-over with snow, I was happy there.
But Pembrokeshire has a powerful glory of its own.
Within months we’d thrown caution, and our past lives, to the wind and moved here, much to the consternation of our extended family; as far as they were concerned we were moving to the ends of the earth.
But it was one of the best decisions of my life.

Today I’m hosting my very first guest – the wonderful saga writer, Judith Barrow. Her latest book is just out – A Hundred Tiny Threads. So come and meet the Howarth family!

Image

http://merrynallingham.com/a-hundred-tiny-threads/?doing_wp_cron=1503679765.9046089649200439453125

A Hundred Tiny Threads

Today I’m welcoming Judith Barrow to the blog – my very first guest! It’s lovely to have you here, Judith. I really enjoy the family sagas you write, so my first question is:

What made you decide to write in your genre?

Families fascinate me. We live in such diverse situations and, a lot of the time, tend to take it all for granted. Being a family member can bring the best and the worst out in all of us, I think. So a wealth of human emotions to work with.

What other authors of your genre are you connected/friends with, and do they help you become a better writer in any way?

I recently held a series of interviews with other family saga authors. Through those posts it was lovely getting to know them and the way they work.  With some I’d already read their books, others, it was brilliant to discover their novels. I also have met writers, both Indie and traditionally published, through social media over the years and feel I know some of them quite well. My greatest support has come from the group of authors published by Honno. We have a Facebook group where we can chat and ask for help/ information and generally boost moral when it’s needed. And we’ve met up in real life on many occasions. My dearest Honno friend is Thorne Moore who is an invaluable help with the book fair we organise annually; I’d go so far to say it wouldn’t be half the success it is without her.

Do you think someone could be a writer if they don’t feel emotions strongly?

No, I really don’t. It’s one of the things I stress to my adult creative writing classes; they have to feel what they write. If they don’t how can they expect the reader to empathise with their characters? I have laughed out loud with my characters, cried through some of the situations they’ve found themselves in, felt admiration and even envy for the strengths they have dealt with the hard times. And been completely exasperated and cross with some of them.

Do you try more to be original or to deliver to readers what they want?

It’s funny you ask that. Not long ago I was told by another author that all my books were ’Samey’. I was quite incensed for a few moments until it was explained to me that she meant of the same genre. But even if they are all family sagas I still think that, like life in different families, each story needs to be original; both for my own satisfaction and for my readers. And writing style comes into that as well. Just lately I read a book by an author whose past books I’ve devoured. Her latest is written in such a different style I could have sworn it was by a different author. It wasn’t, of course but I wondered how she managed to write in such a diverse way. I’m not sure I could change my voice so drastically.

How do you balance making demands on the reader with taking care of the reader?

Ah, this is our great friend ‘foreshadowing’; I like to drop subtle hints of things to come into the main body of the story. I drive my husband mad by saying who’s done what/ what’s going to happen/ how something will turn out in television dramas. I do try to keep quiet but even then I say triumphantly, “Knew it!” afterwards. There’s satisfaction in being a reader and guessing the action to come. Then again, there’s great satisfaction as an author in leading the reader down the wrong track as well.

Do you want each book to stand-alone or are you trying to build a body of work with connections between each book?

I set off to write Pattern of Shadows as a stand-alone but I knew here was another story about the Howarth family waiting in the wings. And that happened again after Changing Patterns, so Living in the Shadowsemerged. I breathed a sigh of relief when that last book of the trilogy was finished but after a week the two main characters of A Hundred Tiny Threads, the parents of Mary Howarth, the protagonist in the trilogy, stared clamouring. So their story had to be written.

Front of Secrets

I actually thought I’d finished with them all then. But up popped eight minor characters from the three books mithering and pecking at my head. So I wrote a set of short stories for them in my anthology, Secrets.A couple of them are still buzzing around… hmm!

 

Would you like to talk about your latest book here?

 

Thank you. A Hundred Tiny Threads is the prequel to my trilogy. It’s a family saga set between 1911 and 1922 in Lancashire and Ireland during a time of social and political upheaval. So it covers the years of the Suffragettes, the First World War and the Uprising in Ireland with the Black and Tans. The two main characters are Winifred Duffy and Bill Howarth, the people who become the parents of Mary Howarth, the protagonist in the trilogy. As with the trilogy, it’s published by Honno (http://www.honno.co.uk) and has been described as an engaging, emotive novel.

 And finally where can readers find you?

 

Bloghttps://judithbarrowblog.com/
Amazon Page: https://www.amazon.co.uk/Judith-Barrow/e/B0043RZJV6
Twitter: https://twitter.com/barrow_judith
Facebook: https://www.facebook.com/Judith-Barrow-327003387381656/
Pinterest: https://uk.pinterest.com/judithbarrow/
Goodreads: https://www.goodreads.com/author/show/3295663.Judith_Barrow
Google+: https://plus.google.com/+JudithBarrowauthor
Linkedin : https://www.linkedin.com/in/judith-anne-barrow-02812b11/

judith heashot last

Judith Barrow, originally from Saddleworth, Yorkshire, has lived in Pembrokeshire, Wales, for almost forty years. She has an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen, a BA (Hons) in Literature with the Open University and a Diploma in Drama from Swansea University. She has had short stories, plays, reviews and articles, published throughout the British Isles and has won several poetry competitions. She has completed three children’s books.
She is also a Creative Writing tutor for Pembrokeshire County Council’s Lifelong learning Scheme