It’s Been an Odd Day…

 Today – Remembrance Day – has been a day when we paid homage to so many who gave their lives in past wars. A day that must have brought back memories for many. It has for me.

It’s eight years since my mother died. My sister arranged the funeral for eleven o’clock today. Eleven o’clock, on the eleven day of the year – perhaps no one else wanted that time or day – I was never told.

This is a post I wrote shortly afterwards. The relationship between Mum and me, and the one between her and my sister, proved so very different. There’s nothing wrong in that, but at no time was it more obvious than on that day…

I wrote… 

Last week I was at my mother’s funeral. I say at because I felt it was a funeral I was a spectator to, not part of.

During the service I realised something strange. Being the eldest, and living nearer to Mum than me,  my sister had insisted on organising the whole thing. It was a Humanist service which was fine; my mother had no beliefs.

But what was odd, was that what my sister had written about my mother was totally unlike the mum I knew. And I wonder if that is something all siblings share; a different view of the characters of their parents.

The mother my sister saw was a woman who liked poetry. So there were three poems in the service. I’ve never once seen my mother read poetry although she did like to misquote two lines from ‘ What is this life if, full of care…’

The mum I knew read and enjoyed what she herself called ‘trashy books.’ They weren’t, but she did love a romance and the odd ‘Northern-themed’ novels. (I’m always glad she was able to enjoy the first book of my trilogy – dementia had claimed her by the time the next two were published) She still managed a smiling grumble, though, telling me it had  taken me ‘long enough to get a book out there’) And she loved reading anything about the history of Yorkshire and Lancashire. Oh, and recipe books… she had dozens of recipe books and could pour over them for hours. I often challenged her to make something from them. She never did… it was a shared joke.

Mum had a beautiful singing voice in her younger days.  She and my father would sing duets together. Anybody remember Pearl Carr and Teddy Johnson?  My parents knew all their songs. And so did my sister and I… I thought. The songs and singers chosen were not ones I remembered. And Mum loved brass bands! She’d have loved to have gone out to a rousing piece from a brass band, preferably the local band. She loved everything about the area and the house she’d live in for almost sixty years

Which brings me to the main gist of the service. No mention of Mum’s love of nature, of gardening, of walking. Nothing about Mum’s sense of humour; often rude, always hilarious. When telling a tale she had no compunction about swearing if it fitted the story. And her ability to mimic, together with her timing, was impeccable. She was smart, walking as upright in her later years as she had when in the ATS as a young woman, during the Second World War. She worked hard all her life;  as a winder in a cotton mill, later as a carer, sometimes as a cleaner. Throughout the service there was no inkling of the proud Northern woman willing to turn her hand to any job as long as it paid. No mention of her as a loyal wife to a difficult man.

Thinking about it on the way home I realised that my sister had seen none of what I’d known and I knew nothing of what she’d seen in Mum. And then I thought, perhaps as we were such dissimilar daughters to her, Mum became a different mother to each of us? Hence the completely opposite funeral to the one I would have arranged for her.

Is that the answer? A funeral is a public service. Are they all edited, eased into the acceptable, the correct way to be presented for public consumption? Because it reflects on those left behind? I don’t know.

Perhaps, unless we’ve had the foresight to set out the plan for our own funerals, this will  always be the case.

So I’d like it on record that, at my funeral,  I’d like Unforgettable by Nat King Cole (modest as always!), a reading of Jenny Joseph’s When I Am Old (yes, I do know it’s been performed to death but won’t that be appropriate?). I’d like anybody who wants to say anything…yes anything…about me to be able to…as long as it’s true, of course! And then I’d like the curtains closed on me to Swan Lake’Dance of the Little Swans. (Because this was the first record bought for me by my favourite aunt when I was ten. And because, although as a child I dreamt of being a ballet dancer, the actual size and shape of me has since prevented it.)

Thank you for reading this. I do hope I haven’t offended (or, even worse, bored) anyone. I was tempted to put this under the category ‘Fantasy’ but thought better of it!

And, today, I’ve also had thoughts of my grandad. Like do many young men he served in WW1

This is a post from quite a while ago, as well. Today was the day my grandad died. I never really knew him. He was always in bed in the front room of my grandmother’s house and had no patience for a small child. But I do remember that day: my mother crying, the fear of not knowing why, what had happened. Of not knowing what to do.

And I have only one small black and white photograph of him on my study wall. He’s standing in the backyard of the terraced house they lived in in Oldham. Lancashire. This is a poem I wrote about him a long time ago. My mother once told me that he was gassed in WW1 and never recovered.

My Grandad

I look at the photograph.

He smiles,and silently

he tells me

his story…

In my backyard I stand,

Hands wrapped around a mug of tea.

Shirt sleeves, rolled back,

Reveal tattoos – slack muscles.

I grin.

All teeth.

Who cares that they’re more black

Than white.

Underneath

That’s my life.

That’s the grin I learned

When burned

By poison

Spreading

Like wild garlic.

That’s the grin I wear

When I look

But don’t see

The dark oil glistening,

Blistering, inside me.

When I hear, but don’t listen

To my lungs closing.

I posture,

Braces fastened for the photo,

Chest puffed out.

Nothing touches me –

Now.

Later I cough my guts up –

Chuck up.

I trod on corpses: dead horses,

Blown up in a field

Where grass had yielded

To strong yellow nashers.

And in the pastures

I shat myself.

But smelled no worse

Than my mate, Henry, next to me

Whose head grinned down from the parapet –

Ten yards away.

He has perfect, white teeth.

Much good they’ve done him,

Except for that last night at home

When the girl smiled back.

It feels right that I post the images below – if it wasn’t for my mother and grandad, I probably wouldn’t have had the inspiration to write these books.

A Wonderful Review from LoveReading for my next book, published by Honno

Grateful for this review from https://www.lovereading.co.uk/

“This gripping story of harrowing behind-closed-doors coercion has tremendous emotional pull.”

LoveReading Says

Domestic thriller fiction at its most heart-wrenching, Judith Barrow’s The Stranger in My House is also utterly un-put-down-able — readers will be desperate for a family broken by cruel coercive control to be reunited.

The novel opens in 1967 when twins Charlie and Chloe are introduced to their “new mummy” Lynne while they’re still bereft at losing their mother to cancer. Early on, Lynne’s behaviour causes alarms bells to ring for the twins — and readers — which only adds to the mounting tension and fear of where things are going, with their father, Graham, vulnerable to emotional manipulation, rendered powerless to do anything to stop his life from careering out of control, which it does at alarming speed.

Before Graham can catch his breath, he’s lost everything, as have his children, who are separated from their father and each other, while Lynne and her bully of a son continue their campaign of cruelty.

Years later, the twins are living separate lives in different parts of the country, both scarred but their hearts lifted by kind souls. And then comes a race-against-time to find each other and save their dad.

Though weighty and harrowing in subject, The Stranger in My House is grippingly easy-to-read in delivery, which makes it a powerful page-turner that will have fans of family drama thrillers reading long after they’d planned to turn out the lights.

Joanne Owen

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Honno’s Story

Honno is an independent co-operative press run by women and committed to bringing you the best in Welsh women’s writing.

It was established in 1986 by a determined group of volunteers who wanted to increase the opportunities for Welsh women in publishing and bring Welsh women’s literature to a wider public. They asked the people of Wales to show their support for the new enterprise by becoming shareholders in the cooperative and in the first six months more than 400 people bought shares. Honno continues to be supported by hundreds of individual shareholders who believe in its work.

​True to its roots the press still only publishes work by women of Wales. Most of Honno’s titles are novels, autobiographies and short story anthologies in English as well as Classics in both Welsh and English. We have in the past also published poetry, children’s and teenage titles and books in both Welsh and English.

Over the years the Press and its titles have been awarded many prizes.

​It is guided by the Honno Committee of volunteers who set the strategic direction of the Press, decide the publishing programme and manage the office and staff. The Honno office is located in the mid-Wales coastal town of Aberystwyth.

​Honno receives financial support from the Books Council for Wales.

The Stranger in my Home #BookLaunch #NationalWritersDay @Gwyl Lyfrau Aberaeron Book Festival #Books #Talks #Interviews #Workshop #CharacterWorkshop #SoYouWanttoWrite

National Day on Writing is celebrated every October 20. It’s a day dedicated to acknowledging the significance of writing as both a crucial skill and a form of art. This special day encourages everyone to appreciate and engage in writing activities.

So, I will be holding a workshop on forming characters at the Gwyl Lyfrau Aberaeron Book Festival. Booking available here: https://tinyurl.com/383zymrz

And the Festival Programme 2024 here:https://tinyurl.com/4jdcjntt

And, courtesy of the organisers of the book festival : https://www.gwisgobookworm.co.uk/ I’ll also be launching my latest book, The Stranger in my House, which is published bu Honno: https://www.honno.co.uk/

A gripping ‘cuckoo in the nest’ domestic thriller

After the death of their mum, twins Chloe and Charlie are shocked when their dad introduces Lynne as their ‘new mummy’. Lynne, a district nurse, is trusted in the community, but the twins can see her kind smile doesn’t meet her eyes. In the months that follow they suffer the torment Lynne brings to their house as she stops at nothing in her need to be in control.

Betrayed, separated and alone, the twins struggle to build new lives as adults, but will they find happiness or repeat past mistakes? Will they discover Lynne’s secret plans for their father? Will they find each other in time?

The Stranger in My House is a gripping ‘cuckoo in the nest’ domestic thriller, exploring how coercive control can tear a family apart. Set in Yorkshire and Cardiff, from the 60s to the winter of discontent, The Stranger in My House dramatises both the cruelty and the love families hide behind closed doors.

“Judith Barrow’s greatest strength is her understanding of her characters and the times in which they live.” Terry Tyler

The Dilemma of Promoting my Books #MondayBlog #books #readers #promoting #socialmedia

Promoting my books has always been something of a dilemma with me. Going to book fairs, giving talks, book signings, not so much; I always assume people are there because they want to be. They want to chat, to look at my books, to discuss the way I write – sometimes they way they write. It’s fun, I love meeting people. I love talking about my books, why I wrote them, how I came up with ideas, what they mean to me. The reviews readers have given them. I’m always grateful.

But how to talk about my books with people I just have met, casual acquaintances- even perfect strangers? It’s not something I do. It even makes me uncomfortable if I’m in the company of someone who does this, especially in public places, spaces that have nothing whatsoever to do with books, reading or writing. Although I admire that writer’s ability to pluck the subject of their work out of the air and present it to someone they have just met, or engineered a meeting, it’s not something I could do. After all, would I want anyone to feel cornered into buying a book, to be pressurised? Well, no, I wouldn’t. I’ve seen it happen, I’ve seen the reactions of the ‘cornered one’.

It’s a fine line in talking to a potential reader, to presenting my books to someone who might not be interested at all – who escapes with relief, albeit having had to buy a book!. Embarrassing!!

Social media, I know, is different in that there is no real life face to face appearance – it’s one step away. Even so, having followed many writers of all genres on the various platforms, I’ve seen those who singlemindedly try to sell their work, and those who use social media in it’s true sense (as a friend once said to me ” the clue is in the word ” social”). And there are those wonderful people who, so generously share the work, the promotions, the blogs and reviews of others. I’m grateful to those I have ‘met’ and become friends with in real life, as well as on social media.

And there’s another predicament for me when it comes to promoting my books – which platform am I most comfortable with. Which platform can I share general news and chat with, as well as publicity for my work … and which not.

Lately I decided to delete my Twiiter/X account. When the name changed I wondered why it had, what would be the difference, how would this formerly named Twitter be used. I have/had many friends who used and still use this platform in the way I did – to chat about life in general, to talk about books, reading, and writing.

But, gradually I saw something change on the feeds I received on Twitter/X. I’m not talking about all the “retired Generals/ Government Officials/ Admirers of our profiles etc. Bots, eager to get to ‘know’ us, that anyone on this platform (and other platforms, of course) receive. I mean the constant barrage of race/gender/political hatred, that was suddenly there. People, real people, eager for (bullying) us to join in, to follow whatever drum they are so fanatical about. For me (and I stress this is only me), it all got too much. I retreated – with a sigh of relief.

In a way it’s made me sad. Through the years I built up a moderate number of followers on Twitter; people I followed, who shared my passion for writing, for books; a lovely community. But the insiduous invasion of nastiness became something that affected me, my moods, my emotions. Perhaps I need a thicker skin? I was told by some of my real friends to ignore the constant chatter of predudice. But I couldn’t, and disn’t want to. It was too much. Circumventing these things in real life can be difficult enough, why did I need to be confronted with it on the screen? The screen where I write stories that I enjoy writing, where I chat and share emails, enjoy other social media platforms? So I made the decision and left Twitter/X.

I’m hoping by joining Instagram/Threads, and continuing on other platforms I will, eventually, connect again with the writers I got to know over many years. But, for my own peace of mind, it will never again be through Twittter/X.

Because I write about family dramas, family situations, I’ve always been aware of the relationships between people, between family members: the love, the loyalty, the friendship, the instinctive support. But also, I’m aware of and write about the dislike, the jealousy, the rivalry, the misunderstandings, the battle for control.

I don’t need it in the surreal world as well.

And so, a footnote: I’m not going to try to promote my books here. But … I do have links!! If you care to look for them…

Just a plug for my publisher: https://www.honno.co.uk/

Looking Back over my Writing Years – Is it Safe to Smile Now? #memories #writing #agents #publishing #MondayBlogs @Honno

Me in a thoughtful mood.

I thought I would revisit a time of my life when I despaired of ever being in print. It cheers me up as I agonise over yesterday’s efforts, altering and editing before I can even start with today’s writing and the realisation that one of my lovely characters has a cob on and won’t do as I want her to do. I’ve spent hours trying to persuade her, putting her in different scenarios, story lines. But no, she’s adamant – she wouldn’t act in that way,

So I’ve gone back to the heady day when I found an agent. And I kept a diary.


Sometime… a long time ago
.

It’s been a fortnight since I met with my agent (get me! – and it was in London and she treated me to a meal in a posh restaurant). Carried away with her enthusiasm for my writing, her promises to make me into a ‘brand name’ and her assurance that she had many contacts in the publishing world that would ‘snap her hand off for my novel’, I signed on the dotted line.


Today she telephones, summarily dismissing an offer. ‘We can do better than this.’


What? What’s better than getting this novel published? Than seeing, holding, a book in my hand that I’ve actually written? I get an offer, perfectly acceptable to me, but according to this agent, it’s not enough. ‘We’ll try other publishers, bigger publishers,’ she says
.

Image courtesy of Pixabay

I’m worried. But she knows the business.

Doesn’t she?

Still a long time ago … It’s been six months of waiting.

So far, four rejections from publishers. Couched, mind you, in encouraging remarks:


“Believable characters … strong and powerful writing … gripping story … Judith has an exciting flair for plot … evocative descriptions.”

And then the death knell on my hopes:

Image courtesy of Pixabay

‘Unfortunately … our lists are full … we’ve just accepted a similar book … we are only a small publishers … (what? The agent rejects one small independant publishers who I really liked the sound of, but then sends the manuscript to another?) …’I’m sure you’ll find a platform for Judith’s work …’

Yes, yes, we did, we did find ‘a platform’, as they put it. Or rather I did. I found a publisher: I liked their ethos, the way they presented and supported their authors – a feminist press, for goodness sake; one right up my street.

The self-doubt, the frustration, floods back. I’m never going to get the book published.
 
Still a long time ago: Another three months later.

I’ve had a call from the agent; ‘I think it’s time to re-evaluate the comments we’ve had so far,’ she says. ‘Parts of the storyline need tweaking. I’ve negotiated a deal with a commercial editor for you. It’s a realistic charge by today’s standards,’ she says. ’Think about it,’ she says. ‘In the end we’ll have a book that will take you to the top of your field.’

I think about it. Reject the idea. Listen to advice from my various acquaintances. Think about it again.

And think about it some more.

And then I ring the agent. ‘Okay,’ I say, ‘I’ll do it. I’ll pay’

I have no choice; after all she’s the expert. What do I know?

Still sometime … a long time ago (I have to keep saying “a long time ago”. just in case you think I’m still as gullible as I was then).

Another six months gone. The first commercial editor (the best, apparently) has succumbed to maternity leave. The one who was finally chosen by my agent (the second best?) has had my script all this time. I’ve already paid her.

You’re now wondering what kind of credulous idiot is this, yes? Well, let me say here that this latest saga (an apt word as my first book is actually a saga!) has been going on for over eighteen months and I’m desperate.

All creativity has gone. I can’t write anything but emails – and believe me, there are plenty on this subject. The commercial editor’s reasons (excuses) for the delay are numerous: an urgent journey to Europe to do research for a project, a family crisis (alright, I’ll believe that one) she’s ghost writing a celebrity’s autobiography (how can it be an autobiography if someone else is writing it? That always puzzles me. Surely then, it’s a biography?) Okay, okay, bitterness is creeping in.

We were supposed to be having a meeting to discuss the way forward with my book. It didn’t happen.

Now a friend, a successful and published author herself, is concerned I’m being conned. So am I! I feel foolish but say surely it’s only a few things that need tweaking.

It’s back!

I read it in disbelief; if I follow all the ‘suggestions’ it will change from being a saga into romantic fiction. Okay, I like a bit romance; don’t we all? The book does have some romance threaded throughout, but it also crosses other genres: history, crime, domestic thriller.

I ring my agent,

‘Yes,’ she says, ‘it is a little more drastic than I expected but go with it.’

I tried- really I did. For two months I worked. With less and less interest. In the end I stopped. I didn’t recognise my story; I had no empathy with the characters. It wasn’t my book any-more.

So…

I made a decision, one of the biggest I’ve ever made. I sent a letter terminating our contract. Despite persuasive tactics from her I don’t waiver.

In trepidation I start again; I contact the publisher I first found, submit my manuscript. And wait

They will meet with me. No promises…

 Pattern of Shadows, the first book of my Haworth trilogy published by Honno finally made the shelves.

This is my favourite review of all time for the trilogy: Mary’s story: WWII in Howarth family generational saga: “Every now and then, I come across books so beautifully written that their characters follow me around, demanding I understand their lives, their mistakes, their loves, and in this case, their families. Taken together, the Howarth Family stories are an achievement worth every one of the five stars I’d give them.”

Sixteen years late I’m still with Honno.

And, in November, Honno will be publishing my eighth book with them. Cover reveal on the 30th July… so tomorrow!! Hooray!!!

The Stranger in My House.


A gripping ‘cuckoo in the nest’ domestic thriller

After the death of their mum, twins Chloe and Charlie are shocked when their dad introduces Lynne as their ‘new mummy’. Lynne, a district nurse, is trusted in the community, but the twins can see her kind smile doesn’t meet her eyes. In the months that follow they suffer the torment Lynne brings to their house as she stops at nothing in her need to be in control.

Betrayed, separated and alone, the twins struggle to build new lives as adults, but will they find happiness or repeat past mistakes? Will they discover Lynne’s secret plans for their father? Will they find each other in time?

The Stranger in My House is a gripping ‘cuckoo in the nest’ domestic thriller, exploring how coercive control can tear a family apart. Set in Yorkshire and Cardiff, from the 60s to the winter of discontent, The Stranger in My House dramatises both the cruelty and the love families hide behind closed doors.

“Judith Barrow’s greatest strength is her understanding of her characters and the time.” TerryTyler

Memories Make the Story #MondayBlogs #Memories #families #sisters #secrets

Many people have asked me what was the inspiration for The Memory and my answer is always – memories: memories of being a carer for two of my aunts who lived with us, memories of losing a friend in my childhood; a friend who, although at the time I didn’t realise, was a Downs’ Syndrome child. But why I started to write the story; a story so different from my other four books, I can’t remember. Because it was something I’d begun years ago and was based around the journal I’d kept during that decade of looking after my relatives.

But what did begin to evolve when I settled down to writing The Memory was the realisation of why I’d been so reluctant to delve too far into my memories. The isolation, the loneliness, that Irene Hargreaves, the protagonist, endures; despite being married to Sam, her loving husband, dragged up my own feelings of being alone so much as a child. That awareness of always being on the outside; looking in on other families, relationships and friendships had followed me; had hidden deep inside my subconscious. And now, as content with my life as I am, it unsettled me.

Many people, and as an occasional creative writing tutor I’m one, say that writing is cathartic. Working through Irene’s memories; especially that one memory that has ruled her life, made me acknowledge my own. And that’s fine. I always say to my students, if you don’t feel the emotions as you write, then neither will your reader.

In The Memory I’m hoping the reader will sense the poignant, sad times with Irene, but will also rejoice with her in the happier memories.

Over the last few years I’ve moved from writing the historical family sagas of Haworth trilogy, that moves through the decades from 1914 – 1968, and The Heartstone, set during WW1, to contemporary fiction such as The Memory (which was shortlisted for the Wales Book of the Year 2021 The Rhys Davies Trust Award) and domestic thrillers, such as Sisters.

My next book, due to be published in November 2024 is The Stranger in My House:

“A gripping ‘cuckoo in the nest’ domestic thriller.”

After the death of their mum, twins Chloe and Charlie are shocked when their dad introduces Lynne as their ‘new mummy’. Lynne, a district nurse, is trusted in the community, but the twins can see her kind smile doesn’t meet her eyes. In the months that follow they suffer the torment Lynne brings to their house as she stops at nothing in her need to be in control.

Betrayed, separated and alone, the twins struggle to build new lives as adults, but will they find happiness or repeat past mistakes? Will they discover Lynne’s secret plans for their father? Will they find each other in time?

The Stranger in My House is a gripping ‘cuckoo in the nest’ domestic thriller, exploring how coercive control can tear a family apart. Set in Yorkshire and Cardiff, from the 60s to the winter of discontent, The Stranger in My House dramatises both the cruelty and the love families hide behind closed doors.

Sisters

The Memory

The Heart Stone

Discover the Haworth trilogy

Prequel to the Haworth trilogy

https://tinyurl.com/3m5xhnsu

Where We Walked #Llyn Crafnant and LlynGeirionydd #Wales #walks #climbs #photographs #stiles #humour #holidays #Sisters #books #readers @honno

Llyn Crafnant and LlynGeirionydd are separated by the forested slopes of Mynydd Deulyn (Mountain of the Two Lakes) and lie within wonderfully scenic valleys where the Gwydyr forest meets the lower slopes of the Carneddau mountains in Conwy.”The lakes are about a mile apart,” said the photographer casually. “The walk’s about five miles.” What actually happened was that we took the circular route which covers a distance of eight miles and involved some steep climbing.

But, at this point I have to say that wasn’t his fault. We ended up – or should I say – started off walking in the opposite way to the route in the book, having parked in the car park near LlynGeirionydd, instead of the one near Llyn Crafnant.

This was due to the fact that, at one point, the SatNav took us in the wrong direction. It’s always the SatNavs fault, you know; we once got stuck on a very narrow dirt farm track faced with a sign that joyfully said in large red writing, ” Use your eyes, the SatNav lies”. I think I might have said that before, it’s something I bear in mind when sitting by a certain irate driver having to turn back on a journey.

Anyway, I thought, it’ll be alright; we’ll just read the directions backwards.

I waited on the edge of the grass while the photographer took his first photo of Llyn Geirionydd.

Gwydir Forest is named after the Gwydir River, which takes its name from the ancient Gwydir Estate, established by the John Wynn family of Gwydir Castle, who owned this area (Gwydir is translated as River with Red Banks) The land here was once dominated by lead and zinc mines. Some of the mines have been partially restored and made safe for visitors, but we didn’t visit; our sights were set on getting to Llyn Crafnant Though we did pass an old restored engine-house, and also the waste tips, now left to be naturally covered over.

The First World War had highlighted a shortage in wood production and the forest was stripped bare at the time because many of the early forestry workers, former employees in the forest’s mines, had no experience of forestry. This caused the 1919 Forestry Act to be passed and Gwydir Forest was acquired from Lord Ancaster by the Forestry Commission in 1921.

Most of the original plantations have now been felled and replanted as part of the forestry cycle. We passed quite a few places where this was happening.

The majority of the forest is conifer such as Japanese larch, Norway spruce and Scots pine but apparently, over the last two decades there has been more Welsh Oak, ash and beech planted to give a more varied and softer outline to the forest

“When we get to the top of this track, there’s a little bit of a short climb and the track narrows a bit,” said the Photographer over his shoulder as I puffed and panted behind him. ” Don’t worry, it’ll be so worth it for the view.’

The track did narrow a bit indeed. As the directions said, ‘…into a steep narrow footpath, less than forty centimetres wide (that’s about sixteen inches in old money) in some places, on an unmade and uneven surface, where you can expect mud, rocks and tree roots.‘. The embarrassing thing is, just as I was wobbling leaping gazelle-like from rock to another a young couple (stressing young here!) ran past… with a dog … very quickly. And they even had the breath to wish us a cheerful “good morning.”

Every now and then we caught glimpses of the view. Went past a stile. Down a wider path. Through a gate. Saw the obligatory cow. And then…

The Photographer got his first proper shot of Llyn Crafnant on the northern edge of the Gwydir Forest.

And then lots more. It really is a glorious place

One last look and we walked away from Llyn Crafnant …

Following the arrows we crossed over the road into a small wooded area. And there the arrows stopped. We looked around: there was a stile in the far corner, but it was broken, covered in brambles and branches and looked unused. On the other side of the clearing there was a broad track. After some discussion we chose the track. (later realising we should have tackled the stile).

After an hour of walking up the never-ending road we stopped for breath, and for the Photographer to revell in the scenery and take many photos of the craggy slopes of Mynydd Deulyn.

And for me to have a rest. It wasn’t until we got back to the car that I realised I had somehow managed to take the attractive shot below whilst I was rummaging in my rucksack for the fourth, and last, bottle of water. Naming no names, but someone dared me to include this in the post – and I’m never one to pass on a dare. Which is probably the reason I find myself on these hikes walks.

Another hour of uphill, round a bend, and the road began to descend, until we were …

Back to the start…

I’m often asked what do I think about when I’m walking and with not enough breath to talk. I must say not having enough breath to talk isn’t something that often happens to me. But usually I’m taking in what’s all around us. We walk in so many diifferent kinds of places, so I just soak up the sights and the sounds whether in the country or in more urban areas.

But there are times when I’m thinking how to describe what I’m seeing, wondering if it will fit into a scene in the book I’m currently working on – or intend to work on. Sometimes it will, sometimes it won’t. It’s usually the latter, but that’s okay. And if I can keep it in mind for when we next stop for the Photographer to capture the scenary, I’ll make notes.

And there have been occasions when I can use those notes. One day we were nearing the end of our walk at Llyn y Fan Fach and Llyn y Fan Fawr near Llanddeusant in Carmarthenshire, Wales. It had been long, so the sun was low in the sky and it felt quite erie as we took a last look out over the water.

And I remembered that moment, that feeling of almost sinister atmosphere when I wrote one of the scenes in Sisters.

“‘Whoops! Watch your step, Miss Clumsy.’ Said in a jokey manner, it still manages to imply the familiar censure. ‘If it wasn’t for me always looking out for you, I don’t know what you’d do.’ He laughs. ‘Probably kill yourself, one of these days.’ He pulls her close, turns her so they are facing the lake, standing on the edge of the steep banking.
The sun is sinking lower in the sky, the black shadows of the trees lengthen, their reflection stretch and waver over the lake, the water rendered blood-red.

Book Description:

An accident and a terrible lie by sixteen-year-old Angie tears her family apart and her younger sister, Lisa, being sent away. They don’t speak for thirteen years, until their mother’s death brings them together. Lisa quickly realises her sister is trapped in a dangerous marriage.

What does Lisa owe to the family that betrayed her? And if she tries to help, will she make things more dangerous for them all?

A powerful story of domestic violence, courage and forgiveness.

Published by Honno Press (26 Jan. 2023)

A Home is a Safe Haven … or Should Be #Promotion #Families #Sisters

A home is a safe haven, a place we live with our families. A place to build memories as well as a basis to build a future. A place where we can just be ourselves.

But what if it’s not?

What happens when there is a family disaster and one member of that family is seen to be at fault? Tension inevitably builds, judgements are made. Whether it’s a total catastrophe or an avoidable misfortune, ifthe finger is pointed, estrangement can follow.

Some of these rifts develop over long periods of time, following a series of mistakes and carelessness, whilst others are brought about by a sudden, unexpected tragedy. Often, when it’s the latter, when it’s something so dreadful, so unforgivable, that the hurt within the family is too great, there seems to be no choice but to expel that member off, to disown them. They are denied a voice, become vilified.The estrangement widens and over the years layers of resentful memories build up.

The misery is more palpable when the alienation is between children. Sibling relationships can be one of the most enduring connections we have in our lives. Usually they are the first people we bond with, after our parents. When that bond is forcibly broken it can lead to unimagineable heartbreak.

Families can be complicated. That’s an obvious statement. And where there are families, there are quarrels, and there are often estrangements. And there are stories. And these are the stories that are threaded through all my books.

None more so than in Sisters, a story built around one of the most devastating tragedies a family can endure.

Sisters is on promotion at 99p ” A moving study of the deep feelings – jealousy, love, anger, and revenge – that can break a family apart”

Readers have asked what was the inspiration for Sisters. I can only answer that it was an incident that I witnessed as a child. An event that tore in two a family that lived nearby. It’s something I’ve never forgotten.

I’ve had some wonderful reviews for Sisters. This is one of my favourite

Review: http://tinyurl.com/3yjkz7ku

I’m going to borrow some words I used when I reviewed The Memory – “absolutely compelling, a story superbly told, and an entirely unforgettable emotional experience”. I used the word “stunning” a few times too – and although this is a very different book, the words seem equally appropriate. With this book, the author has produced another that packs a considerable emotional punch, coupled with an original story that had me pinned to the seat as I read it from cover to cover in one sitting.

A short prologue hints at what is to come, but the book opens in 1970 – with a family who will be torn apart by a tragic accident, where the blame settles with young Mandy, and its consequences are devastating. Sent to live with her uncle and aunt in Wales, they uncover the truth about what happened – that she was unable to share with her parents – and show her the love she needs to move on, to build a new life as Lisa, and to rebuild her relationship with her mother. Meanwhile her older sister Angie, wracked with guilt after setting up an alibi to escape any consequences for her own actions, flees her home and her life follows a difficult path that will prove hard to escape. The narrative resumes in 1983 – when Lisa returns for her mother’s funeral, she finds that her estranged sister’s earlier actions and later life choices have trapped her in a marriage fraught with abuse, both physical and emotional, with no means of escape. Angie’s husband has an agenda all of his own – and, along with a friend from their shared past, the sisters need to work together to bring down a man capable of appalling acts and cruelty who has become a most unlikely pillar of the community.

My goodness, the author’s telling is so much better than that – but this book is far more than its story. Mandy’s voice – that of a confused child, torn between her own grief, her sense of right and wrong, and her love for her family – tears at your heart. We hear Angie’s voice too – the way she deals with her own guilt and justifies her actions – and any sympathy is, at first, difficult to find. The father who rejects his own child, and the mother who condones it – that’s even more complex. But when Mandy – now Lisa – achieves some redemption, we see Angie’s life heading in a different direction. And while there might be some possibility that she reaps what she deserves, the reader’s compassion builds when we see what a mess she’s made of her life. Her husband is the truly evil one, who will stop at nothing to get what he wants – but the strength of character that Lisa has developed, and that really emerges through the writing, means that there might just be some possibility of him being stopped in his tracks.

And I’m back telling the story again – and I really don’t mean to. The character development is tremendously strong – but so is the story’s backdrop, the community that closed ranks against a small child bullied mercilessly and driven from her home, and the differences once thirteen years have passed. And there are the small background details that capture the context and era for both the past and present story – so subtle you barely notice, and really cleverly done. But the most unforgettable thing about this book is the way it makes you feel, by skilfully telling a story that can’t fail to engage the full range of your emotions. And it never feels like manipulation – these are real people who you grow to care deeply for through the course of their experiences. The book’s conclusion is satisfying in every possible way – and this is the point when I really won’t tell you the story, because that would be entirely unforgivable.

A family drama, perhaps a thriller in parts – perfectly structured and beautifully written, tender and gritty, this is a book that defies placing within one genre, and is all the better for it. All I can say is that I entirely loved it – one of my books of the year, and I couldn’t recommend it more highly.

Sample:

Part Four June 1981

Chapter Forty-Three

I’m holding the rail at the top of the steps of the bus and peering through the window. It doesn’t help that it’s dirty and smeared with rain. But I can see Micklethwaite is run-down. Shabby.

Though the doors squeal open I can’t make my legs move. I don’t look at him, but I can sense the driver’s impatience and curiosity, and worry for a moment that he’s recognised me. He’s older, but I know he’s the man who used to be the school caretaker. Can’t remember his name but I wait for him to speak. The old familiar fear prickles my skin, I gulp against the sudden tears thick in my throat.

But all he says is, ’On or off, miss?’

I don’t look round at him when I go down the steps clutching my only luggage, my small, blue suitcase. I’m not intending to stay in Micklethwaite long. Standing on the edge of the flagged square, I look around at what used to be the new shops and flats. It’s depressing, exactly as Mum described it last time she was in Ponthallen. She’d said it had deteriorated beyond recognition and she was right. Most of the shop fronts are boarded up, the windows of the flats above covered in yellowed net curtains or wrecked blinds hanging lopsided. Empty crisp packets and torn greasy chip cartons wrap themselves around the iron railings once fixed to protect the young saplings, now fragmented twigs.

Except for a group of hooded youths slouched in front of an off-licence, the windows plastered in red and orange posters to entice customers in with offers of knocked down beer and wine prices, there’s no one around. What had been there before?

I can’t remember. Then it comes to me; it was the hairdressers, Mavis’s Waves and Curls. Mum used to come out of there once a month with the same tight perm that all the other women had. And each time, red-faced with an embedded line from a hairnet across her forehead, Mum swore she’d find a different hairdresser. Each time it had taken until the evening for that line to fade.

 Angie and I used to tease Mum about it.

The thought makes me feel wretched, broken. Broken was how I felt the last time I was in Micklethwaite, carrying a burden that would be with me all my life. I didn’t think of it in that way then; after all I was just a kid. But I do know no one wanted me here at the time. The sideways glances of hatred and recrimination drove away that feeling of belonging. It’s odd; I haven’t thought of it as home for a long time. I belong in Ponthallen now.

And as for Angie ‒ Angela, I’m not sure how I’ll feel when I see her. It’ll be the first time in over eleven years. The first time I’ll speak to her after my life altered completely because of her.

Links:

Amazon UK: http://tinyurl.com/2r2bu3z4

Amazon.com: http://tinyurl.com/7cw4ss8b

Amazon.com aus: http://tinyurl.com/4rh35v6d

Social Media links:

https://judithbarrowblog.com/


https://twitter.com/judithbarrow77


https://www.facebook.com/judith.barrow.3


https://www.honno.co.uk/authors/judith-barrow

https://www.bookbub.com/profile/judith-barrow

And so, with Changing Patterns the Story of the Haworth Trilogy continues: Sequel to Pattern of Shadows and the book before Living in the Shadows. #Excerpt #weekendRead #Promotion #Novelines #Honno

Although all three of the books in the Haworth trilogy are based on the same family, they are also stand alone. And yet, to be completely honest, I do need to add this from one of the reviewers…

“This is the part where I’m supposed to tell you that each of these wonderful books can be read alone. But no, don’t do that. In fact, if you haven’t read any of them, you’re luckier than I am, because you can start with the prequel and read in chronological order. I chose to review these books as a set, and I believe that’s how they should be read.
Every now and then, I come across books so beautifully written that their characters follow me around, demanding I understand their lives, their mistakes, their loves, and in this case, their families. Taken together, the Howarth Family stories are an achievement worth every one of the five stars I’d give them.

Changing Patterns – a bargain!

Book Description:

May 1950, Britain is struggling with the hardships of rationing and the aftermath of the Second World War. Peter Schormann, a German ex-prisoner of war, has left his home country to be with Mary Howarth, matron of a small hospital in Wales. The two met when Mary was a nurse at the POW camp hospital. They intend to marry, but the memory of Frank Shuttleworth, an ex-boyfriend of Mary’s, continues to haunt them and there are many obstacles in the way of their happiness, not the least of which is Mary’s troubled family.
When tragedy strikes, Mary hopes it will unite her siblings, but it is only when a child disappears that the whole family pulls together to save one of their own from a common enemy
.

Excerpt:

16th June 1950

Sometimes Mary couldn’t believe he was there. Sleepless, she would reach out and touch Peter just to reassure herself that after five years apart they were together again. He’d given up a lot to be with her.

‘You are happy?’ He slung his arm around her shoulder and pulled her closer.

The breeze ruffled their hair. The tide was on the turn and Mary watched the waves collide and dissolve. High above, gulls hung motionless their cries lost in the air currents

‘Mm.’ Mary rested against him. The smell of the mown lawn on his skin mingled with the salty tang of spray blown off the sea and the faint smell of pipe tobacco. ‘You?’

‘Of course.’

She turned her head to look at him, brushed a few blades of grass from his cheek. In the four months since he’d found her he’d lost the gaunt pallor, the weariness, and gained a quiet contentment.

‘It is good, the two of us sitting here, alone,’ he said.

‘Tom won’t be long though, he’ll be back from Gwyneth’s soon; he said he was only just digging her vegetable plot over for planting tomorrow.’

‘I do not mean Tom. He is family.’

Mary allowed a beat to pass. ‘I know you didn’t, love. And I know what you really mean. But it’s not our problem. If people don’t like our being together that’s their lookout.’ She kissed him. His mouth was warm.

Smiling she drew back. ‘Tom?’ she murmured, her voice rueful.

They sat peacefully on the doorstep of the cottage, each savouring the other’s closeness.

Gradually the sun disappeared behind the cliffs. The trees became shifting silhouettes and the wind slapped the surface of the sea into rolling metallic arcs and carried the spray towards the cottage. Mary licked her lips, tasted the salt

‘It’s getting chilly.’ She shivered.

Peter stood, reached down and lifted her to her feet, holding her to him. ‘Ich liebe dich, my Mary.’

‘And I love you.’

A few moments passed before she forced herself to stand back and, giving him a quick kiss, take in a long breath. ‘Now,’ she said, ‘I’m late sorting tea out. If you put those things away, I’ll go and give that batter a whisk. I’m making Spam fritters to go with that mash from last night.’

She stood on the top step watching him walk down the gravel path to where he’d left the lawnmower and then glanced towards the cottage next door. Although it was only just dusk the window in Gwyneth Griffith’s parlour suddenly lit up and the oblong pattern spilled across the garden. Tom emerged out of the shadows swinging a spade in his hand and turned onto the lane. Mary waved to him and he waggled the spade in acknowledgement. ‘Tom’s coming now,’ she called out to Peter. ‘I’ll stick the kettle on. He’ll want a brew before he eats.

The van came from nowhere, a flash of white. Mary saw it veer to the right towards Tom. Hurtling close to the side of the lane it drove along the grass verge, smashing against the overhanging branches of the blackthorn. Caught in the beam of the headlights her brother had no time and nowhere to go. Frozen, Mary watched as he was flung into the air, heard the squeal of the engine and the heavy thud of his body on the bonnet of the van. The spade clattered along the tarmac. Peter threw open the gate and was running before she could move.

‘Tom,’ she heard him yell. Somewhere, someone was screaming. She was screaming.

Links to buy:

Amazon.co.uk: https://tinyurl.com/4wj2jedc

Amazon.com: https://tinyurl.com/nj87jz6k

Libraries are Important. #Readers #Books #Libraries #Librarians #Pembrokeshire #Wales

Image courtesy of Pixabay

When I was a child my mother took me every Saturday to the small library in our village. I was allowed six books – usually all read by the Wednesday (I was one of those kids who read by torchlight under the bedclothes – and got away with it for years!) I would then wait, not always patiently, until the weekend, when we would go again. I think it was a great relief to both my mother and myself when I was at last allowed to walk to the library by myself.

By the way… In the very olden days libraries were named from the Latin “liber”, meaning “book.” In Greek and the Romance languages, the corresponding term is “bibliotheca”. Or, if you want to go with the medieval version “Calque of Old English bōchord (‘library, collection of books’), equivalent to book +‎ hoard.”

Just thought you might want to know that.

Anyway, when I was a child – libraries were just… libraries. The place one went to to borrow books. For free!!

Image courtesy of Pixabay

Today, libraries are still one of the few free services left. Libraries are used for many different reasons; they contain not only books. magazines, newspapers, manuscripts, but also CDs, DVDs, e-books, audiobooks etc. They connect us to information. And, important in these days, they are also community hubs where authors (if they’re lucky) can go to give talks, hold workshops. It’s where people can connect with other people. They are safe havens.

Reading for pleasure, is one of the most important things one can do, so what we need to make sure of is that future generations have the opportunity to do just that. Books represent the chance for us not only to enjoy the work of so many brilliant writers, but to also to grow, to change, to see life from other points of view. We will only ever see life through our own perspective … unless we read.

In our area, the Pembrokeshire County Council has approved its budget for 2023-24. We will have a Council Tax rise of 7.5%. It would be wonderful if the value of libraries and librarians were understood; if those in authority – those with access to their council budgets – acknowledged this importance for every generation. If enough funding were to ploughed into libraries to preserve them.

Image courtesy of Pixabay

Each month on the Libraries Wales website, they focus on introducing an author based in or writing about Wales. I am thrilled to be the author for April 2023. And I am more than happy, alongside other friends who are also writers, to talk about the value of books and the enjoyment of reading. Just give us the chance!!

One of the highlights of my time so far on www.showboat.tv – my interview with Debby Campbell, daughter of Glen Campbell. #Interview #starstruckwho me? #songs #books #TuesdayBookBlog

Interviewing Debby, who is one of the easiest people to talk to, despite her and her father’s fame. She is so open, so honest, so interesting. And it was fascinating to delve into the reasons she wrote her book.

Over the last few years, I have interviewed many authors and writers of various genres. It’s fun, something I enjoy. Pre-pandemic it was in the studios, but since it’s been through zoom which means it’s easier to chat with anyone from all over the world.

The great thing about www.showboat.tv is that, unlike many other online interviews, these chats are edited. So any waffling (usually on my part), any stumbling or stuttering, or, as they say “Up North” any faffing about, is never seen by the audience.

And the other, brilliant part of the whole process, is that it brings the authors and their books, to the attention of readers and viewers all across the world.

What more could a writer ask? My future posts will be about some of the authors I’ve interviewed so far. I’ll be asking them a little more about them selves and how they enjoyed ( or dreaded!) the experience. How it was for them… kind of thing!!

About Debby Campbell

Country music singer and activist for Alzheimer’s, Debby Campbell was born in Albuquerque, New Mexico in 1956 to Diane Kirk and Glen Travis Campbell. She is the eldest of 8 children and the daughter of the most famous “Rhinestone Cowboy” Glen Campbell. Debby loved singing from an early age and spent many summers with her dad on tour, and in the television studios with his Glen Campbell Goodtime Hour television show.

Debby graduated high school in England living with her mom and step-dad Jack, while her step-dad was in the Air Force. Her dad, Glen became a world sensation, and would perform in England and send for Debby so she could spend time with him.

In her early 20’s, Debby married and became a mother of 3, two boys and a girl. She lived in Italy, and the US during this time and currently loves being a grandmother to 6 grandchildren and 1 great-grand child.

In the mid 80’s Debby became a flight attendant and today, remains flying international as well as domestic.

In 1987 Debby became part of her dad’s show on tour as a featured singer, along with her full time job as a flight attendant. She toured and traveled with the Glen Campbell show for 24 years, which included travels to Europe, Australia, New Zealand, Tasmania and Bermuda and so many more. Many of the Glen Campbell fans became loyal fans & friends of Debby’s and she has remained friends with them today.

Her appreciation for Country music landed her with her own show in Branson, Missouri at the Roy Clark Theatre in the early 90’s. She continued her career as a featured singer at the Grand Palace with her dad and then on to her Dad’s Theatre –The Glen Campbell Goodtime Theatre and ending with a residency at the Andy Williams Moon River Theatre.

Debby’s bragging rights include hosting the Jerry Lewis MDA Telethon, performances at the Grand Ole Opry, opened for greats and Grammy Award artist such as Charlie Daniels, Jerry Reed, Eddie Rabbit, Colin Raye, and performing the National Anthem for the National Finals Rodeo in Las Vegas. She is an author of her recently released book titled “Life with My Father Glen Campbell”. She has also been credited with recording duets with her dad on “United We Stand”, “Let It Be Me”, and “Little Green Apples” and on multiple recording of Glen’s “Live with South Dakota Symphony” on CD and DVD. As Glen recorded some of his final music, Debby was instrumental on background vocals.

Debby is active with the Alzheimer’s cause and finds time for her first priority, family and friends. She golfs, enjoys bowling, travel and of course singing.

Link to Debby’s website: http://DebbyCampbellmusic.com/

Burning Bridges: Life With My Father Glen Campbell

The Glen Campbell story is one of exceptional musical talent, a glittering career and a frequently disturbed personal life. In August, 2017, after battling Alzheimer’s disease, his death was announced to the world.

This celebratory Omnibus enhanced edition of Burning Bridges: Life With My Father Glen Campbell includes both an interactive digital timeline of his life, filled with videos and images of live performances and interviews, as well as a Spotify collection of the greatest recordings that Glen Campbell ever made.

As a studio musician Campbell contributed to countless Sixties and Seventies records; as a solo artist he produced the classic hits GalvestonBy The Time I Get To PhoenixWichita Lineman and Rhinestone Cowboy; he had a successful US TV show, co-starred with John Wayne in the film True Grit, and was lauded for his talents. However, a series of failed marriages saw this shining star fall heavily into serious substance abuse, and the fabric of his life unravelled.


Persistent short-term memory loss resulted from this turbulence and Glen Campbell would have few constants in his life as the years waned on. One of them, however, was the co-author of this book, his daughter Debby. She witnessed his struggles and suffering, both musically and personally, as well as the beginning of his decline into Alzheimer’s disease.

Burning Bridges: Life With My Father Glen Campbell is a loving but unflinching reminiscence of a multi-talented musician, a troubled man and a father. Debby Campbell provides a poignant, eye-witness account of a musical legend like no other.

Links to buy:

Amazon – kindle version: Burning Bridges: Life With My Father Glen Campbell

Amazon hard Cover: Burning Bridges: Life With My Father Glen Campbell

A short note from Showboat tv

Actually, two zoom interviews have been uploaded with the incredible Debby Campbell, daughter of the legendary country singer, Glen Campbell. In Booksmart, she talks to Judith Barrow about her book documenting her life of the road with her father, while on Inside Notes, she discusses her latest album plus her new single “Sunflower”.Watch them for a limited time free of charge on the homepage www.showboat.tv

And here Showboat TV tells us how to watch anytime

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Our Past Shapes Our Present And Our Future. (Whether We Like That Or Not) #BOTY2021 #memories #secrets #TheMemory #ThursdayThrowback @honno

Seeing the results of the Wales Book of the Year Award 2024, and reading one or two of the books of the shortlisted authors over the last month, brought back memories of 2021 when I was nominated for the Literature Wales Book of the Year Award. It still feels strange.

The Memory was published around the first week of the first lockdown and I thought it became lost in all the disruption and anxiety of the pandemic. So, when I first heard that the book was being nominated, it was a complete surprise. Naturally I was also thrilled because, at that time,The Memory was so different from my first four novels, which are historical family sagas. And I wasn’t sure how it would be received by the readers who had enjoyed those books. So, to be recognised by Literature Wales for the Wales Book of the Year Award 2021, The Rhys Davies Trust Fiction Award, was a great accolade for me.

I believe we are all affected by our pasts; experiences that shape our present and future. And, as writers, memories feed our stories. Families fascinate me: the love, the loyalties, the rivalry, the complex relationships. Layers that are in all families. The casual acceptance of one another in a family can bring the best and the worst out in all of us, so there is a wealth of human emotions to work with. This is how The Memory evolved. A little of the background comes from a time when I was a carer for my aunt who lived with us. She developed dementia and I kept a journal so we could talk about what we’d done each day. Many years after she’d died, some of those recollections crept into The Memory. And then there are the memories from my childhood, when I had a friend who was a Downs Syndrome child. The affection she gave, the happiness that seemed to surround her, is something I remembered long after she died of heart failure at the age of eleven. And I wanted that love to be a huge part of the book, a main theme. Fundamentally it’s the story of a secret that is never discussed within a family, but which has had a profound lifelong effect on the relationship between the mother and daughter. The Memory is sometimes poignant, sometimes sad, but is threaded throughout with humour.

Reviews for The Memory:

“… As a reader, when a character becomes as completely real to me as Irene does, I often find myself wondering what happened next for her. But Irene’s story is so perfectly and elegantly resolved that I know without a shade of doubt what her future holds.The Memory is not a comfortable or easy read. But if you’re looking for a beautifully written, character-driven story with a dark base but superb resolution, it just might be the perfect choice.”

” …The writing is what I’ve come to expect from Judith Barrow. The effortless prose brings a fresh quality to the mundane and familiar.
There’s also a building menace to the book and a sense of foreboding that drives you on right to the surprising end.
The Memory is a remarkable book and I wholeheartedly recommend it.”

When The Memory was shortlisted for the Wales Book of the Year Award in 2021 I was also pleased for Honno. I’d been published by them for many years and I believe it also gave them some much deserved recognition.

And I’m thrilled that Honno will be publishing my eighth book with them in November.

The Stranger in My House.

After the death of their mum, twins Chloe and Charlie are shocked when their dad introduces Lynne as their ‘new mummy’. Lynne, a district nurse, is trusted in the community, but the twins can see her kind smile doesn’t meet her eyes. In the months that follow they suffer the torment Lynne brings to their house as she stops at nothing in her need to be in control.

Betrayed, separated and alone, the twins struggle to build new lives as adults, but will they find happiness or repeat past mistakes? Will they discover Lynne’s secret plans for their father? Will they find each other in time?

The Stranger in My House is a gripping ‘cuckoo in the nest’ domestic thriller, exploring how coercive control can tear a family apart. Set in Yorkshire and Cardiff, from the 60s to the winter of discontent, The Stranger in My House dramatises both the cruelty and the love families hide behind closed doors.

“Judith Barrow’s greatest strength is her understanding of her characters and the time.” TerryTyler


Ann Hatton ( Ann of Swansea) and Sarah Siddon #FamousSisters #relationships #families #stage #actresses, #authors #poetry @honno

Sisters Ann of Swansea and Sarah Siddon

Ann Hatton and her older sister Sarah, were the daughters of Roger Kemble and Sarah Ward, who led a troupe of travelling actors. Sarah was born in Brecon in July 1755, Ann, otherwise known as Ann of Swansea, in Worcester in April 1764. There were ten other siblings.

All, except Ann, were early performers on stage with their parents.Considered by her family to be unsuitable to be on stage, owing to a disability (she had a slight limp), Ann was more or less excluded from the family. Later in life she often said she received little love from her parents, and that her education was neglected.

In contrast Sarah was well educated, adored by her parents, and performed her first major Shakespearean role, as Ariel, at the age of nine.

Yet both fell in love with men whom their mother and father thought unsuitable. Ann, at the early age of sixteen, married a man called Curtis who was actually already married, and was later convicted and jailed for bigamy. She was considered to have brought disrepute on the family and was cast out by them; their only concern was their determination to validate their respectability within the theatrical world.

Sarah was dealt with in a different way. Initially sent away to work as a lady’s maid because she began a relationship with William Siddons, (one of the members of her father’s troupe), she was soon forgiven by her parents, who gave their blessing for her to marry William. Sarah was then allowed to continue her acting career. She was so outstanding that she was noticed by David Garrick, actor, playwright, theatre manager and producer, who took her to London to appear on the stage at Drury Lane, although her first role at Drury lane wasn’t a total success.

Rejected and isolated Ann became increasingly depressed and suicidal, actually attempting suicide in Westminster Abbey. She lurched from one catastrophe to another. After her failed marriage she attempted to earn her own money by working for a Dr James Graham, a sex therapist, who ran a business called the Temple of Health and Hymen, in Pall Mall. Her family was enraged to discover he advertised the lectures Ann gave as “given by Mrs Curtis, Mrs Siddons’ younger sister”.

In 1783, Ann produced her first volume of poems, (Poems on Miscellaneous Subjects). Again she gained her family’s wrath; she published the collection under the name of “Ann Curtis, sister of Mrs Siddons”.

The Kemble family was determined to disassociate themselves from Ann, so Sarah, joined with one of their brothers, granted Ann a yearly allowance, but only with a condition that Ann lived at least a hundred and fifty miles away from London.

The annual payment meant that Ann’s reputation and station in society became more acceptable, and in 1792 she married William Hatton.

They emigrated to America, and it was here that she wrote her opera libretto Tammany (otherwise known as The Indian Chief), which was given its première on Broadway. This was the first known libretto written by a woman.

Following the triumph of her libretto, Ann and William returned to Britain, and by 1799, had settled in Swansea in South Wales, where they ran a bathing-house and lodgings near the coast until William’s death in 1806. She then moved to Kidwelly. One of her poems, Swansea Bay, describes her emotions as she left Swansea. Eventually, she returned to Swansea in 1809 where she settled down to write her poetry and Romantic novels. These encapsulated themes of social and moral parody,(sometimes with gothic leitmotifs). She used the pseudonyms of “Ann of Swansea” and Ann of Kidwelly.

Many of her books were set in Wales; Cambrian Pictures, published by my publishers, Honno, is one of them.

Sarah and her husband William, took up the life of a travelling thespian, playing many parts all over the country. She cleverly chose roles that made her more popular, that protected her image and preserved her reputation as a wife and mother of five children, as well as an actress. This helped her to avoid any rumourmongering and scandal that usually plagued actresses at the time. She ultimately became Britain’s most renowned and highly paid actress in the 1780s, much sought after by equally famous painters, such as Sir Joshua Reynolds, to sit to have her portrait painted. She even gave private readings for the king and queen at Windsor Castle and Buckingham House. Reputed to have a striking stage presence she became most famous for her role as Lady Macbeth; a role she was reported as played to perfection, and she was also called the Queen of Tragedy.

But, after thirty years the marriage between Sarah and William became strained and they separated.

She retired from the stage in June of 1812, playing Lady Macbeth in Macbeth. So enthralled by her performance were the audience that they continued clapping when she finally left the stage and the play ended there.

She died in 1831 and was buried in St. Mary’s, Paddington. Her funeral was attended by thousands, and a statue of her was later created by Francis Legatt Chantrey and erected in Westminster Abbey (ironically, as I said, earlier, the place where her sister, Ann attempted suicide after her first marriage to the bigamist, Curtis, and when she was both ostracized by her family, and desperately poor). .

Ann died and was buried in 1838 in a churchyard in High Street, Swansea. She left most of her belongings to her servant Mary Johns, executor of her will, as a “very small remuneration for her affectionate, honest and undeviating conduct” for almost 16 years.

At no time in my research for this post, did I discover that the two sisters ever met again.

It occurred to me that, sometimes, it is only through fate and coincidence that estranged families are forced into contact. And so it is for the two sisters, Angie and Mandy (later known as Lisa) in my next book, Sisters. Due to be published by Honno on the 26th January 2023, I’m thrilled that it’s now available to be pre-booked.

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Remembering Past Places in our Memories #memories #writerslife #houses #holidays #family #amusementparks #countries #SundayVibes

There are places that remain in our memories, the details may become slightly blurred, nostalgia may colour our thoughts, but they don’t fade. And how those places made us feel at the time is the one thing that remains.

This is a round-up of the Places in our Memories posted over the last few weeks. There have been some wonderful memories shared by writers from all over the world who have joined in the series so far:

Thorne Moore tells us about her first real grasp of history. “The past was just under my feet and nothing was permanent after all…”

https://tinyurl.com/2vmwx53r

Carol Lovekin recalls how much her mother has influenced her life

https://tinyurl.com/26ua74jt

Sally Cronin enthralls us with memories of her childhood of Ceylon, now known as Sri Lanka, 

https://tinyurl.com/yc32zjh9

Robbie Cheadle tells us about her life as a child and how she’d lived in twenty-one houses and attended fourteen schools, before the age of twelve. And of her love for her sisters…

https://tinyurl.com/4cpjuk7h

Teagan Ríordáin Geneviene remembers an old amusement park, a memory that gave background to her books…

https://tinyurl.com/473desej

D G Kaye poignantly recalls one memory that is forever engraved in her mind and heart of her beloved husband.

https://tinyurl.com/yd8835yn

Terry Tyler recalls family holidays on the Norfolk coast, and the genuine gypsy caravan in the garden of their holiday home.

https://tinyurl.com/2z5rh3mu

Alex Craigie shares memories and photographs of her childhood home.

https://tinyurl.com/35pkn288

And then there are my own memories of the street I lived in until the age of five, and the area where I grew up.

https://tinyurl.com/zu7wu94u

Tomorrow we begin another round of Places in our Memories. I hope you enjoy reading them as much as I do.

Walking the Taff Trail – Well a small section of it anyway. And more of a stroll than a walk. #walks #cycling #photos #ThursdayThrowback #memories #history

An update to my post: Tongwynlais: Historic tollhouse given new lease of life:https://www.bbc.co.uk/news/uk-wales-62718289

Edmundo Ferreira-Rocha, of Cardiff council’s Urban Park Rangers, and councillor Linda Morgan cut the ribbon at the opening ceremony. © Tongwynlais Historical Society.

© Tongwynlais Historical Society.

Villagers have restored the shell of a historic “unloved eyesore” tollhouse demolished more than 70 years ago. The original building was among hundreds used to collect money from 18th and 19th century travellers. Volunteers in Tongwynlais, on the edge of Cardiff, have spent more than a year rebuilding it as the first step towards creating a local history trail. “Our volunteers have been fantastic,” said Sarah Barnes, of the Tongwynlais Historical Society.

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Before this wonderful restoration granddaughter and I walked the Taff Trailso thought you might like to see the before and after. Or, in the case of this blog, the “after and before”.

Put a lovely sunny day, with a dog desperate to go a walk, with a granddaughter who needs to be dragged from her mobile and bribed by the thought of a chocolate brownie and a drink of Sprite, and there was only one place to head for, the cafe in the garden centre at the end of the Taff Trail in Radyr.

The Radyr section of this lovely river walk is one we’ve done often

But this time we decided to meander along various smaller paths, even though we needed to retrace our steps numerous times. I was so glad we did because look what we found:

The tollhouse, once used by the Pentyrch and Melingriffith Iron and Tinplate Works in the late 1800s

Thanks to the Tongwynlais Historical Society ( co-founders,Sarah Barnes and Rob Wiseman) the Tollhouse returns to life. What was once nothing more than a few visible bricks covered in 70 years of vegetation, is now a recognisable shell complete with growing wildflower garden

I thought I’d better seek permission to add some of the photographs from the Tongwynlais Historical Society. I made contact with a very helpful chap, Jack Davies, whose fascinating website also contains an article about the Tollhouse and other history of the village: https://tongwynlais.com/history/

Granddaughter, Seren, with soulful companion, Benji, who patiently waited to continue his walk.

Seren also very kindly leant a hand to point out this lovely heart shaped stone, with a wonderful inscription:

Which immediately brought to mind (well, my mind anyway), my book, The Heart Stone, which was published by Honno, in 2021: So, never one to pass up on an opportunity…

The inspiration for The Heart Stone partly came from research for my degree on The First World War some years ago; a subject that both fascinates and repulses me. At the time I’d found my grandfather’s army records and discovered he’d volunteered to join the local Pals Battalion with two of his friends, although they were all underage.

I only ever remember him as a small man who spent his days in a single bed under the window in the parlour, who coughed a lot, and was very grumpy. He died when I was eight.

There was no conscription at the beginning of the war. The Pals Battalions were formed, to answer Lord Kitchener’s call for volunteers, by encouraging local magistrates to drum up community spirit and patriotic fervour.

 The gist of the speeches used were that young men,”…  should form a battalion of pals, a battalion in which friends will fight shoulder to shoulder for the honour of Britain and the credit of their town and villages.”

 My grandfather was gassed in 1916 near the Somme. He was also shell-shocked and was unemployed for the rest of his life. Once, my mother told me he had never spoken of his experience but had suffered nightmares for as long as she could remember. And that there were whole streets around the house where they’d lived where the men had never returned.

It’s a haunting image.

Four years ago, after my mother passed away and we were clearing her home, I found my grandfather’s army papers again.

 During the following week, whilst my husband and I were walking along the Pembrokeshire coastal path, we found a smooth stone, almost heart shaped, placed on top of a cairn amongst the Marram grass. Picking up the stone to examine it, a folded paper blew from underneath. There had been words on it but were, by then, indecipherable.

 A love note, I thought; a love note under a heart shaped stone.

 A love note, under a heart shaped stone, from a young man who had never returned.

 And so The Heart Stone started to form.

The Heart Stone was published by Honno Press in Feb 2021

And a Review of The Heart Stone:

https://amzn.to/3bCkx8w

And a buying link:

Amazon.co.uk: https://amzn.to/3hupbc1

Also available from Honno

And a little bit about me:

I’m,originally from Saddleworth, a group of villages on the edge of the Pennines, but have lived in Pembrokeshire, Wales, for over forty years.

I have an MA in Creative Writing with the University of Wales Trinity St David’s College, Carmarthen. BA (Hons) in Literature with the Open University, a Diploma in Drama from Swansea University. I’m also is a Creative Writing tutor and hold workshops on all genres.

And here I am:

https://twitter.com/judithbarrow77
https://www.facebook.com/judith.barrow.