My Series of Author and Poet Interviews. at the Narberth Book Fair.

Over the next few weeks I’ll be posting interviews with the authors and poets who will be taking part in our Book Fair:  http://www.narberthbookfair.co.uk/.

There are forty of us so, obviously, there are many genres for both adults and children. There will be talks an writing and books, creative writing workshops for adults and fun workshops for children, activities for the children and a fun book trail through Narberth, the gorgeous little market town in Pembrokeshire.   

All free!!

And, of course, there will be the chance to chat with all the authors and to pick their brains on all aspects of writing. Even to buy their books and have them personally signed.

And, as usual, there will also be the writing competition: this year is a poetry competition: Submit a poem, in any form, of 20 lines or less, on the subject of : –

BOOKS AND READING.

Having outgrown our previous venue we have been lucky to hire the Queens Hall: https://www.thequeenshall.org.uk/ who have been very generous in their support of the event.

Although, five years ago,  I started organising the book fairs on my own I was soon joined by Alex Martin: http://amzn.to/2hZCgt2  and Thorne Moore: http://bit.ly/2rc5qyA. Unfortunately Alex has moved on to pastures new  (although is still a great supporter), so Thorne and I have been joined by Elizabeth Sleight. Elizabeth is involved in the charity we are supporting through our raffle; The Harriet Davis Seaside Holiday Trust For Disabled Children: http://bit.ly/2sNyeKQ . 

Today I’m really pleased to be chatting with the first of our poets, Helen Williams.

 

Helen Williams

May I start, Helen, by asking you why you write?

To write is to believe there is hope that people can communicate and comprehend one another. To write is to pick up and weave one slim thread in the warp and woof of literature.

What is the ultimate goal you hope to achieve with your writing?

For it all to sound as if it came effortlessly and for it to make sense to at least one other person.

What book that you have read has most influenced your life?

Probably Adrienne Rich’s Of Woman Born. I first read it when my eldest son was 10 months old, when being a female head of household, sole earner, provider and mother was relatively new to me.

Who is your favourite author?

Depends on the day of the week, the time of day, and my mood at the time. Could be Ezra Pound or H.D., Willa Cather or Colm Tóibín, Walt Whitman or Emily Dickinson, Allen Ginsberg or Adrienne Rich, Louise Erdrich or Toni Morrison, Diane Glancy or Margaret Atwood, Cormac McCarthy or Baudelaire, Robert Browning or Elizabeth Barrett-Browning — I could go on!

How many books have you written? Which is your favourite?

Two monographs and more articles and contributions to conference proceedings etc. than I can remember. I guess I’d have to say Native American Literature: Towards a Spatialized Reading was my favourite, because it marked a departure from anything else I’d done before. It was exciting to move into this area which is fraught with cultural sensitivities and to explore so many excellent authors who are barely know in this country. But I have a soft spot for two essays on Adrienne Rich that book-ended my academic career. The first one arose directly from my experiences in a feminist consciousness-raising group in the early Eighties: “Adrienne Rich: Consciousness Raising as Poetic Method” in Contemporary Poetry Meets Modern Theory, and the second was a chance to write a retrospective account of my life-long admiration of the US radical feminist poet: “Adrienne Rich: Introducing the Selected.” in Selected Poems: From Modernism to Now. I have very happy memories of the conference at Caen where I delivered the paper the essay was based on, and also gave a reading of my poems about Southport beach.

Now I write predominantly poetry, I’m really enthusiastic about my chapbook, The Princess of Vix; I feel I’ve managed to include lots of my thinking about myth and history and combine it with my deepest feelings about motherhood and mother/daughter relationships.

What genre do you consider your books? Have you considered writing in another genre?

Mostly, I’ve published academic writing. In addition to monographs, essay collections, journals and things like the Cambridge Introduction series, I’ve published a lot of lectures and materials online because I wanted to share as much knowledge and understanding as I could. But I’ve always written poetry and published it in little magazines, etc. Now I’m writing, performing and publishing poetry more than any other genre. But I have also edited my mother’s memoir and I am currently writing a novel. I’ve also written a few plays and what might be a Sci-Fi children’s book. So, I’ve explored most of the traditional literary genres.

Could you tell us a bit about your most recent book and why it is a must-read?

princess of vix

The Celtic Princess of Vix, whose burial chamber was discovered at Vix, a small village close to Châtillon-sur-Seine in Burgundy, was crippled due to injuries sustained in child-birth. This sequence dramatizes poetic identification with the female, Iron Age shaman, whose distorted, pained figure marked her out as different. I delve into the strong emotions associated with motherhood, evoking a series of feminine archetypes associated with Greek, Etruscan and Celtic culture. The Vix Princess officiates at an autumn ritual that synthesizes elements of Greek, Etruscan and Celtic culture. Her daughter, the Kore, is at the heart of the ceremony, which thus becomes a rite of passage. The third major figure in this drama is an Etruscan foot soldier, who has migrated to Vix, without having yet had experience of battle. And the fourth major figure is the Hecate or Hag; thus, completing the triple aspect of the Goddess and of women’s lives, from Virgin to mother to old woman, who has seen and experienced it all before and is now a spectator of the continuing, female drama. I would say it is a must read for anyone who wants to think about what it is to be a daughter, a mother, or a grandmother. And it’s not just for women; anyone who is fascinated by Greek and Celtic myth will find a new perspective on some fundamental myths here.

What was the inspiration behind The Princess of Vix?

Complex, varied and deeply personal.

How long did it take you to write The Princess of Vix?

I wrote the first draft of the sequence over an autumn and winter. Each time I completed one poem, the next one would start to emerge. The drama gradually unfolded for me, as it does for the reader.

When did you write your first book and how old were you?

I wrote and directed my first play when I was eight years old. Does that count?

Do you have any hidden or uncommon talents?

I taught in Higher Education for 33 years (39 if you count the first six as a sessional tutor); so, I guess most of my talents have been on very public display most days of my working life. You’d have to ask all the people I taught what talents I have; I know that many of them had incredible talents and I felt humbled and grateful to be their tutor and mentor.

What would you say is your interesting writing quirk?

Modernism and post-modernism had a strong influence on me from an early age, so my writing probably displays traces of US and French modernist styles. But it’s usually easier for the objective reader to see these things than the author herself. And besides bits of Romanticism probably creep in when I’m not looking.

What do you like to do when you’re not writing?

Read; tend my garden; spend time with my family, cook, walk, knit, read, watch French films without English subtitles, travel in Europe, read some more.

What is the most amusing thing that has ever happened to you? Not particularly to do with your writing.

I got bladder cancer, whose main cause is smoking even though I was a virulent anti-smoker all my life.

Give us a random fact about yourself.

I’m left handed.

Helen’s Bio:

Helen May Williams is a poet and author, living in West Wales. She has written extensively on twentieth-century poetry and formerly taught at the University of Warwick, where she was a founder member of the Warwick Writing Programme Advisory Board. She runs the Poetry Society’s Carmarthen-based Stanza group and is an active member of Penfro Poets.  She recently completed a translation of Michel Onfray’s “Before Silence” (“Avant le Silence”), a volume of 21st century haiku.  Her poems have appeared in numerous poetry journals and anthologies. 

Helen’s Links:

The Tenby Book Fair is moving and Being Renamed…The Narberth Book Fair. Ta dah!!

narberth-logo-100

Welcome to the first post of the Narberth Book Fair.

Just to let you know that we have decided we have outgrown the Church House in Tenby.  Having searched around for a suitable place we have found the perfect venue. So the Tenby Book Fair will no longer be held in Tenby. In fact it will no longer be the Tenby Book Fair but the Narberth Book Fair. We are quite excited  to be having a new challenge and I’m sure we will be bigger and better… just in a different hall. In a different town.

From now on the Book Fair will be held at the Queens Hall there. Check out their website    https://www.thequeenshall.org.uk/. As you can see it’s a vibrant and busy venue in a bustling little town full of interesting shops, antique places, cafes and restaurants. And there is a large nearby car park. But, sorry… no beach.

The date will be Saturday, the 23rd September. 10.00am to 4.oopm.

I’ve been to a few craft fairs at the Queens Hall with my books and always there is plenty of footfall.

A little information on Narberth; the former capital of Pembrokeshire boasts one of the best high-streets in the county. It’s a gorgeous little market town in the east of Pembrokeshire. Multi coloured Edwardian and Georgian buildings line the high street which has developed quite a reputation as a shopper’s heaven. many of the cafes, pubs and restaurants are award winners..

Transport:  Narberth has a railway station about a mile outside of town. And there are quite a few taxi firms based around and in Narberth. And, I’m sure, one or two of the authors who would be willing to pop there to meet stranded fellow authors 

Accommodation: Check out this website: http://bit.ly/2grbFXY. But I’m sure there are more dotted around

The History of Narberth:

narberthcastle_banner_1024

The town has grown around the walls of its stone castle, but the name is older than the castle. Narberth is derived from ‘Arberth’, the pre-Norman name for the district (or commote). This Celtic heritage is also represented in the myth and legend of the Mabinogion – ancient Welsh folk tales that were written down in the 14th century, originating from an earlier tradition of oral storytelling. Two branches of the Mabinogi in particular are centred on ‘Arberth’, which was reputedly the court of Pwyll, Prince of Dfydd.

So.. we have already had many of our usual authors wanting to take part in our inaugural book fair in Narberth. But we’re always thrilled to welcome new authors. Those interested in taking part please contact me: judithbarrow77@gmail.com 

narberth-logo-100

c392a-tenby2bheaderTenby Book Fair is approaching 24th September (this next Saturday!) and there are six events you can attend.
All three publishers will be giving talks and taking questions —

Honno, which has been publishing Welsh women, classics and contemporary, for thirty years (Happy birthday Honno!)

Firefly, founded in 2013, and already winning prizes, is the only publisher in Wales devoted to children and young adults

Cambria Publishing Co-operative provides all manner of help – editing, graphic design, printing etc – for indie authors.

There will also be talks by three authors.
Colin R Parsons writes very popular fantasy and science fiction for young people and has given many talks and presentations at schools.

Kathy Miles is a prize-winning poet who will be reading some of her work.

Matt Johnson, ex-soldier and police officer, will be talking about how he came to write his thriller, Wicked Game.

Places are limited, so if you would like to reserve a place at any of these talks, email judithbarrow77@gmail.com

Tenby Arts Festival 2016: Day Three: Monday 26th September.

Tenby Arts Festival 2016: Day Two: Sunday 25th September.

Tenby Arts Festival 2016: Day One: Saturday 24th

instruments_flat_transimages

Brass Ensemble

To announce the opening of the festival with a swing, a brass ensemble will perform a medley of popular musical numbers.

Outside St Mary’s Church
High Street

11am

Free


 

Book Fair                               11998866_10152946036952132_7601875809175322308_n

For the fifth year running the Book Fair is the popular opening event in Church House for the Tenby Arts Festival. We will have twenty-eight authors and two publishers for all to chat with, who are either Welsh based or have set their books in Wal12049533_502977976546241_4653897117982364739_nes. There will be three competitions this time: an adults short story competition, one for teenagers and one for children. Details to be announced separately in May through the media.
Talks, books, relaxing music, refreshments; a morning of friendly chatter and discussion – a great morning for all.

Here is what a visitor said of last year’s fair (see picture):

“This weekend I’ve attended the Book Fair at the Tenby Arts Festival. Having seen the busy London Book Fair last year and on the other end of the spectrum some deserted halls with only two tables and four attendees elsewhere, I was pleasantly surprised to find a good vibe and a great buzz in a busy hall with lots of mingling and literary delights.”

Church House
11am – 3pm

Free


 

Sand Circles

Marc Treanor

Rhydygors.jpg.opt390x222o0,0s390x222

DSC_0804.jpg.opt390x588o0,0s390x588

 

 

 

 

 

The essence of all you see, only exists because of a very profound order of certain repeating mathematical formulas that create the foundation of all matter, from atoms to galaxies. Sacred Geometry is the ancient science that explores and explains the energy patterns that create and unify all things, and reveals the precise way that the energy of Creation organises itself. On every scale, every natural pattern of growth or movement conforms inevitably to one or more of these geometric shapes. The strands of our DNA, the cornea of our eye, snow flakes, pine cones, flower petals, diamond crystals, the branching of trees, the path of lightning, a nautilus shell, the star we spin around, the galaxy we spiral within, and all life forms as we know them emerge out of timeless geometric codes. Sacred Geometry may very well provide the answers that you have been looking for.  (http://www.maya48.com/)

The patterns Marc creates on the beaches are all inspired by sacred geometry. The idea of ‘sacredness’ transpires from the  realisation that these patterns appear everywhere from the very small, the quantum field or the microcosm, to the very large, the cosmic realms or the macrocosm.

North Beach

Free

 

Jack Harris                          Jack Harris

Jack Harris writes and performs literate, compassionate songs, about subjects as disparate as Caribbean drinking festivals, the colour of a potato flower and the lives of great poets like Sylvia Plath and Elizabeth Bishop.
These have won him considerable acclaim. The Telegraph voted his album ‘The Flame and the Pelican’ #5 in their top 10 Roots/Folk albums of 2012. Q magazine praised his ‘unique lyrical mind’, and Maverick UK awarded the record its full 10/10 rating.
Jack is happiest when playing live. He has brought his music to a loyal, ever-growing audience, at festivals, venues and skating rinks across the world. On occasion he has opened for some of Folk’s biggest names, including Anais Mitchell, Cara Dillon and Dick Gaughan. His live show is a riveting mix of song craft and theatrical story-telling, delivered with warm voice, dry humour and nimble, string-picking fingers. Come on out and see.

Church House
8.00pm

£10

 


 

Cantemus

The Messiah

UnknownScreen Shot 2015-05-14 at 11.48.31

Under the baton of Welsh National Opera chorus master, Alexander Martin, singers from all over Pembrokeshire and beyond, choir members or not will rehearse and perform Handel’s Messiah  in the beautiful surroundings of St Mary’s Church.

Born in London, Alexander Martin studied Music at St John’s College, Cambridge, and the piano at the Royal College of Music in London. In 1992 he was appointed répétiteur at the Opéra National de Lyon in France under Kent Nagano. From 1995 to 1998 Alexander spent four seasons in Germany as répétiteur at the Opera, and répétiteur and conductor at the Hesse State Opera in Wiesbaden, before returning to live in France to pursue a freelance career. He has worked as guest conductor, assistant and coach for Lyon, Marseille, Avignon, le Capitole Toulouse, l’Opéra National du Rhin (Britten’s The Rape of Lucretia), La Monnaie, le Grand Théâtre Geneva, as well as for Aix-en-Provence, Glyndebourne, and Montepulciano Festivals. Alexander also worked closely with Philippe Jordan Britten’s Peter Grimes and The Turn of the Screw (Graz), and collaborated with René Jacobs in Rome for Tancredi. Following three seasons as Chorus Master in Bern (where he also conducted Cendrillon and Dave Maric’s Ghosts), Alexander worked as Chorus Master at the Opéra National de Bordeaux from 2010-2014. During this time he also worked in Bayreuth with Philippe Jordan on Parsifal (2012). He became Chorus Master at WNO at the start of this season.

The choir will be accompanied by Jeff Howard, organist.

Jeffrey Howard was born in Cardiff and studied at the University of Wales College, Cardiff, and the Royal Academy of Music, specializing in organ performance and church music. Since graduating, he has pursued a freelance career as organist, pianist, singer, coach and conductor. He has accompanied leading international singers including Bryn Terfel, Sir Willard White, and, Rebecca Evans.

Jeff has performed throughout the United Kingdom and Europe including the Wigmore Hall, The Goethe Institute, Brussels, and St. Paul’s Cathedral, and has worked with orchestras such as The Orchestra of the Age of Enlightenment, and the Royal Philharmonic. He made his Royal Albert Hall debut in 2002 as soloist in Shostakovitch’s second piano concerto. Recent performance include performed Rachmaninov’s second piano concerto and Beethoven’s Emperor Concerto at St. David’s Hall, Cardiff with the Cardiff Philharmonic Orchestra and a recital with Bryn Terfel at Philharmonic Hall, Liverpool.

Jeff frequently provides arrangements for the BBC National Orchestra and Chorus of Wales, S4C and various solo artists. He is accompanist, singer and arranger for Only Men Aloud!, winners of the BBC competition ‘Last Choir Standing’ who recently won a Classical Brit Award for their second album on the Universal label. Jeff is also involved in cabaret and music theatre having worked with names such as Michael Ball, David Owen Jones, Peter Karrie, and more informally, Dame Shirley Bassey!

For the past 18 years, Jeffrey has held a post as vocal coach at the Royal Welsh College of Music and Drama and at Welsh National Opera and Welsh National Youth Opera.

For those wishing to join the choir there will be rehearsal before the performance during the day. There will be a charge of £10 for those taking part and in addition a refundable deposit for copies of the music/text.

St. Mary’s Church

Rehearsals will be at 3pm – 5.30pm
Performance 6.30pm – 8pm

Tickets £8 


 

 


 

Enquiries to: tenbyartsfestival@yahoo.co.uk

 Mutterings by author, Thorne Moorethorne header

This is a post copied and posted from  Thorne Moores’s website.

Fair Play – why book fairs?

 

I’ll be taking part in a small flurry of book fairs soon: The Rhondda, on September 3rd, Tenby  (which I am helping to organise) on September 24th, and Carmarthen on October 1st.

  
Tenby Book Fair 2015
 

To stand at a stall, offering my wares, might seem a very Mediaeval way of going about things in the days of internet ordering and e-books. Besides, what are bookshops for, if not to provide any book that anyone is looking for? Literary festivals like Hay, with big names addressing crowds of fans are all very well, but why bother with book fairs?

The reason is that for most of us authors, such events are the only occasions when we get to meet our readers in the flesh, to discuss our work and hear their opinion. We write for ourselves, mostly, and perhaps to please a publisher or agent, but ultimately, since we choose to be published, rather than storing our work in notebooks under our bed, we write for “the reader” out there, who will devour our polished words. It becomes a somewhat surreal situation if our readers never materialise in the flesh. We need the contact to keep it real.

A fair also allows us to meet our fellow authors, in an atmosphere where everything is all about books, and sometimes it’s very healthy to escape the private isolation of writing and remind ourselves that we are not alone. There are other people as obsessed with writing as us.

For indie authors, who self-publish, and who want to rely on more than Kindle sales on Amazon, fairs can be almost the only way to put their printed books out there, for people to see. Many bookshops simply don’t stock independent authors. An ISBN number is not enough to get you on the “List.” And for us conventionally published authors, there is no guarantee that bookshops, even their local bookshops, will pay them any attention whatsoever. If you are lucky, you might find a copy of your book, buried in a dark corner, out of sequence, while the front displays concentrate on the highly promoted big names. If you are in the hands of one of the mega-publishing houses, which sees you as a potential block-buster in WH Smiths or on airport concourses, then they might send you off on tour round the country or the world, to meet your readers. They might flaunt your book cover on billboards for you. 99% of authors don’t get that treatment, so we have to put ourselves out there.

And that’s what book fairs are for. So do come. We’re a rare breed and well worth gawping at.